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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBC31 it is the complementary color #3343CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBC31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCBC31 shade: #D1BC2C, #E2CE3F, #F3E052, #FFF265 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBC31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCBC31 shade: #CCBC31, #BBAA1E, #AA980B, #998600 and #887400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCBC31 shade: #CDBD31, #CD9331, #CD6931, #CD3F31 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCBC31 shade: #CDBD31, #B3CD31, #89CD31, #5FCD31 and #35CD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCBC31 shade matches the following richer shades: #CDBD31, #E1CD1D and #F6DD08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCBC31 shade: #CDBD31, #B8AC46, #A49C5A, #8F8C6F and #7A7B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCBC31 shade: #CD6831, #CD9131, #CDBB31, #B5CD31 and #8CCD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCBC31 shade: #8A7F21, #AC9E29, #CDBD31, #D5C752 and #DDD274

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCBC31 shade: #CCBC31, #31CD3E and #7C31CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCBC31 shade: #CCBC31, #31CDBB and #BB31CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCBC31 shade: #CCBC31, #31CD3E, #3143CD and #CD31C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCBC31 shade: #CCBC31, #31CD6D, #3143CD and #CD3191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 76 / 20

HEX #CCBC31

RGB 204 188 49

HSL 53.81, 0.61%, 0.5%

LAB 75.47, -9.12, 67.23

 

Complementary color

CMYK 75 / 67 / 0 / 19

HEX #3343CE

RGB 51 67 206

HSL 233.81, 0.61%, 0.5%

LAB 36.32, 41.74, -73.22

 

CMYK 0 / 10 / 79 / 18

HEX #D1BC2C

RGB 209 188 44

HSL 52.36, 0.65%, 0.5%

LAB 75.89, -7.14, 69.35

 

CMYK 0 / 9 / 72 / 11

HEX #E2CE3F

RGB 226 206 63

HSL 52.64, 0.74%, 0.57%

LAB 82.2, -8.32, 69.46

 

CMYK 0 / 8 / 66 / 5

HEX #F3E052

RGB 243 224 82

HSL 52.92, 0.87%, 0.64%

LAB 88.44, -9.32, 69.02

 

CMYK 0 / 5 / 60 / 0

HEX #FFF265

RGB 255 242 101

HSL 54.94, 1%, 0.7%

LAB 94.19, -12.2, 67.7

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 8 / 76 / 20

HEX #CCBC31

RGB 204 188 49

HSL 53.81, 0.61%, 0.5%

LAB 75.47, -9.12, 67.23

 

CMYK 0 / 9 / 84 / 27

HEX #BBAA1E

RGB 187 170 30

HSL 53.5, 0.72%, 0.43%

LAB 69.05, -7.84, 66.57

 

CMYK 0 / 11 / 94 / 33

HEX #AA980B

RGB 170 152 11

HSL 53.21, 0.88%, 0.35%

LAB 62.53, -6.33, 64.57

 

CMYK 0 / 12 / 100 / 40

HEX #998600

RGB 153 134 0

HSL 52.55, 1%, 0.3%

LAB 55.91, -4.54, 60.66

 

CMYK 0 / 15 / 100 / 47

HEX #887400

RGB 136 116 0

HSL 51.18, 1%, 0.27%

LAB 49.16, -2.51, 55.07

 

CMYK 0 / 8 / 76 / 20

HEX #CDBD31

RGB 205 189 49

HSL 53.85, 0.61%, 0.5%

LAB 75.82, -9.2, 67.59

 

CMYK 0 / 28 / 76 / 20

HEX #CD9331

RGB 205 147 49

HSL 37.69, 0.61%, 0.5%

LAB 65.02, 13.1, 57.43

 

CMYK 0 / 49 / 76 / 20

HEX #CD6931

RGB 205 105 49

HSL 21.54, 0.61%, 0.5%

LAB 55.38, 35.68, 47.9

 

CMYK 0 / 69 / 76 / 20

HEX #CD3F31

RGB 205 63 49

HSL 5.38, 0.61%, 0.5%

LAB 47.95, 55.08, 40.15

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 8 / 76 / 20

HEX #CDBD31

RGB 205 189 49

HSL 53.85, 0.61%, 0.5%

LAB 75.82, -9.2, 67.59

 

CMYK 13 / 0 / 76 / 20

HEX #B3CD31

RGB 179 205 49

HSL 70, 0.61%, 0.5%

LAB 78.15, -28.1, 68.99

 

CMYK 33 / 0 / 76 / 20

HEX #89CD31

RGB 137 205 49

HSL 86.15, 0.61%, 0.5%

LAB 75.58, -44.37, 65.66

 

CMYK 54 / 0 / 76 / 20

HEX #5FCD31

RGB 95 205 49

HSL 102.31, 0.61%, 0.5%

LAB 73.75, -57.75, 63.27

 

CMYK 74 / 0 / 76 / 20

HEX #35CD31

RGB 53 205 49

HSL 118.46, 0.61%, 0.5%

LAB 72.66, -66.75, 61.83

 

CMYK 0 / 8 / 76 / 20

HEX #CDBD31

RGB 205 189 49

HSL 53.85, 0.61%, 0.5%

LAB 75.82, -9.2, 67.59

 

CMYK 0 / 9 / 87 / 12

HEX #E1CD1D

RGB 225 205 29

HSL 53.88, 0.77%, 0.5%

LAB 81.71, -9.34, 78.53

 

CMYK 0 / 10 / 97 / 4

HEX #F6DD08

RGB 246 221 8

HSL 53.7, 0.94%, 0.5%

LAB 87.64, -8.7, 86.61

 

CMYK 0 / 8 / 76 / 20

HEX #CDBD31

RGB 205 189 49

HSL 53.85, 0.61%, 0.5%

LAB 75.82, -9.2, 67.59

 

CMYK 0 / 7 / 62 / 28

HEX #B8AC46

RGB 184 172 70

HSL 53.68, 0.45%, 0.5%

LAB 69.57, -8.32, 52.54

 

CMYK 0 / 5 / 45 / 36

HEX #A49C5A

RGB 164 156 90

HSL 53.51, 0.29%, 0.5%

LAB 63.68, -6.66, 35.49

 

CMYK 0 / 2 / 22 / 44

HEX #8F8C6F

RGB 143 140 111

HSL 54.38, 0.13%, 0.5%

LAB 57.79, -3.92, 15.93

 

CMYK 8 / 7 / 0 / 48

HEX #7A7B84

RGB 122 123 132

HSL 234, 0.04%, 0.5%

LAB 51.8, 1.5, -5.02

 

CMYK 0 / 49 / 76 / 20

HEX #CD6831

RGB 205 104 49

HSL 21.15, 0.61%, 0.5%

LAB 55.18, 36.19, 47.69

 

CMYK 0 / 29 / 76 / 20

HEX #CD9131

RGB 205 145 49

HSL 36.92, 0.61%, 0.5%

LAB 64.52, 14.19, 56.95

 

CMYK 0 / 9 / 76 / 20

HEX #CDBB31

RGB 205 187 49

HSL 53.08, 0.61%, 0.5%

LAB 75.29, -8.17, 67.1

 

CMYK 12 / 0 / 76 / 20

HEX #B5CD31

RGB 181 205 49

HSL 69.23, 0.61%, 0.5%

LAB 78.29, -27.28, 69.17

 

CMYK 32 / 0 / 76 / 20

HEX #8CCD31

RGB 140 205 49

HSL 85, 0.61%, 0.5%

LAB 75.74, -43.28, 65.87

 

CMYK 0 / 8 / 76 / 46

HEX #8A7F21

RGB 138 127 33

HSL 53.71, 0.61%, 0.34%

LAB 52.61, -6.78, 49.32

 

CMYK 0 / 8 / 76 / 33

HEX #AC9E29

RGB 172 158 41

HSL 53.59, 0.62%, 0.42%

LAB 64.47, -7.79, 58.7

 

CMYK 0 / 8 / 76 / 20

HEX #CDBD31

RGB 205 189 49

HSL 53.85, 0.61%, 0.5%

LAB 75.82, -9.2, 67.59

 

CMYK 0 / 7 / 62 / 16

HEX #D5C752

RGB 213 199 82

HSL 53.59, 0.61%, 0.58%

LAB 79.39, -9.18, 58.67

 

CMYK 0 / 5 / 48 / 13

HEX #DDD274

RGB 221 210 116

HSL 53.71, 0.61%, 0.66%

LAB 83.3, -8.8, 47.64

 

CMYK 0 / 8 / 76 / 20

HEX #CCBC31

RGB 204 188 49

HSL 53.81, 0.61%, 0.5%

LAB 75.47, -9.12, 67.23

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 40 / 76 / 0 / 20

HEX #7C31CD

RGB 124 49 205

HSL 268.85, 0.61%, 0.5%

LAB 39.39, 60.75, -67.35

 

CMYK 0 / 8 / 76 / 20

HEX #CCBC31

RGB 204 188 49

HSL 53.81, 0.61%, 0.5%

LAB 75.47, -9.12, 67.23

 

CMYK 76 / 0 / 9 / 20

HEX #31CDBB

RGB 49 205 187

HSL 173.08, 0.61%, 0.5%

LAB 74.76, -43.14, -2.38

 

CMYK 9 / 76 / 0 / 20

HEX #BB31CD

RGB 187 49 205

HSL 293.08, 0.61%, 0.5%

LAB 48.47, 72.14, -52.22

 

CMYK 0 / 8 / 76 / 20

HEX #CCBC31

RGB 204 188 49

HSL 53.81, 0.61%, 0.5%

LAB 75.47, -9.12, 67.23

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 76 / 67 / 0 / 20

HEX #3143CD

RGB 49 67 205

HSL 233.08, 0.61%, 0.5%

LAB 36.13, 41.2, -72.95

 

CMYK 0 / 76 / 6 / 20

HEX #CD31C0

RGB 205 49 192

HSL 305, 0.61%, 0.5%

LAB 50.67, 73.71, -41.04

 

CMYK 0 / 8 / 76 / 20

HEX #CCBC31

RGB 204 188 49

HSL 53.81, 0.61%, 0.5%

LAB 75.47, -9.12, 67.23

 

CMYK 76 / 0 / 47 / 20

HEX #31CD6D

RGB 49 205 109

HSL 143.08, 0.61%, 0.5%

LAB 73.17, -60.36, 36.61

 

CMYK 76 / 67 / 0 / 20

HEX #3143CD

RGB 49 67 205

HSL 233.08, 0.61%, 0.5%

LAB 36.13, 41.2, -72.95

 

CMYK 0 / 76 / 29 / 20

HEX #CD3191

RGB 205 49 145

HSL 323.08, 0.61%, 0.5%

LAB 48.54, 67.42, -16.6

 

Description

Color code: HEX #CCBC31 | qconv.com Color code: HEX #CCBC31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 188 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 188 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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