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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB8AD it is the complementary color #334752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB8AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB8AD shade: #D1B8A8, #E2CABB, #F3DCCE, #FFEEE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB8AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB8AD shade: #CCB8AD, #BBA69A, #AA9487, #998274 and #887061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB8AD shade: #CBB8AD, #CBB0AD and #CBADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB8AD shade: #CBB8AD, #CBC0AD, #CBC8AD, #C6CBAD and #BECBAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB8AD shade matches the following richer shades: #CBB8AD, #D6B5A2, #E1B297, #ECAE8D and #F6AB82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB8AD shade: #CBB8AD, #C1BBB8, #B6BEC2, #ABC1CD and #A1C4D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB8AD shade: #CBADB3, #CBAFAD, #CBB8AD, #CBC0AD and #CBC8AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB8AD shade: #AC8C7A, #BCA294, #CBB8AD, #DBCEC6 and #EBE4E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB8AD shade: #CCB8AD, #BBCBAD and #ADAECB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB8AD shade: #CCB8AD, #ADCBB8 and #B8ADCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB8AD shade: #CCB8AD, #BBCBAD, #ADC1CB and #BEADCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB8AD shade: #CCB8AD, #B2CBAD, #ADC1CB and #C7ADCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 15 / 20

HEX #CCB8AD

RGB 204 184 173

HSL 21.29, 0.23%, 0.74%

LAB 76.15, 5.3, 8.16

 

Complementary color

CMYK 38 / 13 / 0 / 68

HEX #334752

RGB 51 71 82

HSL 201.29, 0.23%, 0.26%

LAB 28.95, -4.66, -9.08

 

CMYK 0 / 12 / 20 / 18

HEX #D1B8A8

RGB 209 184 168

HSL 23.41, 0.31%, 0.74%

LAB 76.47, 6.38, 11.39

 

CMYK 0 / 11 / 17 / 11

HEX #E2CABB

RGB 226 202 187

HSL 23.08, 0.4%, 0.81%

LAB 82.91, 6.01, 10.54

 

CMYK 0 / 9 / 15 / 5

HEX #F3DCCE

RGB 243 220 206

HSL 22.7, 0.61%, 0.88%

LAB 89.25, 5.68, 9.74

 

CMYK 0 / 7 / 12 / 0

HEX #FFEEE1

RGB 255 238 225

HSL 26, 1%, 0.94%

LAB 95.1, 3.63, 8.34

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 10 / 15 / 20

HEX #CCB8AD

RGB 204 184 173

HSL 21.29, 0.23%, 0.74%

LAB 76.15, 5.3, 8.16

 

CMYK 0 / 11 / 18 / 27

HEX #BBA69A

RGB 187 166 154

HSL 21.82, 0.2%, 0.67%

LAB 69.59, 5.65, 8.99

 

CMYK 0 / 13 / 21 / 33

HEX #AA9487

RGB 170 148 135

HSL 22.29, 0.17%, 0.6%

LAB 62.91, 6.05, 9.88

 

CMYK 0 / 15 / 24 / 40

HEX #998274

RGB 153 130 116

HSL 22.7, 0.15%, 0.53%

LAB 56.09, 6.5, 10.83

 

CMYK 0 / 18 / 29 / 47

HEX #887061

RGB 136 112 97

HSL 23.08, 0.17%, 0.46%

LAB 49.11, 7.03, 11.88

 

CMYK 0 / 9 / 15 / 20

HEX #CBB8AD

RGB 203 184 173

HSL 22, 0.22%, 0.74%

LAB 76.07, 4.93, 8.03

 

CMYK 0 / 13 / 15 / 20

HEX #CBB0AD

RGB 203 176 173

HSL 6, 0.22%, 0.74%

LAB 74.04, 9.23, 5.12

 

CMYK 0 / 15 / 15 / 20

HEX #CBADAD

RGB 203 173 173

HSL 0, 0.22%, 0.74%

LAB 73.29, 10.86, 4.03

 

CMYK 0 / 9 / 15 / 20

HEX #CBB8AD

RGB 203 184 173

HSL 22, 0.22%, 0.74%

LAB 76.07, 4.93, 8.03

 

CMYK 0 / 5 / 15 / 20

HEX #CBC0AD

RGB 203 192 173

HSL 38, 0.22%, 0.74%

LAB 78.12, 0.67, 10.96

HEX #CBC0AD

CMYK 0 / 1 / 15 / 20

HEX #CBC8AD

RGB 203 200 173

HSL 54, 0.22%, 0.74%

LAB 80.19, -3.53, 13.89

HEX #CBC8AD

CMYK 2 / 0 / 15 / 20

HEX #C6CBAD

RGB 198 203 173

HSL 70, 0.22%, 0.74%

LAB 80.59, -6.91, 14.4

HEX #C6CBAD

CMYK 6 / 0 / 15 / 20

HEX #BECBAD

RGB 190 203 173

HSL 86, 0.22%, 0.74%

LAB 80, -9.79, 13.47

HEX #BECBAD

CMYK 0 / 9 / 15 / 20

HEX #CBB8AD

RGB 203 184 173

HSL 22, 0.22%, 0.74%

LAB 76.07, 4.93, 8.03

 

CMYK 0 / 15 / 24 / 16

HEX #D6B5A2

RGB 214 181 162

HSL 21.92, 0.39%, 0.74%

LAB 76.04, 8.98, 14.09

 

CMYK 0 / 21 / 33 / 12

HEX #E1B297

RGB 225 178 151

HSL 21.89, 0.55%, 0.74%

LAB 76.12, 13.33, 20.31

 

CMYK 0 / 26 / 40 / 7

HEX #ECAE8D

RGB 236 174 141

HSL 20.84, 0.71%, 0.74%

LAB 76.09, 18.56, 25.82

 

CMYK 0 / 30 / 47 / 4

HEX #F6AB82

RGB 246 171 130

HSL 21.21, 0.87%, 0.74%

LAB 76.27, 22.93, 32.13

 

CMYK 0 / 9 / 15 / 20

HEX #CBB8AD

RGB 203 184 173

HSL 22, 0.22%, 0.74%

LAB 76.07, 4.93, 8.03

 

CMYK 0 / 3 / 5 / 24

HEX #C1BBB8

RGB 193 187 184

HSL 20, 0.07%, 0.74%

LAB 76.28, 1.57, 2.26

 

CMYK 6 / 2 / 0 / 24

HEX #B6BEC2

RGB 182 190 194

HSL 200, 0.09%, 0.74%

LAB 76.48, -1.98, -2.98

 

CMYK 17 / 6 / 0 / 20

HEX #ABC1CD

RGB 171 193 205

HSL 201.18, 0.25%, 0.74%

LAB 76.8, -4.95, -8.54

 

CMYK 25 / 9 / 0 / 15

HEX #A1C4D8

RGB 161 196 216

HSL 201.82, 0.41%, 0.74%

LAB 77.29, -7.19, -13.83

 

CMYK 0 / 15 / 12 / 20

HEX #CBADB3

RGB 203 173 179

HSL 348, 0.22%, 0.74%

LAB 73.44, 11.85, 0.96

 

CMYK 0 / 14 / 15 / 20

HEX #CBAFAD

RGB 203 175 173

HSL 4, 0.22%, 0.74%

LAB 73.79, 9.77, 4.75

 

CMYK 0 / 9 / 15 / 20

HEX #CBB8AD

RGB 203 184 173

HSL 22, 0.22%, 0.74%

LAB 76.07, 4.93, 8.03

 

CMYK 0 / 5 / 15 / 20

HEX #CBC0AD

RGB 203 192 173

HSL 38, 0.22%, 0.74%

LAB 78.12, 0.67, 10.96

HEX #CBC0AD

CMYK 0 / 1 / 15 / 20

HEX #CBC8AD

RGB 203 200 173

HSL 54, 0.22%, 0.74%

LAB 80.19, -3.53, 13.89

HEX #CBC8AD

CMYK 0 / 19 / 29 / 33

HEX #AC8C7A

RGB 172 140 122

HSL 21.6, 0.23%, 0.58%

LAB 60.72, 9.37, 14.18

 

CMYK 0 / 14 / 21 / 26

HEX #BCA294

RGB 188 162 148

HSL 21, 0.23%, 0.66%

LAB 68.51, 7.29, 10.79

 

CMYK 0 / 9 / 15 / 20

HEX #CBB8AD

RGB 203 184 173

HSL 22, 0.22%, 0.74%

LAB 76.07, 4.93, 8.03

 

CMYK 0 / 6 / 10 / 14

HEX #DBCEC6

RGB 219 206 198

HSL 22.86, 0.23%, 0.82%

LAB 83.59, 3.15, 5.58

 

CMYK 0 / 3 / 5 / 8

HEX #EBE4E0

RGB 235 228 224

HSL 21.82, 0.22%, 0.9%

LAB 91.02, 1.68, 2.78

 

CMYK 0 / 10 / 15 / 20

HEX #CCB8AD

RGB 204 184 173

HSL 21.29, 0.23%, 0.74%

LAB 76.15, 5.3, 8.16

 

CMYK 8 / 0 / 15 / 20

HEX #BBCBAD

RGB 187 203 173

HSL 92, 0.22%, 0.74%

LAB 79.78, -10.86, 13.14

 

CMYK 15 / 14 / 0 / 20

HEX #ADAECB

RGB 173 174 203

HSL 238, 0.22%, 0.74%

LAB 71.87, 5.52, -14.81

 

CMYK 0 / 10 / 15 / 20

HEX #CCB8AD

RGB 204 184 173

HSL 21.29, 0.23%, 0.74%

LAB 76.15, 5.3, 8.16

 

CMYK 15 / 0 / 9 / 20

HEX #ADCBB8

RGB 173 203 184

HSL 142, 0.22%, 0.74%

LAB 79.07, -13.74, 6.12

 

CMYK 9 / 15 / 0 / 20

HEX #B8ADCB

RGB 184 173 203

HSL 262, 0.22%, 0.74%

LAB 72.49, 9.69, -13.8

 

CMYK 0 / 10 / 15 / 20

HEX #CCB8AD

RGB 204 184 173

HSL 21.29, 0.23%, 0.74%

LAB 76.15, 5.3, 8.16

 

CMYK 8 / 0 / 15 / 20

HEX #BBCBAD

RGB 187 203 173

HSL 92, 0.22%, 0.74%

LAB 79.78, -10.86, 13.14

 

CMYK 15 / 5 / 0 / 20

HEX #ADC1CB

RGB 173 193 203

HSL 200, 0.22%, 0.74%

LAB 76.88, -4.73, -7.33

 

CMYK 6 / 15 / 0 / 20

HEX #BEADCB

RGB 190 173 203

HSL 274, 0.22%, 0.74%

LAB 72.99, 11.7, -13

 

CMYK 0 / 10 / 15 / 20

HEX #CCB8AD

RGB 204 184 173

HSL 21.29, 0.23%, 0.74%

LAB 76.15, 5.3, 8.16

 

CMYK 12 / 0 / 15 / 20

HEX #B2CBAD

RGB 178 203 173

HSL 110, 0.22%, 0.74%

LAB 79.15, -14.03, 12.16

 

CMYK 15 / 5 / 0 / 20

HEX #ADC1CB

RGB 173 193 203

HSL 200, 0.22%, 0.74%

LAB 76.88, -4.73, -7.33

 

CMYK 2 / 15 / 0 / 20

HEX #C7ADCB

RGB 199 173 203

HSL 292, 0.22%, 0.74%

LAB 73.77, 14.75, -11.75

 

Description

Color code: HEX #CCB8AD | qconv.com Color code: HEX #CCB8AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 184 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 184 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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