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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB1F9B it is the complementary color #34E064. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB1F9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB1F9B shade: #D01F96, #E131A9, #F243BC, #FF55CF and #FF67E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB1F9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB1F9B shade: #CB1F9B, #BA0D88, #A90075, #980062 and #87004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB1F9B shade: #CC1E9B, #CC1E6C, #CC1E3E and #CC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB1F9B shade: #CC1E9B, #CC1ECA, #9E1ECC, #701ECC and #411ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB1F9B shade matches the following richer shades: #CC1E9B and #DF0BA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB1F9B shade: #CC1E9B, #B93193, #A6448A, #935782 and #806A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB1F9B shade: #9D1ECC, #CC1ECC, #CC1E9D, #CC1E6F and #CC1E41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB1F9B shade: #841364, #A81980, #CC1E9B, #E033B0 and #E557BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB1F9B shade: #CB1F9B, #CC6F1E and #1ECCB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB1F9B shade: #CB1F9B, #9DCC1E and #1E9DCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB1F9B shade: #CB1F9B, #CC6F1E, #1ECC4C and #1E7BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB1F9B shade: #CB1F9B, #CCA31E, #1ECC4C and #1E47CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 24 / 20

HEX #CB1F9B

RGB 203 31 155

HSL 316.74, 0.74%, 0.46%

LAB 47.03, 72.62, -24.95

 

Complementary color

CMYK 77 / 0 / 55 / 12

HEX #34E064

RGB 52 224 100

HSL 136.74, 0.74%, 0.54%

LAB 79.02, -67.73, 48.15

 

CMYK 0 / 85 / 28 / 18

HEX #D01F96

RGB 208 31 150

HSL 319.66, 0.74%, 0.47%

LAB 47.74, 73.11, -20.77

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 72 / 22 / 5

HEX #F243BC

RGB 242 67 188

HSL 318.51, 0.87%, 0.61%

LAB 58.53, 76.1, -25.99

 

CMYK 0 / 67 / 19 / 0

HEX #FF55CF

RGB 255 85 207

HSL 316.94, 1%, 0.67%

LAB 63.56, 75.62, -28.89

 

CMYK 0 / 60 / 11 / 0

HEX #FF67E2

RGB 255 103 226

HSL 311.45, 1%, 0.7%

LAB 66.86, 71.31, -34.41

 

CMYK 0 / 85 / 24 / 20

HEX #CB1F9B

RGB 203 31 155

HSL 316.74, 0.74%, 0.46%

LAB 47.03, 72.62, -24.95

 

CMYK 0 / 93 / 27 / 27

HEX #BA0D88

RGB 186 13 136

HSL 317.34, 0.87%, 0.39%

LAB 42.01, 69.63, -21.46

 

CMYK 0 / 100 / 31 / 34

HEX #A90075

RGB 169 0 117

HSL 318.46, 1%, 0.33%

LAB 37.33, 65.38, -17.14

 

CMYK 0 / 100 / 36 / 40

HEX #980062

RGB 152 0 98

HSL 321.32, 1%, 0.3%

LAB 33.04, 59.73, -11.9

 

CMYK 0 / 100 / 41 / 47

HEX #87004F

RGB 135 0 79

HSL 324.89, 1%, 0.26%

LAB 28.68, 54, -6.37

 

CMYK 0 / 85 / 24 / 20

HEX #CC1E9B

RGB 204 30 155

HSL 316.9, 0.74%, 0.46%

LAB 47.15, 73.03, -24.75

 

CMYK 0 / 85 / 47 / 20

HEX #CC1E6C

RGB 204 30 108

HSL 333.1, 0.74%, 0.46%

LAB 45.43, 68.21, 1.31

 

CMYK 0 / 85 / 70 / 20

HEX #CC1E3E

RGB 204 30 62

HSL 348.97, 0.74%, 0.46%

LAB 44.4, 65.23, 28.45

 

CMYK 0 / 85 / 85 / 20

HEX #CC1E1E

RGB 204 30 30

HSL 0, 0.74%, 0.46%

LAB 44.03, 64.15, 46.25

 

CMYK 0 / 85 / 24 / 20

HEX #CC1E9B

RGB 204 30 155

HSL 316.9, 0.74%, 0.46%

LAB 47.15, 73.03, -24.75

 

CMYK 0 / 85 / 1 / 20

HEX #CC1ECA

RGB 204 30 202

HSL 300.69, 0.74%, 0.46%

LAB 49.53, 79.38, -48.63

 

CMYK 23 / 85 / 0 / 20

HEX #9E1ECC

RGB 158 30 204

HSL 284.14, 0.74%, 0.46%

LAB 42.09, 71.95, -62.17

 

CMYK 45 / 85 / 0 / 20

HEX #701ECC

RGB 112 30 204

HSL 268.28, 0.74%, 0.46%

LAB 35.46, 65.54, -73.26

 

CMYK 68 / 85 / 0 / 20

HEX #411ECC

RGB 65 30 204

HSL 252.07, 0.74%, 0.46%

LAB 30.43, 61.03, -81.75

 

CMYK 0 / 85 / 24 / 20

HEX #CC1E9B

RGB 204 30 155

HSL 316.9, 0.74%, 0.46%

LAB 47.15, 73.03, -24.75

 

CMYK 0 / 95 / 26 / 13

HEX #DF0BA4

RGB 223 11 164

HSL 316.7, 0.91%, 0.46%

LAB 50.22, 80.46, -25.07

 

CMYK 0 / 85 / 24 / 20

HEX #CC1E9B

RGB 204 30 155

HSL 316.9, 0.74%, 0.46%

LAB 47.15, 73.03, -24.75

 

CMYK 0 / 74 / 21 / 27

HEX #B93193

RGB 185 49 147

HSL 316.76, 0.58%, 0.46%

LAB 45.11, 62.73, -23.38

 

CMYK 0 / 59 / 17 / 35

HEX #A6448A

RGB 166 68 138

HSL 317.14, 0.42%, 0.46%

LAB 44.34, 48.66, -19.37

 

CMYK 0 / 41 / 12 / 42

HEX #935782

RGB 147 87 130

HSL 317, 0.26%, 0.46%

LAB 45.12, 31.28, -13.58

 

CMYK 0 / 17 / 5 / 50

HEX #806A7A

RGB 128 106 122

HSL 316.36, 0.09%, 0.46%

LAB 47.37, 11.68, -5.62

 

CMYK 23 / 85 / 0 / 20

HEX #9D1ECC

RGB 157 30 204

HSL 283.79, 0.74%, 0.46%

LAB 41.93, 71.79, -62.43

 

CMYK 0 / 85 / 0 / 20

HEX #CC1ECC

RGB 204 30 204

HSL 300, 0.74%, 0.46%

LAB 49.65, 79.68, -49.6

 

CMYK 0 / 85 / 23 / 20

HEX #CC1E9D

RGB 204 30 157

HSL 316.21, 0.74%, 0.46%

LAB 47.24, 73.27, -25.81

 

CMYK 0 / 85 / 46 / 20

HEX #CC1E6F

RGB 204 30 111

HSL 332.07, 0.74%, 0.46%

LAB 45.52, 68.47, -0.41

 

CMYK 0 / 85 / 68 / 20

HEX #CC1E41

RGB 204 30 65

HSL 347.93, 0.74%, 0.46%

LAB 44.44, 65.37, 26.68

 

CMYK 0 / 86 / 24 / 48

HEX #841364

RGB 132 19 100

HSL 316.99, 0.75%, 0.3%

LAB 30.14, 52.31, -18.01

 

CMYK 0 / 85 / 24 / 34

HEX #A81980

RGB 168 25 128

HSL 316.78, 0.74%, 0.38%

LAB 38.86, 62.86, -21.67

 

CMYK 0 / 85 / 24 / 20

HEX #CC1E9B

RGB 204 30 155

HSL 316.9, 0.74%, 0.46%

LAB 47.15, 73.03, -24.75

 

CMYK 0 / 77 / 21 / 12

HEX #E033B0

RGB 224 51 176

HSL 316.65, 0.74%, 0.54%

LAB 53.33, 75.11, -27.31

 

CMYK 0 / 62 / 17 / 10

HEX #E557BE

RGB 229 87 190

HSL 316.48, 0.73%, 0.62%

LAB 59.15, 65.81, -26.35

 

CMYK 0 / 85 / 24 / 20

HEX #CB1F9B

RGB 203 31 155

HSL 316.74, 0.74%, 0.46%

LAB 47.03, 72.62, -24.95

 

CMYK 0 / 46 / 85 / 20

HEX #CC6F1E

RGB 204 111 30

HSL 27.93, 0.74%, 0.46%

LAB 56.39, 31.5, 56.73

 

CMYK 85 / 0 / 12 / 20

HEX #1ECCB4

RGB 30 204 180

HSL 171.72, 0.74%, 0.46%

LAB 74.03, -46.26, 0.31

 

CMYK 0 / 85 / 24 / 20

HEX #CB1F9B

RGB 203 31 155

HSL 316.74, 0.74%, 0.46%

LAB 47.03, 72.62, -24.95

 

CMYK 23 / 0 / 85 / 20

HEX #9DCC1E

RGB 157 204 30

HSL 76.21, 0.74%, 0.46%

LAB 76.34, -37.17, 71.83

 

CMYK 85 / 23 / 0 / 20

HEX #1E9DCC

RGB 30 157 204

HSL 196.21, 0.74%, 0.46%

LAB 60.56, -16.22, -33.27

 

CMYK 0 / 85 / 24 / 20

HEX #CB1F9B

RGB 203 31 155

HSL 316.74, 0.74%, 0.46%

LAB 47.03, 72.62, -24.95

 

CMYK 0 / 46 / 85 / 20

HEX #CC6F1E

RGB 204 111 30

HSL 27.93, 0.74%, 0.46%

LAB 56.39, 31.5, 56.73

 

CMYK 85 / 0 / 63 / 20

HEX #1ECC4C

RGB 30 204 76

HSL 135.86, 0.74%, 0.46%

LAB 72.22, -66.73, 50.93

 

CMYK 85 / 40 / 0 / 20

HEX #1E7BCC

RGB 30 123 204

HSL 207.93, 0.74%, 0.46%

LAB 50.45, 3.42, -49.19

 

CMYK 0 / 85 / 24 / 20

HEX #CB1F9B

RGB 203 31 155

HSL 316.74, 0.74%, 0.46%

LAB 47.03, 72.62, -24.95

 

CMYK 0 / 20 / 85 / 20

HEX #CCA31E

RGB 204 163 30

HSL 45.86, 0.74%, 0.46%

LAB 68.84, 3.4, 67.07

 

CMYK 85 / 0 / 63 / 20

HEX #1ECC4C

RGB 30 204 76

HSL 135.86, 0.74%, 0.46%

LAB 72.22, -66.73, 50.93

 

CMYK 85 / 65 / 0 / 20

HEX #1E47CC

RGB 30 71 204

HSL 225.86, 0.74%, 0.46%

LAB 36.26, 36.84, -72.19

 

Description

Color code: HEX #CB1F9B | qconv.com Color code: HEX #CB1F9B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 31 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 31 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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