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Color name
HEX #CCAD4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAD4C it is the complementary color #3352B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAD4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAD4C shade: #D1AD47, #E2BF5A, #F3D16D, #FFE380 and #FFF593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAD4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAD4C shade: #CCAD4C, #BB9B39, #AA8926, #997713 and #886500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAD4C shade: #CCAD4B, #CC8A4B, #CC684B and #CC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAD4C shade: #CCAD4B, #C8CC4B, #A6CC4B, #83CC4B and #61CC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAD4C shade matches the following richer shades: #CCAD4B, #DFB639 and #F1C026

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAD4C shade: #CCAD4B, #B9A35E, #A79A71, #949083 and #828796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAD4C shade: #CC674B, #CC8A4B, #CCAC4B, #CACC4B and #A8CC4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAD4C shade: #9A7F2B, #BA9A34, #CCAD4B, #D5BC6C and #DECA8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAD4C shade: #CCAD4C, #52CC4B and #784BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAD4C shade: #CCAD4C, #4BCCAC and #AC4BCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAD4C shade: #CCAD4C, #52CC4B, #4B6CCC and #C64BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAD4C shade: #CCAD4C, #4BCC6C, #4B6CCC and #CC4BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 63 / 20

HEX #CCAD4C

RGB 204 173 76

HSL 45.47, 0.56%, 0.55%

LAB 71.72, 0.14, 52.72

 

Complementary color

CMYK 72 / 54 / 0 / 30

HEX #3352B3

RGB 51 82 179

HSL 225.47, 0.56%, 0.45%

LAB 37.83, 22.37, -54.96

 

CMYK 0 / 17 / 66 / 18

HEX #D1AD47

RGB 209 173 71

HSL 44.35, 0.6%, 0.55%

LAB 72.16, 1.97, 55.58

 

CMYK 0 / 15 / 60 / 11

HEX #E2BF5A

RGB 226 191 90

HSL 44.56, 0.7%, 0.62%

LAB 78.56, 0.93, 54.51

 

CMYK 0 / 14 / 55 / 5

HEX #F3D16D

RGB 243 209 109

HSL 44.78, 0.85%, 0.69%

LAB 84.87, 0.05, 53.33

 

CMYK 0 / 11 / 50 / 0

HEX #FFE380

RGB 255 227 128

HSL 46.77, 1%, 0.75%

LAB 90.67, -2.71, 51.49

 

CMYK 0 / 4 / 42 / 0

HEX #FFF593

RGB 255 245 147

HSL 54.44, 1%, 0.79%

LAB 95.44, -9.93, 48.25

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4C

RGB 204 173 76

HSL 45.47, 0.56%, 0.55%

LAB 71.72, 0.14, 52.72

 

CMYK 0 / 17 / 70 / 27

HEX #BB9B39

RGB 187 155 57

HSL 45.23, 0.53%, 0.48%

LAB 65.2, 1.25, 53.68

 

CMYK 0 / 19 / 78 / 33

HEX #AA8926

RGB 170 137 38

HSL 45, 0.63%, 0.41%

LAB 58.58, 2.58, 54.21

 

CMYK 0 / 22 / 88 / 40

HEX #997713

RGB 153 119 19

HSL 44.78, 0.78%, 0.34%

LAB 51.85, 4.19, 53.8

 

CMYK 0 / 26 / 100 / 47

HEX #886500

RGB 136 101 0

HSL 44.56, 1%, 0.27%

LAB 45, 6.11, 52.17

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4B

RGB 204 173 75

HSL 45.58, 0.56%, 0.55%

LAB 71.71, 0.07, 53.17

 

CMYK 0 / 32 / 63 / 20

HEX #CC8A4B

RGB 204 138 75

HSL 29.3, 0.56%, 0.55%

LAB 62.95, 18.98, 43.3

 

CMYK 0 / 49 / 63 / 20

HEX #CC684B

RGB 204 104 75

HSL 13.49, 0.56%, 0.55%

LAB 55.32, 37.19, 34.26

 

CMYK 0 / 63 / 63 / 20

HEX #CC4B4B

RGB 204 75 75

HSL 0, 0.56%, 0.55%

LAB 49.95, 51.12, 27.59

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4B

RGB 204 173 75

HSL 45.58, 0.56%, 0.55%

LAB 71.71, 0.07, 53.17

 

CMYK 2 / 0 / 63 / 20

HEX #C8CC4B

RGB 200 204 75

HSL 61.86, 0.56%, 0.55%

LAB 79.6, -17.57, 61.53

 

CMYK 19 / 0 / 63 / 20

HEX #A6CC4B

RGB 166 204 75

HSL 77.67, 0.56%, 0.55%

LAB 77.16, -31.32, 58.21

 

CMYK 36 / 0 / 63 / 20

HEX #83CC4B

RGB 131 204 75

HSL 93.95, 0.56%, 0.55%

LAB 75.15, -44.25, 55.44

 

CMYK 52 / 0 / 63 / 20

HEX #61CC4B

RGB 97 204 75

HSL 109.77, 0.56%, 0.55%

LAB 73.7, -54.76, 53.43

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4B

RGB 204 173 75

HSL 45.58, 0.56%, 0.55%

LAB 71.71, 0.07, 53.17

 

CMYK 0 / 18 / 74 / 13

HEX #DFB639

RGB 223 182 57

HSL 45.18, 0.72%, 0.55%

LAB 75.72, 2.53, 65.31

 

CMYK 0 / 20 / 84 / 5

HEX #F1C026

RGB 241 192 38

HSL 45.52, 0.88%, 0.55%

LAB 79.92, 4.4, 75.68

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4B

RGB 204 173 75

HSL 45.58, 0.56%, 0.55%

LAB 71.71, 0.07, 53.17

 

CMYK 0 / 12 / 49 / 27

HEX #B9A35E

RGB 185 163 94

HSL 45.49, 0.39%, 0.55%

LAB 67.51, -1.17, 38.58

 

CMYK 0 / 8 / 32 / 35

HEX #A79A71

RGB 167 154 113

HSL 45.56, 0.23%, 0.55%

LAB 63.77, -1.62, 23.29

 

CMYK 0 / 3 / 11 / 42

HEX #949083

RGB 148 144 131

HSL 45.88, 0.07%, 0.55%

LAB 59.78, -0.9, 7.43

 

CMYK 13 / 10 / 0 / 41

HEX #828796

RGB 130 135 150

HSL 225, 0.09%, 0.55%

LAB 56.36, 1.35, -8.63

 

CMYK 0 / 50 / 63 / 20

HEX #CC674B

RGB 204 103 75

HSL 13.02, 0.56%, 0.55%

LAB 55.12, 37.71, 34.01

 

CMYK 0 / 32 / 63 / 20

HEX #CC8A4B

RGB 204 138 75

HSL 29.3, 0.56%, 0.55%

LAB 62.95, 18.98, 43.3

 

CMYK 0 / 16 / 63 / 20

HEX #CCAC4B

RGB 204 172 75

HSL 45.12, 0.56%, 0.55%

LAB 71.45, 0.6, 52.88

 

CMYK 1 / 0 / 63 / 20

HEX #CACC4B

RGB 202 204 75

HSL 60.93, 0.56%, 0.55%

LAB 79.76, -16.74, 61.75

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 0 / 18 / 72 / 40

HEX #9A7F2B

RGB 154 127 43

HSL 45.41, 0.56%, 0.39%

LAB 54.26, 1.09, 47.44

 

CMYK 0 / 17 / 72 / 27

HEX #BA9A34

RGB 186 154 52

HSL 45.67, 0.56%, 0.47%

LAB 64.8, 1.08, 55.33

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4B

RGB 204 173 75

HSL 45.58, 0.56%, 0.55%

LAB 71.71, 0.07, 53.17

 

CMYK 0 / 12 / 49 / 16

HEX #D5BC6C

RGB 213 188 108

HSL 45.71, 0.56%, 0.63%

LAB 76.8, -1.45, 43.47

 

CMYK 0 / 9 / 37 / 13

HEX #DECA8C

RGB 222 202 140

HSL 45.37, 0.55%, 0.71%

LAB 81.66, -1.82, 33.52

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4C

RGB 204 173 76

HSL 45.47, 0.56%, 0.55%

LAB 71.72, 0.14, 52.72

 

CMYK 60 / 0 / 63 / 20

HEX #52CC4B

RGB 82 204 75

HSL 116.74, 0.56%, 0.55%

LAB 73.21, -58.54, 52.75

 

CMYK 41 / 63 / 0 / 20

HEX #784BCC

RGB 120 75 204

HSL 260.93, 0.56%, 0.55%

LAB 43.34, 47.28, -60.37

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4C

RGB 204 173 76

HSL 45.47, 0.56%, 0.55%

LAB 71.72, 0.14, 52.72

 

CMYK 63 / 0 / 16 / 20

HEX #4BCCAC

RGB 75 204 172

HSL 165.12, 0.56%, 0.55%

LAB 74.61, -42.94, 5.56

 

CMYK 16 / 63 / 0 / 20

HEX #AC4BCC

RGB 172 75 204

HSL 285.12, 0.56%, 0.55%

LAB 49.69, 58.89, -49.82

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4C

RGB 204 173 76

HSL 45.47, 0.56%, 0.55%

LAB 71.72, 0.14, 52.72

 

CMYK 60 / 0 / 63 / 20

HEX #52CC4B

RGB 82 204 75

HSL 116.74, 0.56%, 0.55%

LAB 73.21, -58.54, 52.75

 

CMYK 63 / 47 / 0 / 20

HEX #4B6CCC

RGB 75 108 204

HSL 224.65, 0.56%, 0.55%

LAB 47.73, 18.5, -53.47

 

CMYK 3 / 63 / 0 / 20

HEX #C64BCC

RGB 198 75 204

HSL 297.21, 0.56%, 0.55%

LAB 53.38, 65.05, -43.72

 

CMYK 0 / 15 / 63 / 20

HEX #CCAD4C

RGB 204 173 76

HSL 45.47, 0.56%, 0.55%

LAB 71.72, 0.14, 52.72

 

CMYK 63 / 0 / 47 / 20

HEX #4BCC6C

RGB 75 204 108

HSL 135.35, 0.56%, 0.55%

LAB 73.39, -55.81, 37.5

 

CMYK 63 / 47 / 0 / 20

HEX #4B6CCC

RGB 75 108 204

HSL 224.65, 0.56%, 0.55%

LAB 47.73, 18.5, -53.47

 

CMYK 0 / 63 / 16 / 20

HEX #CC4BAC

RGB 204 75 172

HSL 314.88, 0.56%, 0.55%

LAB 52.78, 61.44, -26.09

 

Description

Color code: HEX #CCAD4C | qconv.com Color code: HEX #CCAD4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 173 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 173 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 63 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 63% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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