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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9DD9F it is the complementary color #362260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9DD9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9DD9F shade: #CEDD9A, #DFEFAD, #F0FFC0, #FFFFD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9DD9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9DD9F shade: #C9DD9F, #B8CB8C, #A7B979, #96A766 and #859553

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9DD9F shade: #CADDA0, #DADDA0, #DDD0A0, #DDC0A0 and #DDAFA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9DD9F shade: #CADDA0, #B9DDA0, #A9DDA0, #A0DDA8 and #A0DDB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9DD9F shade matches the following richer shades: #CADDA0, #CDE896, #D1F28C and #D5FC81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9DD9F shade: #CADDA0, #C6D3AA, #C2C9B5, #BFBEBF and #BBB4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9DD9F shade: #DDD0A0, #DADDA0, #CADDA0, #BADDA0 and #A9DDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9DD9F shade: #A7C863, #B8D382, #CADDA0, #DBE8BF and #ECF3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9DD9F shade: #C9DD9F, #A0DDC0 and #D8A0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9DD9F shade: #C9DD9F, #A0CADD and #DDA0CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9DD9F shade: #C9DD9F, #A0DDC0, #B4A0DD and #DDA0BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9DD9F shade: #C9DD9F, #A0DDD2, #B4A0DD and #DDA0AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 28 / 13

HEX #C9DD9F

RGB 201 221 159

HSL 79.35, 0.48%, 0.75%

LAB 85.32, -17.05, 28.29

 

Complementary color

CMYK 44 / 65 / 0 / 62

HEX #362260

RGB 54 34 96

HSL 259.35, 0.48%, 0.25%

LAB 19.11, 25.5, -33.67

 

CMYK 7 / 0 / 30 / 13

HEX #CEDD9A

RGB 206 221 154

HSL 73.43, 0.5%, 0.74%

LAB 85.59, -15.88, 31.29

 

CMYK 7 / 0 / 28 / 6

HEX #DFEFAD

RGB 223 239 173

HSL 74.55, 0.67%, 0.81%

LAB 91.88, -15.98, 30.24

 

CMYK 6 / 0 / 25 / 0

HEX #F0FFC0

RGB 240 255 192

HSL 74.29, 1%, 0.88%

LAB 97.57, -15.08, 28.54

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 9 / 0 / 28 / 13

HEX #C9DD9F

RGB 201 221 159

HSL 79.35, 0.48%, 0.75%

LAB 85.32, -17.05, 28.29

 

CMYK 9 / 0 / 31 / 20

HEX #B8CB8C

RGB 184 203 140

HSL 78.1, 0.38%, 0.67%

LAB 78.92, -17, 29.36

 

CMYK 10 / 0 / 35 / 27

HEX #A7B979

RGB 167 185 121

HSL 76.88, 0.31%, 0.6%

LAB 72.42, -16.93, 30.48

 

CMYK 10 / 0 / 39 / 35

HEX #96A766

RGB 150 167 102

HSL 75.69, 0.27%, 0.53%

LAB 65.81, -16.83, 31.65

 

CMYK 11 / 0 / 44 / 42

HEX #859553

RGB 133 149 83

HSL 74.55, 0.28%, 0.45%

LAB 59.07, -16.68, 32.87

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 1 / 0 / 28 / 13

HEX #DADDA0

RGB 218 221 160

HSL 62.95, 0.47%, 0.75%

LAB 86.58, -10.6, 29.69

 

CMYK 0 / 6 / 28 / 13

HEX #DDD0A0

RGB 221 208 160

HSL 47.21, 0.47%, 0.75%

LAB 83.45, -2.84, 25.51

 

CMYK 0 / 13 / 28 / 13

HEX #DDC0A0

RGB 221 192 160

HSL 31.48, 0.47%, 0.75%

LAB 79.39, 5.52, 19.94

 

CMYK 0 / 21 / 28 / 13

HEX #DDAFA0

RGB 221 175 160

HSL 14.75, 0.47%, 0.75%

LAB 75.18, 14.58, 14.07

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 16 / 0 / 28 / 13

HEX #B9DDA0

RGB 185 221 160

HSL 95.41, 0.47%, 0.75%

LAB 84.26, -22.67, 26.16

 

CMYK 24 / 0 / 28 / 13

HEX #A9DDA0

RGB 169 221 160

HSL 111.15, 0.47%, 0.75%

LAB 83.28, -28.19, 24.66

 

CMYK 28 / 0 / 24 / 13

HEX #A0DDA8

RGB 160 221 168

HSL 127.87, 0.47%, 0.75%

LAB 82.92, -29.82, 19.92

 

CMYK 28 / 0 / 16 / 13

HEX #A0DDB9

RGB 160 221 185

HSL 144.59, 0.47%, 0.75%

LAB 83.28, -26.71, 11.49

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 12 / 0 / 35 / 9

HEX #CDE896

RGB 205 232 150

HSL 79.76, 0.64%, 0.75%

LAB 88.4, -22.17, 37.01

 

CMYK 14 / 0 / 42 / 5

HEX #D1F28C

RGB 209 242 140

HSL 79.41, 0.8%, 0.75%

LAB 91.21, -26.68, 45.61

 

CMYK 15 / 0 / 49 / 1

HEX #D5FC81

RGB 213 252 129

HSL 79.02, 0.95%, 0.75%

LAB 94.03, -31.05, 54.36

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 6 / 0 / 19 / 17

HEX #C6D3AA

RGB 198 211 170

HSL 79.02, 0.32%, 0.75%

LAB 82.64, -11.49, 18.86

 

CMYK 3 / 0 / 10 / 21

HEX #C2C9B5

RGB 194 201 181

HSL 81, 0.16%, 0.75%

LAB 79.94, -5.98, 9.16

 

CMYK 0 / 1 / 0 / 25

HEX #BFBEBF

RGB 191 190 191

HSL 300, 0.01%, 0.75%

LAB 77.08, 0.54, -0.39

 

CMYK 7 / 10 / 0 / 21

HEX #BBB4C9

RGB 187 180 201

HSL 260, 0.16%, 0.75%

LAB 74.46, 6.47, -9.73

 

CMYK 0 / 6 / 28 / 13

HEX #DDD0A0

RGB 221 208 160

HSL 47.21, 0.47%, 0.75%

LAB 83.45, -2.84, 25.51

 

CMYK 1 / 0 / 28 / 13

HEX #DADDA0

RGB 218 221 160

HSL 62.95, 0.47%, 0.75%

LAB 86.58, -10.6, 29.69

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 16 / 0 / 28 / 13

HEX #BADDA0

RGB 186 221 160

HSL 94.43, 0.47%, 0.75%

LAB 84.32, -22.31, 26.26

 

CMYK 24 / 0 / 28 / 13

HEX #A9DDA0

RGB 169 221 160

HSL 111.15, 0.47%, 0.75%

LAB 83.28, -28.19, 24.66

 

CMYK 17 / 0 / 51 / 22

HEX #A7C863

RGB 167 200 99

HSL 79.6, 0.48%, 0.59%

LAB 76.33, -26.93, 46.47

 

CMYK 13 / 0 / 38 / 17

HEX #B8D382

RGB 184 211 130

HSL 80, 0.48%, 0.67%

LAB 80.96, -22.27, 37.16

 

CMYK 9 / 0 / 28 / 13

HEX #CADDA0

RGB 202 221 160

HSL 78.69, 0.47%, 0.75%

LAB 85.41, -16.54, 27.91

 

CMYK 6 / 0 / 18 / 9

HEX #DBE8BF

RGB 219 232 191

HSL 79.02, 0.47%, 0.83%

LAB 90.11, -11.32, 18.51

 

CMYK 3 / 0 / 9 / 5

HEX #ECF3DD

RGB 236 243 221

HSL 79.09, 0.48%, 0.91%

LAB 94.8, -6.12, 9.8

 

CMYK 9 / 0 / 28 / 13

HEX #C9DD9F

RGB 201 221 159

HSL 79.35, 0.48%, 0.75%

LAB 85.32, -17.05, 28.29

 

CMYK 28 / 0 / 13 / 13

HEX #A0DDC0

RGB 160 221 192

HSL 151.48, 0.47%, 0.75%

LAB 83.44, -25.34, 8.03

 

CMYK 2 / 28 / 0 / 13

HEX #D8A0DD

RGB 216 160 221

HSL 295.08, 0.47%, 0.75%

LAB 72.87, 30.92, -22.82

 

CMYK 9 / 0 / 28 / 13

HEX #C9DD9F

RGB 201 221 159

HSL 79.35, 0.48%, 0.75%

LAB 85.32, -17.05, 28.29

 

CMYK 28 / 9 / 0 / 13

HEX #A0CADD

RGB 160 202 221

HSL 198.69, 0.47%, 0.75%

LAB 79, -9.49, -13.96

 

CMYK 0 / 28 / 9 / 13

HEX #DDA0CA

RGB 221 160 202

HSL 318.69, 0.47%, 0.75%

LAB 72.75, 29.15, -12.51

 

CMYK 9 / 0 / 28 / 13

HEX #C9DD9F

RGB 201 221 159

HSL 79.35, 0.48%, 0.75%

LAB 85.32, -17.05, 28.29

 

CMYK 28 / 0 / 13 / 13

HEX #A0DDC0

RGB 160 221 192

HSL 151.48, 0.47%, 0.75%

LAB 83.44, -25.34, 8.03

 

CMYK 19 / 28 / 0 / 13

HEX #B4A0DD

RGB 180 160 221

HSL 259.67, 0.47%, 0.75%

LAB 69.52, 19.48, -28.24

 

CMYK 0 / 28 / 14 / 13

HEX #DDA0BE

RGB 221 160 190

HSL 330.49, 0.47%, 0.75%

LAB 72.38, 27.15, -6.44

 

CMYK 9 / 0 / 28 / 13

HEX #C9DD9F

RGB 201 221 159

HSL 79.35, 0.48%, 0.75%

LAB 85.32, -17.05, 28.29

 

CMYK 28 / 0 / 5 / 13

HEX #A0DDD2

RGB 160 221 210

HSL 169.18, 0.47%, 0.75%

LAB 83.88, -21.62, -0.86

 

CMYK 19 / 28 / 0 / 13

HEX #B4A0DD

RGB 180 160 221

HSL 259.67, 0.47%, 0.75%

LAB 69.52, 19.48, -28.24

 

CMYK 0 / 28 / 23 / 13

HEX #DDA0AB

RGB 221 160 171

HSL 349.18, 0.47%, 0.75%

LAB 71.86, 24.21, 3.29

 

Description

Color code: HEX #C9DD9F | qconv.com Color code: HEX #C9DD9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 221 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 221 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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