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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD7C0 it is the complementary color #22283F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD7C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD7C0 shade: #E2D7BB, #F3E9CE, #FFFBE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD7C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD7C0 shade: #DDD7C0, #CCC5AD, #BBB39A, #AAA187 and #998F74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD7C0 shade: #DDD7C0, #DDCFC0, #DDC7C0 and #DDC0C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD7C0 shade: #DDD7C0, #DBDDC0, #D3DDC0, #CBDDC0 and #C3DDC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD7C0 shade matches the following richer shades: #DDD7C0, #E4DBB8, #ECE0B0, #F4E4A8 and #FCE9A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD7C0 shade: #DDD7C0, #D5D2C7, #CDCDCF, #C5C9D7 and #BDC4DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD7C0 shade: #DDC7C0, #DDCFC0, #DDD6C0, #DBDDC0 and #D3DDC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD7C0 shade: #C0B58A, #CEC6A5, #DDD7C0, #EBE8DA and #F9F9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD7C0 shade: #DDD7C0, #C0DDC0 and #CBC0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD7C0 shade: #DDD7C0, #C0DDD6 and #D6C0DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD7C0 shade: #DDD7C0, #C0DDC0, #C0C6DD and #DCC0DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD7C0 shade: #DDD7C0, #C0DDC8, #C0C6DD and #DDC0D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

Complementary color

CMYK 46 / 37 / 0 / 75

HEX #22283F

RGB 34 40 63

HSL 227.59, 0.3%, 0.19%

LAB 16.58, 4.5, -15.48

 

CMYK 0 / 5 / 17 / 11

HEX #E2D7BB

RGB 226 215 187

HSL 43.08, 0.4%, 0.81%

LAB 86.18, -0.76, 15.18

 

CMYK 0 / 4 / 15 / 5

HEX #F3E9CE

RGB 243 233 206

HSL 43.78, 0.61%, 0.88%

LAB 92.48, -1, 14.33

 

CMYK 0 / 2 / 12 / 0

HEX #FFFBE1

RGB 255 251 225

HSL 52, 1%, 0.94%

LAB 98.31, -2.95, 12.93

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 0 / 3 / 15 / 20

HEX #CCC5AD

RGB 204 197 173

HSL 46.45, 0.23%, 0.74%

LAB 79.49, -1.59, 12.91

 

CMYK 0 / 4 / 18 / 27

HEX #BBB39A

RGB 187 179 154

HSL 45.45, 0.2%, 0.67%

LAB 72.98, -1.36, 13.79

 

CMYK 0 / 5 / 21 / 33

HEX #AAA187

RGB 170 161 135

HSL 44.57, 0.17%, 0.6%

LAB 66.36, -1.11, 14.73

 

CMYK 0 / 7 / 24 / 40

HEX #998F74

RGB 153 143 116

HSL 43.78, 0.15%, 0.53%

LAB 59.6, -0.81, 15.73

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 0 / 6 / 13 / 13

HEX #DDCFC0

RGB 221 207 192

HSL 31.03, 0.3%, 0.81%

LAB 83.86, 2.36, 9.19

 

CMYK 0 / 10 / 13 / 13

HEX #DDC7C0

RGB 221 199 192

HSL 14.48, 0.3%, 0.81%

LAB 81.85, 6.56, 6.3

 

CMYK 0 / 13 / 13 / 13

HEX #DDC0C0

RGB 221 192 192

HSL 0, 0.3%, 0.81%

LAB 80.11, 10.27, 3.79

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 1 / 0 / 13 / 13

HEX #DBDDC0

RGB 219 221 192

HSL 64.14, 0.3%, 0.81%

LAB 87.28, -5.6, 14.02

 

CMYK 5 / 0 / 13 / 13

HEX #D3DDC0

RGB 211 221 192

HSL 80.69, 0.3%, 0.81%

LAB 86.69, -8.43, 13.1

 

CMYK 8 / 0 / 13 / 13

HEX #CBDDC0

RGB 203 221 192

HSL 97.24, 0.3%, 0.81%

LAB 86.11, -11.23, 12.21

 

CMYK 12 / 0 / 13 / 13

HEX #C3DDC0

RGB 195 221 192

HSL 113.79, 0.3%, 0.81%

LAB 85.56, -13.98, 11.35

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 0 / 4 / 19 / 11

HEX #E4DBB8

RGB 228 219 184

HSL 47.73, 0.45%, 0.81%

LAB 87.3, -2.54, 18.34

 

CMYK 0 / 5 / 25 / 7

HEX #ECE0B0

RGB 236 224 176

HSL 48, 0.61%, 0.81%

LAB 89.05, -3.26, 25.03

 

CMYK 0 / 7 / 31 / 4

HEX #F4E4A8

RGB 244 228 168

HSL 47.37, 0.78%, 0.81%

LAB 90.57, -3.32, 31.31

 

CMYK 0 / 8 / 37 / 1

HEX #FCE9A0

RGB 252 233 160

HSL 47.61, 0.94%, 0.81%

LAB 92.36, -3.74, 37.84

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 0 / 1 / 7 / 16

HEX #D5D2C7

RGB 213 210 199

HSL 47.14, 0.14%, 0.81%

LAB 84.15, -0.89, 5.8

 

CMYK 1 / 1 / 0 / 19

HEX #CDCDCF

RGB 205 205 207

HSL 240, 0.02%, 0.81%

LAB 82.46, 0.37, -1

 

CMYK 8 / 7 / 0 / 16

HEX #C5C9D7

RGB 197 201 215

HSL 226.67, 0.18%, 0.81%

LAB 81.04, 1.32, -7.43

 

CMYK 15 / 12 / 0 / 13

HEX #BDC4DF

RGB 189 196 223

HSL 227.65, 0.35%, 0.81%

LAB 79.4, 3.02, -14.24

 

CMYK 0 / 10 / 13 / 13

HEX #DDC7C0

RGB 221 199 192

HSL 14.48, 0.3%, 0.81%

LAB 81.85, 6.56, 6.3

 

CMYK 0 / 6 / 13 / 13

HEX #DDCFC0

RGB 221 207 192

HSL 31.03, 0.3%, 0.81%

LAB 83.86, 2.36, 9.19

 

CMYK 0 / 3 / 13 / 13

HEX #DDD6C0

RGB 221 214 192

HSL 45.52, 0.3%, 0.81%

LAB 85.64, -1.28, 11.72

 

CMYK 1 / 0 / 13 / 13

HEX #DBDDC0

RGB 219 221 192

HSL 64.14, 0.3%, 0.81%

LAB 87.28, -5.6, 14.02

 

CMYK 5 / 0 / 13 / 13

HEX #D3DDC0

RGB 211 221 192

HSL 80.69, 0.3%, 0.81%

LAB 86.69, -8.43, 13.1

 

CMYK 0 / 6 / 28 / 25

HEX #C0B58A

RGB 192 181 138

HSL 47.78, 0.3%, 0.65%

LAB 73.6, -2.83, 23.37

 

CMYK 0 / 4 / 20 / 19

HEX #CEC6A5

RGB 206 198 165

HSL 48.29, 0.29%, 0.73%

LAB 79.74, -2.6, 17.56

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 0 / 1 / 7 / 8

HEX #EBE8DA

RGB 235 232 218

HSL 49.41, 0.3%, 0.89%

LAB 91.88, -1.38, 7.15

 

CMYK 0 / 0 / 2 / 2

HEX #F9F9F5

RGB 249 249 245

HSL 60, 0.25%, 0.97%

LAB 97.83, -0.69, 1.9

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 13 / 0 / 13 / 13

HEX #C0DDC0

RGB 192 221 192

HSL 120, 0.3%, 0.81%

LAB 85.36, -15, 11.04

 

CMYK 8 / 13 / 0 / 13

HEX #CBC0DD

RGB 203 192 221

HSL 262.76, 0.3%, 0.81%

LAB 79.39, 9.3, -13.06

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 13 / 0 / 3 / 13

HEX #C0DDD6

RGB 192 221 214

HSL 165.52, 0.3%, 0.81%

LAB 85.89, -10.92, 0.19

 

CMYK 3 / 13 / 0 / 13

HEX #D6C0DD

RGB 214 192 221

HSL 285.52, 0.3%, 0.81%

LAB 80.3, 12.95, -11.61

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 13 / 0 / 13 / 13

HEX #C0DDC0

RGB 192 221 192

HSL 120, 0.3%, 0.81%

LAB 85.36, -15, 11.04

 

CMYK 13 / 10 / 0 / 13

HEX #C0C6DD

RGB 192 198 221

HSL 227.59, 0.3%, 0.81%

LAB 80.08, 2.5, -12.13

 

CMYK 0 / 13 / 0 / 13

HEX #DCC0DD

RGB 220 192 221

HSL 297.93, 0.3%, 0.81%

LAB 80.81, 14.96, -10.79

 

CMYK 0 / 3 / 13 / 13

HEX #DDD7C0

RGB 221 215 192

HSL 47.59, 0.3%, 0.81%

LAB 85.9, -1.8, 12.08

 

CMYK 13 / 0 / 10 / 13

HEX #C0DDC8

RGB 192 221 200

HSL 136.55, 0.3%, 0.81%

LAB 85.55, -13.56, 7.08

 

CMYK 13 / 10 / 0 / 13

HEX #C0C6DD

RGB 192 198 221

HSL 227.59, 0.3%, 0.81%

LAB 80.08, 2.5, -12.13

 

CMYK 0 / 13 / 4 / 13

HEX #DDC0D4

RGB 221 192 212

HSL 318.62, 0.3%, 0.81%

LAB 80.64, 13.67, -6.2

 

Description

Color code: HEX #DDD7C0 | qconv.com Color code: HEX #DDD7C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 215 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 215 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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