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Color name
HEX #C968A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C968A2 it is the complementary color #36975D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C968A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C968A2 shade: #CE689D, #DF7AB0, #F08CC3, #FF9ED6 and #FFB0E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C968A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C968A2 shade: #C968A2, #B8568F, #A7447C, #963269 and #852056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C968A2 shade: #C869A2, #C86988, #C8696E and #C86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C968A2 shade: #C869A2, #C869BC, #BB69C8, #A169C8 and #8869C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C968A2 shade matches the following richer shades: #C869A2, #D958A5, #E948A8 and #FA37AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C968A2 shade: #C869A2, #B8799F, #A78A9B, #979A98 and #86AB95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C968A2 shade: #BC69C8, #C869BC, #C869A2, #C86989 and #C8696F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C968A2 shade: #A43B7A, #BE4A8F, #C869A2, #D387B5 and #DEA5C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C968A2 shade: #C968A2, #C8A269 and #69C8C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C968A2 shade: #C968A2, #A2C869 and #69A2C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C968A2 shade: #C968A2, #C8A269, #69C88F and #698FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C968A2 shade: #C968A2, #C8BF69, #69C88F and #6972C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 19 / 21

HEX #C968A2

RGB 201 104 162

HSL 324.12, 0.47%, 0.6%

LAB 57, 45.61, -13.85

 

Complementary color

CMYK 64 / 0 / 38 / 41

HEX #36975D

RGB 54 151 93

HSL 144.12, 0.47%, 0.4%

LAB 55.79, -41.9, 22.44

 

CMYK 0 / 50 / 24 / 19

HEX #CE689D

RGB 206 104 157

HSL 328.82, 0.51%, 0.61%

LAB 57.52, 46.51, -10.1

 

CMYK 0 / 45 / 21 / 13

HEX #DF7AB0

RGB 223 122 176

HSL 327.92, 0.61%, 0.68%

LAB 63.95, 45.74, -11.14

 

CMYK 0 / 42 / 19 / 6

HEX #F08CC3

RGB 240 140 195

HSL 327, 0.77%, 0.75%

LAB 70.33, 44.95, -12.04

 

CMYK 0 / 38 / 16 / 0

HEX #FF9ED6

RGB 255 158 214

HSL 325.36, 1%, 0.81%

LAB 76.42, 43.53, -13.21

 

CMYK 0 / 31 / 9 / 0

HEX #FFB0E9

RGB 255 176 233

HSL 316.71, 1%, 0.85%

LAB 80.85, 37.24, -16.86

 

CMYK 0 / 48 / 19 / 21

HEX #C968A2

RGB 201 104 162

HSL 324.12, 0.47%, 0.6%

LAB 57, 45.61, -13.85

 

CMYK 0 / 53 / 22 / 28

HEX #B8568F

RGB 184 86 143

HSL 325.1, 0.41%, 0.53%

LAB 50.49, 46.32, -12.77

 

CMYK 0 / 59 / 26 / 35

HEX #A7447C

RGB 167 68 124

HSL 326.06, 0.42%, 0.46%

LAB 43.95, 46.91, -11.44

 

CMYK 0 / 67 / 30 / 41

HEX #963269

RGB 150 50 105

HSL 327, 0.5%, 0.39%

LAB 37.45, 47.21, -9.73

 

CMYK 0 / 76 / 35 / 48

HEX #852056

RGB 133 32 86

HSL 327.92, 0.61%, 0.32%

LAB 31.09, 46.93, -7.42

 

CMYK 0 / 48 / 19 / 22

HEX #C869A2

RGB 200 105 162

HSL 324, 0.46%, 0.6%

LAB 57.07, 44.77, -13.76

 

CMYK 0 / 48 / 32 / 22

HEX #C86988

RGB 200 105 136

HSL 340.42, 0.46%, 0.6%

LAB 56.25, 41.12, 0.17

 

CMYK 0 / 48 / 45 / 22

HEX #C8696E

RGB 200 105 110

HSL 356.84, 0.46%, 0.6%

LAB 55.59, 38.11, 14.45

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 48 / 19 / 22

HEX #C869A2

RGB 200 105 162

HSL 324, 0.46%, 0.6%

LAB 57.07, 44.77, -13.76

 

CMYK 0 / 48 / 6 / 22

HEX #C869BC

RGB 200 105 188

HSL 307.58, 0.46%, 0.6%

LAB 58.05, 48.99, -27.24

 

CMYK 7 / 48 / 0 / 22

HEX #BB69C8

RGB 187 105 200

HSL 291.79, 0.46%, 0.6%

LAB 56.92, 47.37, -35.98

 

CMYK 20 / 48 / 0 / 22

HEX #A169C8

RGB 161 105 200

HSL 275.37, 0.46%, 0.6%

LAB 53.87, 39.94, -40.98

 

CMYK 32 / 48 / 0 / 22

HEX #8869C8

RGB 136 105 200

HSL 259.58, 0.46%, 0.6%

LAB 51.28, 33.05, -45.25

 

CMYK 0 / 48 / 19 / 22

HEX #C869A2

RGB 200 105 162

HSL 324, 0.46%, 0.6%

LAB 57.07, 44.77, -13.76

 

CMYK 0 / 59 / 24 / 15

HEX #D958A5

RGB 217 88 165

HSL 324.19, 0.63%, 0.6%

LAB 56.53, 58.57, -16.08

 

CMYK 0 / 69 / 28 / 9

HEX #E948A8

RGB 233 72 168

HSL 324.22, 0.79%, 0.6%

LAB 56.87, 69.73, -17.09

 

CMYK 0 / 78 / 31 / 2

HEX #FA37AC

RGB 250 55 172

HSL 324, 0.95%, 0.6%

LAB 58.07, 79.56, -17.32

 

CMYK 0 / 48 / 19 / 22

HEX #C869A2

RGB 200 105 162

HSL 324, 0.46%, 0.6%

LAB 57.07, 44.77, -13.76

 

CMYK 0 / 34 / 14 / 28

HEX #B8799F

RGB 184 121 159

HSL 323.81, 0.31%, 0.6%

LAB 58.38, 30.31, -10.25

 

CMYK 0 / 17 / 7 / 35

HEX #A78A9B

RGB 167 138 155

HSL 324.83, 0.14%, 0.6%

LAB 60.57, 13.92, -4.9

 

CMYK 2 / 0 / 1 / 40

HEX #979A98

RGB 151 154 152

HSL 140, 0.01%, 0.6%

LAB 63.31, -1.47, 0.66

 

CMYK 22 / 0 / 13 / 33

HEX #86AB95

RGB 134 171 149

HSL 144.32, 0.18%, 0.6%

LAB 66.8, -17.14, 7.23

 

CMYK 6 / 48 / 0 / 22

HEX #BC69C8

RGB 188 105 200

HSL 292.42, 0.46%, 0.6%

LAB 57.04, 47.65, -35.78

 

CMYK 0 / 48 / 6 / 22

HEX #C869BC

RGB 200 105 188

HSL 307.58, 0.46%, 0.6%

LAB 58.05, 48.99, -27.24

 

CMYK 0 / 48 / 19 / 22

HEX #C869A2

RGB 200 105 162

HSL 324, 0.46%, 0.6%

LAB 57.07, 44.77, -13.76

 

CMYK 0 / 48 / 32 / 22

HEX #C86989

RGB 200 105 137

HSL 339.79, 0.46%, 0.6%

LAB 56.28, 41.25, -0.38

 

CMYK 0 / 48 / 45 / 22

HEX #C8696F

RGB 200 105 111

HSL 356.21, 0.46%, 0.6%

LAB 55.61, 38.21, 13.89

 

CMYK 0 / 64 / 26 / 36

HEX #A43B7A

RGB 164 59 122

HSL 324, 0.47%, 0.44%

LAB 41.88, 49.8, -13.39

 

CMYK 0 / 61 / 25 / 25

HEX #BE4A8F

RGB 190 74 143

HSL 324.31, 0.47%, 0.52%

LAB 49.29, 53.81, -14.5

 

CMYK 0 / 48 / 19 / 22

HEX #C869A2

RGB 200 105 162

HSL 324, 0.46%, 0.6%

LAB 57.07, 44.77, -13.76

 

CMYK 0 / 36 / 14 / 17

HEX #D387B5

RGB 211 135 181

HSL 323.68, 0.46%, 0.68%

LAB 65.37, 35.68, -11.99

 

CMYK 0 / 26 / 10 / 13

HEX #DEA5C7

RGB 222 165 199

HSL 324.21, 0.46%, 0.76%

LAB 73.91, 26.29, -9.12

 

CMYK 0 / 48 / 19 / 21

HEX #C968A2

RGB 201 104 162

HSL 324.12, 0.47%, 0.6%

LAB 57, 45.61, -13.85

 

CMYK 0 / 19 / 48 / 22

HEX #C8A269

RGB 200 162 105

HSL 36, 0.46%, 0.6%

LAB 68.85, 6.72, 34.83

 

CMYK 48 / 0 / 0 / 22

HEX #69C8C8

RGB 105 200 200

HSL 180, 0.46%, 0.6%

LAB 75.13, -28.02, -8.7

 

CMYK 0 / 48 / 19 / 21

HEX #C968A2

RGB 201 104 162

HSL 324.12, 0.47%, 0.6%

LAB 57, 45.61, -13.85

 

CMYK 19 / 0 / 48 / 22

HEX #A2C869

RGB 162 200 105

HSL 84, 0.46%, 0.6%

LAB 76.08, -28.2, 43.18

 

CMYK 48 / 19 / 0 / 22

HEX #69A2C8

RGB 105 162 200

HSL 204, 0.46%, 0.6%

LAB 64.17, -8.3, -25.26

 

CMYK 0 / 48 / 19 / 21

HEX #C968A2

RGB 201 104 162

HSL 324.12, 0.47%, 0.6%

LAB 57, 45.61, -13.85

 

CMYK 0 / 19 / 48 / 22

HEX #C8A269

RGB 200 162 105

HSL 36, 0.46%, 0.6%

LAB 68.85, 6.72, 34.83

 

CMYK 48 / 0 / 29 / 22

HEX #69C88F

RGB 105 200 143

HSL 144, 0.46%, 0.6%

LAB 73.74, -41.01, 20.02

 

CMYK 48 / 29 / 0 / 22

HEX #698FC8

RGB 105 143 200

HSL 216, 0.46%, 0.6%

LAB 58.81, 2.44, -33.56

 

CMYK 0 / 48 / 19 / 21

HEX #C968A2

RGB 201 104 162

HSL 324.12, 0.47%, 0.6%

LAB 57, 45.61, -13.85

 

CMYK 0 / 5 / 48 / 22

HEX #C8BF69

RGB 200 191 105

HSL 54.32, 0.46%, 0.6%

LAB 76.41, -8.63, 44.23

 

CMYK 48 / 0 / 29 / 22

HEX #69C88F

RGB 105 200 143

HSL 144, 0.46%, 0.6%

LAB 73.74, -41.01, 20.02

 

CMYK 48 / 43 / 0 / 22

HEX #6972C8

RGB 105 114 200

HSL 234.32, 0.46%, 0.6%

LAB 50.93, 19.75, -45.96

 

Description

Color code: HEX #C968A2 | qconv.com Color code: HEX #C968A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 104 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 104 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 19 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 19% 21% C M Y K

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Provide designers and agencies with accurate color values.

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