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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB354 it is the complementary color #334CAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB354. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB354 shade: #D1B34F, #E2C562, #F3D775, #FFE988 and #FFFB9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB354. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB354 shade: #CCB354, #BBA141, #AA8F2E, #997D1B and #886B08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB354 shade: #CBB252, #CB9152, #CB7052 and #CB5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB354 shade: #CBB252, #C3CB52, #A3CB52, #82CB52 and #61CB52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB354 shade matches the following richer shades: #CBB252, #DDBC40 and #EFC72D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB354 shade: #CBB252, #B9A764, #A79C76, #949288 and #82879A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB354 shade: #CB7052, #CB9052, #CBB152, #C5CB52 and #A5CB52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB354 shade: #9C852E, #BCA038, #CBB252, #D4C071 and #DECE91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB354 shade: #CCB354, #54CB52 and #8052CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB354 shade: #CCB354, #52CBB1 and #B152CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB354 shade: #CCB354, #54CB52, #526CCB and #C952CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB354 shade: #CCB354, #52CB74, #526CCB and #CB52A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 59 / 20

HEX #CCB354

RGB 204 179 84

HSL 47.5, 0.54%, 0.56%

LAB 73.36, -2.47, 50.86

 

Complementary color

CMYK 70 / 56 / 0 / 33

HEX #334CAB

RGB 51 76 171

HSL 227.5, 0.54%, 0.44%

LAB 35.62, 23.35, -53.8

 

CMYK 0 / 14 / 62 / 18

HEX #D1B34F

RGB 209 179 79

HSL 46.15, 0.59%, 0.56%

LAB 73.78, -0.7, 53.76

 

CMYK 0 / 13 / 57 / 11

HEX #E2C562

RGB 226 197 98

HSL 46.41, 0.69%, 0.64%

LAB 80.17, -1.6, 52.63

 

CMYK 0 / 12 / 52 / 5

HEX #F3D775

RGB 243 215 117

HSL 46.67, 0.84%, 0.71%

LAB 86.47, -2.38, 51.44

 

CMYK 0 / 9 / 47 / 0

HEX #FFE988

RGB 255 233 136

HSL 48.91, 1%, 0.77%

LAB 92.27, -5.02, 49.61

 

CMYK 0 / 2 / 39 / 0

HEX #FFFB9B

RGB 255 251 155

HSL 57.6, 1%, 0.8%

LAB 97.07, -12.07, 46.44

 

CMYK 0 / 12 / 59 / 20

HEX #CCB354

RGB 204 179 84

HSL 47.5, 0.54%, 0.56%

LAB 73.36, -2.47, 50.86

 

CMYK 0 / 14 / 65 / 27

HEX #BBA141

RGB 187 161 65

HSL 47.21, 0.48%, 0.49%

LAB 66.85, -1.52, 51.92

 

CMYK 0 / 16 / 73 / 33

HEX #AA8F2E

RGB 170 143 46

HSL 46.94, 0.57%, 0.42%

LAB 60.24, -0.36, 52.7

 

CMYK 0 / 18 / 82 / 40

HEX #997D1B

RGB 153 125 27

HSL 46.67, 0.7%, 0.35%

LAB 53.51, 1.05, 52.81

 

CMYK 0 / 21 / 94 / 47

HEX #886B08

RGB 136 107 8

HSL 46.41, 0.89%, 0.28%

LAB 46.67, 2.79, 51.52

 

CMYK 0 / 12 / 60 / 20

HEX #CBB252

RGB 203 178 82

HSL 47.6, 0.54%, 0.56%

LAB 72.99, -2.51, 51.34

 

CMYK 0 / 29 / 60 / 20

HEX #CB9152

RGB 203 145 82

HSL 31.24, 0.54%, 0.56%

LAB 64.61, 15.24, 41.65

 

CMYK 0 / 45 / 60 / 20

HEX #CB7052

RGB 203 112 82

HSL 14.88, 0.54%, 0.56%

LAB 56.97, 33.1, 32.37

 

CMYK 0 / 60 / 60 / 20

HEX #CB5252

RGB 203 82 82

HSL 0, 0.54%, 0.56%

LAB 51.08, 48.11, 24.89

 

CMYK 0 / 12 / 60 / 20

HEX #CBB252

RGB 203 178 82

HSL 47.6, 0.54%, 0.56%

LAB 72.99, -2.51, 51.34

 

CMYK 4 / 0 / 60 / 20

HEX #C3CB52

RGB 195 203 82

HSL 63.97, 0.54%, 0.56%

LAB 79, -18.66, 57.83

 

CMYK 20 / 0 / 60 / 20

HEX #A3CB52

RGB 163 203 82

HSL 79.83, 0.54%, 0.56%

LAB 76.74, -31.47, 54.7

 

CMYK 36 / 0 / 60 / 20

HEX #82CB52

RGB 130 203 82

HSL 96.2, 0.54%, 0.56%

LAB 74.87, -43.53, 52.08

 

CMYK 52 / 0 / 60 / 20

HEX #61CB52

RGB 97 203 82

HSL 112.56, 0.54%, 0.56%

LAB 73.46, -53.65, 50.1

 

CMYK 0 / 12 / 60 / 20

HEX #CBB252

RGB 203 178 82

HSL 47.6, 0.54%, 0.56%

LAB 72.99, -2.51, 51.34

 

CMYK 0 / 15 / 71 / 13

HEX #DDBC40

RGB 221 188 64

HSL 47.39, 0.7%, 0.56%

LAB 77.11, -1.15, 63.94

 

CMYK 0 / 17 / 81 / 6

HEX #EFC72D

RGB 239 199 45

HSL 47.63, 0.86%, 0.56%

LAB 81.5, 0.12, 75.05

 

CMYK 0 / 12 / 60 / 20

HEX #CBB252

RGB 203 178 82

HSL 47.6, 0.54%, 0.56%

LAB 72.99, -2.51, 51.34

 

CMYK 0 / 10 / 46 / 27

HEX #B9A764

RGB 185 167 100

HSL 47.29, 0.38%, 0.56%

LAB 68.66, -2.72, 36.9

 

CMYK 0 / 7 / 29 / 35

HEX #A79C76

RGB 167 156 118

HSL 46.53, 0.22%, 0.56%

LAB 64.4, -2.04, 21.39

 

CMYK 0 / 1 / 8 / 42

HEX #949288

RGB 148 146 136

HSL 50, 0.05%, 0.56%

LAB 60.45, -1.12, 5.55

 

CMYK 16 / 12 / 0 / 40

HEX #82879A

RGB 130 135 154

HSL 227.5, 0.11%, 0.56%

LAB 56.49, 2.25, -10.74

 

CMYK 0 / 45 / 60 / 20

HEX #CB7052

RGB 203 112 82

HSL 14.88, 0.54%, 0.56%

LAB 56.97, 33.1, 32.37

 

CMYK 0 / 29 / 60 / 20

HEX #CB9052

RGB 203 144 82

HSL 30.74, 0.54%, 0.56%

LAB 64.36, 15.78, 41.36

 

CMYK 0 / 13 / 60 / 20

HEX #CBB152

RGB 203 177 82

HSL 47.11, 0.54%, 0.56%

LAB 72.73, -1.99, 51.05

 

CMYK 3 / 0 / 60 / 20

HEX #C5CB52

RGB 197 203 82

HSL 62.98, 0.54%, 0.56%

LAB 79.15, -17.84, 58.04

 

CMYK 19 / 0 / 60 / 20

HEX #A5CB52

RGB 165 203 82

HSL 78.84, 0.54%, 0.56%

LAB 76.87, -30.7, 54.88

 

CMYK 0 / 15 / 71 / 39

HEX #9C852E

RGB 156 133 46

HSL 47.45, 0.54%, 0.4%

LAB 56.13, -1.18, 48.11

 

CMYK 0 / 15 / 70 / 26

HEX #BCA038

RGB 188 160 56

HSL 47.27, 0.54%, 0.48%

LAB 66.61, -1.06, 55.57

 

CMYK 0 / 12 / 60 / 20

HEX #CBB252

RGB 203 178 82

HSL 47.6, 0.54%, 0.56%

LAB 72.99, -2.51, 51.34

 

CMYK 0 / 9 / 47 / 17

HEX #D4C071

RGB 212 192 113

HSL 47.88, 0.54%, 0.64%

LAB 77.81, -3.48, 42.2

 

CMYK 0 / 7 / 35 / 13

HEX #DECE91

RGB 222 206 145

HSL 47.53, 0.54%, 0.72%

LAB 82.76, -3.3, 32.39

 

CMYK 0 / 12 / 59 / 20

HEX #CCB354

RGB 204 179 84

HSL 47.5, 0.54%, 0.56%

LAB 73.36, -2.47, 50.86

 

CMYK 59 / 0 / 60 / 20

HEX #54CB52

RGB 84 203 82

HSL 119.01, 0.54%, 0.56%

LAB 73.03, -56.95, 49.5

 

CMYK 37 / 60 / 0 / 20

HEX #8052CB

RGB 128 82 203

HSL 262.81, 0.54%, 0.56%

LAB 45.55, 44.93, -56.19

 

CMYK 0 / 12 / 59 / 20

HEX #CCB354

RGB 204 179 84

HSL 47.5, 0.54%, 0.56%

LAB 73.36, -2.47, 50.86

 

CMYK 60 / 0 / 13 / 20

HEX #52CBB1

RGB 82 203 177

HSL 167.11, 0.54%, 0.56%

LAB 74.62, -40.01, 2.91

 

CMYK 13 / 60 / 0 / 20

HEX #B152CB

RGB 177 82 203

HSL 287.11, 0.54%, 0.56%

LAB 51.49, 56.67, -46.34

 

CMYK 0 / 12 / 59 / 20

HEX #CCB354

RGB 204 179 84

HSL 47.5, 0.54%, 0.56%

LAB 73.36, -2.47, 50.86

 

CMYK 59 / 0 / 60 / 20

HEX #54CB52

RGB 84 203 82

HSL 119.01, 0.54%, 0.56%

LAB 73.03, -56.95, 49.5

 

CMYK 60 / 47 / 0 / 20

HEX #526CCB

RGB 82 108 203

HSL 227.11, 0.54%, 0.56%

LAB 48.05, 19.45, -52.36

 

CMYK 1 / 60 / 0 / 20

HEX #C952CB

RGB 201 82 203

HSL 299.01, 0.54%, 0.56%

LAB 54.83, 62.67, -40.84

 

CMYK 0 / 12 / 59 / 20

HEX #CCB354

RGB 204 179 84

HSL 47.5, 0.54%, 0.56%

LAB 73.36, -2.47, 50.86

 

CMYK 60 / 0 / 43 / 20

HEX #52CB74

RGB 82 203 116

HSL 136.86, 0.54%, 0.56%

LAB 73.39, -52.67, 33.51

 

CMYK 60 / 47 / 0 / 20

HEX #526CCB

RGB 82 108 203

HSL 227.11, 0.54%, 0.56%

LAB 48.05, 19.45, -52.36

 

CMYK 0 / 60 / 17 / 20

HEX #CB52A9

RGB 203 82 169

HSL 316.86, 0.54%, 0.56%

LAB 53.6, 57.74, -23.09

 

Description

Color code: HEX #CCB354 | qconv.com Color code: HEX #CCB354 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 179 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 179 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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