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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB243 it is the complementary color #334DBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB243 shade: #D1B23E, #E2C451, #F3D664, #FFE877 and #FFFA8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB243 shade: #CCB243, #BBA030, #AA8E1D, #997C0A and #886A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB243 shade: #CBB142, #CB8C42, #CB6742, #CB4242 and #CB4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB243 shade: #CBB142, #C0CB42, #9BCB42, #76CB42 and #52CB42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB243 shade matches the following richer shades: #CBB142, #DEBD2F and #F2C91C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB243 shade: #CBB142, #B8A556, #A49969, #918D7D and #7D8190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB243 shade: #CB6742, #CB8B42, #CBB042, #C2CB42 and #9DCB42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB243 shade: #937F28, #B39B31, #CBB142, #D4BE63 and #DDCC83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB243 shade: #CCB243, #42CB42 and #7942CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB243 shade: #CCB243, #42CBB0 and #B042CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB243 shade: #CCB243, #42CB42, #425ECB and #CB42CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB243 shade: #CCB243, #42CB6B, #425ECB and #CB42A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 67 / 20

HEX #CCB243

RGB 204 178 67

HSL 48.61, 0.57%, 0.53%

LAB 72.95, -3.05, 57.98

 

Complementary color

CMYK 73 / 59 / 0 / 26

HEX #334DBC

RGB 51 77 188

HSL 228.61, 0.57%, 0.47%

LAB 37.19, 28.97, -61.29

 

CMYK 0 / 15 / 70 / 18

HEX #D1B23E

RGB 209 178 62

HSL 47.35, 0.62%, 0.53%

LAB 73.38, -1.17, 60.63

 

CMYK 0 / 13 / 64 / 11

HEX #E2C451

RGB 226 196 81

HSL 47.59, 0.71%, 0.6%

LAB 79.75, -2.25, 59.84

 

CMYK 0 / 12 / 59 / 5

HEX #F3D664

RGB 243 214 100

HSL 47.83, 0.86%, 0.67%

LAB 86.04, -3.17, 58.82

 

CMYK 0 / 9 / 53 / 0

HEX #FFE877

RGB 255 232 119

HSL 49.85, 1%, 0.73%

LAB 91.82, -5.96, 57.1

 

CMYK 0 / 2 / 46 / 0

HEX #FFFA8A

RGB 255 250 138

HSL 57.44, 1%, 0.77%

LAB 96.6, -13.24, 53.97

 

CMYK 0 / 13 / 67 / 20

HEX #CCB243

RGB 204 178 67

HSL 48.61, 0.57%, 0.53%

LAB 72.95, -3.05, 57.98

 

CMYK 0 / 14 / 74 / 27

HEX #BBA030

RGB 187 160 48

HSL 48.35, 0.59%, 0.46%

LAB 66.46, -1.89, 58.55

 

CMYK 0 / 16 / 83 / 33

HEX #AA8E1D

RGB 170 142 29

HSL 48.09, 0.71%, 0.39%

LAB 59.87, -0.5, 58.4

 

CMYK 0 / 19 / 93 / 40

HEX #997C0A

RGB 153 124 10

HSL 47.83, 0.88%, 0.32%

LAB 53.18, 1.18, 56.88

 

CMYK 0 / 22 / 100 / 47

HEX #886A00

RGB 136 106 0

HSL 46.76, 1%, 0.27%

LAB 46.37, 3.21, 53.11

 

CMYK 0 / 13 / 67 / 20

HEX #CBB142

RGB 203 177 66

HSL 48.61, 0.57%, 0.53%

LAB 72.58, -3.01, 58

 

CMYK 0 / 31 / 67 / 20

HEX #CB8C42

RGB 203 140 66

HSL 32.41, 0.57%, 0.53%

LAB 63.22, 16.9, 48.01

 

CMYK 0 / 49 / 67 / 20

HEX #CB6742

RGB 203 103 66

HSL 16.2, 0.57%, 0.53%

LAB 54.86, 36.76, 38.58

 

CMYK 0 / 67 / 67 / 20

HEX #CB4242

RGB 203 66 66

HSL 0, 0.57%, 0.53%

LAB 48.24, 54.03, 30.72

 

CMYK 0 / 67 / 67 / 20

HEX #CB4242

RGB 203 66 66

HSL 0, 0.57%, 0.53%

LAB 48.24, 54.03, 30.72

 

CMYK 0 / 13 / 67 / 20

HEX #CBB142

RGB 203 177 66

HSL 48.61, 0.57%, 0.53%

LAB 72.58, -3.01, 58

 

CMYK 5 / 0 / 67 / 20

HEX #C0CB42

RGB 192 203 66

HSL 64.82, 0.57%, 0.53%

LAB 78.64, -20.93, 63.91

 

CMYK 24 / 0 / 67 / 20

HEX #9BCB42

RGB 155 203 66

HSL 81.02, 0.57%, 0.53%

LAB 76.11, -35.76, 60.51

 

CMYK 42 / 0 / 67 / 20

HEX #76CB42

RGB 118 203 66

HSL 97.23, 0.57%, 0.53%

LAB 74.16, -48.92, 57.87

 

CMYK 60 / 0 / 67 / 20

HEX #52CB42

RGB 82 203 66

HSL 112.99, 0.57%, 0.53%

LAB 72.83, -59.05, 56.05

 

CMYK 0 / 13 / 67 / 20

HEX #CBB142

RGB 203 177 66

HSL 48.61, 0.57%, 0.53%

LAB 72.58, -3.01, 58

 

CMYK 0 / 15 / 79 / 13

HEX #DEBD2F

RGB 222 189 47

HSL 48.69, 0.73%, 0.53%

LAB 77.36, -1.94, 70.2

 

CMYK 0 / 17 / 88 / 5

HEX #F2C91C

RGB 242 201 28

HSL 48.5, 0.89%, 0.53%

LAB 82.24, -0.03, 79.8

 

CMYK 0 / 13 / 67 / 20

HEX #CBB142

RGB 203 177 66

HSL 48.61, 0.57%, 0.53%

LAB 72.58, -3.01, 58

 

CMYK 0 / 10 / 53 / 28

HEX #B8A556

RGB 184 165 86

HSL 48.37, 0.41%, 0.53%

LAB 67.85, -3.39, 43.02

 

CMYK 0 / 7 / 36 / 36

HEX #A49969

RGB 164 153 105

HSL 48.81, 0.24%, 0.53%

LAB 63.09, -3.33, 26.72

 

CMYK 0 / 3 / 14 / 43

HEX #918D7D

RGB 145 141 125

HSL 48, 0.08%, 0.53%

LAB 58.56, -1.41, 9.06

 

CMYK 13 / 10 / 0 / 44

HEX #7D8190

RGB 125 129 144

HSL 227.37, 0.08%, 0.53%

LAB 54.11, 1.72, -8.57

 

CMYK 0 / 49 / 67 / 20

HEX #CB6742

RGB 203 103 66

HSL 16.2, 0.57%, 0.53%

LAB 54.86, 36.76, 38.58

 

CMYK 0 / 32 / 67 / 20

HEX #CB8B42

RGB 203 139 66

HSL 31.97, 0.57%, 0.53%

LAB 62.97, 17.45, 47.74

 

CMYK 0 / 13 / 67 / 20

HEX #CBB042

RGB 203 176 66

HSL 48.18, 0.57%, 0.53%

LAB 72.32, -2.49, 57.72

 

CMYK 4 / 0 / 67 / 20

HEX #C2CB42

RGB 194 203 66

HSL 63.94, 0.57%, 0.53%

LAB 78.8, -20.1, 64.11

 

CMYK 23 / 0 / 67 / 20

HEX #9DCB42

RGB 157 203 66

HSL 80.15, 0.57%, 0.53%

LAB 76.24, -34.99, 60.68

 

CMYK 0 / 14 / 73 / 42

HEX #937F28

RGB 147 127 40

HSL 48.79, 0.57%, 0.37%

LAB 53.53, -2.28, 47.74

 

CMYK 0 / 13 / 73 / 30

HEX #B39B31

RGB 179 155 49

HSL 48.92, 0.57%, 0.45%

LAB 64.36, -2.71, 55.86

 

CMYK 0 / 13 / 67 / 20

HEX #CBB142

RGB 203 177 66

HSL 48.61, 0.57%, 0.53%

LAB 72.58, -3.01, 58

 

CMYK 0 / 10 / 53 / 17

HEX #D4BE63

RGB 212 190 99

HSL 48.32, 0.57%, 0.61%

LAB 77.12, -3.7, 48.26

 

CMYK 0 / 8 / 41 / 13

HEX #DDCC83

RGB 221 204 131

HSL 48.67, 0.57%, 0.69%

LAB 81.94, -4.24, 38.49

 

CMYK 0 / 13 / 67 / 20

HEX #CCB243

RGB 204 178 67

HSL 48.61, 0.57%, 0.53%

LAB 72.95, -3.05, 57.98

 

CMYK 67 / 0 / 67 / 20

HEX #42CB42

RGB 66 203 66

HSL 120, 0.57%, 0.53%

LAB 72.4, -62.47, 55.47

 

CMYK 40 / 67 / 0 / 20

HEX #7942CB

RGB 121 66 203

HSL 264.09, 0.57%, 0.53%

LAB 41.65, 51.92, -62.53

 

CMYK 0 / 13 / 67 / 20

HEX #CCB243

RGB 204 178 67

HSL 48.61, 0.57%, 0.53%

LAB 72.95, -3.05, 57.98

 

CMYK 67 / 0 / 13 / 20

HEX #42CBB0

RGB 66 203 176

HSL 168.18, 0.57%, 0.53%

LAB 74.19, -42.97, 2.77

 

CMYK 13 / 67 / 0 / 20

HEX #B042CB

RGB 176 66 203

HSL 288.18, 0.57%, 0.53%

LAB 48.81, 63.46, -50.62

 

CMYK 0 / 13 / 67 / 20

HEX #CCB243

RGB 204 178 67

HSL 48.61, 0.57%, 0.53%

LAB 72.95, -3.05, 57.98

 

CMYK 67 / 0 / 67 / 20

HEX #42CB42

RGB 66 203 66

HSL 120, 0.57%, 0.53%

LAB 72.4, -62.47, 55.47

 

CMYK 67 / 54 / 0 / 20

HEX #425ECB

RGB 66 94 203

HSL 227.74, 0.57%, 0.53%

LAB 43.47, 25.53, -59.78

 

CMYK 0 / 67 / 0 / 20

HEX #CB42CB

RGB 203 66 203

HSL 300, 0.57%, 0.53%

LAB 52.85, 69.5, -43.95

 

CMYK 0 / 13 / 67 / 20

HEX #CCB243

RGB 204 178 67

HSL 48.61, 0.57%, 0.53%

LAB 72.95, -3.05, 57.98

 

CMYK 67 / 0 / 47 / 20

HEX #42CB6B

RGB 66 203 107

HSL 137.96, 0.57%, 0.53%

LAB 72.85, -57.32, 37.27

 

CMYK 67 / 54 / 0 / 20

HEX #425ECB

RGB 66 94 203

HSL 227.74, 0.57%, 0.53%

LAB 43.47, 25.53, -59.78

 

CMYK 0 / 67 / 20 / 20

HEX #CB42A2

RGB 203 66 162

HSL 317.96, 0.57%, 0.53%

LAB 50.92, 63.31, -23.1

 

Description

Color code: HEX #CCB243 | qconv.com Color code: HEX #CCB243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 178 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 178 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 67 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 67% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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