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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D498 it is the complementary color #372B67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D498. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D498 shade: #CDD493, #DEE6A6, #EFF8B9, #FFFFCC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D498. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D498 shade: #C8D498, #B7C285, #A6B072, #959E5F and #848C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D498 shade: #C7D396, #D3CF96, #D3BE96, #D3AE96 and #D39E96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D498 shade: #C7D396, #B6D396, #A6D396, #96D397 and #96D3A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D498 shade matches the following richer shades: #C7D396, #CEDF8A, #D5EB7E and #DCF772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D498 shade: #C7D396, #C0C7A2, #B8BBAE, #B1AFBA and #AAA3C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D498 shade: #D3BF96, #D3CF96, #C7D396, #B7D396 and #A6D396

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D498 shade: #A8BB5C, #B7C779, #C7D396, #D6DFB3 and #E6EBD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D498 shade: #C8D498, #96D3AE and #C796D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D498 shade: #C8D498, #96C7D3 and #D396C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D498 shade: #C8D498, #96D3AE, #A296D3 and #D396BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D498 shade: #C8D498, #96D3C1, #A296D3 and #D396A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 28 / 17

HEX #C8D498

RGB 200 212 152

HSL 72, 0.41%, 0.71%

LAB 82.72, -13.89, 28.4

 

Complementary color

CMYK 47 / 58 / 0 / 60

HEX #372B67

RGB 55 43 103

HSL 252, 0.41%, 0.29%

LAB 22.01, 22.08, -33.58

 

CMYK 3 / 0 / 31 / 17

HEX #CDD493

RGB 205 212 147

HSL 66.46, 0.43%, 0.7%

LAB 83.01, -12.66, 31.44

 

CMYK 3 / 0 / 28 / 10

HEX #DEE6A6

RGB 222 230 166

HSL 67.5, 0.56%, 0.78%

LAB 89.34, -12.83, 30.37

 

CMYK 4 / 0 / 25 / 3

HEX #EFF8B9

RGB 239 248 185

HSL 68.57, 0.82%, 0.85%

LAB 95.58, -12.97, 29.35

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 6 / 0 / 28 / 17

HEX #C8D498

RGB 200 212 152

HSL 72, 0.41%, 0.71%

LAB 82.72, -13.89, 28.4

 

CMYK 6 / 0 / 31 / 24

HEX #B7C285

RGB 183 194 133

HSL 70.82, 0.33%, 0.64%

LAB 76.28, -13.76, 29.49

 

CMYK 6 / 0 / 35 / 31

HEX #A6B072

RGB 166 176 114

HSL 69.68, 0.28%, 0.57%

LAB 69.73, -13.61, 30.63

 

CMYK 6 / 0 / 40 / 38

HEX #959E5F

RGB 149 158 95

HSL 68.57, 0.25%, 0.5%

LAB 63.07, -13.41, 31.82

 

CMYK 6 / 0 / 46 / 45

HEX #848C4C

RGB 132 140 76

HSL 67.5, 0.3%, 0.42%

LAB 56.27, -13.14, 33.06

 

CMYK 6 / 0 / 29 / 17

HEX #C7D396

RGB 199 211 150

HSL 71.8, 0.41%, 0.71%

LAB 82.34, -14.03, 28.92

 

CMYK 0 / 2 / 29 / 17

HEX #D3CF96

RGB 211 207 150

HSL 56.07, 0.41%, 0.71%

LAB 82.2, -7.44, 28.9

 

CMYK 0 / 10 / 29 / 17

HEX #D3BE96

RGB 211 190 150

HSL 39.34, 0.41%, 0.71%

LAB 77.8, 1.4, 22.94

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 0 / 25 / 29 / 17

HEX #D39E96

RGB 211 158 150

HSL 7.87, 0.41%, 0.71%

LAB 69.83, 18.58, 11.87

 

CMYK 6 / 0 / 29 / 17

HEX #C7D396

RGB 199 211 150

HSL 71.8, 0.41%, 0.71%

LAB 82.34, -14.03, 28.92

 

CMYK 14 / 0 / 29 / 17

HEX #B6D396

RGB 182 211 150

HSL 88.52, 0.41%, 0.71%

LAB 81.15, -20.31, 27.11

 

CMYK 21 / 0 / 29 / 17

HEX #A6D396

RGB 166 211 150

HSL 104.26, 0.41%, 0.71%

LAB 80.12, -26, 25.55

 

CMYK 29 / 0 / 28 / 17

HEX #96D397

RGB 150 211 151

HSL 120.98, 0.41%, 0.71%

LAB 79.22, -31.23, 23.64

 

CMYK 29 / 0 / 21 / 17

HEX #96D3A7

RGB 150 211 167

HSL 136.72, 0.41%, 0.71%

LAB 79.54, -28.41, 15.65

 

CMYK 6 / 0 / 29 / 17

HEX #C7D396

RGB 199 211 150

HSL 71.8, 0.41%, 0.71%

LAB 82.34, -14.03, 28.92

 

CMYK 8 / 0 / 38 / 13

HEX #CEDF8A

RGB 206 223 138

HSL 72, 0.57%, 0.71%

LAB 85.87, -18.87, 39.76

 

CMYK 9 / 0 / 46 / 8

HEX #D5EB7E

RGB 213 235 126

HSL 72.11, 0.73%, 0.71%

LAB 89.43, -23.33, 50.17

 

CMYK 11 / 0 / 54 / 3

HEX #DCF772

RGB 220 247 114

HSL 72.18, 0.89%, 0.71%

LAB 92.99, -27.45, 60.04

 

CMYK 6 / 0 / 29 / 17

HEX #C7D396

RGB 199 211 150

HSL 71.8, 0.41%, 0.71%

LAB 82.34, -14.03, 28.92

 

CMYK 4 / 0 / 19 / 22

HEX #C0C7A2

RGB 192 199 162

HSL 71.35, 0.25%, 0.71%

LAB 78.85, -8.77, 17.75

 

CMYK 2 / 0 / 7 / 27

HEX #B8BBAE

RGB 184 187 174

HSL 73.85, 0.09%, 0.71%

LAB 75.32, -3.41, 6.21

 

CMYK 5 / 6 / 0 / 27

HEX #B1AFBA

RGB 177 175 186

HSL 250.91, 0.07%, 0.71%

LAB 71.93, 2.82, -5.36

 

CMYK 14 / 18 / 0 / 22

HEX #AAA3C6

RGB 170 163 198

HSL 252, 0.23%, 0.71%

LAB 68.62, 9.54, -16.99

 

CMYK 0 / 9 / 29 / 17

HEX #D3BF96

RGB 211 191 150

HSL 40.33, 0.41%, 0.71%

LAB 78.06, 0.87, 23.29

 

CMYK 0 / 2 / 29 / 17

HEX #D3CF96

RGB 211 207 150

HSL 56.07, 0.41%, 0.71%

LAB 82.2, -7.44, 28.9

 

CMYK 6 / 0 / 29 / 17

HEX #C7D396

RGB 199 211 150

HSL 71.8, 0.41%, 0.71%

LAB 82.34, -14.03, 28.92

 

CMYK 13 / 0 / 29 / 17

HEX #B7D396

RGB 183 211 150

HSL 87.54, 0.41%, 0.71%

LAB 81.21, -19.95, 27.21

 

CMYK 21 / 0 / 29 / 17

HEX #A6D396

RGB 166 211 150

HSL 104.26, 0.41%, 0.71%

LAB 80.12, -26, 25.55

 

CMYK 10 / 0 / 51 / 27

HEX #A8BB5C

RGB 168 187 92

HSL 72, 0.41%, 0.55%

LAB 72.65, -20.86, 45.47

 

CMYK 8 / 0 / 39 / 22

HEX #B7C779

RGB 183 199 121

HSL 72.31, 0.41%, 0.63%

LAB 77.46, -17.8, 37.22

 

CMYK 6 / 0 / 29 / 17

HEX #C7D396

RGB 199 211 150

HSL 71.8, 0.41%, 0.71%

LAB 82.34, -14.03, 28.92

 

CMYK 4 / 0 / 20 / 13

HEX #D6DFB3

RGB 214 223 179

HSL 72.27, 0.41%, 0.79%

LAB 87.16, -10.41, 20.59

 

CMYK 2 / 0 / 11 / 8

HEX #E6EBD0

RGB 230 235 208

HSL 71.11, 0.4%, 0.87%

LAB 92.04, -6.28, 12.53

 

CMYK 6 / 0 / 28 / 17

HEX #C8D498

RGB 200 212 152

HSL 72, 0.41%, 0.71%

LAB 82.72, -13.89, 28.4

 

CMYK 29 / 0 / 18 / 17

HEX #96D3AE

RGB 150 211 174

HSL 143.61, 0.41%, 0.71%

LAB 79.69, -27.09, 12.15

 

CMYK 6 / 29 / 0 / 17

HEX #C796D3

RGB 199 150 211

HSL 288.2, 0.41%, 0.71%

LAB 68.5, 28.94, -24.12

 

CMYK 6 / 0 / 28 / 17

HEX #C8D498

RGB 200 212 152

HSL 72, 0.41%, 0.71%

LAB 82.72, -13.89, 28.4

 

CMYK 29 / 6 / 0 / 17

HEX #96C7D3

RGB 150 199 211

HSL 191.8, 0.41%, 0.71%

LAB 77.3, -13.16, -11.18

 

CMYK 0 / 29 / 6 / 17

HEX #D396C7

RGB 211 150 199

HSL 311.8, 0.41%, 0.71%

LAB 69.32, 30.65, -16.12

 

CMYK 6 / 0 / 28 / 17

HEX #C8D498

RGB 200 212 152

HSL 72, 0.41%, 0.71%

LAB 82.72, -13.89, 28.4

 

CMYK 29 / 0 / 18 / 17

HEX #96D3AE

RGB 150 211 174

HSL 143.61, 0.41%, 0.71%

LAB 79.69, -27.09, 12.15

 

CMYK 23 / 29 / 0 / 17

HEX #A296D3

RGB 162 150 211

HSL 251.8, 0.41%, 0.71%

LAB 65.12, 17.28, -29.61

 

CMYK 0 / 29 / 11 / 17

HEX #D396BB

RGB 211 150 187

HSL 323.61, 0.41%, 0.71%

LAB 68.93, 28.57, -10.02

 

CMYK 6 / 0 / 28 / 17

HEX #C8D498

RGB 200 212 152

HSL 72, 0.41%, 0.71%

LAB 82.72, -13.89, 28.4

 

CMYK 29 / 0 / 9 / 17

HEX #96D3C1

RGB 150 211 193

HSL 162.3, 0.41%, 0.71%

LAB 80.14, -23.25, 2.66

 

CMYK 23 / 29 / 0 / 17

HEX #A296D3

RGB 162 150 211

HSL 251.8, 0.41%, 0.71%

LAB 65.12, 17.28, -29.61

 

CMYK 0 / 29 / 20 / 17

HEX #D396A8

RGB 211 150 168

HSL 342.3, 0.41%, 0.71%

LAB 68.38, 25.53, -0.24

 

Description

Color code: HEX #C8D498 | qconv.com Color code: HEX #C8D498 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 212 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 212 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 28 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 28% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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