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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB1A99 it is the complementary color #34E566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB1A99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB1A99 shade: #D01A94, #E12CA7, #F23EBA, #FF50CD and #FF62E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB1A99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB1A99 shade: #CB1A99, #BA0886, #A90073, #980060 and #87004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB1A99 shade: #CB1A99, #CB1A69, #CB1A39 and #CB1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB1A99 shade: #CB1A99, #CB1AC8, #9D1ACB, #6E1ACB and #3E1ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB1A99 shade matches the following richer shades: #CB1A99 and #DD07A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB1A99 shade: #CB1A99, #B82C91, #A53F89, #935280 and #806478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB1A99 shade: #9B1ACB, #CB1ACB, #CB1A9B, #CB1A6C and #CB1A3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB1A99 shade: #821062, #A6157D, #CB1A99, #E32BAF and #E84FBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB1A99 shade: #CB1A99, #CB6C1A and #1ACBB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB1A99 shade: #CB1A99, #9BCB1A and #1A9BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB1A99 shade: #CB1A99, #CB6C1A, #1ACB49 and #1A78CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB1A99 shade: #CB1A99, #CBA11A, #1ACB49 and #1A43CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

Complementary color

CMYK 77 / 0 / 55 / 10

HEX #34E566

RGB 52 229 102

HSL 136.95, 0.77%, 0.55%

LAB 80.59, -69.09, 49.11

 

CMYK 0 / 88 / 29 / 18

HEX #D01A94

RGB 208 26 148

HSL 319.78, 0.78%, 0.46%

LAB 47.35, 73.79, -20.18

 

CMYK 0 / 80 / 26 / 12

HEX #E12CA7

RGB 225 44 167

HSL 319.23, 0.75%, 0.53%

LAB 52.51, 76.02, -23.29

 

CMYK 0 / 74 / 23 / 5

HEX #F23EBA

RGB 242 62 186

HSL 318.67, 0.87%, 0.6%

LAB 57.91, 77.37, -25.79

 

CMYK 0 / 69 / 20 / 0

HEX #FF50CD

RGB 255 80 205

HSL 317.14, 1%, 0.66%

LAB 62.85, 77.12, -28.85

 

CMYK 0 / 62 / 12 / 0

HEX #FF62E0

RGB 255 98 224

HSL 311.85, 1%, 0.69%

LAB 66.04, 73.05, -34.58

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 96 / 28 / 27

HEX #BA0886

RGB 186 8 134

HSL 317.53, 0.92%, 0.38%

LAB 41.74, 69.92, -20.64

 

CMYK 0 / 100 / 32 / 34

HEX #A90073

RGB 169 0 115

HSL 319.17, 1%, 0.33%

LAB 37.25, 65.16, -16.02

 

CMYK 0 / 100 / 37 / 40

HEX #980060

RGB 152 0 96

HSL 322.11, 1%, 0.3%

LAB 32.96, 59.52, -10.73

 

CMYK 0 / 100 / 43 / 47

HEX #87004D

RGB 135 0 77

HSL 325.78, 1%, 0.26%

LAB 28.61, 53.81, -5.15

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 87 / 48 / 20

HEX #CB1A69

RGB 203 26 105

HSL 333.22, 0.77%, 0.45%

LAB 44.88, 68.48, 2.36

 

CMYK 0 / 87 / 72 / 20

HEX #CB1A39

RGB 203 26 57

HSL 349.49, 0.77%, 0.45%

LAB 43.84, 65.53, 30.78

 

CMYK 0 / 87 / 87 / 20

HEX #CB1A1A

RGB 203 26 26

HSL 0, 0.77%, 0.45%

LAB 43.52, 64.59, 47.68

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 87 / 1 / 20

HEX #CB1AC8

RGB 203 26 200

HSL 301.02, 0.77%, 0.45%

LAB 49.01, 79.59, -48.31

 

CMYK 23 / 87 / 0 / 20

HEX #9D1ACB

RGB 157 26 203

HSL 284.41, 0.77%, 0.45%

LAB 41.56, 72.48, -62.45

 

CMYK 46 / 87 / 0 / 20

HEX #6E1ACB

RGB 110 26 203

HSL 268.47, 0.77%, 0.45%

LAB 34.73, 66.2, -73.9

 

CMYK 69 / 87 / 0 / 20

HEX #3E1ACB

RGB 62 26 203

HSL 252.2, 0.77%, 0.45%

LAB 29.6, 61.95, -82.55

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 97 / 27 / 13

HEX #DD07A1

RGB 221 7 161

HSL 316.82, 0.94%, 0.45%

LAB 49.61, 80.04, -24.26

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 76 / 21 / 28

HEX #B82C91

RGB 184 44 145

HSL 316.71, 0.61%, 0.45%

LAB 44.28, 63.8, -23.45

 

CMYK 0 / 62 / 17 / 35

HEX #A53F89

RGB 165 63 137

HSL 316.47, 0.45%, 0.45%

LAB 43.3, 50.5, -20.38

 

CMYK 0 / 44 / 13 / 42

HEX #935280

RGB 147 82 128

HSL 317.54, 0.28%, 0.45%

LAB 43.94, 33.72, -14.17

 

CMYK 0 / 22 / 6 / 50

HEX #806478

RGB 128 100 120

HSL 317.14, 0.12%, 0.45%

LAB 45.72, 14.86, -6.88

 

CMYK 24 / 87 / 0 / 20

HEX #9B1ACB

RGB 155 26 203

HSL 283.73, 0.77%, 0.45%

LAB 41.25, 72.18, -62.98

 

CMYK 0 / 87 / 0 / 20

HEX #CB1ACB

RGB 203 26 203

HSL 300, 0.77%, 0.45%

LAB 49.19, 80.03, -49.77

 

CMYK 0 / 87 / 24 / 20

HEX #CB1A9B

RGB 203 26 155

HSL 316.27, 0.77%, 0.45%

LAB 46.71, 73.54, -25.44

 

CMYK 0 / 87 / 47 / 20

HEX #CB1A6C

RGB 203 26 108

HSL 332.2, 0.77%, 0.45%

LAB 44.97, 68.73, 0.62

 

CMYK 0 / 87 / 70 / 20

HEX #CB1A3D

RGB 203 26 61

HSL 348.14, 0.77%, 0.45%

LAB 43.9, 65.7, 28.42

 

CMYK 0 / 88 / 25 / 49

HEX #821062

RGB 130 16 98

HSL 316.84, 0.78%, 0.29%

LAB 29.41, 52.26, -17.87

 

CMYK 0 / 87 / 25 / 35

HEX #A6157D

RGB 166 21 125

HSL 316.97, 0.78%, 0.37%

LAB 38.06, 62.84, -21.08

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 81 / 23 / 11

HEX #E32BAF

RGB 227 43 175

HSL 316.96, 0.77%, 0.53%

LAB 53.12, 77.65, -27.02

 

CMYK 0 / 66 / 19 / 9

HEX #E84FBD

RGB 232 79 189

HSL 316.86, 0.77%, 0.61%

LAB 58.44, 69.6, -26.84

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 47 / 87 / 20

HEX #CB6C1A

RGB 203 108 26

HSL 27.8, 0.77%, 0.45%

LAB 55.58, 32.57, 57.36

 

CMYK 87 / 0 / 12 / 20

HEX #1ACBB3

RGB 26 203 179

HSL 171.86, 0.77%, 0.45%

LAB 73.67, -46.37, 0.31

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 24 / 0 / 87 / 20

HEX #9BCB1A

RGB 155 203 26

HSL 76.27, 0.77%, 0.45%

LAB 75.92, -37.61, 72.23

 

CMYK 87 / 24 / 0 / 20

HEX #1A9BCB

RGB 26 155 203

HSL 196.27, 0.77%, 0.45%

LAB 59.87, -15.76, -33.79

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 47 / 87 / 20

HEX #CB6C1A

RGB 203 108 26

HSL 27.8, 0.77%, 0.45%

LAB 55.58, 32.57, 57.36

 

CMYK 87 / 0 / 64 / 20

HEX #1ACB49

RGB 26 203 73

HSL 135.93, 0.77%, 0.45%

LAB 71.83, -67.09, 51.78

 

CMYK 87 / 41 / 0 / 20

HEX #1A78CB

RGB 26 120 203

HSL 208.14, 0.77%, 0.45%

LAB 49.45, 4.59, -50.22

 

CMYK 0 / 87 / 25 / 20

HEX #CB1A99

RGB 203 26 153

HSL 316.95, 0.77%, 0.45%

LAB 46.63, 73.3, -24.38

 

CMYK 0 / 21 / 87 / 20

HEX #CBA11A

RGB 203 161 26

HSL 45.76, 0.77%, 0.45%

LAB 68.21, 3.93, 67.5

 

CMYK 87 / 0 / 64 / 20

HEX #1ACB49

RGB 26 203 73

HSL 135.93, 0.77%, 0.45%

LAB 71.83, -67.09, 51.78

 

CMYK 87 / 67 / 0 / 20

HEX #1A43CB

RGB 26 67 203

HSL 226.1, 0.77%, 0.45%

LAB 35.09, 38.78, -73.52

 

Description

Color code: HEX #CB1A99 | qconv.com Color code: HEX #CB1A99 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 26 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 26 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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