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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9C668 it is the complementary color #363997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9C668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9C668 shade: #CEC663, #DFD876, #F0EA89, #FFFC9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9C668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9C668 shade: #C9C668, #B8B455, #A7A242, #96902F and #857E1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9C668 shade: #C8C569, #C8AC69, #C89269, #C87869 and #C86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9C668 shade: #C8C569, #B2C869, #98C869, #7EC869 and #69C86D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9C668 shade matches the following richer shades: #C8C569, #D9D558, #E9E448 and #FAF437

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9C668 shade: #C8C569, #B8B679, #A7A78A, #97979A and #8688AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9C668 shade: #C89269, #C8AC69, #C8C569, #B2C869 and #99C869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9C668 shade: #A4A13B, #BEBA4A, #C8C569, #D3D187 and #DEDDA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9C668 shade: #C9C668, #69C879 and #9F69C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9C668 shade: #C9C668, #69C8C5 and #C569C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9C668 shade: #C9C668, #69C879, #696CC8 and #C869B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9C668 shade: #C9C668, #69C895, #696CC8 and #C8699C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 48 / 21

HEX #C9C668

RGB 201 198 104

HSL 58.14, 0.47%, 0.6%

LAB 78.35, -11.9, 47.09

 

Complementary color

CMYK 64 / 62 / 0 / 41

HEX #363997

RGB 54 57 151

HSL 238.14, 0.47%, 0.4%

LAB 29.27, 29.07, -52.05

 

CMYK 0 / 4 / 52 / 19

HEX #CEC663

RGB 206 198 99

HSL 55.51, 0.52%, 0.6%

LAB 78.7, -10.3, 50

 

CMYK 0 / 3 / 47 / 13

HEX #DFD876

RGB 223 216 118

HSL 56, 0.62%, 0.67%

LAB 85.05, -10.84, 48.84

 

CMYK 0 / 3 / 43 / 6

HEX #F0EA89

RGB 240 234 137

HSL 56.5, 0.77%, 0.74%

LAB 91.31, -11.3, 47.67

 

CMYK 0 / 1 / 39 / 0

HEX #FFFC9C

RGB 255 252 156

HSL 58.18, 1%, 0.81%

LAB 97.34, -12.46, 46.29

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 1 / 48 / 21

HEX #C9C668

RGB 201 198 104

HSL 58.14, 0.47%, 0.6%

LAB 78.35, -11.9, 47.09

 

CMYK 0 / 2 / 54 / 28

HEX #B8B455

RGB 184 180 85

HSL 57.58, 0.41%, 0.53%

LAB 71.89, -11.35, 48.23

 

CMYK 0 / 3 / 60 / 35

HEX #A7A242

RGB 167 162 66

HSL 57.03, 0.43%, 0.46%

LAB 65.32, -10.68, 49.28

 

CMYK 0 / 4 / 69 / 41

HEX #96902F

RGB 150 144 47

HSL 56.5, 0.52%, 0.39%

LAB 58.64, -9.84, 50.06

 

CMYK 0 / 5 / 79 / 48

HEX #857E1C

RGB 133 126 28

HSL 56, 0.65%, 0.32%

LAB 51.83, -8.77, 50.22

 

CMYK 0 / 1 / 48 / 22

HEX #C8C569

RGB 200 197 105

HSL 58.11, 0.46%, 0.6%

LAB 78.01, -11.71, 46.17

 

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

CMYK 0 / 27 / 48 / 22

HEX #C89269

RGB 200 146 105

HSL 25.89, 0.46%, 0.6%

LAB 64.85, 15.43, 29.69

 

CMYK 0 / 40 / 48 / 22

HEX #C87869

RGB 200 120 105

HSL 9.47, 0.46%, 0.6%

LAB 58.73, 29.63, 21.61

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 1 / 48 / 22

HEX #C8C569

RGB 200 197 105

HSL 58.11, 0.46%, 0.6%

LAB 78.01, -11.71, 46.17

 

CMYK 11 / 0 / 48 / 22

HEX #B2C869

RGB 178 200 105

HSL 73.89, 0.46%, 0.6%

LAB 77.16, -22.02, 44.75

 

CMYK 24 / 0 / 48 / 22

HEX #98C869

RGB 152 200 105

HSL 90.32, 0.46%, 0.6%

LAB 75.45, -31.92, 42.28

 

CMYK 37 / 0 / 48 / 22

HEX #7EC869

RGB 126 200 105

HSL 106.74, 0.46%, 0.6%

LAB 74.04, -40.96, 40.21

 

CMYK 48 / 0 / 46 / 22

HEX #69C86D

RGB 105 200 109

HSL 122.53, 0.46%, 0.6%

LAB 73.16, -46.8, 36.92

 

CMYK 0 / 1 / 48 / 22

HEX #C8C569

RGB 200 197 105

HSL 58.11, 0.46%, 0.6%

LAB 78.01, -11.71, 46.17

 

CMYK 0 / 2 / 59 / 15

HEX #D9D558

RGB 217 213 88

HSL 58.14, 0.63%, 0.6%

LAB 83.47, -14.18, 60.63

 

CMYK 0 / 2 / 69 / 9

HEX #E9E448

RGB 233 228 72

HSL 58.14, 0.79%, 0.6%

LAB 88.58, -15.94, 72.66

 

CMYK 0 / 2 / 78 / 2

HEX #FAF437

RGB 250 244 55

HSL 58.15, 0.95%, 0.6%

LAB 94.01, -17.42, 83.57

 

CMYK 0 / 1 / 48 / 22

HEX #C8C569

RGB 200 197 105

HSL 58.11, 0.46%, 0.6%

LAB 78.01, -11.71, 46.17

 

CMYK 0 / 1 / 34 / 28

HEX #B8B679

RGB 184 182 121

HSL 58.1, 0.31%, 0.6%

LAB 72.91, -8.7, 31.36

 

CMYK 0 / 0 / 17 / 35

HEX #A7A78A

RGB 167 167 138

HSL 60, 0.14%, 0.6%

LAB 67.79, -5.04, 15.04

 

CMYK 2 / 2 / 0 / 40

HEX #97979A

RGB 151 151 154

HSL 240, 0.01%, 0.6%

LAB 62.55, 0.59, -1.58

 

CMYK 22 / 20 / 0 / 33

HEX #8688AB

RGB 134 136 171

HSL 236.76, 0.18%, 0.6%

LAB 57.67, 6.97, -18.69

 

CMYK 0 / 27 / 48 / 22

HEX #C89269

RGB 200 146 105

HSL 25.89, 0.46%, 0.6%

LAB 64.85, 15.43, 29.69

 

CMYK 0 / 14 / 48 / 22

HEX #C8AC69

RGB 200 172 105

HSL 42.32, 0.46%, 0.6%

LAB 71.42, 1.35, 38.07

 

CMYK 0 / 1 / 48 / 22

HEX #C8C569

RGB 200 197 105

HSL 58.11, 0.46%, 0.6%

LAB 78.01, -11.71, 46.17

 

CMYK 11 / 0 / 48 / 22

HEX #B2C869

RGB 178 200 105

HSL 73.89, 0.46%, 0.6%

LAB 77.16, -22.02, 44.75

 

CMYK 24 / 0 / 48 / 22

HEX #99C869

RGB 153 200 105

HSL 89.68, 0.46%, 0.6%

LAB 75.51, -31.55, 42.36

 

CMYK 0 / 2 / 64 / 36

HEX #A4A13B

RGB 164 161 59

HSL 58.29, 0.47%, 0.44%

LAB 64.72, -11.94, 51.66

 

CMYK 0 / 2 / 61 / 25

HEX #BEBA4A

RGB 190 186 74

HSL 57.93, 0.47%, 0.52%

LAB 73.91, -12.74, 55.64

 

CMYK 0 / 1 / 48 / 22

HEX #C8C569

RGB 200 197 105

HSL 58.11, 0.46%, 0.6%

LAB 78.01, -11.71, 46.17

 

CMYK 0 / 1 / 36 / 17

HEX #D3D187

RGB 211 209 135

HSL 58.42, 0.46%, 0.68%

LAB 82.49, -10.3, 36.99

 

CMYK 0 / 0 / 26 / 13

HEX #DEDDA5

RGB 222 221 165

HSL 58.95, 0.46%, 0.76%

LAB 86.98, -8.44, 27.7

 

CMYK 0 / 1 / 48 / 21

HEX #C9C668

RGB 201 198 104

HSL 58.14, 0.47%, 0.6%

LAB 78.35, -11.9, 47.09

 

CMYK 48 / 0 / 40 / 22

HEX #69C879

RGB 105 200 121

HSL 130.11, 0.46%, 0.6%

LAB 73.35, -44.94, 31.04

 

CMYK 21 / 48 / 0 / 22

HEX #9F69C8

RGB 159 105 200

HSL 274.11, 0.46%, 0.6%

LAB 53.65, 39.37, -41.34

 

CMYK 0 / 1 / 48 / 21

HEX #C9C668

RGB 201 198 104

HSL 58.14, 0.47%, 0.6%

LAB 78.35, -11.9, 47.09

 

CMYK 48 / 0 / 1 / 22

HEX #69C8C5

RGB 105 200 197

HSL 178.11, 0.46%, 0.6%

LAB 75.04, -28.79, -7.21

 

CMYK 1 / 48 / 0 / 22

HEX #C569C8

RGB 197 105 200

HSL 298.11, 0.46%, 0.6%

LAB 58.17, 50.25, -33.92

 

CMYK 0 / 1 / 48 / 21

HEX #C9C668

RGB 201 198 104

HSL 58.14, 0.47%, 0.6%

LAB 78.35, -11.9, 47.09

 

CMYK 48 / 0 / 40 / 22

HEX #69C879

RGB 105 200 121

HSL 130.11, 0.46%, 0.6%

LAB 73.35, -44.94, 31.04

 

CMYK 48 / 46 / 0 / 22

HEX #696CC8

RGB 105 108 200

HSL 238.11, 0.46%, 0.6%

LAB 49.37, 23.41, -48.44

 

CMYK 0 / 48 / 8 / 22

HEX #C869B8

RGB 200 105 184

HSL 310.11, 0.46%, 0.6%

LAB 57.89, 48.31, -25.2

 

CMYK 0 / 1 / 48 / 21

HEX #C9C668

RGB 201 198 104

HSL 58.14, 0.47%, 0.6%

LAB 78.35, -11.9, 47.09

 

CMYK 48 / 0 / 26 / 22

HEX #69C895

RGB 105 200 149

HSL 147.79, 0.46%, 0.6%

LAB 73.86, -39.82, 16.98

 

CMYK 48 / 46 / 0 / 22

HEX #696CC8

RGB 105 108 200

HSL 238.11, 0.46%, 0.6%

LAB 49.37, 23.41, -48.44

 

CMYK 0 / 48 / 22 / 22

HEX #C8699C

RGB 200 105 156

HSL 327.79, 0.46%, 0.6%

LAB 56.86, 43.88, -10.59

 

Description

Color code: HEX #C9C668 | qconv.com Color code: HEX #C9C668 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 198 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 198 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 48% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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