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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9686F it is the complementary color #369790. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9686F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9686F shade: #CE686A, #DF7A7D, #F08C90, #FF9EA3 and #FFB0B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9686F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9686F shade: #C9686F, #B8565C, #A74449, #963236 and #852023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9686F shade: #C8696F and #C86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9686F shade: #C8696F, #C86989, #C869A3, #C869BD and #BA69C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9686F shade matches the following richer shades: #C8696F, #D95861, #E94853 and #FA3745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9686F shade: #C8696F, #B8797E, #A78A8C, #979A9A and #86ABA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9686F shade: #C869A4, #C8698A, #C86971, #C87A69 and #C89469

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9686F shade: #A43B42, #BE4A53, #C8696F, #D3878C and #DEA5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9686F shade: #C9686F, #BDC869 and #6997C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9686F shade: #C9686F, #71C869 and #6971C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9686F shade: #C9686F, #BDC869, #69C8C0 and #7469C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9686F shade: #C9686F, #A0C869, #69C8C0 and #9169C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 45 / 21

HEX #C9686F

RGB 201 104 111

HSL 355.67, 0.47%, 0.6%

LAB 55.55, 39.1, 13.83

 

Complementary color

CMYK 64 / 0 / 5 / 41

HEX #369790

RGB 54 151 144

HSL 175.67, 0.47%, 0.4%

LAB 57.01, -29.58, -4.65

 

CMYK 0 / 50 / 49 / 19

HEX #CE686A

RGB 206 104 106

HSL 358.82, 0.51%, 0.61%

LAB 56.15, 40.45, 17.68

 

CMYK 0 / 45 / 44 / 13

HEX #DF7A7D

RGB 223 122 125

HSL 358.22, 0.61%, 0.68%

LAB 62.58, 39.36, 15.97

 

CMYK 0 / 42 / 40 / 6

HEX #F08C90

RGB 240 140 144

HSL 357.6, 0.77%, 0.75%

LAB 68.96, 38.33, 14.47

 

CMYK 0 / 38 / 36 / 0

HEX #FF9EA3

RGB 255 158 163

HSL 356.91, 1%, 0.81%

LAB 75.05, 36.65, 12.77

 

CMYK 0 / 31 / 29 / 0

HEX #FFB0B6

RGB 255 176 182

HSL 355.44, 1%, 0.85%

LAB 79.44, 29.63, 8.65

 

CMYK 0 / 48 / 45 / 21

HEX #C9686F

RGB 201 104 111

HSL 355.67, 0.47%, 0.6%

LAB 55.55, 39.1, 13.83

 

CMYK 0 / 53 / 50 / 28

HEX #B8565C

RGB 184 86 92

HSL 356.33, 0.41%, 0.53%

LAB 49.03, 40.17, 15.68

 

CMYK 0 / 59 / 56 / 35

HEX #A74449

RGB 167 68 73

HSL 356.97, 0.42%, 0.46%

LAB 42.51, 41.22, 17.93

 

CMYK 0 / 67 / 64 / 41

HEX #963236

RGB 150 50 54

HSL 357.6, 0.5%, 0.39%

LAB 36.05, 42.12, 20.71

 

CMYK 0 / 76 / 74 / 48

HEX #852023

RGB 133 32 35

HSL 358.22, 0.61%, 0.32%

LAB 29.77, 42.59, 24.25

 

CMYK 0 / 48 / 45 / 22

HEX #C8696F

RGB 200 105 111

HSL 356.21, 0.46%, 0.6%

LAB 55.61, 38.21, 13.89

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 48 / 45 / 22

HEX #C8696F

RGB 200 105 111

HSL 356.21, 0.46%, 0.6%

LAB 55.61, 38.21, 13.89

 

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

CMYK 0 / 48 / 19 / 22

HEX #C869A3

RGB 200 105 163

HSL 323.37, 0.46%, 0.6%

LAB 57.1, 44.93, -14.29

 

CMYK 0 / 48 / 5 / 22

HEX #C869BD

RGB 200 105 189

HSL 306.95, 0.46%, 0.6%

LAB 58.09, 49.17, -27.75

 

CMYK 7 / 48 / 0 / 22

HEX #BA69C8

RGB 186 105 200

HSL 291.16, 0.46%, 0.6%

LAB 56.79, 47.08, -36.18

 

CMYK 0 / 48 / 45 / 22

HEX #C8696F

RGB 200 105 111

HSL 356.21, 0.46%, 0.6%

LAB 55.61, 38.21, 13.89

 

CMYK 0 / 59 / 55 / 15

HEX #D95861

RGB 217 88 97

HSL 355.81, 0.63%, 0.6%

LAB 54.65, 51.31, 21.19

 

CMYK 0 / 69 / 64 / 9

HEX #E94853

RGB 233 72 83

HSL 355.9, 0.79%, 0.6%

LAB 54.64, 62.18, 29.88

 

CMYK 0 / 78 / 72 / 2

HEX #FA3745

RGB 250 55 69

HSL 355.69, 0.95%, 0.6%

LAB 55.57, 71.94, 39.78

 

CMYK 0 / 48 / 45 / 22

HEX #C8696F

RGB 200 105 111

HSL 356.21, 0.46%, 0.6%

LAB 55.61, 38.21, 13.89

 

CMYK 0 / 34 / 32 / 28

HEX #B8797E

RGB 184 121 126

HSL 355.24, 0.31%, 0.6%

LAB 57.44, 25.3, 7.44

 

CMYK 0 / 17 / 16 / 35

HEX #A78A8C

RGB 167 138 140

HSL 355.86, 0.14%, 0.6%

LAB 60.15, 11.3, 3.05

 

CMYK 2 / 0 / 0 / 40

HEX #979A9A

RGB 151 154 154

HSL 180, 0.01%, 0.6%

LAB 63.36, -1.08, -0.39

 

CMYK 22 / 0 / 2 / 33

HEX #86ABA8

RGB 134 171 168

HSL 175.14, 0.18%, 0.6%

LAB 67.29, -13.15, -2.59

 

CMYK 0 / 48 / 18 / 22

HEX #C869A4

RGB 200 105 164

HSL 322.74, 0.46%, 0.6%

LAB 57.14, 45.08, -14.82

 

CMYK 0 / 48 / 31 / 22

HEX #C8698A

RGB 200 105 138

HSL 339.16, 0.46%, 0.6%

LAB 56.3, 41.38, -0.92

 

CMYK 0 / 48 / 44 / 22

HEX #C86971

RGB 200 105 113

HSL 354.95, 0.46%, 0.6%

LAB 55.66, 38.42, 12.79

 

CMYK 0 / 39 / 48 / 22

HEX #C87A69

RGB 200 122 105

HSL 10.74, 0.46%, 0.6%

LAB 59.18, 28.55, 22.21

 

CMYK 0 / 26 / 48 / 22

HEX #C89469

RGB 200 148 105

HSL 27.16, 0.46%, 0.6%

LAB 65.34, 14.34, 30.33

 

CMYK 0 / 64 / 60 / 36

HEX #A43B42

RGB 164 59 66

HSL 356, 0.47%, 0.44%

LAB 40.27, 43.83, 19.19

 

CMYK 0 / 61 / 56 / 25

HEX #BE4A53

RGB 190 74 83

HSL 355.34, 0.47%, 0.52%

LAB 47.58, 47.33, 19.3

 

CMYK 0 / 48 / 45 / 22

HEX #C8696F

RGB 200 105 111

HSL 356.21, 0.46%, 0.6%

LAB 55.61, 38.21, 13.89

 

CMYK 0 / 36 / 34 / 17

HEX #D3878C

RGB 211 135 140

HSL 356.05, 0.46%, 0.68%

LAB 64.22, 29.74, 9.52

 

CMYK 0 / 26 / 24 / 13

HEX #DEA5A9

RGB 222 165 169

HSL 355.79, 0.46%, 0.76%

LAB 73.09, 21.59, 6.19

 

CMYK 0 / 48 / 45 / 21

HEX #C9686F

RGB 201 104 111

HSL 355.67, 0.47%, 0.6%

LAB 55.55, 39.1, 13.83

 

CMYK 5 / 0 / 48 / 22

HEX #BDC869

RGB 189 200 105

HSL 66.95, 0.46%, 0.6%

LAB 77.96, -17.66, 45.91

 

CMYK 48 / 25 / 0 / 22

HEX #6997C8

RGB 105 151 200

HSL 210.95, 0.46%, 0.6%

LAB 61.05, -2.15, -30.08

 

CMYK 0 / 48 / 45 / 21

HEX #C9686F

RGB 201 104 111

HSL 355.67, 0.47%, 0.6%

LAB 55.55, 39.1, 13.83

 

CMYK 44 / 0 / 48 / 22

HEX #71C869

RGB 113 200 105

HSL 114.95, 0.46%, 0.6%

LAB 73.44, -45.04, 39.34

 

CMYK 48 / 44 / 0 / 22

HEX #6971C8

RGB 105 113 200

HSL 234.95, 0.46%, 0.6%

LAB 50.67, 20.36, -46.38

 

CMYK 0 / 48 / 45 / 21

HEX #C9686F

RGB 201 104 111

HSL 355.67, 0.47%, 0.6%

LAB 55.55, 39.1, 13.83

 

CMYK 5 / 0 / 48 / 22

HEX #BDC869

RGB 189 200 105

HSL 66.95, 0.46%, 0.6%

LAB 77.96, -17.66, 45.91

 

CMYK 48 / 0 / 4 / 22

HEX #69C8C0

RGB 105 200 192

HSL 174.95, 0.46%, 0.6%

LAB 74.9, -30.06, -4.71

 

CMYK 42 / 48 / 0 / 22

HEX #7469C8

RGB 116 105 200

HSL 246.95, 0.46%, 0.6%

LAB 49.48, 27.88, -48.22

 

CMYK 0 / 48 / 45 / 21

HEX #C9686F

RGB 201 104 111

HSL 355.67, 0.47%, 0.6%

LAB 55.55, 39.1, 13.83

 

CMYK 20 / 0 / 48 / 22

HEX #A0C869

RGB 160 200 105

HSL 85.26, 0.46%, 0.6%

LAB 75.95, -28.95, 42.99

 

CMYK 48 / 0 / 4 / 22

HEX #69C8C0

RGB 105 200 192

HSL 174.95, 0.46%, 0.6%

LAB 74.9, -30.06, -4.71

 

CMYK 28 / 48 / 0 / 22

HEX #9169C8

RGB 145 105 200

HSL 265.26, 0.46%, 0.6%

LAB 52.17, 35.48, -43.78

 

Description

Color code: HEX #C9686F | qconv.com Color code: HEX #C9686F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 104 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 104 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 45 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 45% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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