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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDC37 it is the complementary color #1423C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDC37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBDC37 shade: #F0DC32, #FFEE45, #FFFF58, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDC37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBDC37 shade: #EBDC37, #DACA24, #C9B811, #B8A600 and #A79400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBDC37 shade: #EBDC37, #EBAB37, #EB7B37, #EB4A37 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBDC37 shade: #EBDC37, #C9EB37, #99EB37, #68EB37 and #38EB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBDC37 shade matches the following richer shades: #EBDC37 and #FDEB25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBDC37 shade: #EBDC37, #D9CD49, #C7BE5A, #B6AF6C and #A4A17E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBDC37 shade: #EB7C37, #EBAC37, #EBDC37, #CAEB37 and #9AEB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBDC37 shade: #BDAF12, #E2D116, #EBDC37, #EEE25C and #F2E982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBDC37 shade: #EBDC37, #37EB4C and #9437EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBDC37 shade: #EBDC37, #37EBDC and #DC37EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBDC37 shade: #EBDC37, #37EB4C, #3746EB and #EB37D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBDC37 shade: #EBDC37, #37EB82, #3746EB and #EB37A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

Complementary color

CMYK 90 / 83 / 0 / 22

HEX #1423C8

RGB 20 35 200

HSL 235, 0.82%, 0.43%

LAB 28.17, 55.58, -83.23

 

CMYK 0 / 8 / 79 / 6

HEX #F0DC32

RGB 240 220 50

HSL 53.68, 0.86%, 0.57%

LAB 86.97, -9.95, 78.44

 

CMYK 0 / 7 / 73 / 0

HEX #FFEE45

RGB 255 238 69

HSL 54.52, 1%, 0.64%

LAB 92.94, -11.92, 78.52

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 0 / 7 / 83 / 15

HEX #DACA24

RGB 218 202 36

HSL 54.73, 0.72%, 0.5%

LAB 80.33, -10.66, 75.65

 

CMYK 0 / 8 / 92 / 21

HEX #C9B811

RGB 201 184 17

HSL 54.46, 0.84%, 0.43%

LAB 74.02, -9.23, 73.69

 

CMYK 0 / 10 / 100 / 28

HEX #B8A600

RGB 184 166 0

HSL 54.13, 1%, 0.36%

LAB 67.62, -7.6, 70.38

 

CMYK 0 / 11 / 100 / 35

HEX #A79400

RGB 167 148 0

HSL 53.17, 1%, 0.33%

LAB 61.13, -5.7, 65

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 0 / 27 / 77 / 8

HEX #EBAB37

RGB 235 171 55

HSL 38.67, 0.82%, 0.57%

LAB 74.23, 13.39, 65.07

 

CMYK 0 / 48 / 77 / 8

HEX #EB7B37

RGB 235 123 55

HSL 22.67, 0.82%, 0.57%

LAB 63.43, 38.57, 54.61

 

CMYK 0 / 69 / 77 / 8

HEX #EB4A37

RGB 235 74 55

HSL 6.33, 0.82%, 0.57%

LAB 54.9, 60.78, 45.92

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 14 / 0 / 77 / 8

HEX #C9EB37

RGB 201 235 55

HSL 71.33, 0.82%, 0.57%

LAB 88.02, -33.02, 76.84

 

CMYK 35 / 0 / 77 / 8

HEX #99EB37

RGB 153 235 55

HSL 87.33, 0.82%, 0.57%

LAB 85.23, -50.93, 73.24

 

CMYK 56 / 0 / 77 / 8

HEX #68EB37

RGB 104 235 55

HSL 103.67, 0.82%, 0.57%

LAB 83.25, -65.68, 70.66

 

CMYK 76 / 0 / 77 / 8

HEX #38EB37

RGB 56 235 55

HSL 119.67, 0.82%, 0.57%

LAB 82.13, -75.02, 69.18

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 0 / 7 / 85 / 1

HEX #FDEB25

RGB 253 235 37

HSL 55, 0.98%, 0.57%

LAB 91.88, -12.28, 86.13

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 0 / 6 / 66 / 15

HEX #D9CD49

RGB 217 205 73

HSL 55, 0.65%, 0.57%

LAB 81.23, -11.1, 64.47

 

CMYK 0 / 5 / 55 / 22

HEX #C7BE5A

RGB 199 190 90

HSL 55.05, 0.49%, 0.57%

LAB 75.89, -9.84, 50.82

 

CMYK 0 / 4 / 41 / 29

HEX #B6AF6C

RGB 182 175 108

HSL 54.32, 0.34%, 0.57%

LAB 70.66, -7.35, 35.21

 

CMYK 0 / 2 / 23 / 36

HEX #A4A17E

RGB 164 161 126

HSL 55.26, 0.17%, 0.57%

LAB 65.66, -4.81, 18.66

 

CMYK 0 / 47 / 77 / 8

HEX #EB7C37

RGB 235 124 55

HSL 23, 0.82%, 0.57%

LAB 63.63, 38.07, 54.82

 

CMYK 0 / 27 / 77 / 8

HEX #EBAC37

RGB 235 172 55

HSL 39, 0.82%, 0.57%

LAB 74.47, 12.86, 65.3

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 14 / 0 / 77 / 8

HEX #CAEB37

RGB 202 235 55

HSL 71, 0.82%, 0.57%

LAB 88.09, -32.62, 76.92

 

CMYK 34 / 0 / 77 / 8

HEX #9AEB37

RGB 154 235 55

HSL 87, 0.82%, 0.57%

LAB 85.28, -50.58, 73.3

 

CMYK 0 / 7 / 90 / 26

HEX #BDAF12

RGB 189 175 18

HSL 55.09, 0.83%, 0.41%

LAB 70.54, -9.84, 70.38

 

CMYK 0 / 8 / 90 / 11

HEX #E2D116

RGB 226 209 22

HSL 55, 0.82%, 0.49%

LAB 82.82, -11.05, 80.66

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 0 / 5 / 61 / 7

HEX #EEE25C

RGB 238 226 92

HSL 55.07, 0.81%, 0.65%

LAB 88.61, -11.78, 65.02

 

CMYK 0 / 4 / 46 / 5

HEX #F2E982

RGB 242 233 130

HSL 55.18, 0.81%, 0.73%

LAB 91.13, -10.69, 50.85

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 77 / 0 / 68 / 8

HEX #37EB4C

RGB 55 235 76

HSL 127, 0.82%, 0.57%

LAB 82.24, -73.51, 62.02

 

CMYK 37 / 77 / 0 / 8

HEX #9437EB

RGB 148 55 235

HSL 271, 0.82%, 0.57%

LAB 45.67, 69.13, -74.14

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 77 / 0 / 6 / 8

HEX #37EBDC

RGB 55 235 220

HSL 175, 0.82%, 0.57%

LAB 84.69, -46.62, -5.36

 

CMYK 6 / 77 / 0 / 8

HEX #DC37EB

RGB 220 55 235

HSL 295, 0.82%, 0.57%

LAB 56.03, 81.72, -56.87

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 77 / 0 / 68 / 8

HEX #37EB4C

RGB 55 235 76

HSL 127, 0.82%, 0.57%

LAB 82.24, -73.51, 62.02

 

CMYK 77 / 70 / 0 / 8

HEX #3746EB

RGB 55 70 235

HSL 235, 0.82%, 0.57%

LAB 39.9, 50.18, -83.92

 

CMYK 0 / 77 / 9 / 8

HEX #EB37D6

RGB 235 55 214

HSL 307, 0.82%, 0.57%

LAB 57.32, 81.5, -42.83

 

CMYK 0 / 6 / 77 / 8

HEX #EBDC37

RGB 235 220 55

HSL 55, 0.82%, 0.57%

LAB 86.57, -11.88, 76.46

 

CMYK 77 / 0 / 45 / 8

HEX #37EB82

RGB 55 235 130

HSL 145, 0.82%, 0.57%

LAB 82.83, -66.54, 38.55

 

CMYK 77 / 70 / 0 / 8

HEX #3746EB

RGB 55 70 235

HSL 235, 0.82%, 0.57%

LAB 39.9, 50.18, -83.92

 

CMYK 0 / 77 / 32 / 8

HEX #EB37A0

RGB 235 55 160

HSL 325, 0.82%, 0.57%

LAB 55, 74.71, -15.2

 

Description

Color code: HEX #EBDC37 | qconv.com Color code: HEX #EBDC37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 220 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 220 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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