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Color name
HEX #C99C65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99C65 it is the complementary color #36639A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99C65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99C65 shade: #CE9C60, #DFAE73, #F0C086, #FFD299 and #FFE4AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99C65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99C65 shade: #C99C65, #B88A52, #A7783F, #96662C and #855419

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99C65 shade: #C89B64, #C88064, #C86564 and #C86464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99C65 shade: #C89B64, #C8B664, #BFC864, #A4C864 and #89C864

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99C65 shade matches the following richer shades: #C89B64, #D99D53, #EA9E42 and #FBA031

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99C65 shade: #C89B64, #B79975, #A69886, #959697 and #8494A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99C65 shade: #C86564, #C88064, #C89B64, #C8B664 and #C0C864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99C65 shade: #A17238, #BD8745, #C89B64, #D3AF82 and #DEC2A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99C65 shade: #C99C65, #7DC864 and #7364C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99C65 shade: #C99C65, #64C89B and #9B64C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99C65 shade: #C99C65, #7DC864, #6491C8 and #AF64C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99C65 shade: #C99C65, #64C869, #6491C8 and #C864C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 50 / 21

HEX #C99C65

RGB 201 156 101

HSL 33, 0.48%, 0.59%

LAB 67.38, 10, 35.1

 

Complementary color

CMYK 65 / 36 / 0 / 40

HEX #36639A

RGB 54 99 154

HSL 213, 0.48%, 0.41%

LAB 41.28, 2.64, -34.59

 

CMYK 0 / 24 / 53 / 19

HEX #CE9C60

RGB 206 156 96

HSL 32.73, 0.53%, 0.59%

LAB 67.83, 11.64, 38.4

 

CMYK 0 / 22 / 48 / 13

HEX #DFAE73

RGB 223 174 115

HSL 32.78, 0.63%, 0.66%

LAB 74.32, 10.7, 37.01

 

CMYK 0 / 20 / 44 / 6

HEX #F0C086

RGB 240 192 134

HSL 32.83, 0.78%, 0.73%

LAB 80.71, 9.89, 35.7

 

CMYK 0 / 18 / 40 / 0

HEX #FFD299

RGB 255 210 153

HSL 33.53, 1%, 0.8%

LAB 86.83, 8.39, 34.18

 

CMYK 0 / 11 / 33 / 0

HEX #FFE4AC

RGB 255 228 172

HSL 40.48, 1%, 0.84%

LAB 91.56, 1.33, 30.75

 

CMYK 0 / 22 / 50 / 21

HEX #C99C65

RGB 201 156 101

HSL 33, 0.48%, 0.59%

LAB 67.38, 10, 35.1

 

CMYK 0 / 25 / 55 / 28

HEX #B88A52

RGB 184 138 82

HSL 32.94, 0.42%, 0.52%

LAB 60.76, 10.99, 36.52

 

CMYK 0 / 28 / 62 / 35

HEX #A7783F

RGB 167 120 63

HSL 32.88, 0.45%, 0.45%

LAB 54.03, 12.17, 38.01

 

CMYK 0 / 32 / 71 / 41

HEX #96662C

RGB 150 102 44

HSL 32.83, 0.55%, 0.38%

LAB 47.19, 13.58, 39.47

 

CMYK 0 / 37 / 81 / 48

HEX #855419

RGB 133 84 25

HSL 32.78, 0.68%, 0.31%

LAB 40.24, 15.32, 40.63

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 0 / 36 / 50 / 22

HEX #C88064

RGB 200 128 100

HSL 16.8, 0.48%, 0.59%

LAB 60.46, 24.8, 26.73

 

CMYK 0 / 50 / 50 / 22

HEX #C86564

RGB 200 101 100

HSL 0.6, 0.48%, 0.59%

LAB 54.56, 39.19, 18.87

 

CMYK 0 / 50 / 50 / 22

HEX #C86464

RGB 200 100 100

HSL 0, 0.48%, 0.59%

LAB 54.36, 39.7, 18.6

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 0 / 9 / 50 / 22

HEX #C8B664

RGB 200 182 100

HSL 49.2, 0.48%, 0.59%

LAB 73.97, -4.41, 43.74

 

CMYK 5 / 0 / 50 / 22

HEX #BFC864

RGB 191 200 100

HSL 65.4, 0.48%, 0.59%

LAB 78.05, -17.33, 48.47

 

CMYK 18 / 0 / 50 / 22

HEX #A4C864

RGB 164 200 100

HSL 81.6, 0.48%, 0.59%

LAB 76.14, -27.98, 45.72

 

CMYK 32 / 0 / 50 / 22

HEX #89C864

RGB 137 200 100

HSL 97.8, 0.48%, 0.59%

LAB 74.54, -37.87, 43.4

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 0 / 28 / 62 / 15

HEX #D99D53

RGB 217 157 83

HSL 33.13, 0.64%, 0.59%

LAB 69.1, 14.71, 46.81

 

CMYK 0 / 32 / 72 / 8

HEX #EA9E42

RGB 234 158 66

HSL 32.86, 0.8%, 0.59%

LAB 71.1, 20.34, 57.48

 

CMYK 0 / 36 / 80 / 2

HEX #FBA031

RGB 251 160 49

HSL 32.97, 0.96%, 0.59%

LAB 73.46, 25.69, 67.22

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 0 / 16 / 36 / 28

HEX #B79975

RGB 183 153 117

HSL 32.73, 0.31%, 0.59%

LAB 65.07, 5.96, 23.1

 

CMYK 0 / 8 / 19 / 35

HEX #A69886

RGB 166 152 134

HSL 33.75, 0.15%, 0.59%

LAB 63.58, 2.12, 11.34

 

CMYK 1 / 1 / 0 / 41

HEX #959697

RGB 149 150 151

HSL 210, 0.01%, 0.59%

LAB 62.03, -0.16, -0.66

 

CMYK 21 / 11 / 0 / 35

HEX #8494A7

RGB 132 148 167

HSL 212.57, 0.17%, 0.59%

LAB 60.67, -1.47, -11.88

 

CMYK 0 / 50 / 50 / 22

HEX #C86564

RGB 200 101 100

HSL 0.6, 0.48%, 0.59%

LAB 54.56, 39.19, 18.87

 

CMYK 0 / 36 / 50 / 22

HEX #C88064

RGB 200 128 100

HSL 16.8, 0.48%, 0.59%

LAB 60.46, 24.8, 26.73

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 0 / 9 / 50 / 22

HEX #C8B664

RGB 200 182 100

HSL 49.2, 0.48%, 0.59%

LAB 73.97, -4.41, 43.74

 

CMYK 4 / 0 / 50 / 22

HEX #C0C864

RGB 192 200 100

HSL 64.8, 0.48%, 0.59%

LAB 78.13, -16.93, 48.58

 

CMYK 0 / 29 / 65 / 37

HEX #A17238

RGB 161 114 56

HSL 33.14, 0.48%, 0.43%

LAB 51.72, 12.42, 38.79

 

CMYK 0 / 29 / 63 / 26

HEX #BD8745

RGB 189 135 69

HSL 33, 0.48%, 0.51%

LAB 60.41, 13.81, 42.95

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 0 / 17 / 38 / 17

HEX #D3AF82

RGB 211 175 130

HSL 33.33, 0.48%, 0.67%

LAB 73.62, 6.89, 27.97

 

CMYK 0 / 13 / 27 / 13

HEX #DEC2A1

RGB 222 194 161

HSL 32.46, 0.48%, 0.75%

LAB 80, 4.98, 20.26

 

CMYK 0 / 22 / 50 / 21

HEX #C99C65

RGB 201 156 101

HSL 33, 0.48%, 0.59%

LAB 67.38, 10, 35.1

 

CMYK 38 / 0 / 50 / 22

HEX #7DC864

RGB 125 200 100

HSL 105, 0.48%, 0.59%

LAB 73.93, -41.92, 42.52

 

CMYK 43 / 50 / 0 / 22

HEX #7364C8

RGB 115 100 200

HSL 249, 0.48%, 0.59%

LAB 48.17, 30.64, -50.31

 

CMYK 0 / 22 / 50 / 21

HEX #C99C65

RGB 201 156 101

HSL 33, 0.48%, 0.59%

LAB 67.38, 10, 35.1

 

CMYK 50 / 0 / 23 / 22

HEX #64C89B

RGB 100 200 155

HSL 153, 0.48%, 0.59%

LAB 73.79, -39.84, 13.65

 

CMYK 23 / 50 / 0 / 22

HEX #9B64C8

RGB 155 100 200

HSL 273, 0.48%, 0.59%

LAB 52.12, 41.03, -43.78

 

CMYK 0 / 22 / 50 / 21

HEX #C99C65

RGB 201 156 101

HSL 33, 0.48%, 0.59%

LAB 67.38, 10, 35.1

 

CMYK 38 / 0 / 50 / 22

HEX #7DC864

RGB 125 200 100

HSL 105, 0.48%, 0.59%

LAB 73.93, -41.92, 42.52

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 13 / 50 / 0 / 22

HEX #AF64C8

RGB 175 100 200

HSL 285, 0.48%, 0.59%

LAB 54.45, 46.56, -39.96

 

CMYK 0 / 22 / 50 / 21

HEX #C99C65

RGB 201 156 101

HSL 33, 0.48%, 0.59%

LAB 67.38, 10, 35.1

 

CMYK 50 / 0 / 48 / 22

HEX #64C869

RGB 100 200 105

HSL 123, 0.48%, 0.59%

LAB 72.92, -48.76, 38.57

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 0 / 50 / 3 / 22

HEX #C864C3

RGB 200 100 195

HSL 303, 0.48%, 0.59%

LAB 57.4, 52.7, -32.25

 

Description

Color code: HEX #C99C65 | qconv.com Color code: HEX #C99C65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 156 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 156 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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