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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBEA2 it is the complementary color #33415D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBEA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCBEA2 shade: #D1BE9D, #E2D0B0, #F3E2C3, #FFF4D6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBEA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCBEA2 shade: #CCBEA2, #BBAC8F, #AA9A7C, #998869 and #887656

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCBEA2 shade: #CCBEA2, #CCB3A2, #CCA8A2 and #CCA2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCBEA2 shade: #CCBEA2, #CCC9A2, #C3CCA2, #B8CCA2 and #ADCCA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCBEA2 shade matches the following richer shades: #CCBEA2, #D7C297, #E3C68B, #EECA80 and #FACD74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCBEA2 shade: #CCBEA2, #C0BAAE, #B5B6B9, #A9B2C5 and #9EAFD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCBEA2 shade: #CCA8A2, #CCB3A2, #CCBEA2, #CCC9A2 and #C4CCA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCBEA2 shade: #AF996D, #BDAB88, #CCBEA2, #DAD1BD and #E9E3D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCBEA2 shade: #CCBEA2, #A8CCA2 and #ADA2CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCBEA2 shade: #CCBEA2, #A2CCBE and #BEA2CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCBEA2 shade: #CCBEA2, #A8CCA2, #A2B0CC and #C6A2CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCBEA2 shade: #CCBEA2, #A2CCA9, #A2B0CC and #CCA2C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

Complementary color

CMYK 45 / 30 / 0 / 64

HEX #33415D

RGB 51 65 93

HSL 220, 0.29%, 0.28%

LAB 27.5, 2.68, -18.42

 

CMYK 0 / 9 / 25 / 18

HEX #D1BE9D

RGB 209 190 157

HSL 38.08, 0.36%, 0.72%

LAB 77.77, 1.59, 19.13

 

CMYK 0 / 8 / 22 / 11

HEX #E2D0B0

RGB 226 208 176

HSL 38.4, 0.46%, 0.79%

LAB 84.18, 1.25, 18.17

 

CMYK 0 / 7 / 20 / 5

HEX #F3E2C3

RGB 243 226 195

HSL 38.75, 0.67%, 0.86%

LAB 90.5, 0.94, 17.26

 

CMYK 0 / 4 / 16 / 0

HEX #FFF4D6

RGB 255 244 214

HSL 43.9, 1%, 0.92%

LAB 96.33, -1.11, 15.78

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 0 / 8 / 24 / 27

HEX #BBAC8F

RGB 187 172 143

HSL 39.55, 0.24%, 0.65%

LAB 70.91, 0.73, 16.89

 

CMYK 0 / 9 / 27 / 33

HEX #AA9A7C

RGB 170 154 124

HSL 39.13, 0.21%, 0.58%

LAB 64.25, 1.09, 17.91

 

CMYK 0 / 11 / 31 / 40

HEX #998869

RGB 153 136 105

HSL 38.75, 0.19%, 0.51%

LAB 57.46, 1.52, 19.02

 

CMYK 0 / 13 / 37 / 47

HEX #887656

RGB 136 118 86

HSL 38.4, 0.23%, 0.44%

LAB 50.53, 2.03, 20.22

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 0 / 12 / 21 / 20

HEX #CCB3A2

RGB 204 179 162

HSL 24.29, 0.29%, 0.72%

LAB 74.63, 6.27, 11.97

 

CMYK 0 / 18 / 21 / 20

HEX #CCA8A2

RGB 204 168 162

HSL 8.57, 0.29%, 0.72%

LAB 71.86, 12.22, 8.03

 

CMYK 0 / 21 / 21 / 20

HEX #CCA2A2

RGB 204 162 162

HSL 0, 0.29%, 0.72%

LAB 70.38, 15.48, 5.91

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 0 / 1 / 21 / 20

HEX #CCC9A2

RGB 204 201 162

HSL 55.71, 0.29%, 0.72%

LAB 80.3, -5.35, 19.91

 

CMYK 4 / 0 / 21 / 20

HEX #C3CCA2

RGB 195 204 162

HSL 72.86, 0.29%, 0.72%

LAB 80.4, -10.24, 19.94

 

CMYK 10 / 0 / 21 / 20

HEX #B8CCA2

RGB 184 204 162

HSL 88.57, 0.29%, 0.72%

LAB 79.61, -14.25, 18.71

 

CMYK 15 / 0 / 21 / 20

HEX #ADCCA2

RGB 173 204 162

HSL 104.29, 0.29%, 0.72%

LAB 78.86, -18.16, 17.56

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 0 / 10 / 30 / 16

HEX #D7C297

RGB 215 194 151

HSL 40.31, 0.44%, 0.72%

LAB 79.19, 0.97, 24.36

 

CMYK 0 / 13 / 39 / 11

HEX #E3C68B

RGB 227 198 139

HSL 40.23, 0.61%, 0.72%

LAB 81.06, 2.12, 33.34

 

CMYK 0 / 15 / 46 / 7

HEX #EECA80

RGB 238 202 128

HSL 40.36, 0.76%, 0.72%

LAB 82.9, 3.28, 41.53

 

CMYK 0 / 18 / 54 / 2

HEX #FACD74

RGB 250 205 116

HSL 39.85, 0.93%, 0.72%

LAB 84.61, 5.51, 49.83

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 0 / 3 / 9 / 25

HEX #C0BAAE

RGB 192 186 174

HSL 40, 0.13%, 0.72%

LAB 75.69, 0.01, 6.82

 

CMYK 2 / 2 / 0 / 27

HEX #B5B6B9

RGB 181 182 185

HSL 225, 0.03%, 0.72%

LAB 74.05, 0.22, -1.65

 

CMYK 14 / 10 / 0 / 23

HEX #A9B2C5

RGB 169 178 197

HSL 220.71, 0.19%, 0.72%

LAB 72.43, 0.75, -10.71

 

CMYK 24 / 16 / 0 / 18

HEX #9EAFD1

RGB 158 175 209

HSL 220, 0.36%, 0.72%

LAB 71.24, 1.58, -19.17

 

CMYK 0 / 18 / 21 / 20

HEX #CCA8A2

RGB 204 168 162

HSL 8.57, 0.29%, 0.72%

LAB 71.86, 12.22, 8.03

 

CMYK 0 / 12 / 21 / 20

HEX #CCB3A2

RGB 204 179 162

HSL 24.29, 0.29%, 0.72%

LAB 74.63, 6.27, 11.97

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 0 / 1 / 21 / 20

HEX #CCC9A2

RGB 204 201 162

HSL 55.71, 0.29%, 0.72%

LAB 80.3, -5.35, 19.91

 

CMYK 4 / 0 / 21 / 20

HEX #C4CCA2

RGB 196 204 162

HSL 71.43, 0.29%, 0.72%

LAB 80.48, -9.87, 20.06

 

CMYK 0 / 13 / 38 / 31

HEX #AF996D

RGB 175 153 109

HSL 40, 0.29%, 0.56%

LAB 64.16, 1.7, 26.13

 

CMYK 0 / 10 / 28 / 26

HEX #BDAB88

RGB 189 171 136

HSL 39.62, 0.29%, 0.64%

LAB 70.68, 1.06, 20.42

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 0 / 4 / 13 / 15

HEX #DAD1BD

RGB 218 209 189

HSL 41.38, 0.28%, 0.8%

LAB 84.06, -0.24, 11.02

 

CMYK 0 / 3 / 7 / 9

HEX #E9E3D8

RGB 233 227 216

HSL 38.82, 0.28%, 0.88%

LAB 90.42, 0.15, 6.08

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 18 / 0 / 21 / 20

HEX #A8CCA2

RGB 168 204 162

HSL 111.43, 0.29%, 0.72%

LAB 78.53, -19.9, 17.06

 

CMYK 15 / 21 / 0 / 20

HEX #ADA2CC

RGB 173 162 204

HSL 255.71, 0.29%, 0.72%

LAB 68.81, 12.38, -19.99

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 21 / 0 / 7 / 20

HEX #A2CCBE

RGB 162 204 190

HSL 160, 0.29%, 0.72%

LAB 78.8, -16.67, 2.42

 

CMYK 7 / 21 / 0 / 20

HEX #BEA2CC

RGB 190 162 204

HSL 280, 0.29%, 0.72%

LAB 70.28, 17.96, -17.63

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 18 / 0 / 21 / 20

HEX #A8CCA2

RGB 168 204 162

HSL 111.43, 0.29%, 0.72%

LAB 78.53, -19.9, 17.06

 

CMYK 21 / 14 / 0 / 20

HEX #A2B0CC

RGB 162 176 204

HSL 220, 0.29%, 0.72%

LAB 71.62, 1.13, -15.83

 

CMYK 3 / 21 / 0 / 20

HEX #C6A2CC

RGB 198 162 204

HSL 291.43, 0.29%, 0.72%

LAB 71.01, 20.64, -16.45

 

CMYK 0 / 7 / 21 / 20

HEX #CCBEA2

RGB 204 190 162

HSL 40, 0.29%, 0.72%

LAB 77.44, 0.41, 15.93

 

CMYK 21 / 0 / 17 / 20

HEX #A2CCA9

RGB 162 204 169

HSL 130, 0.29%, 0.72%

LAB 78.31, -20.71, 12.95

 

CMYK 21 / 14 / 0 / 20

HEX #A2B0CC

RGB 162 176 204

HSL 220, 0.29%, 0.72%

LAB 71.62, 1.13, -15.83

 

CMYK 0 / 21 / 3 / 20

HEX #CCA2C5

RGB 204 162 197

HSL 310, 0.29%, 0.72%

LAB 71.36, 21.36, -12.01

 

Description

Color code: HEX #CCBEA2 | qconv.com Color code: HEX #CCBEA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 190 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 190 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 21 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 21% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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