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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9A76 it is the complementary color #356589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9A76 shade: #CF9A71, #E0AC84, #F1BE97, #FFD0AA and #FFE2BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9A76 shade: #CA9A76, #B98863, #A87650, #97643D and #86522A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9A76 shade: #CA9A77, #CA8477 and #CA7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9A76 shade: #CA9A77, #CAB177, #CAC777, #B6CA77 and #A0CA77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9A76 shade matches the following richer shades: #CA9A77, #D99867, #E89658 and #F79449

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9A76 shade: #CA9A77, #BA9C86, #AB9F95, #9CA1A4 and #8DA3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9A76 shade: #CA7780, #CA8377, #CA9977, #CAAF77 and #CAC677

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9A76 shade: #AB6F42, #BE8459, #CA9A77, #D5B094 and #E1C6B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9A76 shade: #CA9A76, #96CA77 and #7877CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9A76 shade: #CA9A76, #77CA99 and #9977CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9A76 shade: #CA9A76, #96CA77, #77A7CA and #AA77CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9A76 shade: #CA9A76, #7ECA77, #77A7CA and #C377CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 42 / 21

HEX #CA9A76

RGB 202 154 118

HSL 25.71, 0.44%, 0.63%

LAB 67.26, 13.25, 25.82

 

Complementary color

CMYK 61 / 26 / 0 / 46

HEX #356589

RGB 53 101 137

HSL 205.71, 0.44%, 0.37%

LAB 41.01, -4.78, -24.82

 

CMYK 0 / 26 / 45 / 19

HEX #CF9A71

RGB 207 154 113

HSL 26.17, 0.49%, 0.63%

LAB 67.7, 14.75, 29.22

 

CMYK 0 / 23 / 41 / 12

HEX #E0AC84

RGB 224 172 132

HSL 26.09, 0.6%, 0.7%

LAB 74.2, 13.91, 27.9

 

CMYK 0 / 21 / 37 / 5

HEX #F1BE97

RGB 241 190 151

HSL 26, 0.76%, 0.77%

LAB 80.61, 13.17, 26.68

 

CMYK 0 / 18 / 33 / 0

HEX #FFD0AA

RGB 255 208 170

HSL 26.82, 1%, 0.83%

LAB 86.64, 11.37, 25.11

 

CMYK 0 / 11 / 26 / 0

HEX #FFE2BD

RGB 255 226 189

HSL 33.64, 1%, 0.87%

LAB 91.38, 4.51, 21.75

 

CMYK 0 / 24 / 42 / 21

HEX #CA9A76

RGB 202 154 118

HSL 25.71, 0.44%, 0.63%

LAB 67.26, 13.25, 25.82

 

CMYK 0 / 26 / 46 / 27

HEX #B98863

RGB 185 136 99

HSL 25.81, 0.38%, 0.56%

LAB 60.63, 14.13, 27.17

 

CMYK 0 / 30 / 52 / 34

HEX #A87650

RGB 168 118 80

HSL 25.91, 0.35%, 0.49%

LAB 53.88, 15.15, 28.65

 

CMYK 0 / 34 / 60 / 41

HEX #97643D

RGB 151 100 61

HSL 26, 0.42%, 0.42%

LAB 47.01, 16.38, 30.27

 

CMYK 0 / 39 / 69 / 47

HEX #86522A

RGB 134 82 42

HSL 26.09, 0.52%, 0.35%

LAB 40.03, 17.85, 32.02

 

CMYK 0 / 24 / 41 / 21

HEX #CA9A77

RGB 202 154 119

HSL 25.3, 0.44%, 0.63%

LAB 67.28, 13.36, 25.29

 

CMYK 0 / 35 / 41 / 21

HEX #CA8477

RGB 202 132 119

HSL 9.4, 0.44%, 0.63%

LAB 61.99, 25.39, 18.14

 

CMYK 0 / 41 / 41 / 21

HEX #CA7777

RGB 202 119 119

HSL 0, 0.44%, 0.63%

LAB 59.05, 32.43, 14.08

 

CMYK 0 / 24 / 41 / 21

HEX #CA9A77

RGB 202 154 119

HSL 25.3, 0.44%, 0.63%

LAB 67.28, 13.36, 25.29

 

CMYK 0 / 12 / 41 / 21

HEX #CAB177

RGB 202 177 119

HSL 41.93, 0.44%, 0.63%

LAB 73.11, 0.95, 32.97

 

CMYK 0 / 1 / 41 / 21

HEX #CAC777

RGB 202 199 119

HSL 57.83, 0.44%, 0.63%

LAB 78.89, -10.53, 40.35

 

CMYK 10 / 0 / 41 / 21

HEX #B6CA77

RGB 182 202 119

HSL 74.46, 0.44%, 0.63%

LAB 78.18, -19.92, 39.14

 

CMYK 21 / 0 / 41 / 21

HEX #A0CA77

RGB 160 202 119

HSL 90.36, 0.44%, 0.63%

LAB 76.71, -28.22, 36.96

 

CMYK 0 / 24 / 41 / 21

HEX #CA9A77

RGB 202 154 119

HSL 25.3, 0.44%, 0.63%

LAB 67.28, 13.36, 25.29

 

CMYK 0 / 30 / 53 / 15

HEX #D99867

RGB 217 152 103

HSL 25.79, 0.6%, 0.63%

LAB 68.16, 18.97, 35.39

 

CMYK 0 / 35 / 62 / 9

HEX #E89658

RGB 232 150 88

HSL 25.83, 0.76%, 0.63%

LAB 69.24, 25.01, 44.9

 

CMYK 0 / 40 / 70 / 3

HEX #F79449

RGB 247 148 73

HSL 25.86, 0.92%, 0.63%

LAB 70.48, 31.27, 54.13

 

CMYK 0 / 24 / 41 / 21

HEX #CA9A77

RGB 202 154 119

HSL 25.3, 0.44%, 0.63%

LAB 67.28, 13.36, 25.29

 

CMYK 0 / 16 / 28 / 27

HEX #BA9C86

RGB 186 156 134

HSL 25.38, 0.27%, 0.63%

LAB 66.47, 7.75, 15.66

 

CMYK 0 / 7 / 13 / 33

HEX #AB9F95

RGB 171 159 149

HSL 27.27, 0.12%, 0.63%

LAB 66.23, 2.63, 6.78

 

CMYK 5 / 2 / 0 / 36

HEX #9CA1A4

RGB 156 161 164

HSL 202.5, 0.04%, 0.63%

LAB 65.93, -1.19, -2.18

 

CMYK 22 / 9 / 0 / 29

HEX #8DA3B4

RGB 141 163 180

HSL 206.15, 0.21%, 0.63%

LAB 65.87, -3.88, -11.34

 

CMYK 0 / 41 / 37 / 21

HEX #CA7780

RGB 202 119 128

HSL 353.49, 0.44%, 0.63%

LAB 59.26, 33.48, 9.19

 

CMYK 0 / 35 / 41 / 21

HEX #CA8377

RGB 202 131 119

HSL 8.67, 0.44%, 0.63%

LAB 61.76, 25.94, 17.82

 

CMYK 0 / 24 / 41 / 21

HEX #CA9977

RGB 202 153 119

HSL 24.58, 0.44%, 0.63%

LAB 67.03, 13.91, 24.96

 

CMYK 0 / 13 / 41 / 21

HEX #CAAF77

RGB 202 175 119

HSL 40.48, 0.44%, 0.63%

LAB 72.59, 2.02, 32.3

 

CMYK 0 / 2 / 41 / 21

HEX #CAC677

RGB 202 198 119

HSL 57.11, 0.44%, 0.63%

LAB 78.62, -10.01, 40.02

 

CMYK 0 / 35 / 61 / 33

HEX #AB6F42

RGB 171 111 66

HSL 25.71, 0.44%, 0.46%

LAB 52.31, 19.22, 34.5

 

CMYK 0 / 31 / 53 / 25

HEX #BE8459

RGB 190 132 89

HSL 25.54, 0.44%, 0.55%

LAB 60.04, 17.47, 32.02

 

CMYK 0 / 24 / 41 / 21

HEX #CA9A77

RGB 202 154 119

HSL 25.3, 0.44%, 0.63%

LAB 67.28, 13.36, 25.29

 

CMYK 0 / 17 / 31 / 16

HEX #D5B094

RGB 213 176 148

HSL 25.85, 0.44%, 0.71%

LAB 74.4, 9.36, 19.38

 

CMYK 0 / 12 / 21 / 12

HEX #E1C6B2

RGB 225 198 178

HSL 25.53, 0.44%, 0.79%

LAB 81.63, 6.4, 13.51

 

CMYK 0 / 24 / 42 / 21

HEX #CA9A76

RGB 202 154 118

HSL 25.71, 0.44%, 0.63%

LAB 67.26, 13.25, 25.82

 

CMYK 26 / 0 / 41 / 21

HEX #96CA77

RGB 150 202 119

HSL 97.59, 0.44%, 0.63%

LAB 76.1, -31.83, 36.07

 

CMYK 41 / 41 / 0 / 21

HEX #7877CA

RGB 120 119 202

HSL 240.72, 0.44%, 0.63%

LAB 53.44, 21.06, -43.05

 

CMYK 0 / 24 / 42 / 21

HEX #CA9A76

RGB 202 154 118

HSL 25.71, 0.44%, 0.63%

LAB 67.26, 13.25, 25.82

 

CMYK 41 / 0 / 24 / 21

HEX #77CA99

RGB 119 202 153

HSL 144.58, 0.44%, 0.63%

LAB 75.12, -36.15, 16.69

 

CMYK 24 / 41 / 0 / 21

HEX #9977CA

RGB 153 119 202

HSL 264.58, 0.44%, 0.63%

LAB 56.32, 30.2, -38.32

 

CMYK 0 / 24 / 42 / 21

HEX #CA9A76

RGB 202 154 118

HSL 25.71, 0.44%, 0.63%

LAB 67.26, 13.25, 25.82

 

CMYK 26 / 0 / 41 / 21

HEX #96CA77

RGB 150 202 119

HSL 97.59, 0.44%, 0.63%

LAB 76.1, -31.83, 36.07

 

CMYK 41 / 17 / 0 / 21

HEX #77A7CA

RGB 119 167 202

HSL 205.3, 0.44%, 0.63%

LAB 66.38, -6.96, -22.92

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 0 / 24 / 42 / 21

HEX #CA9A76

RGB 202 154 118

HSL 25.71, 0.44%, 0.63%

LAB 67.26, 13.25, 25.82

 

CMYK 38 / 0 / 41 / 21

HEX #7ECA77

RGB 126 202 119

HSL 114.94, 0.44%, 0.63%

LAB 74.83, -39.9, 34.17

 

CMYK 41 / 17 / 0 / 21

HEX #77A7CA

RGB 119 167 202

HSL 205.3, 0.44%, 0.63%

LAB 66.38, -6.96, -22.92

 

CMYK 3 / 41 / 0 / 21

HEX #C377CA

RGB 195 119 202

HSL 294.94, 0.44%, 0.63%

LAB 60.83, 42.77, -30.94

 

Description

Color code: HEX #CA9A76 | qconv.com Color code: HEX #CA9A76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 154 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 154 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 42 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 42% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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