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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAEB37 it is the complementary color #3514C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAEB37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAEB37 shade: #CFEB32, #E0FD45, #F1FF58, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAEB37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAEB37 shade: #CAEB37, #B9D924, #A8C711, #97B500 and #86A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAEB37 shade: #CAEB37, #EBDB37, #EBAB37, #EB7A37 and #EB4A37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAEB37 shade: #CAEB37, #99EB37, #69EB37, #38EB37 and #37EB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAEB37 shade matches the following richer shades: #CAEB37 and #D5FD25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAEB37 shade: #CAEB37, #BFD949, #B3C75A, #A8B66C and #9DA47E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAEB37 shade: #EBAC37, #EBDC37, #CAEB37, #9AEB37 and #6AEB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAEB37 shade: #9EBD12, #BDE216, #CAEB37, #D4EE5C and #DEF282

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAEB37 shade: #CAEB37, #37EB7C and #C437EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAEB37 shade: #CAEB37, #37CAEB and #EB37CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAEB37 shade: #CAEB37, #37EB7C, #5837EB and #EB37A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAEB37 shade: #CAEB37, #37EBB2, #5837EB and #EB3770

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

Complementary color

CMYK 74 / 90 / 0 / 22

HEX #3514C8

RGB 53 20 200

HSL 251, 0.82%, 0.43%

LAB 27.92, 62.52, -83.61

 

CMYK 12 / 0 / 79 / 8

HEX #CFEB32

RGB 207 235 50

HSL 69.08, 0.82%, 0.56%

LAB 88.41, -30.82, 78.73

 

CMYK 11 / 0 / 73 / 1

HEX #E0FD45

RGB 224 253 69

HSL 69.46, 0.98%, 0.63%

LAB 94.54, -31.6, 79.21

 

CMYK 5 / 0 / 65 / 0

HEX #F1FF58

RGB 241 255 88

HSL 65.03, 1%, 0.67%

LAB 96.38, -24.84, 74.83

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 15 / 0 / 83 / 15

HEX #B9D924

RGB 185 217 36

HSL 70.61, 0.72%, 0.5%

LAB 81.87, -31.78, 75.93

 

CMYK 16 / 0 / 91 / 22

HEX #A8C711

RGB 168 199 17

HSL 70.22, 0.84%, 0.42%

LAB 75.58, -30.75, 73.8

 

CMYK 17 / 0 / 100 / 29

HEX #97B500

RGB 151 181 0

HSL 69.94, 1%, 0.35%

LAB 69.2, -29.54, 70.35

 

CMYK 18 / 0 / 100 / 36

HEX #86A300

RGB 134 163 0

HSL 70.67, 1%, 0.32%

LAB 62.73, -28.09, 64.96

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 0 / 7 / 77 / 8

HEX #EBDB37

RGB 235 219 55

HSL 54.67, 0.82%, 0.57%

LAB 86.31, -11.39, 76.22

 

CMYK 0 / 27 / 77 / 8

HEX #EBAB37

RGB 235 171 55

HSL 38.67, 0.82%, 0.57%

LAB 74.23, 13.39, 65.07

 

CMYK 0 / 48 / 77 / 8

HEX #EB7A37

RGB 235 122 55

HSL 22.33, 0.82%, 0.57%

LAB 63.22, 39.08, 54.41

 

CMYK 0 / 69 / 77 / 8

HEX #EB4A37

RGB 235 74 55

HSL 6.33, 0.82%, 0.57%

LAB 54.9, 60.78, 45.92

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 35 / 0 / 77 / 8

HEX #99EB37

RGB 153 235 55

HSL 87.33, 0.82%, 0.57%

LAB 85.23, -50.93, 73.24

 

CMYK 55 / 0 / 77 / 8

HEX #69EB37

RGB 105 235 55

HSL 103.33, 0.82%, 0.57%

LAB 83.28, -65.43, 70.7

 

CMYK 76 / 0 / 77 / 8

HEX #38EB37

RGB 56 235 55

HSL 119.67, 0.82%, 0.57%

LAB 82.13, -75.02, 69.18

 

CMYK 77 / 0 / 57 / 8

HEX #37EB66

RGB 55 235 102

HSL 135.67, 0.82%, 0.57%

LAB 82.48, -70.66, 51.37

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 16 / 0 / 85 / 1

HEX #D5FD25

RGB 213 253 37

HSL 71.11, 0.98%, 0.57%

LAB 93.68, -37.04, 86.38

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 12 / 0 / 66 / 15

HEX #BFD949

RGB 191 217 73

HSL 70.83, 0.65%, 0.57%

LAB 82.48, -27.68, 65.11

 

CMYK 10 / 0 / 55 / 22

HEX #B3C75A

RGB 179 199 90

HSL 71.01, 0.49%, 0.57%

LAB 76.78, -22.56, 51.44

 

CMYK 8 / 0 / 41 / 29

HEX #A8B66C

RGB 168 182 108

HSL 71.35, 0.34%, 0.57%

LAB 71.46, -16.63, 36.01

 

CMYK 4 / 0 / 23 / 36

HEX #9DA47E

RGB 157 164 126

HSL 71.05, 0.17%, 0.57%

LAB 65.92, -9.15, 18.93

 

CMYK 0 / 27 / 77 / 8

HEX #EBAC37

RGB 235 172 55

HSL 39, 0.82%, 0.57%

LAB 74.47, 12.86, 65.3

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 34 / 0 / 77 / 8

HEX #9AEB37

RGB 154 235 55

HSL 87, 0.82%, 0.57%

LAB 85.28, -50.58, 73.3

 

CMYK 55 / 0 / 77 / 8

HEX #6AEB37

RGB 106 235 55

HSL 103, 0.82%, 0.57%

LAB 83.31, -65.17, 70.74

 

CMYK 16 / 0 / 90 / 26

HEX #9EBD12

RGB 158 189 18

HSL 70.88, 0.83%, 0.41%

LAB 72.03, -30.15, 70.53

 

CMYK 16 / 0 / 90 / 11

HEX #BDE216

RGB 189 226 22

HSL 70.88, 0.82%, 0.49%

LAB 84.62, -34.64, 80.88

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 11 / 0 / 61 / 7

HEX #D4EE5C

RGB 212 238 92

HSL 70.68, 0.81%, 0.65%

LAB 89.82, -28.03, 65.74

 

CMYK 8 / 0 / 46 / 5

HEX #DEF282

RGB 222 242 130

HSL 70.71, 0.81%, 0.73%

LAB 91.97, -22.85, 51.53

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 77 / 0 / 47 / 8

HEX #37EB7C

RGB 55 235 124

HSL 143, 0.82%, 0.57%

LAB 82.75, -67.51, 41.37

 

CMYK 17 / 77 / 0 / 8

HEX #C437EB

RGB 196 55 235

HSL 287, 0.82%, 0.57%

LAB 52.36, 77.29, -62.97

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 77 / 14 / 0 / 8

HEX #37CAEB

RGB 55 202 235

HSL 191, 0.82%, 0.57%

LAB 75.48, -26.98, -27.2

 

CMYK 0 / 77 / 14 / 8

HEX #EB37CA

RGB 235 55 202

HSL 311, 0.82%, 0.57%

LAB 56.74, 79.84, -36.89

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 77 / 0 / 47 / 8

HEX #37EB7C

RGB 55 235 124

HSL 143, 0.82%, 0.57%

LAB 82.75, -67.51, 41.37

 

CMYK 63 / 77 / 0 / 8

HEX #5837EB

RGB 88 55 235

HSL 251, 0.82%, 0.57%

LAB 39.25, 61.15, -84.92

 

CMYK 0 / 77 / 29 / 8

HEX #EB37A6

RGB 235 55 166

HSL 323, 0.82%, 0.57%

LAB 55.22, 75.37, -18.39

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 77 / 0 / 24 / 8

HEX #37EBB2

RGB 55 235 178

HSL 161, 0.82%, 0.57%

LAB 83.68, -57.08, 15.23

 

CMYK 63 / 77 / 0 / 8

HEX #5837EB

RGB 88 55 235

HSL 251, 0.82%, 0.57%

LAB 39.25, 61.15, -84.92

 

CMYK 0 / 77 / 52 / 8

HEX #EB3770

RGB 235 55 112

HSL 341, 0.82%, 0.57%

LAB 53.56, 70.28, 11.28

 

Description

Color code: HEX #CAEB37 | qconv.com Color code: HEX #CAEB37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 235 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 235 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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