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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBDDC0 it is the complementary color #34223F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBDDC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBDDC0 shade: #D0DDBB, #E1EFCE, #F2FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBDDC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBDDC0 shade: #CBDDC0, #BACBAD, #A9B99A, #98A787 and #879574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBDDC0 shade: #CBDDC0, #D2DDC0, #DADDC0, #DDD7C0 and #DDCFC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBDDC0 shade: #CBDDC0, #C3DDC0, #C0DDC4, #C0DDCC and #C0DDD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBDDC0 shade matches the following richer shades: #CBDDC0, #C9E4B8, #C7ECB0, #C5F4A8 and #C3FCA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBDDC0 shade: #CBDDC0, #CCD5C7, #CECDCF, #D0C5D7 and #D2BDDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBDDC0 shade: #DADDC0, #D2DDC0, #CBDDC0, #C3DDC0 and #C0DDC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBDDC0 shade: #9EC08A, #B4CEA5, #CBDDC0, #E1EBDA and #F7F9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBDDC0 shade: #CBDDC0, #C0DDD7 and #DDC0D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBDDC0 shade: #CBDDC0, #C0CBDD and #DDC0CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBDDC0 shade: #CBDDC0, #C0DDD7, #D1C0DD and #DDC0C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBDDC0 shade: #CBDDC0, #C0D9DD, #D1C0DD and #DDC3C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

Complementary color

CMYK 17 / 46 / 0 / 75

HEX #34223F

RGB 52 34 63

HSL 277.24, 0.3%, 0.19%

LAB 16.67, 15.18, -15.21

 

CMYK 6 / 0 / 15 / 13

HEX #D0DDBB

RGB 208 221 187

HSL 82.94, 0.33%, 0.8%

LAB 86.36, -10.3, 15.23

 

CMYK 6 / 0 / 14 / 6

HEX #E1EFCE

RGB 225 239 206

HSL 85.45, 0.51%, 0.87%

LAB 92.66, -10.35, 14.4

 

CMYK 5 / 0 / 12 / 0

HEX #F2FFE1

RGB 242 255 225

HSL 86, 1%, 0.94%

LAB 98.37, -9.41, 12.88

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 8 / 0 / 15 / 20

HEX #BACBAD

RGB 186 203 173

HSL 94, 0.22%, 0.74%

LAB 79.71, -11.22, 13.03

 

CMYK 9 / 0 / 17 / 27

HEX #A9B99A

RGB 169 185 154

HSL 90.97, 0.18%, 0.66%

LAB 73.2, -11.21, 13.89

 

CMYK 9 / 0 / 19 / 35

HEX #98A787

RGB 152 167 135

HSL 88.13, 0.15%, 0.59%

LAB 66.57, -11.2, 14.81

 

CMYK 9 / 0 / 22 / 42

HEX #879574

RGB 135 149 116

HSL 85.45, 0.13%, 0.52%

LAB 59.8, -11.19, 15.79

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 5 / 0 / 13 / 13

HEX #D2DDC0

RGB 210 221 192

HSL 82.76, 0.3%, 0.81%

LAB 86.61, -8.78, 12.98

 

CMYK 1 / 0 / 13 / 13

HEX #DADDC0

RGB 218 221 192

HSL 66.21, 0.3%, 0.81%

LAB 87.2, -5.95, 13.9

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 0 / 6 / 13 / 13

HEX #DDCFC0

RGB 221 207 192

HSL 31.03, 0.3%, 0.81%

LAB 83.86, 2.36, 9.19

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 12 / 0 / 13 / 13

HEX #C3DDC0

RGB 195 221 192

HSL 113.79, 0.3%, 0.81%

LAB 85.56, -13.98, 11.35

 

CMYK 13 / 0 / 11 / 13

HEX #C0DDC4

RGB 192 221 196

HSL 128.28, 0.3%, 0.81%

LAB 85.46, -14.29, 9.06

 

CMYK 13 / 0 / 8 / 13

HEX #C0DDCC

RGB 192 221 204

HSL 144.83, 0.3%, 0.81%

LAB 85.64, -12.83, 5.11

 

CMYK 13 / 0 / 4 / 13

HEX #C0DDD4

RGB 192 221 212

HSL 161.38, 0.3%, 0.81%

LAB 85.84, -11.31, 1.18

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 12 / 0 / 19 / 11

HEX #C9E4B8

RGB 201 228 184

HSL 96.82, 0.45%, 0.81%

LAB 87.66, -16.75, 18.55

 

CMYK 16 / 0 / 25 / 7

HEX #C7ECB0

RGB 199 236 176

HSL 97, 0.61%, 0.81%

LAB 89.52, -22.63, 25.23

 

CMYK 19 / 0 / 31 / 4

HEX #C5F4A8

RGB 197 244 168

HSL 97.11, 0.78%, 0.81%

LAB 91.41, -28.33, 31.85

 

CMYK 23 / 0 / 37 / 1

HEX #C3FCA0

RGB 195 252 160

HSL 97.17, 0.94%, 0.81%

LAB 93.35, -33.85, 38.38

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 4 / 0 / 7 / 16

HEX #CCD5C7

RGB 204 213 199

HSL 98.57, 0.14%, 0.81%

LAB 84.25, -5.58, 5.85

 

CMYK 0 / 1 / 0 / 19

HEX #CECDCF

RGB 206 205 207

HSL 270, 0.02%, 0.81%

LAB 82.53, 0.71, -0.88

 

CMYK 3 / 8 / 0 / 16

HEX #D0C5D7

RGB 208 197 215

HSL 276.67, 0.18%, 0.81%

LAB 80.88, 7.12, -7.59

 

CMYK 6 / 15 / 0 / 13

HEX #D2BDDF

RGB 210 189 223

HSL 277.06, 0.35%, 0.81%

LAB 79.29, 13.62, -14.25

 

CMYK 1 / 0 / 13 / 13

HEX #DADDC0

RGB 218 221 192

HSL 66.21, 0.3%, 0.81%

LAB 87.2, -5.95, 13.9

 

CMYK 5 / 0 / 13 / 13

HEX #D2DDC0

RGB 210 221 192

HSL 82.76, 0.3%, 0.81%

LAB 86.61, -8.78, 12.98

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 12 / 0 / 13 / 13

HEX #C3DDC0

RGB 195 221 192

HSL 113.79, 0.3%, 0.81%

LAB 85.56, -13.98, 11.35

 

CMYK 13 / 0 / 11 / 13

HEX #C0DDC4

RGB 192 221 196

HSL 128.28, 0.3%, 0.81%

LAB 85.46, -14.29, 9.06

 

CMYK 18 / 0 / 28 / 25

HEX #9EC08A

RGB 158 192 138

HSL 97.78, 0.3%, 0.65%

LAB 74.06, -21.36, 23.57

 

CMYK 13 / 0 / 20 / 19

HEX #B4CEA5

RGB 180 206 165

HSL 98.05, 0.29%, 0.73%

LAB 79.93, -16.2, 17.54

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 4 / 0 / 7 / 8

HEX #E1EBDA

RGB 225 235 218

HSL 95.29, 0.3%, 0.89%

LAB 91.9, -6.34, 7.09

 

CMYK 1 / 0 / 2 / 2

HEX #F7F9F5

RGB 247 249 245

HSL 90, 0.25%, 0.97%

LAB 97.68, -1.36, 1.67

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 13 / 0 / 3 / 13

HEX #C0DDD7

RGB 192 221 215

HSL 167.59, 0.3%, 0.81%

LAB 85.92, -10.72, -0.3

 

CMYK 0 / 13 / 3 / 13

HEX #DDC0D6

RGB 221 192 214

HSL 314.48, 0.3%, 0.81%

LAB 80.7, 14.03, -7.19

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 13 / 8 / 0 / 13

HEX #C0CBDD

RGB 192 203 221

HSL 217.24, 0.3%, 0.81%

LAB 81.37, -0.16, -10.2

 

CMYK 0 / 13 / 8 / 13

HEX #DDC0CB

RGB 221 192 203

HSL 337.24, 0.3%, 0.81%

LAB 80.39, 12.1, -1.72

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 13 / 0 / 3 / 13

HEX #C0DDD7

RGB 192 221 215

HSL 167.59, 0.3%, 0.81%

LAB 85.92, -10.72, -0.3

 

CMYK 5 / 13 / 0 / 13

HEX #D1C0DD

RGB 209 192 221

HSL 275.17, 0.3%, 0.81%

LAB 79.88, 11.28, -12.28

 

CMYK 0 / 13 / 11 / 13

HEX #DDC0C5

RGB 221 192 197

HSL 349.66, 0.3%, 0.81%

LAB 80.24, 11.09, 1.28

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 13 / 2 / 0 / 13

HEX #C0D9DD

RGB 192 217 221

HSL 188.28, 0.3%, 0.81%

LAB 85.02, -7.48, -4.79

 

CMYK 5 / 13 / 0 / 13

HEX #D1C0DD

RGB 209 192 221

HSL 275.17, 0.3%, 0.81%

LAB 79.88, 11.28, -12.28

 

CMYK 0 / 12 / 13 / 13

HEX #DDC3C0

RGB 221 195 192

HSL 6.21, 0.3%, 0.81%

LAB 80.85, 8.68, 4.86

 

Description

Color code: HEX #CBDDC0 | qconv.com Color code: HEX #CBDDC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 221 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 221 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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