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Color name
HEX #C9AAA8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9AAA8 it is the complementary color #365557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9AAA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9AAA8 shade: #CEAAA3, #DFBCB6, #F0CEC9, #FFE0DC and #FFF2EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9AAA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9AAA8 shade: #C9AAA8, #B89895, #A78682, #96746F and #85625C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9AAA8 shade: #C8A9A7 and #C8A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9AAA8 shade: #C8A9A7, #C8B2A7, #C8BAA7, #C8C3A7 and #C3C8A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9AAA8 shade matches the following richer shades: #C8A9A7, #D39F9B, #DF9490, #EA8A84 and #F68078

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9AAA8 shade: #C8A9A7, #BCB3B2, #B0BDBE, #A5C7C9 and #99D1D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9AAA8 shade: #C8A7B7, #C8A7AE, #C8A8A7, #C8B1A7 and #C8BAA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9AAA8 shade: #A87774, #B8908D, #C8A9A7, #D7C1C0 and #E7DAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9AAA8 shade: #C9AAA8, #BFC8A7 and #A7B2C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9AAA8 shade: #C9AAA8, #A7C8A8 and #A8A7C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9AAA8 shade: #C9AAA8, #BFC8A7, #A7C6C8 and #AFA7C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9AAA8 shade: #C9AAA8, #B5C8A7, #A7C6C8 and #B9A7C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 21

HEX #C9AAA8

RGB 201 170 168

HSL 3.64, 0.23%, 0.72%

LAB 72.22, 10.94, 5.22

 

Complementary color

CMYK 38 / 2 / 0 / 66

HEX #365557

RGB 54 85 87

HSL 183.64, 0.23%, 0.28%

LAB 33.92, -10.8, -4.8

 

CMYK 0 / 17 / 21 / 19

HEX #CEAAA3

RGB 206 170 163

HSL 9.77, 0.3%, 0.72%

LAB 72.57, 12.03, 8.53

 

CMYK 0 / 16 / 18 / 13

HEX #DFBCB6

RGB 223 188 182

HSL 8.78, 0.39%, 0.79%

LAB 79.06, 11.56, 7.68

 

CMYK 0 / 14 / 16 / 6

HEX #F0CEC9

RGB 240 206 201

HSL 7.69, 0.57%, 0.86%

LAB 85.45, 11.13, 6.89

 

CMYK 0 / 12 / 14 / 0

HEX #FFE0DC

RGB 255 224 220

HSL 6.86, 1%, 0.93%

LAB 91.57, 10.03, 5.87

 

CMYK 0 / 5 / 6 / 0

HEX #FFF2EF

RGB 255 242 239

HSL 11.25, 1%, 0.97%

LAB 96.41, 3.86, 2.99

 

CMYK 0 / 15 / 16 / 21

HEX #C9AAA8

RGB 201 170 168

HSL 3.64, 0.23%, 0.72%

LAB 72.22, 10.94, 5.22

 

CMYK 0 / 17 / 19 / 28

HEX #B89895

RGB 184 152 149

HSL 5.14, 0.2%, 0.65%

LAB 65.61, 11.42, 6.04

 

CMYK 0 / 20 / 22 / 35

HEX #A78682

RGB 167 134 130

HSL 6.49, 0.17%, 0.58%

LAB 58.86, 11.95, 6.92

 

CMYK 0 / 23 / 26 / 41

HEX #96746F

RGB 150 116 111

HSL 7.69, 0.16%, 0.51%

LAB 51.98, 12.56, 7.88

 

CMYK 0 / 26 / 31 / 48

HEX #85625C

RGB 133 98 92

HSL 8.78, 0.18%, 0.44%

LAB 44.93, 13.27, 8.95

 

CMYK 0 / 16 / 17 / 22

HEX #C8A9A7

RGB 200 169 167

HSL 3.64, 0.23%, 0.72%

LAB 71.86, 10.96, 5.23

 

CMYK 0 / 17 / 17 / 22

HEX #C8A7A7

RGB 200 167 167

HSL 0, 0.23%, 0.72%

LAB 71.36, 12.05, 4.51

 

CMYK 0 / 16 / 17 / 22

HEX #C8A9A7

RGB 200 169 167

HSL 3.64, 0.23%, 0.72%

LAB 71.86, 10.96, 5.23

 

CMYK 0 / 11 / 17 / 22

HEX #C8B2A7

RGB 200 178 167

HSL 20, 0.23%, 0.72%

LAB 74.13, 6.09, 8.49

 

CMYK 0 / 7 / 17 / 22

HEX #C8BAA7

RGB 200 186 167

HSL 34.55, 0.23%, 0.72%

LAB 76.18, 1.8, 11.41

 

CMYK 0 / 3 / 17 / 22

HEX #C8C3A7

RGB 200 195 167

HSL 50.91, 0.23%, 0.72%

LAB 78.52, -2.95, 14.71

 

CMYK 3 / 0 / 17 / 22

HEX #C3C8A7

RGB 195 200 167

HSL 69.09, 0.23%, 0.72%

LAB 79.44, -7.4, 15.95

 

CMYK 0 / 16 / 17 / 22

HEX #C8A9A7

RGB 200 169 167

HSL 3.64, 0.23%, 0.72%

LAB 71.86, 10.96, 5.23

 

CMYK 0 / 25 / 27 / 17

HEX #D39F9B

RGB 211 159 155

HSL 4.29, 0.39%, 0.72%

LAB 70.18, 18.73, 9.6

 

CMYK 0 / 34 / 35 / 13

HEX #DF9490

RGB 223 148 144

HSL 3.04, 0.55%, 0.72%

LAB 68.67, 27.78, 13.75

 

CMYK 0 / 41 / 44 / 8

HEX #EA8A84

RGB 234 138 132

HSL 3.53, 0.71%, 0.72%

LAB 67.53, 35.87, 19.07

 

CMYK 0 / 48 / 51 / 4

HEX #F68078

RGB 246 128 120

HSL 3.81, 0.88%, 0.72%

LAB 66.81, 44.27, 25.06

 

CMYK 0 / 16 / 17 / 22

HEX #C8A9A7

RGB 200 169 167

HSL 3.64, 0.23%, 0.72%

LAB 71.86, 10.96, 5.23

 

CMYK 0 / 5 / 5 / 26

HEX #BCB3B2

RGB 188 179 178

HSL 6, 0.07%, 0.72%

LAB 73.64, 3.01, 1.64

 

CMYK 7 / 1 / 0 / 25

HEX #B0BDBE

RGB 176 189 190

HSL 184.29, 0.1%, 0.72%

LAB 75.66, -4.27, -2.05

 

CMYK 18 / 1 / 0 / 21

HEX #A5C7C9

RGB 165 199 201

HSL 183.33, 0.25%, 0.72%

LAB 77.91, -10.86, -4.78

 

CMYK 28 / 2 / 0 / 16

HEX #99D1D5

RGB 153 209 213

HSL 184, 0.42%, 0.72%

LAB 80.28, -16.97, -7.81

 

CMYK 0 / 17 / 9 / 22

HEX #C8A7B7

RGB 200 167 183

HSL 330.91, 0.23%, 0.72%

LAB 71.78, 14.72, -3.7

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 16 / 17 / 22

HEX #C8A8A7

RGB 200 168 167

HSL 1.82, 0.23%, 0.72%

LAB 71.61, 11.5, 4.87

 

CMYK 0 / 12 / 17 / 22

HEX #C8B1A7

RGB 200 177 167

HSL 18.18, 0.23%, 0.72%

LAB 73.88, 6.62, 8.13

 

CMYK 0 / 7 / 17 / 22

HEX #C8BAA7

RGB 200 186 167

HSL 34.55, 0.23%, 0.72%

LAB 76.18, 1.8, 11.41

 

CMYK 0 / 29 / 31 / 34

HEX #A87774

RGB 168 119 116

HSL 3.46, 0.23%, 0.56%

LAB 54.84, 18.78, 9.31

 

CMYK 0 / 22 / 23 / 28

HEX #B8908D

RGB 184 144 141

HSL 4.19, 0.23%, 0.64%

LAB 63.39, 14.62, 7.37

 

CMYK 0 / 16 / 17 / 22

HEX #C8A9A7

RGB 200 169 167

HSL 3.64, 0.23%, 0.72%

LAB 71.86, 10.96, 5.23

 

CMYK 0 / 10 / 11 / 16

HEX #D7C1C0

RGB 215 193 192

HSL 2.61, 0.22%, 0.8%

LAB 79.84, 7.59, 3.32

 

CMYK 0 / 6 / 6 / 9

HEX #E7DAD9

RGB 231 218 217

HSL 4.29, 0.23%, 0.88%

LAB 88.04, 4.28, 2.08

 

CMYK 0 / 15 / 16 / 21

HEX #C9AAA8

RGB 201 170 168

HSL 3.64, 0.23%, 0.72%

LAB 72.22, 10.94, 5.22

 

CMYK 5 / 0 / 17 / 22

HEX #BFC8A7

RGB 191 200 167

HSL 76.36, 0.23%, 0.72%

LAB 79.14, -8.86, 15.48

 

CMYK 17 / 11 / 0 / 22

HEX #A7B2C8

RGB 167 178 200

HSL 220, 0.23%, 0.72%

LAB 72.38, 0.74, -12.45

 

CMYK 0 / 15 / 16 / 21

HEX #C9AAA8

RGB 201 170 168

HSL 3.64, 0.23%, 0.72%

LAB 72.22, 10.94, 5.22

 

CMYK 17 / 0 / 16 / 22

HEX #A7C8A8

RGB 167 200 168

HSL 121.82, 0.23%, 0.72%

LAB 77.49, -17.19, 12.38

 

CMYK 16 / 17 / 0 / 22

HEX #A8A7C8

RGB 168 167 200

HSL 241.82, 0.23%, 0.72%

LAB 69.56, 7.11, -16.68

 

CMYK 0 / 15 / 16 / 21

HEX #C9AAA8

RGB 201 170 168

HSL 3.64, 0.23%, 0.72%

LAB 72.22, 10.94, 5.22

 

CMYK 5 / 0 / 17 / 22

HEX #BFC8A7

RGB 191 200 167

HSL 76.36, 0.23%, 0.72%

LAB 79.14, -8.86, 15.48

 

CMYK 17 / 1 / 0 / 22

HEX #A7C6C8

RGB 167 198 200

HSL 183.64, 0.23%, 0.72%

LAB 77.74, -9.92, -4.48

 

CMYK 13 / 17 / 0 / 22

HEX #AFA7C8

RGB 175 167 200

HSL 254.55, 0.23%, 0.72%

LAB 70.12, 9.4, -15.79

 

CMYK 0 / 15 / 16 / 21

HEX #C9AAA8

RGB 201 170 168

HSL 3.64, 0.23%, 0.72%

LAB 72.22, 10.94, 5.22

 

CMYK 10 / 0 / 17 / 22

HEX #B5C8A7

RGB 181 200 167

HSL 94.55, 0.23%, 0.72%

LAB 78.42, -12.46, 14.36

 

CMYK 17 / 1 / 0 / 22

HEX #A7C6C8

RGB 167 198 200

HSL 183.64, 0.23%, 0.72%

LAB 77.74, -9.92, -4.48

 

CMYK 8 / 17 / 0 / 22

HEX #B9A7C8

RGB 185 167 200

HSL 272.73, 0.23%, 0.72%

LAB 70.95, 12.72, -14.45

 

Description

Color code: HEX #C9AAA8 | qconv.com Color code: HEX #C9AAA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 170 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 170 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 21% C M Y K

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Provide designers and agencies with accurate color values.

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