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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAEF5D it is the complementary color #3510A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAEF5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAEF5D shade: #CFEF58, #E0FF6B, #F1FF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAEF5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAEF5D shade: #CAEF5D, #B9DD4A, #A8CB37, #97B924 and #86A711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAEF5D shade: #C9EE5C, #EEEC5C, #EEC55C, #EE9D5C and #EE765C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAEF5D shade: #C9EE5C, #A2EE5C, #7AEE5C, #5CEE65 and #5CEE8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAEF5D shade matches the following richer shades: #C9EE5C and #D0FD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAEF5D shade: #C9EE5C, #C2E06B, #BBD279, #B4C387 and #ADB596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAEF5D shade: #EEC55C, #EEEC5C, #CAEE5C, #A3EE5C and #7CEE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAEF5D shade: #AEE216, #BDEB37, #C9EE5C, #D6F282 and #E2F6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAEF5D shade: #CAEF5D, #5CEE9E and #D85CEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAEF5D shade: #CAEF5D, #5CCAEE and #EE5CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAEF5D shade: #CAEF5D, #5CEE9E, #815CEE and #EE5CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAEF5D shade: #CAEF5D, #5CEECA, #815CEE and #EE5C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 61 / 6

HEX #CAEF5D

RGB 202 239 93

HSL 75.21, 0.82%, 0.65%

LAB 89.43, -32.3, 64.71

 

Complementary color

CMYK 67 / 90 / 0 / 36

HEX #3510A2

RGB 53 16 162

HSL 255.21, 0.82%, 0.35%

LAB 22.78, 53.56, -69.45

 

CMYK 13 / 0 / 63 / 6

HEX #CFEF58

RGB 207 239 88

HSL 72.72, 0.83%, 0.64%

LAB 89.72, -30.72, 67.15

 

CMYK 12 / 0 / 58 / 0

HEX #E0FF6B

RGB 224 255 107

HSL 72.57, 1%, 0.71%

LAB 95.34, -30.21, 65.8

 

CMYK 5 / 0 / 51 / 0

HEX #F1FF7E

RGB 241 255 126

HSL 66.51, 1%, 0.75%

LAB 96.71, -22.14, 59.38

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 15 / 0 / 61 / 6

HEX #CAEF5D

RGB 202 239 93

HSL 75.21, 0.82%, 0.65%

LAB 89.43, -32.3, 64.71

 

CMYK 16 / 0 / 67 / 13

HEX #B9DD4A

RGB 185 221 74

HSL 74.69, 0.68%, 0.58%

LAB 83.19, -31.88, 65.34

 

CMYK 17 / 0 / 73 / 20

HEX #A8CB37

RGB 168 203 55

HSL 74.19, 0.59%, 0.51%

LAB 76.87, -31.32, 65.56

 

CMYK 18 / 0 / 81 / 27

HEX #97B924

RGB 151 185 36

HSL 73.69, 0.67%, 0.43%

LAB 70.46, -30.61, 65.1

 

CMYK 20 / 0 / 90 / 35

HEX #86A711

RGB 134 167 17

HSL 73.2, 0.82%, 0.36%

LAB 63.95, -29.7, 63.48

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5C

RGB 201 238 92

HSL 75.21, 0.81%, 0.65%

LAB 89.08, -32.3, 64.73

 

CMYK 0 / 1 / 61 / 7

HEX #EEEC5C

RGB 238 236 92

HSL 59.18, 0.81%, 0.65%

LAB 91.21, -16.7, 67.8

 

CMYK 0 / 17 / 61 / 7

HEX #EEC55C

RGB 238 197 92

HSL 43.15, 0.81%, 0.65%

LAB 81.23, 2.95, 56.9

 

CMYK 0 / 34 / 61 / 7

HEX #EE9D5C

RGB 238 157 92

HSL 26.71, 0.81%, 0.65%

LAB 71.6, 24.02, 45.84

 

CMYK 0 / 50 / 61 / 7

HEX #EE765C

RGB 238 118 92

HSL 10.68, 0.81%, 0.65%

LAB 63.27, 44.16, 35.76

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5C

RGB 201 238 92

HSL 75.21, 0.81%, 0.65%

LAB 89.08, -32.3, 64.73

 

CMYK 32 / 0 / 61 / 7

HEX #A2EE5C

RGB 162 238 92

HSL 91.23, 0.81%, 0.65%

LAB 86.8, -46.59, 61.58

 

CMYK 49 / 0 / 61 / 7

HEX #7AEE5C

RGB 122 238 92

HSL 107.67, 0.81%, 0.65%

LAB 85.03, -59.11, 59.11

 

CMYK 61 / 0 / 58 / 7

HEX #5CEE65

RGB 92 238 101

HSL 123.7, 0.81%, 0.65%

LAB 84.15, -65.51, 53.97

 

CMYK 61 / 0 / 41 / 7

HEX #5CEE8D

RGB 92 238 141

HSL 140.14, 0.81%, 0.65%

LAB 84.66, -59.83, 35.63

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5C

RGB 201 238 92

HSL 75.21, 0.81%, 0.65%

LAB 89.08, -32.3, 64.73

 

CMYK 18 / 0 / 69 / 1

HEX #D0FD4E

RGB 208 253 78

HSL 75.43, 0.98%, 0.65%

LAB 93.54, -37.34, 74.86

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5C

RGB 201 238 92

HSL 75.21, 0.81%, 0.65%

LAB 89.08, -32.3, 64.73

 

CMYK 13 / 0 / 52 / 12

HEX #C2E06B

RGB 194 224 107

HSL 75.38, 0.65%, 0.65%

LAB 84.92, -27.21, 53.35

 

CMYK 11 / 0 / 42 / 18

HEX #BBD279

RGB 187 210 121

HSL 75.51, 0.5%, 0.65%

LAB 80.76, -21.71, 41.46

 

CMYK 8 / 0 / 31 / 24

HEX #B4C387

RGB 180 195 135

HSL 75, 0.33%, 0.65%

LAB 76.36, -15.15, 28.51

 

CMYK 4 / 0 / 17 / 29

HEX #ADB596

RGB 173 181 150

HSL 75.48, 0.17%, 0.65%

LAB 72.32, -8.3, 14.87

 

CMYK 0 / 17 / 61 / 7

HEX #EEC55C

RGB 238 197 92

HSL 43.15, 0.81%, 0.65%

LAB 81.23, 2.95, 56.9

 

CMYK 0 / 1 / 61 / 7

HEX #EEEC5C

RGB 238 236 92

HSL 59.18, 0.81%, 0.65%

LAB 91.21, -16.7, 67.8

 

CMYK 15 / 0 / 61 / 7

HEX #CAEE5C

RGB 202 238 92

HSL 74.79, 0.81%, 0.65%

LAB 89.15, -31.91, 64.82

 

CMYK 32 / 0 / 61 / 7

HEX #A3EE5C

RGB 163 238 92

HSL 90.82, 0.81%, 0.65%

LAB 86.85, -46.24, 61.65

 

CMYK 48 / 0 / 61 / 7

HEX #7CEE5C

RGB 124 238 92

HSL 106.85, 0.81%, 0.65%

LAB 85.1, -58.55, 59.21

 

CMYK 23 / 0 / 90 / 11

HEX #AEE216

RGB 174 226 22

HSL 75.29, 0.82%, 0.49%

LAB 83.68, -40.54, 79.72

 

CMYK 20 / 0 / 77 / 8

HEX #BDEB37

RGB 189 235 55

HSL 75.33, 0.82%, 0.57%

LAB 87.25, -37.71, 75.84

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5C

RGB 201 238 92

HSL 75.21, 0.81%, 0.65%

LAB 89.08, -32.3, 64.73

 

CMYK 12 / 0 / 46 / 5

HEX #D6F282

RGB 214 242 130

HSL 75, 0.81%, 0.73%

LAB 91.42, -25.89, 50.73

 

CMYK 8 / 0 / 32 / 4

HEX #E2F6A7

RGB 226 246 167

HSL 75.19, 0.81%, 0.81%

LAB 93.83, -19.09, 35.9

 

CMYK 15 / 0 / 61 / 6

HEX #CAEF5D

RGB 202 239 93

HSL 75.21, 0.82%, 0.65%

LAB 89.43, -32.3, 64.71

 

CMYK 61 / 0 / 34 / 7

HEX #5CEE9E

RGB 92 238 158

HSL 147.12, 0.81%, 0.65%

LAB 84.94, -56.81, 27.42

 

CMYK 9 / 61 / 0 / 7

HEX #D85CEE

RGB 216 92 238

HSL 290.96, 0.81%, 0.65%

LAB 60.27, 68.25, -51.83

 

CMYK 15 / 0 / 61 / 6

HEX #CAEF5D

RGB 202 239 93

HSL 75.21, 0.82%, 0.65%

LAB 89.43, -32.3, 64.71

 

CMYK 61 / 15 / 0 / 7

HEX #5CCAEE

RGB 92 202 238

HSL 194.79, 0.81%, 0.65%

LAB 76.49, -20.98, -27.19

 

CMYK 0 / 61 / 15 / 7

HEX #EE5CCA

RGB 238 92 202

HSL 314.79, 0.81%, 0.65%

LAB 61.74, 67.88, -29.08

 

CMYK 15 / 0 / 61 / 6

HEX #CAEF5D

RGB 202 239 93

HSL 75.21, 0.82%, 0.65%

LAB 89.43, -32.3, 64.71

 

CMYK 61 / 0 / 34 / 7

HEX #5CEE9E

RGB 92 238 158

HSL 147.12, 0.81%, 0.65%

LAB 84.94, -56.81, 27.42

 

CMYK 46 / 61 / 0 / 7

HEX #815CEE

RGB 129 92 238

HSL 255.21, 0.81%, 0.65%

LAB 50.09, 49.06, -68.73

 

CMYK 0 / 61 / 27 / 7

HEX #EE5CAD

RGB 238 92 173

HSL 326.71, 0.81%, 0.65%

LAB 60.65, 63.97, -14.18

 

CMYK 15 / 0 / 61 / 6

HEX #CAEF5D

RGB 202 239 93

HSL 75.21, 0.82%, 0.65%

LAB 89.43, -32.3, 64.71

 

CMYK 61 / 0 / 15 / 7

HEX #5CEECA

RGB 92 238 202

HSL 165.21, 0.81%, 0.65%

LAB 85.85, -47.45, 5.89

 

CMYK 46 / 61 / 0 / 7

HEX #815CEE

RGB 129 92 238

HSL 255.21, 0.81%, 0.65%

LAB 50.09, 49.06, -68.73

 

CMYK 0 / 61 / 46 / 7

HEX #EE5C81

RGB 238 92 129

HSL 344.79, 0.81%, 0.65%

LAB 59.36, 59.17, 9.46

 

Description

Color code: HEX #CAEF5D | qconv.com Color code: HEX #CAEF5D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 239 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 239 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 61 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 61% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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