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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC8D3C it is the complementary color #3372C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC8D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC8D3C shade: #D18D37, #E29F4A, #F3B15D, #FFC370 and #FFD583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC8D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC8D3C shade: #CC8D3C, #BB7B29, #AA6916, #995703 and #884500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC8D3C shade: #CC8D3C, #CC663C, #CC3F3C and #CC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC8D3C shade: #CC8D3C, #CCB43C, #BECC3C, #97CC3C and #70CC3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC8D3C shade matches the following richer shades: #CC8D3C, #E09028 and #F49214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC8D3C shade: #CC8D3C, #B98B50, #A58863, #918677 and #7D838B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC8D3C shade: #CC3E3C, #CC653C, #CC8B3C, #CCB23C and #C0CC3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC8D3C shade: #916225, #B2782D, #CC8D3C, #D5A05D and #DDB37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC8D3C shade: #CC8D3C, #60CC3C and #523CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC8D3C shade: #CC8D3C, #3CCC8B and #8B3CCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC8D3C shade: #CC8D3C, #60CC3C, #3C7DCC and #A83CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC8D3C shade: #CC8D3C, #3CCC43, #3C7DCC and #CC3CC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

Complementary color

CMYK 74 / 42 / 0 / 24

HEX #3372C3

RGB 51 114 195

HSL 213.75, 0.59%, 0.48%

LAB 47.85, 7.77, -48.16

 

CMYK 0 / 33 / 74 / 18

HEX #D18D37

RGB 209 141 55

HSL 33.51, 0.63%, 0.52%

LAB 64.06, 18.36, 54.15

 

CMYK 0 / 30 / 67 / 11

HEX #E29F4A

RGB 226 159 74

HSL 33.55, 0.72%, 0.59%

LAB 70.5, 16.86, 52.95

 

CMYK 0 / 27 / 62 / 5

HEX #F3B15D

RGB 243 177 93

HSL 33.6, 0.86%, 0.66%

LAB 76.85, 15.56, 51.61

 

CMYK 0 / 24 / 56 / 0

HEX #FFC370

RGB 255 195 112

HSL 34.83, 1%, 0.72%

LAB 82.63, 12.4, 49.51

 

CMYK 0 / 16 / 49 / 0

HEX #FFD583

RGB 255 213 131

HSL 39.68, 1%, 0.76%

LAB 87.24, 4.68, 45.81

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 0 / 34 / 78 / 27

HEX #BB7B29

RGB 187 123 41

HSL 33.7, 0.64%, 0.45%

LAB 56.97, 18.08, 52.2

 

CMYK 0 / 38 / 87 / 33

HEX #AA6916

RGB 170 105 22

HSL 33.65, 0.77%, 0.38%

LAB 50.34, 19.98, 52.52

 

CMYK 0 / 43 / 98 / 40

HEX #995703

RGB 153 87 3

HSL 33.6, 0.96%, 0.31%

LAB 43.65, 22.17, 51.54

 

CMYK 0 / 49 / 100 / 47

HEX #884500

RGB 136 69 0

HSL 30.44, 1%, 0.27%

LAB 36.91, 24.71, 46.91

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 0 / 50 / 71 / 20

HEX #CC663C

RGB 204 102 60

HSL 17.5, 0.59%, 0.52%

LAB 54.73, 37.34, 41.65

 

CMYK 0 / 69 / 71 / 20

HEX #CC3F3C

RGB 204 63 60

HSL 1.25, 0.59%, 0.52%

LAB 47.9, 55.23, 33.85

 

CMYK 0 / 71 / 71 / 20

HEX #CC3C3C

RGB 204 60 60

HSL 0, 0.59%, 0.52%

LAB 47.49, 56.37, 33.36

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 0 / 12 / 71 / 20

HEX #CCB43C

RGB 204 180 60

HSL 50, 0.59%, 0.52%

LAB 73.42, -4.47, 61.3

 

CMYK 7 / 0 / 71 / 20

HEX #BECC3C

RGB 190 204 60

HSL 65.83, 0.59%, 0.52%

LAB 78.73, -22.57, 66.16

 

CMYK 26 / 0 / 71 / 20

HEX #97CC3C

RGB 151 204 60

HSL 82.08, 0.59%, 0.52%

LAB 76.13, -38.13, 62.71

 

CMYK 45 / 0 / 71 / 20

HEX #70CC3C

RGB 112 204 60

HSL 98.33, 0.59%, 0.52%

LAB 74.16, -51.67, 60.08

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 0 / 36 / 82 / 12

HEX #E09028

RGB 224 144 40

HSL 33.91, 0.75%, 0.52%

LAB 66.48, 22.57, 62.93

 

CMYK 0 / 40 / 92 / 4

HEX #F49214

RGB 244 146 20

HSL 33.75, 0.91%, 0.52%

LAB 69.36, 29.46, 71.75

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 0 / 25 / 57 / 27

HEX #B98B50

RGB 185 139 80

HSL 33.71, 0.43%, 0.52%

LAB 61.1, 10.7, 38.01

 

CMYK 0 / 18 / 40 / 35

HEX #A58863

RGB 165 136 99

HSL 33.64, 0.27%, 0.52%

LAB 58.52, 5.75, 24

 

CMYK 0 / 8 / 18 / 43

HEX #918677

RGB 145 134 119

HSL 34.62, 0.11%, 0.52%

LAB 56.49, 1.51, 9.57

 

CMYK 10 / 6 / 0 / 45

HEX #7D838B

RGB 125 131 139

HSL 214.29, 0.06%, 0.52%

LAB 54.51, -0.53, -5.07

 

CMYK 0 / 70 / 71 / 20

HEX #CC3E3C

RGB 204 62 60

HSL 0.83, 0.59%, 0.52%

LAB 47.76, 55.62, 33.68

 

CMYK 0 / 50 / 71 / 20

HEX #CC653C

RGB 204 101 60

HSL 17.08, 0.59%, 0.52%

LAB 54.52, 37.85, 41.43

 

CMYK 0 / 32 / 71 / 20

HEX #CC8B3C

RGB 204 139 60

HSL 32.92, 0.59%, 0.52%

LAB 63.03, 17.54, 50.66

 

CMYK 0 / 13 / 71 / 20

HEX #CCB23C

RGB 204 178 60

HSL 49.17, 0.59%, 0.52%

LAB 72.89, -3.43, 60.78

 

CMYK 6 / 0 / 71 / 20

HEX #C0CC3C

RGB 192 204 60

HSL 65, 0.59%, 0.52%

LAB 78.88, -21.74, 66.36

 

CMYK 0 / 32 / 74 / 43

HEX #916225

RGB 145 98 37

HSL 33.89, 0.59%, 0.36%

LAB 45.48, 13.23, 40.87

 

CMYK 0 / 33 / 75 / 30

HEX #B2782D

RGB 178 120 45

HSL 33.83, 0.6%, 0.44%

LAB 55.16, 15.96, 48.35

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 0 / 25 / 56 / 16

HEX #D5A05D

RGB 213 160 93

HSL 33.5, 0.59%, 0.6%

LAB 69.53, 12.16, 42.18

 

CMYK 0 / 19 / 43 / 13

HEX #DDB37D

RGB 221 179 125

HSL 33.75, 0.59%, 0.68%

LAB 75.51, 8.22, 33.28

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 53 / 0 / 71 / 20

HEX #60CC3C

RGB 96 204 60

HSL 105, 0.59%, 0.52%

LAB 73.54, -56.34, 59.25

 

CMYK 60 / 71 / 0 / 20

HEX #523CCC

RGB 82 60 204

HSL 249.17, 0.59%, 0.52%

LAB 36.72, 48.82, -71.33

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 71 / 0 / 32 / 20

HEX #3CCC8B

RGB 60 204 139

HSL 152.92, 0.59%, 0.52%

LAB 73.55, -52.85, 21.67

 

CMYK 32 / 71 / 0 / 20

HEX #8B3CCC

RGB 139 60 204

HSL 272.92, 0.59%, 0.52%

LAB 42.88, 58.5, -61

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 53 / 0 / 71 / 20

HEX #60CC3C

RGB 96 204 60

HSL 105, 0.59%, 0.52%

LAB 73.54, -56.34, 59.25

 

CMYK 71 / 39 / 0 / 20

HEX #3C7DCC

RGB 60 125 204

HSL 212.92, 0.59%, 0.52%

LAB 51.82, 5.53, -46.96

 

CMYK 18 / 71 / 0 / 20

HEX #A83CCC

RGB 168 60 204

HSL 285, 0.59%, 0.52%

LAB 46.86, 64.33, -54.38

 

CMYK 0 / 31 / 71 / 20

HEX #CC8D3C

RGB 204 141 60

HSL 33.75, 0.59%, 0.52%

LAB 63.52, 16.45, 51.17

 

CMYK 71 / 0 / 67 / 20

HEX #3CCC43

RGB 60 204 67

HSL 122.92, 0.59%, 0.52%

LAB 72.6, -63.8, 55.24

 

CMYK 71 / 39 / 0 / 20

HEX #3C7DCC

RGB 60 125 204

HSL 212.92, 0.59%, 0.52%

LAB 51.82, 5.53, -46.96

 

CMYK 0 / 71 / 3 / 20

HEX #CC3CC5

RGB 204 60 197

HSL 302.92, 0.59%, 0.52%

LAB 51.95, 70.86, -41.91

 

Description

Color code: HEX #CC8D3C | qconv.com Color code: HEX #CC8D3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 141 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 141 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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