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Color name
HEX #C89F47

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C89F47 it is the complementary color #3760B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C89F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C89F47 shade: #CD9F42, #DEB155, #EFC368, #FFD57B and #FFE78E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C89F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C89F47 shade: #C89F47, #B78D34, #A67B21, #95690E and #845700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C89F47 shade: #C79E46, #C77B46, #C75846 and #C74646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C89F47 shade: #C79E46, #C7C146, #ABC746, #88C746 and #65C746

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C89F47 shade matches the following richer shades: #C79E46, #DBA533 and #EEAC1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C89F47 shade: #C79E46, #B49759, #A1906D, #8D8980 and #7A8293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C89F47 shade: #C75746, #C77A46, #C79C46, #C7BF46 and #ADC746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C89F47 shade: #90702B, #B08934, #C79E46, #D1AF66 and #DABF85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C89F47 shade: #C89F47, #57C746 and #6846C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C89F47 shade: #C89F47, #46C79C and #9C46C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C89F47 shade: #C89F47, #57C746, #4671C7 and #B646C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C89F47 shade: #C89F47, #46C75C, #4671C7 and #C746B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 65 / 22

HEX #C89F47

RGB 200 159 71

HSL 40.93, 0.54%, 0.53%

LAB 67.67, 5.59, 50.45

 

Complementary color

CMYK 70 / 48 / 0 / 28

HEX #3760B8

RGB 55 96 184

HSL 220.93, 0.54%, 0.47%

LAB 42.21, 15.69, -50.81

 

CMYK 0 / 22 / 68 / 20

HEX #CD9F42

RGB 205 159 66

HSL 40.14, 0.58%, 0.53%

LAB 68.14, 7.44, 53.39

 

CMYK 0 / 20 / 62 / 13

HEX #DEB155

RGB 222 177 85

HSL 40.29, 0.67%, 0.6%

LAB 74.59, 6.27, 52.25

 

CMYK 0 / 18 / 56 / 6

HEX #EFC368

RGB 239 195 104

HSL 40.44, 0.81%, 0.67%

LAB 80.95, 5.26, 51

 

CMYK 0 / 16 / 52 / 0

HEX #FFD57B

RGB 255 213 123

HSL 40.91, 1%, 0.74%

LAB 87.13, 3.98, 49.6

 

CMYK 0 / 9 / 44 / 0

HEX #FFE78E

RGB 255 231 142

HSL 47.26, 1%, 0.78%

LAB 91.85, -3.45, 46.17

 

CMYK 0 / 21 / 65 / 22

HEX #C89F47

RGB 200 159 71

HSL 40.93, 0.54%, 0.53%

LAB 67.67, 5.59, 50.45

 

CMYK 0 / 23 / 72 / 28

HEX #B78D34

RGB 183 141 52

HSL 40.76, 0.56%, 0.46%

LAB 61.1, 6.85, 51.49

 

CMYK 0 / 26 / 80 / 35

HEX #A67B21

RGB 166 123 33

HSL 40.6, 0.67%, 0.39%

LAB 54.43, 8.37, 52.07

 

CMYK 0 / 30 / 91 / 42

HEX #95690E

RGB 149 105 14

HSL 40.44, 0.83%, 0.32%

LAB 47.66, 10.21, 51.56

 

CMYK 0 / 34 / 100 / 48

HEX #845700

RGB 132 87 0

HSL 39.55, 1%, 0.26%

LAB 40.77, 12.41, 49.08

 

CMYK 0 / 21 / 65 / 22

HEX #C79E46

RGB 199 158 70

HSL 40.93, 0.54%, 0.53%

LAB 67.31, 5.63, 50.48

 

CMYK 0 / 38 / 65 / 22

HEX #C77B46

RGB 199 123 70

HSL 24.65, 0.54%, 0.53%

LAB 58.74, 24.73, 40.84

 

CMYK 0 / 56 / 65 / 22

HEX #C75846

RGB 199 88 70

HSL 8.37, 0.54%, 0.53%

LAB 51.34, 43.02, 32.03

 

CMYK 0 / 65 / 65 / 22

HEX #C74646

RGB 199 70 70

HSL 0, 0.54%, 0.53%

LAB 48.22, 51.28, 28.18

 

CMYK 0 / 21 / 65 / 22

HEX #C79E46

RGB 199 158 70

HSL 40.93, 0.54%, 0.53%

LAB 67.31, 5.63, 50.48

 

CMYK 0 / 3 / 65 / 22

HEX #C7C146

RGB 199 193 70

HSL 57.21, 0.54%, 0.53%

LAB 76.51, -12.76, 60.32

 

CMYK 14 / 0 / 65 / 22

HEX #ABC746

RGB 171 199 70

HSL 73.02, 0.54%, 0.53%

LAB 76.04, -27.33, 59.16

 

CMYK 32 / 0 / 65 / 22

HEX #88C746

RGB 136 199 70

HSL 89.3, 0.54%, 0.53%

LAB 73.88, -40.75, 56.23

 

CMYK 49 / 0 / 65 / 22

HEX #65C746

RGB 101 199 70

HSL 105.58, 0.54%, 0.53%

LAB 72.27, -52.2, 54

 

CMYK 0 / 21 / 65 / 22

HEX #C79E46

RGB 199 158 70

HSL 40.93, 0.54%, 0.53%

LAB 67.31, 5.63, 50.48

 

CMYK 0 / 25 / 77 / 14

HEX #DBA533

RGB 219 165 51

HSL 40.71, 0.7%, 0.53%

LAB 71.02, 9.56, 62.91

 

CMYK 0 / 28 / 87 / 7

HEX #EEAC1F

RGB 238 172 31

HSL 40.87, 0.86%, 0.53%

LAB 74.69, 13.43, 73.05

 

CMYK 0 / 21 / 65 / 22

HEX #C79E46

RGB 199 158 70

HSL 40.93, 0.54%, 0.53%

LAB 67.31, 5.63, 50.48

 

CMYK 0 / 16 / 51 / 29

HEX #B49759

RGB 180 151 89

HSL 40.88, 0.38%, 0.53%

LAB 63.8, 2.75, 36.49

 

CMYK 0 / 11 / 32 / 37

HEX #A1906D

RGB 161 144 109

HSL 40.38, 0.22%, 0.53%

LAB 60.45, 0.89, 20.94

 

CMYK 0 / 3 / 9 / 45

HEX #8D8980

RGB 141 137 128

HSL 41.54, 0.05%, 0.53%

LAB 57.18, -0.19, 5.35

 

CMYK 17 / 12 / 0 / 42

HEX #7A8293

RGB 122 130 147

HSL 220.8, 0.1%, 0.53%

LAB 54.25, 0.79, -10.13

 

CMYK 0 / 56 / 65 / 22

HEX #C75746

RGB 199 87 70

HSL 7.91, 0.54%, 0.53%

LAB 51.15, 43.51, 31.81

 

CMYK 0 / 39 / 65 / 22

HEX #C77A46

RGB 199 122 70

HSL 24.19, 0.54%, 0.53%

LAB 58.51, 25.28, 40.57

 

CMYK 0 / 22 / 65 / 22

HEX #C79C46

RGB 199 156 70

HSL 40, 0.54%, 0.53%

LAB 66.8, 6.71, 49.92

 

CMYK 0 / 4 / 65 / 22

HEX #C7BF46

RGB 199 191 70

HSL 56.28, 0.54%, 0.53%

LAB 75.97, -11.75, 59.76

 

CMYK 13 / 0 / 65 / 22

HEX #ADC746

RGB 173 199 70

HSL 72.09, 0.54%, 0.53%

LAB 76.18, -26.52, 59.35

 

CMYK 0 / 22 / 70 / 44

HEX #90702B

RGB 144 112 43

HSL 40.99, 0.54%, 0.37%

LAB 49.12, 5.01, 41.79

 

CMYK 0 / 22 / 70 / 31

HEX #B08934

RGB 176 137 52

HSL 41.13, 0.54%, 0.45%

LAB 59.31, 5.95, 49.41

 

CMYK 0 / 21 / 65 / 22

HEX #C79E46

RGB 199 158 70

HSL 40.93, 0.54%, 0.53%

LAB 67.31, 5.63, 50.48

 

CMYK 0 / 16 / 51 / 18

HEX #D1AF66

RGB 209 175 102

HSL 40.93, 0.54%, 0.61%

LAB 73.01, 3.21, 41.76

 

CMYK 0 / 12 / 39 / 15

HEX #DABF85

RGB 218 191 133

HSL 40.94, 0.53%, 0.69%

LAB 78.38, 1.54, 32.79

 

CMYK 0 / 21 / 65 / 22

HEX #C89F47

RGB 200 159 71

HSL 40.93, 0.54%, 0.53%

LAB 67.67, 5.59, 50.45

 

CMYK 56 / 0 / 65 / 22

HEX #57C746

RGB 87 199 70

HSL 112.09, 0.54%, 0.53%

LAB 71.77, -56, 53.32

 

CMYK 48 / 65 / 0 / 22

HEX #6846C7

RGB 104 70 199

HSL 255.81, 0.54%, 0.53%

LAB 40.32, 45.46, -62.44

 

CMYK 0 / 21 / 65 / 22

HEX #C89F47

RGB 200 159 71

HSL 40.93, 0.54%, 0.53%

LAB 67.67, 5.59, 50.45

 

CMYK 65 / 0 / 22 / 22

HEX #46C79C

RGB 70 199 156

HSL 160, 0.54%, 0.53%

LAB 72.59, -45.46, 11.29

 

CMYK 22 / 65 / 0 / 22

HEX #9C46C7

RGB 156 70 199

HSL 280, 0.54%, 0.53%

LAB 46.41, 56.45, -52.31

 

CMYK 0 / 21 / 65 / 22

HEX #C89F47

RGB 200 159 71

HSL 40.93, 0.54%, 0.53%

LAB 67.67, 5.59, 50.45

 

CMYK 56 / 0 / 65 / 22

HEX #57C746

RGB 87 199 70

HSL 112.09, 0.54%, 0.53%

LAB 71.77, -56, 53.32

 

CMYK 65 / 43 / 0 / 22

HEX #4671C7

RGB 70 113 199

HSL 220, 0.54%, 0.53%

LAB 48.56, 12.75, -49.29

 

CMYK 9 / 65 / 0 / 22

HEX #B646C7

RGB 182 70 199

HSL 292.09, 0.54%, 0.53%

LAB 50.04, 62.44, -46.31

 

CMYK 0 / 21 / 65 / 22

HEX #C89F47

RGB 200 159 71

HSL 40.93, 0.54%, 0.53%

LAB 67.67, 5.59, 50.45

 

CMYK 65 / 0 / 54 / 22

HEX #46C75C

RGB 70 199 92

HSL 130.23, 0.54%, 0.53%

LAB 71.5, -57.31, 42.96

 

CMYK 65 / 43 / 0 / 22

HEX #4671C7

RGB 70 113 199

HSL 220, 0.54%, 0.53%

LAB 48.56, 12.75, -49.29

 

CMYK 0 / 65 / 11 / 22

HEX #C746B2

RGB 199 70 178

HSL 309.77, 0.54%, 0.53%

LAB 51.54, 63.05, -31.58

 

Description

Color code: HEX #C89F47 | qconv.com Color code: HEX #C89F47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 159 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 159 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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