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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB541 it is the complementary color #334ABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB541 shade: #D1B53C, #E2C74F, #F3D962, #FFEB75 and #FFFD88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB541 shade: #CCB541, #BBA32E, #AA911B, #997F08 and #886D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB541 shade: #CCB541, #CC9041, #CC6A41, #CC4541 and #CC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB541 shade: #CCB541, #BECC41, #98CC41, #73CC41 and #4DCC41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB541 shade matches the following richer shades: #CCB541, #E0C22E and #F3CF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB541 shade: #CCB541, #B9A855, #A59B68, #928E7B and #7F818F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB541 shade: #CC6B41, #CC9041, #CCB541, #BECC41 and #99CC41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB541 shade: #948227, #B49E30, #CCB541, #D5C262 and #DDCE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB541 shade: #CCB541, #41CC46 and #7D41CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB541 shade: #CCB541, #41CCB5 and #B541CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB541 shade: #CCB541, #41CC46, #4158CC and #CC41C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB541 shade: #CCB541, #41CC6F, #4158CC and #CC419E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

Complementary color

CMYK 73 / 61 / 0 / 25

HEX #334ABE

RGB 51 74 190

HSL 230.07, 0.58%, 0.47%

LAB 36.59, 31.64, -63.44

 

CMYK 0 / 13 / 71 / 18

HEX #D1B53C

RGB 209 181 60

HSL 48.72, 0.62%, 0.53%

LAB 74.14, -2.84, 62.18

 

CMYK 0 / 12 / 65 / 11

HEX #E2C74F

RGB 226 199 79

HSL 48.98, 0.72%, 0.6%

LAB 80.5, -3.91, 61.5

 

CMYK 0 / 11 / 60 / 5

HEX #F3D962

RGB 243 217 98

HSL 49.24, 0.86%, 0.67%

LAB 86.78, -4.83, 60.55

 

CMYK 0 / 8 / 54 / 0

HEX #FFEB75

RGB 255 235 117

HSL 51.3, 1%, 0.73%

LAB 92.56, -7.62, 58.87

 

CMYK 0 / 1 / 47 / 0

HEX #FFFD88

RGB 255 253 136

HSL 58.99, 1%, 0.77%

LAB 97.34, -14.88, 55.81

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 0 / 13 / 75 / 27

HEX #BBA32E

RGB 187 163 46

HSL 49.79, 0.61%, 0.46%

LAB 67.24, -3.58, 60.03

 

CMYK 0 / 15 / 84 / 33

HEX #AA911B

RGB 170 145 27

HSL 49.51, 0.73%, 0.39%

LAB 60.67, -2.2, 59.66

 

CMYK 0 / 17 / 95 / 40

HEX #997F08

RGB 153 127 8

HSL 49.24, 0.9%, 0.32%

LAB 53.99, -0.53, 57.85

 

CMYK 0 / 20 / 100 / 47

HEX #886D00

RGB 136 109 0

HSL 48.09, 1%, 0.27%

LAB 47.2, 1.48, 53.69

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 0 / 29 / 68 / 20

HEX #CC9041

RGB 204 144 65

HSL 34.1, 0.58%, 0.53%

LAB 64.29, 15.09, 49.69

 

CMYK 0 / 48 / 68 / 20

HEX #CC6A41

RGB 204 106 65

HSL 17.7, 0.58%, 0.53%

LAB 55.61, 35.54, 40.02

 

CMYK 0 / 66 / 68 / 20

HEX #CC4541

RGB 204 69 65

HSL 1.73, 0.58%, 0.53%

LAB 48.85, 53.09, 32.08

 

CMYK 0 / 68 / 68 / 20

HEX #CC4141

RGB 204 65 65

HSL 0, 0.58%, 0.53%

LAB 48.26, 54.7, 31.37

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 7 / 0 / 68 / 20

HEX #BECC41

RGB 190 204 65

HSL 66.04, 0.58%, 0.53%

LAB 78.76, -22.3, 64.36

 

CMYK 25 / 0 / 68 / 20

HEX #98CC41

RGB 152 204 65

HSL 82.45, 0.58%, 0.53%

LAB 76.22, -37.42, 60.95

 

CMYK 44 / 0 / 68 / 20

HEX #73CC41

RGB 115 204 65

HSL 98.42, 0.58%, 0.53%

LAB 74.33, -50.35, 58.39

 

CMYK 62 / 0 / 68 / 20

HEX #4DCC41

RGB 77 204 65

HSL 114.82, 0.58%, 0.53%

LAB 72.99, -60.63, 56.57

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 0 / 13 / 79 / 12

HEX #E0C22E

RGB 224 194 46

HSL 49.89, 0.74%, 0.53%

LAB 78.83, -3.7, 71.88

 

CMYK 0 / 15 / 89 / 5

HEX #F3CF1A

RGB 243 207 26

HSL 50.05, 0.9%, 0.53%

LAB 83.84, -2.71, 81.45

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 0 / 9 / 54 / 27

HEX #B9A855

RGB 185 168 85

HSL 49.8, 0.42%, 0.53%

LAB 68.73, -4.64, 44.58

 

CMYK 0 / 6 / 37 / 35

HEX #A59B68

RGB 165 155 104

HSL 50.16, 0.25%, 0.53%

LAB 63.71, -4.13, 28.08

 

CMYK 0 / 3 / 16 / 43

HEX #928E7B

RGB 146 142 123

HSL 49.57, 0.1%, 0.53%

LAB 58.87, -1.92, 10.66

 

CMYK 11 / 10 / 0 / 44

HEX #7F818F

RGB 127 129 143

HSL 232.5, 0.07%, 0.53%

LAB 54.23, 2.2, -7.78

 

CMYK 0 / 48 / 68 / 20

HEX #CC6B41

RGB 204 107 65

HSL 18.13, 0.58%, 0.53%

LAB 55.82, 35.02, 40.26

 

CMYK 0 / 29 / 68 / 20

HEX #CC9041

RGB 204 144 65

HSL 34.1, 0.58%, 0.53%

LAB 64.29, 15.09, 49.69

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 7 / 0 / 68 / 20

HEX #BECC41

RGB 190 204 65

HSL 66.04, 0.58%, 0.53%

LAB 78.76, -22.3, 64.36

 

CMYK 25 / 0 / 68 / 20

HEX #99CC41

RGB 153 204 65

HSL 82.01, 0.58%, 0.53%

LAB 76.28, -37.05, 61.03

 

CMYK 0 / 12 / 74 / 42

HEX #948227

RGB 148 130 39

HSL 50.09, 0.58%, 0.37%

LAB 54.46, -3.54, 49.1

 

CMYK 0 / 12 / 73 / 29

HEX #B49E30

RGB 180 158 48

HSL 50, 0.58%, 0.45%

LAB 65.26, -3.92, 57.15

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 0 / 9 / 54 / 16

HEX #D5C262

RGB 213 194 98

HSL 50.09, 0.58%, 0.61%

LAB 78.23, -5.44, 50.08

 

CMYK 0 / 7 / 41 / 13

HEX #DDCE82

RGB 221 206 130

HSL 50.11, 0.57%, 0.69%

LAB 82.45, -5.37, 39.64

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 68 / 0 / 66 / 20

HEX #41CC46

RGB 65 204 70

HSL 122.16, 0.58%, 0.53%

LAB 72.73, -62.61, 54.19

 

CMYK 39 / 68 / 0 / 20

HEX #7D41CC

RGB 125 65 204

HSL 265.9, 0.58%, 0.53%

LAB 42, 53.45, -62.52

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 68 / 0 / 11 / 20

HEX #41CCB5

RGB 65 204 181

HSL 170.07, 0.58%, 0.53%

LAB 74.6, -42.28, 0.66

 

CMYK 11 / 68 / 0 / 20

HEX #B541CC

RGB 181 65 204

HSL 290.07, 0.58%, 0.53%

LAB 49.45, 65.15, -50.13

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 68 / 0 / 66 / 20

HEX #41CC46

RGB 65 204 70

HSL 122.16, 0.58%, 0.53%

LAB 72.73, -62.61, 54.19

 

CMYK 68 / 57 / 0 / 20

HEX #4158CC

RGB 65 88 204

HSL 230.07, 0.58%, 0.53%

LAB 41.94, 29.56, -62.84

 

CMYK 0 / 68 / 2 / 20

HEX #CC41C8

RGB 204 65 200

HSL 301.73, 0.58%, 0.53%

LAB 52.72, 69.6, -42.42

 

CMYK 0 / 11 / 68 / 20

HEX #CCB541

RGB 204 181 65

HSL 50.07, 0.58%, 0.53%

LAB 73.72, -4.73, 59.61

 

CMYK 68 / 0 / 46 / 20

HEX #41CC6F

RGB 65 204 111

HSL 139.86, 0.58%, 0.53%

LAB 73.19, -57.22, 35.7

 

CMYK 68 / 57 / 0 / 20

HEX #4158CC

RGB 65 88 204

HSL 230.07, 0.58%, 0.53%

LAB 41.94, 29.56, -62.84

 

CMYK 0 / 68 / 23 / 20

HEX #CC419E

RGB 204 65 158

HSL 319.86, 0.58%, 0.53%

LAB 50.79, 63.41, -20.92

 

Description

Color code: HEX #CCB541 | qconv.com Color code: HEX #CCB541 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 181 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 181 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 68 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 68% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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