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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBB299 it is the complementary color #344D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBB299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBB299 shade: #D0B294, #E1C4A7, #F2D6BA, #FFE8CD and #FFFAE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBB299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBB299 shade: #CBB299, #BAA086, #A98E73, #987C60 and #876A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBB299 shade: #CAB29A, #CAA59A and #CA9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBB299 shade: #CAB29A, #CABF9A, #C9CA9A, #BBCA9A and #AECA9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBB299 shade matches the following richer shades: #CAB29A, #D7B28D, #E3B281, #F0B274 and #FCB268

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBB299 shade: #CAB29A, #BEB2A6, #B2B2B2, #A5B2BF and #99B2CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBB299 shade: #CA9A9B, #CAA59A, #CAB29A, #CABF9A and #C9CA9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBB299 shade: #AE8963, #BC9D7E, #CAB29A, #D9C7B5 and #E7DBD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBB299 shade: #CBB299, #A8CA9A and #9E9ACA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBB299 shade: #CBB299, #9ACAB2 and #B29ACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBB299 shade: #CBB299, #A8CA9A, #9AB2CA and #BC9ACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBB299 shade: #CBB299, #9ACA9A, #9AB2CA and #CA9ACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 25 / 20

HEX #CBB299

RGB 203 178 153

HSL 30, 0.32%, 0.7%

LAB 74.09, 5.11, 16.09

 

Complementary color

CMYK 49 / 25 / 0 / 60

HEX #344D66

RGB 52 77 102

HSL 210, 0.32%, 0.3%

LAB 31.8, -1.9, -17.51

 

CMYK 0 / 14 / 29 / 18

HEX #D0B294

RGB 208 178 148

HSL 30, 0.39%, 0.7%

LAB 74.44, 6.35, 19.35

 

CMYK 0 / 13 / 26 / 12

HEX #E1C4A7

RGB 225 196 167

HSL 30, 0.49%, 0.77%

LAB 80.89, 5.89, 18.34

 

CMYK 0 / 12 / 23 / 5

HEX #F2D6BA

RGB 242 214 186

HSL 30, 0.68%, 0.84%

LAB 87.25, 5.48, 17.39

 

CMYK 0 / 9 / 20 / 0

HEX #FFE8CD

RGB 255 232 205

HSL 32.4, 1%, 0.9%

LAB 93.18, 3.66, 15.98

 

CMYK 0 / 2 / 12 / 0

HEX #FFFAE0

RGB 255 250 224

HSL 50.32, 1%, 0.94%

LAB 98.04, -2.6, 13.06

 

CMYK 0 / 12 / 25 / 20

HEX #CBB299

RGB 203 178 153

HSL 30, 0.32%, 0.7%

LAB 74.09, 5.11, 16.09

 

CMYK 0 / 14 / 28 / 27

HEX #BAA086

RGB 186 160 134

HSL 30, 0.27%, 0.63%

LAB 67.5, 5.56, 17.09

 

CMYK 0 / 16 / 32 / 34

HEX #A98E73

RGB 169 142 115

HSL 30, 0.24%, 0.56%

LAB 60.8, 6.08, 18.18

 

CMYK 0 / 18 / 37 / 40

HEX #987C60

RGB 152 124 96

HSL 30, 0.23%, 0.49%

LAB 53.96, 6.69, 19.37

 

CMYK 0 / 21 / 43 / 47

HEX #876A4D

RGB 135 106 77

HSL 30, 0.27%, 0.42%

LAB 46.97, 7.43, 20.68

 

CMYK 0 / 12 / 24 / 21

HEX #CAB29A

RGB 202 178 154

HSL 30, 0.31%, 0.7%

LAB 74.02, 4.87, 15.43

 

CMYK 0 / 18 / 24 / 21

HEX #CAA59A

RGB 202 165 154

HSL 13.75, 0.31%, 0.7%

LAB 70.73, 11.9, 10.81

 

CMYK 0 / 24 / 24 / 21

HEX #CA9A9A

RGB 202 154 154

HSL 0, 0.31%, 0.7%

LAB 68.02, 17.91, 6.94

 

CMYK 0 / 12 / 24 / 21

HEX #CAB29A

RGB 202 178 154

HSL 30, 0.31%, 0.7%

LAB 74.02, 4.87, 15.43

 

CMYK 0 / 5 / 24 / 21

HEX #CABF9A

RGB 202 191 154

HSL 46.25, 0.31%, 0.7%

LAB 77.37, -2.03, 20.09

 

CMYK 0 / 0 / 24 / 21

HEX #C9CA9A

RGB 201 202 154

HSL 61.25, 0.31%, 0.7%

LAB 80.17, -8.14, 23.93

 

CMYK 7 / 0 / 24 / 21

HEX #BBCA9A

RGB 187 202 154

HSL 78.75, 0.31%, 0.7%

LAB 79.12, -13.37, 22.31

 

CMYK 14 / 0 / 24 / 21

HEX #AECA9A

RGB 174 202 154

HSL 95, 0.31%, 0.7%

LAB 78.21, -18.1, 20.92

 

CMYK 0 / 12 / 24 / 21

HEX #CAB29A

RGB 202 178 154

HSL 30, 0.31%, 0.7%

LAB 74.02, 4.87, 15.43

 

CMYK 0 / 17 / 34 / 16

HEX #D7B28D

RGB 215 178 141

HSL 30, 0.48%, 0.7%

LAB 74.96, 8.18, 23.94

 

CMYK 0 / 22 / 43 / 11

HEX #E3B281

RGB 227 178 129

HSL 30, 0.64%, 0.7%

LAB 75.92, 11.58, 31.82

 

CMYK 0 / 26 / 52 / 6

HEX #F0B274

RGB 240 178 116

HSL 30, 0.81%, 0.7%

LAB 77.06, 15.57, 40.32

 

CMYK 0 / 29 / 59 / 1

HEX #FCB268

RGB 252 178 104

HSL 30, 0.96%, 0.7%

LAB 78.19, 19.48, 48.06

 

CMYK 0 / 12 / 24 / 21

HEX #CAB29A

RGB 202 178 154

HSL 30, 0.31%, 0.7%

LAB 74.02, 4.87, 15.43

 

CMYK 0 / 6 / 13 / 25

HEX #BEB2A6

RGB 190 178 166

HSL 30, 0.16%, 0.7%

LAB 73.25, 2.22, 7.66

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 25 / 12 / 0 / 20

HEX #99B2CB

RGB 153 178 203

HSL 210, 0.32%, 0.7%

LAB 71.5, -2.99, -15.51

 

CMYK 0 / 24 / 23 / 21

HEX #CA9A9B

RGB 202 154 155

HSL 358.75, 0.31%, 0.7%

LAB 68.05, 18.05, 6.42

 

CMYK 0 / 18 / 24 / 21

HEX #CAA59A

RGB 202 165 154

HSL 13.75, 0.31%, 0.7%

LAB 70.73, 11.9, 10.81

 

CMYK 0 / 12 / 24 / 21

HEX #CAB29A

RGB 202 178 154

HSL 30, 0.31%, 0.7%

LAB 74.02, 4.87, 15.43

 

CMYK 0 / 5 / 24 / 21

HEX #CABF9A

RGB 202 191 154

HSL 46.25, 0.31%, 0.7%

LAB 77.37, -2.03, 20.09

 

CMYK 0 / 0 / 24 / 21

HEX #C9CA9A

RGB 201 202 154

HSL 61.25, 0.31%, 0.7%

LAB 80.17, -8.14, 23.93

 

CMYK 0 / 21 / 43 / 32

HEX #AE8963

RGB 174 137 99

HSL 30.4, 0.32%, 0.54%

LAB 59.7, 8.97, 25.73

 

CMYK 0 / 16 / 33 / 26

HEX #BC9D7E

RGB 188 157 126

HSL 30, 0.32%, 0.62%

LAB 66.76, 6.92, 20.51

 

CMYK 0 / 12 / 24 / 21

HEX #CAB29A

RGB 202 178 154

HSL 30, 0.31%, 0.7%

LAB 74.02, 4.87, 15.43

 

CMYK 0 / 8 / 17 / 15

HEX #D9C7B5

RGB 217 199 181

HSL 30, 0.32%, 0.78%

LAB 81.26, 3.37, 11.28

 

CMYK 0 / 5 / 10 / 9

HEX #E7DBD0

RGB 231 219 208

HSL 28.7, 0.32%, 0.86%

LAB 88.07, 2.26, 6.86

 

CMYK 0 / 12 / 25 / 20

HEX #CBB299

RGB 203 178 153

HSL 30, 0.32%, 0.7%

LAB 74.09, 5.11, 16.09

 

CMYK 17 / 0 / 24 / 21

HEX #A8CA9A

RGB 168 202 154

HSL 102.5, 0.31%, 0.7%

LAB 77.82, -20.24, 20.31

 

CMYK 22 / 24 / 0 / 21

HEX #9E9ACA

RGB 158 154 202

HSL 245, 0.31%, 0.7%

LAB 65.47, 11.65, -24.09

 

CMYK 0 / 12 / 25 / 20

HEX #CBB299

RGB 203 178 153

HSL 30, 0.32%, 0.7%

LAB 74.09, 5.11, 16.09

 

CMYK 24 / 0 / 12 / 21

HEX #9ACAB2

RGB 154 202 178

HSL 150, 0.31%, 0.7%

LAB 77.48, -20.62, 6.88

 

CMYK 12 / 24 / 0 / 21

HEX #B29ACA

RGB 178 154 202

HSL 270, 0.31%, 0.7%

LAB 67.16, 18.05, -21.36

 

CMYK 0 / 12 / 25 / 20

HEX #CBB299

RGB 203 178 153

HSL 30, 0.32%, 0.7%

LAB 74.09, 5.11, 16.09

 

CMYK 17 / 0 / 24 / 21

HEX #A8CA9A

RGB 168 202 154

HSL 102.5, 0.31%, 0.7%

LAB 77.82, -20.24, 20.31

 

CMYK 24 / 12 / 0 / 21

HEX #9AB2CA

RGB 154 178 202

HSL 210, 0.31%, 0.7%

LAB 71.54, -2.91, -14.9

 

CMYK 7 / 24 / 0 / 21

HEX #BC9ACA

RGB 188 154 202

HSL 282.5, 0.31%, 0.7%

LAB 68.07, 21.33, -19.89

 

CMYK 0 / 12 / 25 / 20

HEX #CBB299

RGB 203 178 153

HSL 30, 0.32%, 0.7%

LAB 74.09, 5.11, 16.09

 

CMYK 24 / 0 / 24 / 21

HEX #9ACA9A

RGB 154 202 154

HSL 120, 0.31%, 0.7%

LAB 76.95, -25.07, 18.98

 

CMYK 24 / 12 / 0 / 21

HEX #9AB2CA

RGB 154 178 202

HSL 210, 0.31%, 0.7%

LAB 71.54, -2.91, -14.9

 

CMYK 0 / 24 / 0 / 21

HEX #CA9ACA

RGB 202 154 202

HSL 300, 0.31%, 0.7%

LAB 69.42, 25.99, -17.71

 

Description

Color code: HEX #CBB299 | qconv.com Color code: HEX #CBB299 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 178 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 178 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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