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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAABA4 it is the complementary color #35545B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAABA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAABA4 shade: #CFAB9F, #E0BDB2, #F1CFC5, #FFE1D8 and #FFF3EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAABA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAABA4 shade: #CAABA4, #B99991, #A8877E, #97756B and #866358

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAABA4 shade: #CAABA5 and #CAA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAABA4 shade: #CAABA5, #CAB5A5, #CABFA5, #CAC9A5 and #C0CAA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAABA4 shade matches the following richer shades: #CAABA5, #D5A499, #E19D8D, #EC9582 and #F88E76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAABA4 shade: #CAABA5, #BEB3B0, #B3BABC, #A7C1C7 and #9BC9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAABA4 shade: #CAA5B2, #CAA5A8, #CAABA5, #CAB5A5 and #CABFA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAABA4 shade: #AB7B71, #BA938B, #CAABA5, #D9C3BF and #E8DBD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAABA4 shade: #CAABA4, #BBCAA5 and #A5ADCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAABA4 shade: #CAABA4, #A5CAAB and #ABA5CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAABA4 shade: #CAABA4, #BBCAA5, #A5C3CA and #B3A5CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAABA4 shade: #CAABA4, #B0CAA5, #A5C3CA and #BEA5CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 19 / 21

HEX #CAABA4

RGB 202 171 164

HSL 11.05, 0.26%, 0.72%

LAB 72.47, 10.14, 7.78

 

Complementary color

CMYK 42 / 8 / 0 / 64

HEX #35545B

RGB 53 84 91

HSL 191.05, 0.26%, 0.28%

LAB 33.67, -9.36, -7.7

 

CMYK 0 / 17 / 23 / 19

HEX #CFAB9F

RGB 207 171 159

HSL 15, 0.33%, 0.72%

LAB 72.82, 11.28, 11.09

 

CMYK 0 / 16 / 21 / 12

HEX #E0BDB2

RGB 224 189 178

HSL 14.35, 0.43%, 0.79%

LAB 79.3, 10.79, 10.2

 

CMYK 0 / 14 / 18 / 5

HEX #F1CFC5

RGB 241 207 197

HSL 13.64, 0.61%, 0.86%

LAB 85.68, 10.35, 9.36

 

CMYK 0 / 12 / 15 / 0

HEX #FFE1D8

RGB 255 225 216

HSL 13.85, 1%, 0.92%

LAB 91.72, 8.89, 8.17

 

CMYK 0 / 5 / 8 / 0

HEX #FFF3EB

RGB 255 243 235

HSL 24, 1%, 0.96%

LAB 96.56, 2.69, 5.28

 

CMYK 0 / 15 / 19 / 21

HEX #CAABA4

RGB 202 171 164

HSL 11.05, 0.26%, 0.72%

LAB 72.47, 10.14, 7.78

 

CMYK 0 / 17 / 22 / 27

HEX #B99991

RGB 185 153 145

HSL 12, 0.22%, 0.65%

LAB 65.86, 10.62, 8.65

 

CMYK 0 / 20 / 25 / 34

HEX #A8877E

RGB 168 135 126

HSL 12.86, 0.19%, 0.58%

LAB 59.12, 11.17, 9.59

 

CMYK 0 / 23 / 29 / 41

HEX #97756B

RGB 151 117 107

HSL 13.64, 0.17%, 0.51%

LAB 52.25, 11.79, 10.62

 

CMYK 0 / 26 / 34 / 47

HEX #866358

RGB 134 99 88

HSL 14.35, 0.21%, 0.44%

LAB 45.22, 12.53, 11.77

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 18 / 18 / 21

HEX #CAA5A5

RGB 202 165 165

HSL 0, 0.26%, 0.72%

LAB 71, 13.56, 5.12

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 10 / 18 / 21

HEX #CAB5A5

RGB 202 181 165

HSL 25.95, 0.26%, 0.72%

LAB 75.03, 4.91, 10.88

 

CMYK 0 / 5 / 18 / 21

HEX #CABFA5

RGB 202 191 165

HSL 42.16, 0.26%, 0.72%

LAB 77.6, -0.41, 14.51

 

CMYK 0 / 0 / 18 / 21

HEX #CAC9A5

RGB 202 201 165

HSL 58.38, 0.26%, 0.72%

LAB 80.21, -5.65, 18.16

 

CMYK 5 / 0 / 18 / 21

HEX #C0CAA5

RGB 192 202 165

HSL 76.22, 0.26%, 0.72%

LAB 79.71, -9.85, 17.35

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 23 / 28 / 16

HEX #D5A499

RGB 213 164 153

HSL 11, 0.42%, 0.72%

LAB 71.55, 16.5, 12.67

 

CMYK 0 / 30 / 37 / 12

HEX #E19D8D

RGB 225 157 141

HSL 11.43, 0.58%, 0.72%

LAB 70.9, 23.36, 18.56

 

CMYK 0 / 37 / 45 / 7

HEX #EC9582

RGB 236 149 130

HSL 10.75, 0.74%, 0.72%

LAB 70.13, 30.66, 23.76

 

CMYK 0 / 43 / 52 / 3

HEX #F88E76

RGB 248 142 118

HSL 11.08, 0.9%, 0.72%

LAB 69.9, 37.76, 30.29

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 6 / 7 / 25

HEX #BEB3B0

RGB 190 179 176

HSL 12.86, 0.1%, 0.72%

LAB 73.75, 3.38, 2.92

 

CMYK 5 / 1 / 0 / 26

HEX #B3BABC

RGB 179 186 188

HSL 193.33, 0.06%, 0.72%

LAB 75.03, -2.04, -1.86

 

CMYK 16 / 3 / 0 / 22

HEX #A7C1C7

RGB 167 193 199

HSL 191.25, 0.22%, 0.72%

LAB 76.36, -7.51, -5.98

 

CMYK 27 / 5 / 0 / 17

HEX #9BC9D3

RGB 155 201 211

HSL 190.71, 0.39%, 0.72%

LAB 78.14, -12.74, -9.91

 

CMYK 0 / 18 / 12 / 21

HEX #CAA5B2

RGB 202 165 178

HSL 338.92, 0.26%, 0.72%

LAB 71.34, 15.67, -1.57

 

CMYK 0 / 18 / 17 / 21

HEX #CAA5A8

RGB 202 165 168

HSL 355.14, 0.26%, 0.72%

LAB 71.07, 14.04, 3.57

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 10 / 18 / 21

HEX #CAB5A5

RGB 202 181 165

HSL 25.95, 0.26%, 0.72%

LAB 75.03, 4.91, 10.88

 

CMYK 0 / 5 / 18 / 21

HEX #CABFA5

RGB 202 191 165

HSL 42.16, 0.26%, 0.72%

LAB 77.6, -0.41, 14.51

 

CMYK 0 / 28 / 34 / 33

HEX #AB7B71

RGB 171 123 113

HSL 10.34, 0.26%, 0.56%

LAB 56.1, 17.31, 12.86

 

CMYK 0 / 21 / 25 / 27

HEX #BA938B

RGB 186 147 139

HSL 10.21, 0.25%, 0.64%

LAB 64.3, 13.44, 9.82

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 10 / 12 / 15

HEX #D9C3BF

RGB 217 195 191

HSL 9.23, 0.25%, 0.8%

LAB 80.48, 7.08, 4.82

 

CMYK 0 / 6 / 6 / 9

HEX #E8DBD9

RGB 232 219 217

HSL 8, 0.25%, 0.88%

LAB 88.37, 4.11, 2.57

 

CMYK 0 / 15 / 19 / 21

HEX #CAABA4

RGB 202 171 164

HSL 11.05, 0.26%, 0.72%

LAB 72.47, 10.14, 7.78

 

CMYK 7 / 0 / 18 / 21

HEX #BBCAA5

RGB 187 202 165

HSL 84.32, 0.26%, 0.72%

LAB 79.34, -11.66, 16.78

 

CMYK 18 / 14 / 0 / 21

HEX #A5ADCA

RGB 165 173 202

HSL 227.03, 0.26%, 0.72%

LAB 70.97, 3.27, -15.68

 

CMYK 0 / 15 / 19 / 21

HEX #CAABA4

RGB 202 171 164

HSL 11.05, 0.26%, 0.72%

LAB 72.47, 10.14, 7.78

 

CMYK 18 / 0 / 15 / 21

HEX #A5CAAB

RGB 165 202 171

HSL 129.73, 0.26%, 0.72%

LAB 77.98, -18.34, 11.45

 

CMYK 15 / 18 / 0 / 21

HEX #ABA5CA

RGB 171 165 202

HSL 249.73, 0.26%, 0.72%

LAB 69.35, 9.63, -18.09

 

CMYK 0 / 15 / 19 / 21

HEX #CAABA4

RGB 202 171 164

HSL 11.05, 0.26%, 0.72%

LAB 72.47, 10.14, 7.78

 

CMYK 7 / 0 / 18 / 21

HEX #BBCAA5

RGB 187 202 165

HSL 84.32, 0.26%, 0.72%

LAB 79.34, -11.66, 16.78

 

CMYK 18 / 3 / 0 / 21

HEX #A5C3CA

RGB 165 195 202

HSL 191.35, 0.26%, 0.72%

LAB 76.86, -8.56, -6.88

 

CMYK 11 / 18 / 0 / 21

HEX #B3A5CA

RGB 179 165 202

HSL 262.7, 0.26%, 0.72%

LAB 70.01, 12.24, -17.03

 

CMYK 0 / 15 / 19 / 21

HEX #CAABA4

RGB 202 171 164

HSL 11.05, 0.26%, 0.72%

LAB 72.47, 10.14, 7.78

 

CMYK 13 / 0 / 18 / 21

HEX #B0CAA5

RGB 176 202 165

HSL 102.16, 0.26%, 0.72%

LAB 78.57, -15.59, 15.59

 

CMYK 18 / 3 / 0 / 21

HEX #A5C3CA

RGB 165 195 202

HSL 191.35, 0.26%, 0.72%

LAB 76.86, -8.56, -6.88

 

CMYK 6 / 18 / 0 / 21

HEX #BEA5CA

RGB 190 165 202

HSL 280.54, 0.26%, 0.72%

LAB 70.95, 15.9, -15.51

 

Description

Color code: HEX #CAABA4 | qconv.com Color code: HEX #CAABA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 171 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 171 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 19 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 19% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Jeneration PR
Link: http://www.jenerationpr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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