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Color name
HEX #C9A73F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A73F it is the complementary color #3658C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A73F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A73F shade: #CEA73A, #DFB94D, #F0CB60, #FFDD73 and #FFEF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A73F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A73F shade: #C9A73F, #B8952C, #A78319, #967106 and #855F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A73F shade: #C9A740, #C98240, #C95D40 and #C94040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A73F shade: #C9A740, #C5C940, #A0C940, #7CC940 and #57C940

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A73F shade matches the following richer shades: #C9A740, #DCB12C and #F0BB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A73F shade: #C9A740, #B59D53, #A19367, #8D897B and #797F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A73F shade: #C95D40, #C98240, #C9A640, #C6C940 and #A2C940

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A73F shade: #8E7528, #AE8F31, #C9A740, #D2B660 and #DBC480

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A73F shade: #C9A73F, #46C940 and #7040C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A73F shade: #C9A73F, #40C9A6 and #A640C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A73F shade: #C9A73F, #46C940, #4062C9 and #C240C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A73F shade: #C9A73F, #40C962, #4062C9 and #C940A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 69 / 21

HEX #C9A73F

RGB 201 167 63

HSL 45.22, 0.56%, 0.52%

LAB 69.76, 1.25, 56.27

 

Complementary color

CMYK 72 / 54 / 0 / 25

HEX #3658C0

RGB 54 88 192

HSL 225.22, 0.56%, 0.48%

LAB 40.52, 23.69, -58.21

 

CMYK 0 / 19 / 72 / 19

HEX #CEA73A

RGB 206 167 58

HSL 44.19, 0.6%, 0.52%

LAB 70.22, 3.16, 58.97

 

CMYK 0 / 17 / 65 / 13

HEX #DFB94D

RGB 223 185 77

HSL 44.38, 0.7%, 0.59%

LAB 76.63, 1.97, 58.14

 

CMYK 0 / 15 / 60 / 6

HEX #F0CB60

RGB 240 203 96

HSL 44.58, 0.83%, 0.66%

LAB 82.96, 0.95, 57.08

 

CMYK 0 / 13 / 55 / 0

HEX #FFDD73

RGB 255 221 115

HSL 45.43, 1%, 0.73%

LAB 89.02, -0.74, 55.66

 

CMYK 0 / 6 / 47 / 0

HEX #FFEF86

RGB 255 239 134

HSL 52.07, 1%, 0.76%

LAB 93.76, -8.19, 52.4

 

CMYK 0 / 17 / 69 / 21

HEX #C9A73F

RGB 201 167 63

HSL 45.22, 0.56%, 0.52%

LAB 69.76, 1.25, 56.27

 

CMYK 0 / 19 / 76 / 28

HEX #B8952C

RGB 184 149 44

HSL 45, 0.61%, 0.45%

LAB 63.23, 2.54, 56.87

 

CMYK 0 / 22 / 85 / 35

HEX #A78319

RGB 167 131 25

HSL 44.79, 0.74%, 0.38%

LAB 56.6, 4.08, 56.67

 

CMYK 0 / 25 / 96 / 41

HEX #967106

RGB 150 113 6

HSL 44.58, 0.92%, 0.31%

LAB 49.87, 5.94, 55.03

 

CMYK 0 / 29 / 100 / 48

HEX #855F00

RGB 133 95 0

HSL 42.86, 1%, 0.26%

LAB 43.02, 8.18, 50.65

 

CMYK 0 / 17 / 68 / 21

HEX #C9A740

RGB 201 167 64

HSL 45.11, 0.56%, 0.52%

LAB 69.77, 1.31, 55.86

 

CMYK 0 / 35 / 68 / 21

HEX #C98240

RGB 201 130 64

HSL 28.91, 0.56%, 0.52%

LAB 60.56, 21.39, 45.99

 

CMYK 0 / 54 / 68 / 21

HEX #C95D40

RGB 201 93 64

HSL 12.7, 0.56%, 0.52%

LAB 52.53, 40.95, 36.88

 

CMYK 0 / 68 / 68 / 21

HEX #C94040

RGB 201 64 64

HSL 0, 0.56%, 0.52%

LAB 47.57, 54.07, 30.99

 

CMYK 0 / 17 / 68 / 21

HEX #C9A740

RGB 201 167 64

HSL 45.11, 0.56%, 0.52%

LAB 69.77, 1.31, 55.86

 

CMYK 2 / 0 / 68 / 21

HEX #C5C940

RGB 197 201 64

HSL 61.75, 0.56%, 0.52%

LAB 78.47, -17.97, 64.62

 

CMYK 20 / 0 / 68 / 21

HEX #A0C940

RGB 160 201 64

HSL 77.96, 0.56%, 0.52%

LAB 75.83, -33.04, 61.09

 

CMYK 38 / 0 / 68 / 21

HEX #7CC940

RGB 124 201 64

HSL 93.72, 0.56%, 0.52%

LAB 73.82, -46.27, 58.38

 

CMYK 57 / 0 / 68 / 21

HEX #57C940

RGB 87 201 64

HSL 109.93, 0.56%, 0.52%

LAB 72.34, -57.28, 56.37

 

CMYK 0 / 17 / 68 / 21

HEX #C9A740

RGB 201 167 64

HSL 45.11, 0.56%, 0.52%

LAB 69.77, 1.31, 55.86

 

CMYK 0 / 20 / 80 / 14

HEX #DCB12C

RGB 220 177 44

HSL 45.34, 0.72%, 0.52%

LAB 74.09, 3.37, 68.15

 

CMYK 0 / 22 / 90 / 6

HEX #F0BB18

RGB 240 187 24

HSL 45.28, 0.88%, 0.52%

LAB 78.54, 6.29, 77.61

 

CMYK 0 / 17 / 68 / 21

HEX #C9A740

RGB 201 167 64

HSL 45.11, 0.56%, 0.52%

LAB 69.77, 1.31, 55.86

 

CMYK 0 / 13 / 54 / 29

HEX #B59D53

RGB 181 157 83

HSL 45.31, 0.4%, 0.52%

LAB 65.41, -0.63, 41.54

 

CMYK 0 / 9 / 36 / 37

HEX #A19367

RGB 161 147 103

HSL 45.52, 0.24%, 0.52%

LAB 61.15, -1.54, 25.21

 

CMYK 0 / 3 / 13 / 45

HEX #8D897B

RGB 141 137 123

HSL 46.67, 0.07%, 0.52%

LAB 57.06, -1.07, 8.04

 

CMYK 15 / 11 / 0 / 44

HEX #797F8F

RGB 121 127 143

HSL 223.64, 0.09%, 0.52%

LAB 53.2, 1.26, -9.38

 

CMYK 0 / 54 / 68 / 21

HEX #C95D40

RGB 201 93 64

HSL 12.7, 0.56%, 0.52%

LAB 52.53, 40.95, 36.88

 

CMYK 0 / 35 / 68 / 21

HEX #C98240

RGB 201 130 64

HSL 28.91, 0.56%, 0.52%

LAB 60.56, 21.39, 45.99

 

CMYK 0 / 17 / 68 / 21

HEX #C9A640

RGB 201 166 64

HSL 44.67, 0.56%, 0.52%

LAB 69.51, 1.84, 55.59

 

CMYK 1 / 0 / 68 / 21

HEX #C6C940

RGB 198 201 64

HSL 61.31, 0.56%, 0.52%

LAB 78.55, -17.55, 64.72

 

CMYK 19 / 0 / 68 / 21

HEX #A2C940

RGB 162 201 64

HSL 77.08, 0.56%, 0.52%

LAB 75.96, -32.25, 61.27

 

CMYK 0 / 18 / 72 / 44

HEX #8E7528

RGB 142 117 40

HSL 45.29, 0.56%, 0.36%

LAB 50.25, 1.05, 44.26

 

CMYK 0 / 18 / 72 / 32

HEX #AE8F31

RGB 174 143 49

HSL 45.12, 0.56%, 0.44%

LAB 60.66, 1.59, 52.02

 

CMYK 0 / 17 / 68 / 21

HEX #C9A740

RGB 201 167 64

HSL 45.11, 0.56%, 0.52%

LAB 69.77, 1.31, 55.86

 

CMYK 0 / 13 / 54 / 18

HEX #D2B660

RGB 210 182 96

HSL 45.26, 0.56%, 0.6%

LAB 74.83, -0.59, 46.96

 

CMYK 0 / 11 / 42 / 14

HEX #DBC480

RGB 219 196 128

HSL 44.84, 0.56%, 0.68%

LAB 79.67, -1.22, 37.07

 

CMYK 0 / 17 / 69 / 21

HEX #C9A73F

RGB 201 167 63

HSL 45.22, 0.56%, 0.52%

LAB 69.76, 1.25, 56.27

 

CMYK 65 / 0 / 68 / 21

HEX #46C940

RGB 70 201 64

HSL 117.37, 0.56%, 0.52%

LAB 71.86, -61.19, 55.71

 

CMYK 44 / 68 / 0 / 21

HEX #7040C9

RGB 112 64 201

HSL 261.02, 0.56%, 0.52%

LAB 40.13, 50.72, -63.89

 

CMYK 0 / 17 / 69 / 21

HEX #C9A73F

RGB 201 167 63

HSL 45.22, 0.56%, 0.52%

LAB 69.76, 1.25, 56.27

 

CMYK 68 / 0 / 17 / 21

HEX #40C9A6

RGB 64 201 166

HSL 164.67, 0.56%, 0.52%

LAB 73.3, -44.9, 6.88

 

CMYK 17 / 68 / 0 / 21

HEX #A640C9

RGB 166 64 201

HSL 284.67, 0.56%, 0.52%

LAB 46.96, 61.71, -52.5

 

CMYK 0 / 17 / 69 / 21

HEX #C9A73F

RGB 201 167 63

HSL 45.22, 0.56%, 0.52%

LAB 69.76, 1.25, 56.27

 

CMYK 65 / 0 / 68 / 21

HEX #46C940

RGB 70 201 64

HSL 117.37, 0.56%, 0.52%

LAB 71.86, -61.19, 55.71

 

CMYK 68 / 51 / 0 / 21

HEX #4062C9

RGB 64 98 201

HSL 225.11, 0.56%, 0.52%

LAB 44.29, 21.96, -57.3

 

CMYK 3 / 68 / 0 / 21

HEX #C240C9

RGB 194 64 201

HSL 296.93, 0.56%, 0.52%

LAB 51.1, 67.88, -45.66

 

CMYK 0 / 17 / 69 / 21

HEX #C9A73F

RGB 201 167 63

HSL 45.22, 0.56%, 0.52%

LAB 69.76, 1.25, 56.27

 

CMYK 68 / 0 / 51 / 21

HEX #40C962

RGB 64 201 98

HSL 134.89, 0.56%, 0.52%

LAB 72.06, -58.32, 40.71

 

CMYK 68 / 51 / 0 / 21

HEX #4062C9

RGB 64 98 201

HSL 225.11, 0.56%, 0.52%

LAB 44.29, 21.96, -57.3

 

CMYK 0 / 68 / 17 / 21

HEX #C940A6

RGB 201 64 166

HSL 315.33, 0.56%, 0.52%

LAB 50.5, 64.1, -26.14

 

Description

Color code: HEX #C9A73F | qconv.com Color code: HEX #C9A73F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 167 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 167 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 69 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 69% 21% C M Y K

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Provide designers and agencies with accurate color values.

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