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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9257 it is the complementary color #356DA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9257. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9257 shade: #CF9252, #E0A465, #F1B678, #FFC88B and #FFDA9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9257. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9257 shade: #CA9257, #B98044, #A86E31, #975C1E and #864A0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9257 shade: #CA9258, #CA7458 and #CA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9257 shade: #CA9258, #CAB158, #C4CA58, #A5CA58 and #86CA58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9257 shade matches the following richer shades: #CA9258, #DC9346 and #ED9334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9257 shade: #CA9258, #B8926A, #A6917B, #95918D and #83909F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9257 shade: #CA585C, #CA7258, #CA9158, #CAAF58 and #C6CA58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9257 shade: #9E6931, #BD7E3B, #CA9258, #D4A777 and #DEBB97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9257 shade: #CA9257, #7ACA58 and #6358CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9257 shade: #CA9257, #58CA91 and #9158CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9257 shade: #CA9257, #7ACA58, #5891CA and #A858CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9257 shade: #CA9257, #58CA58, #5891CA and #CA58CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 57 / 21

HEX #CA9257

RGB 202 146 87

HSL 30.78, 0.52%, 0.57%

LAB 64.81, 14.65, 39.28

 

Complementary color

CMYK 68 / 35 / 0 / 34

HEX #356DA8

RGB 53 109 168

HSL 210.78, 0.52%, 0.43%

LAB 44.97, 1.28, -37.05

 

CMYK 0 / 29 / 60 / 19

HEX #CF9252

RGB 207 146 82

HSL 30.72, 0.57%, 0.57%

LAB 65.3, 16.38, 42.59

 

CMYK 0 / 27 / 55 / 12

HEX #E0A465

RGB 224 164 101

HSL 30.73, 0.66%, 0.64%

LAB 71.78, 15.22, 41.11

 

CMYK 0 / 24 / 50 / 5

HEX #F1B678

RGB 241 182 120

HSL 30.74, 0.81%, 0.71%

LAB 78.18, 14.21, 39.7

 

CMYK 0 / 22 / 45 / 0

HEX #FFC88B

RGB 255 200 139

HSL 31.55, 1%, 0.77%

LAB 84.19, 12.14, 37.92

 

CMYK 0 / 15 / 38 / 0

HEX #FFDA9E

RGB 255 218 158

HSL 37.11, 1%, 0.81%

LAB 88.86, 4.82, 34.31

 

CMYK 0 / 28 / 57 / 21

HEX #CA9257

RGB 202 146 87

HSL 30.78, 0.52%, 0.57%

LAB 64.81, 14.65, 39.28

 

CMYK 0 / 31 / 63 / 27

HEX #B98044

RGB 185 128 68

HSL 30.77, 0.46%, 0.5%

LAB 58.2, 15.9, 40.79

 

CMYK 0 / 35 / 71 / 34

HEX #A86E31

RGB 168 110 49

HSL 30.76, 0.55%, 0.43%

LAB 51.49, 17.36, 42.29

 

CMYK 0 / 39 / 80 / 41

HEX #975C1E

RGB 151 92 30

HSL 30.74, 0.67%, 0.35%

LAB 44.7, 19.1, 43.54

 

CMYK 0 / 45 / 92 / 47

HEX #864A0B

RGB 134 74 11

HSL 30.73, 0.85%, 0.28%

LAB 37.82, 21.18, 43.87

 

CMYK 0 / 28 / 56 / 21

HEX #CA9258

RGB 202 146 88

HSL 30.53, 0.52%, 0.57%

LAB 64.82, 14.73, 38.78

 

CMYK 0 / 43 / 56 / 21

HEX #CA7458

RGB 202 116 88

HSL 14.74, 0.52%, 0.57%

LAB 57.8, 31.04, 30.05

 

CMYK 0 / 56 / 56 / 21

HEX #CA5858

RGB 202 88 88

HSL 0, 0.52%, 0.57%

LAB 52.11, 45.37, 22.67

 

CMYK 0 / 28 / 56 / 21

HEX #CA9258

RGB 202 146 88

HSL 30.53, 0.52%, 0.57%

LAB 64.82, 14.73, 38.78

 

CMYK 0 / 12 / 56 / 21

HEX #CAB158

RGB 202 177 88

HSL 46.84, 0.52%, 0.57%

LAB 72.7, -1.96, 48.15

 

CMYK 3 / 0 / 56 / 21

HEX #C4CA58

RGB 196 202 88

HSL 63.16, 0.52%, 0.57%

LAB 78.86, -17.31, 55.05

 

CMYK 18 / 0 / 56 / 21

HEX #A5CA58

RGB 165 202 88

HSL 79.47, 0.52%, 0.57%

LAB 76.65, -29.71, 51.95

 

CMYK 34 / 0 / 56 / 21

HEX #86CA58

RGB 134 202 88

HSL 95.79, 0.52%, 0.57%

LAB 74.83, -41.12, 49.39

 

CMYK 0 / 28 / 56 / 21

HEX #CA9258

RGB 202 146 88

HSL 30.53, 0.52%, 0.57%

LAB 64.82, 14.73, 38.78

 

CMYK 0 / 33 / 68 / 14

HEX #DC9346

RGB 220 147 70

HSL 30.8, 0.68%, 0.57%

LAB 66.92, 20.55, 50.73

 

CMYK 0 / 38 / 78 / 7

HEX #ED9334

RGB 237 147 52

HSL 30.81, 0.84%, 0.57%

LAB 68.84, 26.82, 61.21

 

CMYK 0 / 28 / 56 / 21

HEX #CA9258

RGB 202 146 88

HSL 30.53, 0.52%, 0.57%

LAB 64.82, 14.73, 38.78

 

CMYK 0 / 21 / 42 / 28

HEX #B8926A

RGB 184 146 106

HSL 30.77, 0.35%, 0.57%

LAB 63.17, 8.93, 26.63

 

CMYK 0 / 13 / 26 / 35

HEX #A6917B

RGB 166 145 123

HSL 30.7, 0.19%, 0.57%

LAB 61.47, 4.32, 14.57

 

CMYK 0 / 3 / 5 / 42

HEX #95918D

RGB 149 145 141

HSL 30, 0.04%, 0.57%

LAB 60.39, 0.72, 2.63

 

CMYK 18 / 9 / 0 / 38

HEX #83909F

RGB 131 144 159

HSL 212.14, 0.13%, 0.57%

LAB 59.23, -1.39, -9.5

 

CMYK 0 / 56 / 54 / 21

HEX #CA585C

RGB 202 88 92

HSL 357.89, 0.52%, 0.57%

LAB 52.18, 45.69, 20.42

 

CMYK 0 / 44 / 56 / 21

HEX #CA7258

RGB 202 114 88

HSL 13.68, 0.52%, 0.57%

LAB 57.36, 32.11, 29.49

 

CMYK 0 / 28 / 56 / 21

HEX #CA9158

RGB 202 145 88

HSL 30, 0.52%, 0.57%

LAB 64.57, 15.28, 38.48

 

CMYK 0 / 13 / 56 / 21

HEX #CAAF58

RGB 202 175 88

HSL 45.79, 0.52%, 0.57%

LAB 72.18, -0.9, 47.54

 

CMYK 2 / 0 / 56 / 21

HEX #C6CA58

RGB 198 202 88

HSL 62.11, 0.52%, 0.57%

LAB 79.01, -16.49, 55.27

 

CMYK 0 / 34 / 69 / 38

HEX #9E6931

RGB 158 105 49

HSL 30.83, 0.53%, 0.41%

LAB 49, 15.76, 39.21

 

CMYK 0 / 33 / 69 / 26

HEX #BD7E3B

RGB 189 126 59

HSL 30.92, 0.52%, 0.49%

LAB 58.09, 18.16, 45.3

 

CMYK 0 / 28 / 56 / 21

HEX #CA9258

RGB 202 146 88

HSL 30.53, 0.52%, 0.57%

LAB 64.82, 14.73, 38.78

 

CMYK 0 / 21 / 44 / 17

HEX #D4A777

RGB 212 167 119

HSL 30.97, 0.52%, 0.65%

LAB 71.53, 10.37, 31.1

 

CMYK 0 / 16 / 32 / 13

HEX #DEBB97

RGB 222 187 151

HSL 30.42, 0.52%, 0.73%

LAB 78.05, 7.38, 22.91

 

CMYK 0 / 28 / 57 / 21

HEX #CA9257

RGB 202 146 87

HSL 30.78, 0.52%, 0.57%

LAB 64.81, 14.65, 39.28

 

CMYK 40 / 0 / 56 / 21

HEX #7ACA58

RGB 122 202 88

HSL 102.11, 0.52%, 0.57%

LAB 74.24, -45.15, 48.55

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 0 / 28 / 57 / 21

HEX #CA9257

RGB 202 146 87

HSL 30.78, 0.52%, 0.57%

LAB 64.81, 14.65, 39.28

 

CMYK 56 / 0 / 28 / 21

HEX #58CA91

RGB 88 202 145

HSL 150, 0.52%, 0.57%

LAB 73.78, -45.58, 18.92

 

CMYK 28 / 56 / 0 / 21

HEX #9158CA

RGB 145 88 202

HSL 270, 0.52%, 0.57%

LAB 48.59, 45.45, -50.62

 

CMYK 0 / 28 / 57 / 21

HEX #CA9257

RGB 202 146 87

HSL 30.78, 0.52%, 0.57%

LAB 64.81, 14.65, 39.28

 

CMYK 40 / 0 / 56 / 21

HEX #7ACA58

RGB 122 202 88

HSL 102.11, 0.52%, 0.57%

LAB 74.24, -45.15, 48.55

 

CMYK 56 / 28 / 0 / 21

HEX #5891CA

RGB 88 145 202

HSL 210, 0.52%, 0.57%

LAB 58.59, -1.97, -35.09

 

CMYK 17 / 56 / 0 / 21

HEX #A858CA

RGB 168 88 202

HSL 282.11, 0.52%, 0.57%

LAB 51.35, 51.28, -46.07

 

CMYK 0 / 28 / 57 / 21

HEX #CA9257

RGB 202 146 87

HSL 30.78, 0.52%, 0.57%

LAB 64.81, 14.65, 39.28

 

CMYK 56 / 0 / 56 / 21

HEX #58CA58

RGB 88 202 88

HSL 120, 0.52%, 0.57%

LAB 72.91, -54.91, 46.65

 

CMYK 56 / 28 / 0 / 21

HEX #5891CA

RGB 88 145 202

HSL 210, 0.52%, 0.57%

LAB 58.59, -1.97, -35.09

 

CMYK 0 / 56 / 0 / 21

HEX #CA58CA

RGB 202 88 202

HSL 300, 0.52%, 0.57%

LAB 55.89, 60.12, -38.59

 

Description

Color code: HEX #CA9257 | qconv.com Color code: HEX #CA9257 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 146 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 146 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 57 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 57% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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