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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9666A it is the complementary color #369995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9666A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9666A shade: #CE6665, #DF7878, #F08A8B, #FF9C9E and #FFAEB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9666A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9666A shade: #C9666A, #B85457, #A74244, #963031 and #851E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9666A shade: #C86468 and #C86464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9666A shade: #C86468, #C86483, #C8649E, #C864B9 and #BC64C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9666A shade matches the following richer shades: #C86468, #D95358, #EA4249 and #FB3139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9666A shade: #C86468, #B77577, #A68687, #959796 and #84A7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9666A shade: #C8649E, #C86484, #C86469, #C87A64 and #C89464

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9666A shade: #A1383D, #BD454A, #C86468, #D38286 and #DEA1A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9666A shade: #C9666A, #B9C864 and #6491C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9666A shade: #C9666A, #69C864 and #6469C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9666A shade: #C9666A, #B9C864, #64C8C3 and #7364C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9666A shade: #C9666A, #9BC864, #64C8C3 and #9164C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 47 / 21

HEX #C9666A

RGB 201 102 106

HSL 357.58, 0.48%, 0.59%

LAB 55.03, 39.62, 16.03

 

Complementary color

CMYK 65 / 0 / 3 / 40

HEX #369995

RGB 54 153 149

HSL 177.58, 0.48%, 0.41%

LAB 57.79, -29.13, -6.35

 

CMYK 0 / 50 / 51 / 19

HEX #CE6665

RGB 206 102 101

HSL 0.57, 0.52%, 0.6%

LAB 55.65, 41, 19.91

 

CMYK 0 / 46 / 46 / 13

HEX #DF7878

RGB 223 120 120

HSL 0, 0.62%, 0.67%

LAB 62.06, 39.89, 18.1

 

CMYK 0 / 43 / 42 / 6

HEX #F08A8B

RGB 240 138 139

HSL 359.41, 0.77%, 0.74%

LAB 68.44, 38.83, 16.53

 

CMYK 0 / 39 / 38 / 0

HEX #FF9C9E

RGB 255 156 158

HSL 358.79, 1%, 0.81%

LAB 74.51, 37.11, 14.76

 

CMYK 0 / 32 / 31 / 0

HEX #FFAEB1

RGB 255 174 177

HSL 357.78, 1%, 0.84%

LAB 78.87, 30.03, 10.55

 

CMYK 0 / 49 / 47 / 21

HEX #C9666A

RGB 201 102 106

HSL 357.58, 0.48%, 0.59%

LAB 55.03, 39.62, 16.03

 

CMYK 0 / 54 / 53 / 28

HEX #B85457

RGB 184 84 87

HSL 358.2, 0.41%, 0.53%

LAB 48.53, 40.72, 18

 

CMYK 0 / 60 / 59 / 35

HEX #A74244

RGB 167 66 68

HSL 358.81, 0.43%, 0.46%

LAB 42.05, 41.79, 20.38

 

CMYK 0 / 68 / 67 / 41

HEX #963031

RGB 150 48 49

HSL 359.41, 0.52%, 0.39%

LAB 35.63, 42.68, 23.32

 

CMYK 0 / 77 / 77 / 48

HEX #851E1E

RGB 133 30 30

HSL 0, 0.63%, 0.32%

LAB 29.43, 43.09, 27

 

CMYK 0 / 50 / 48 / 22

HEX #C86468

RGB 200 100 104

HSL 357.6, 0.48%, 0.59%

LAB 54.44, 40.08, 16.37

 

CMYK 0 / 50 / 50 / 22

HEX #C86464

RGB 200 100 100

HSL 0, 0.48%, 0.59%

LAB 54.36, 39.7, 18.6

 

CMYK 0 / 50 / 48 / 22

HEX #C86468

RGB 200 100 104

HSL 357.6, 0.48%, 0.59%

LAB 54.44, 40.08, 16.37

 

CMYK 0 / 50 / 35 / 22

HEX #C86483

RGB 200 100 131

HSL 341.4, 0.48%, 0.59%

LAB 55.11, 43.05, 1.44

 

CMYK 0 / 50 / 21 / 22

HEX #C8649E

RGB 200 100 158

HSL 325.2, 0.48%, 0.59%

LAB 55.95, 46.71, -13.13

 

CMYK 0 / 50 / 8 / 22

HEX #C864B9

RGB 200 100 185

HSL 309, 0.48%, 0.59%

LAB 56.97, 50.98, -27.18

 

CMYK 6 / 50 / 0 / 22

HEX #BC64C8

RGB 188 100 200

HSL 292.8, 0.48%, 0.59%

LAB 56.06, 50.21, -37.31

 

CMYK 0 / 50 / 48 / 22

HEX #C86468

RGB 200 100 104

HSL 357.6, 0.48%, 0.59%

LAB 54.44, 40.08, 16.37

 

CMYK 0 / 62 / 59 / 15

HEX #D95358

RGB 217 83 88

HSL 357.76, 0.64%, 0.59%

LAB 53.65, 52.88, 25.14

 

CMYK 0 / 72 / 69 / 8

HEX #EA4249

RGB 234 66 73

HSL 357.5, 0.8%, 0.59%

LAB 53.89, 64.11, 34.79

 

CMYK 0 / 80 / 77 / 2

HEX #FB3139

RGB 251 49 57

HSL 357.62, 0.96%, 0.59%

LAB 55.07, 73.34, 45.94

 

CMYK 0 / 50 / 48 / 22

HEX #C86468

RGB 200 100 104

HSL 357.6, 0.48%, 0.59%

LAB 54.44, 40.08, 16.37

 

CMYK 0 / 36 / 35 / 28

HEX #B77577

RGB 183 117 119

HSL 358.18, 0.31%, 0.59%

LAB 56.21, 26.21, 9.74

 

CMYK 0 / 19 / 19 / 35

HEX #A68687

RGB 166 134 135

HSL 358.13, 0.15%, 0.59%

LAB 58.89, 12.36, 4.08

 

CMYK 1 / 0 / 1 / 41

HEX #959796

RGB 149 151 150

HSL 150, 0.01%, 0.59%

LAB 62.27, -0.91, 0.26

 

CMYK 21 / 0 / 1 / 35

HEX #84A7A6

RGB 132 167 166

HSL 178.29, 0.17%, 0.59%

LAB 65.98, -12.1, -3.43

 

CMYK 0 / 50 / 21 / 22

HEX #C8649E

RGB 200 100 158

HSL 325.2, 0.48%, 0.59%

LAB 55.95, 46.71, -13.13

 

CMYK 0 / 50 / 34 / 22

HEX #C86484

RGB 200 100 132

HSL 340.8, 0.48%, 0.59%

LAB 55.13, 43.18, 0.89

 

CMYK 0 / 50 / 48 / 22

HEX #C86469

RGB 200 100 105

HSL 357, 0.48%, 0.59%

LAB 54.46, 40.18, 15.81

 

CMYK 0 / 39 / 50 / 22

HEX #C87A64

RGB 200 122 100

HSL 13.2, 0.48%, 0.59%

LAB 59.08, 28.07, 24.92

 

CMYK 0 / 26 / 50 / 22

HEX #C89464

RGB 200 148 100

HSL 28.8, 0.48%, 0.59%

LAB 65.26, 13.86, 32.93

 

CMYK 0 / 65 / 62 / 37

HEX #A1383D

RGB 161 56 61

HSL 357.14, 0.48%, 0.43%

LAB 39.14, 43.78, 20.72

 

CMYK 0 / 63 / 61 / 26

HEX #BD454A

RGB 189 69 74

HSL 357.5, 0.48%, 0.51%

LAB 46.4, 48.58, 23.13

 

CMYK 0 / 50 / 48 / 22

HEX #C86468

RGB 200 100 104

HSL 357.6, 0.48%, 0.59%

LAB 54.44, 40.08, 16.37

 

CMYK 0 / 38 / 36 / 17

HEX #D38286

RGB 211 130 134

HSL 357.04, 0.48%, 0.67%

LAB 62.96, 31.69, 11.14

 

CMYK 0 / 27 / 27 / 13

HEX #DEA1A3

RGB 222 161 163

HSL 358.03, 0.48%, 0.75%

LAB 72, 22.9, 7.93

 

CMYK 0 / 49 / 47 / 21

HEX #C9666A

RGB 201 102 106

HSL 357.58, 0.48%, 0.59%

LAB 55.03, 39.62, 16.03

 

CMYK 8 / 0 / 50 / 22

HEX #B9C864

RGB 185 200 100

HSL 69, 0.48%, 0.59%

LAB 77.6, -19.74, 47.82

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 0 / 49 / 47 / 21

HEX #C9666A

RGB 201 102 106

HSL 357.58, 0.48%, 0.59%

LAB 55.03, 39.62, 16.03

 

CMYK 48 / 0 / 50 / 22

HEX #69C864

RGB 105 200 100

HSL 117, 0.48%, 0.59%

LAB 73.04, -48.06, 41.24

 

CMYK 50 / 48 / 0 / 22

HEX #6469C8

RGB 100 105 200

HSL 237, 0.48%, 0.59%

LAB 48.24, 24.09, -50.27

 

CMYK 0 / 49 / 47 / 21

HEX #C9666A

RGB 201 102 106

HSL 357.58, 0.48%, 0.59%

LAB 55.03, 39.62, 16.03

 

CMYK 8 / 0 / 50 / 22

HEX #B9C864

RGB 185 200 100

HSL 69, 0.48%, 0.59%

LAB 77.6, -19.74, 47.82

 

CMYK 50 / 0 / 3 / 22

HEX #64C8C3

RGB 100 200 195

HSL 177, 0.48%, 0.59%

LAB 74.8, -30.41, -6.51

 

CMYK 43 / 50 / 0 / 22

HEX #7364C8

RGB 115 100 200

HSL 249, 0.48%, 0.59%

LAB 48.17, 30.64, -50.31

 

CMYK 0 / 49 / 47 / 21

HEX #C9666A

RGB 201 102 106

HSL 357.58, 0.48%, 0.59%

LAB 55.03, 39.62, 16.03

 

CMYK 23 / 0 / 50 / 22

HEX #9BC864

RGB 155 200 100

HSL 87, 0.48%, 0.59%

LAB 75.57, -31.38, 44.9

 

CMYK 50 / 0 / 3 / 22

HEX #64C8C3

RGB 100 200 195

HSL 177, 0.48%, 0.59%

LAB 74.8, -30.41, -6.51

 

CMYK 28 / 50 / 0 / 22

HEX #9164C8

RGB 145 100 200

HSL 267, 0.48%, 0.59%

LAB 51.04, 38.33, -45.57

 

Description

Color code: HEX #C9666A | qconv.com Color code: HEX #C9666A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 102 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 102 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 47 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 47% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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