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Color name
HEX #CD3A57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3A57 it is the complementary color #32C5A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3A57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3A57 shade: #D23A52, #E34C65, #F45E78, #FF708B and #FF829E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3A57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3A57 shade: #CD3A57, #BC2844, #AB1631, #9A041E and #89000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3A57 shade: #CE3B58 and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3A57 shade: #CE3B58, #CE3B7F, #CE3BA7, #CD3BCE and #A53BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3A57 shade matches the following richer shades: #CE3B58, #E1274C and #F51340

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3A57 shade: #CE3B58, #BA4E64, #A66270, #92767C and #7E8A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3A57 shade: #CE3BA6, #CE3B7F, #CE3B58, #CE443B and #CE6C3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3A57 shade: #92243A, #B32C47, #CE3B58, #D65C74 and #DE7D90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3A57 shade: #CD3A57, #CECE3B and #3B93CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3A57 shade: #CD3A57, #58CE3B and #3B58CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3A57 shade: #CD3A57, #CECE3B, #3BCEB0 and #3B3BCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3A57 shade: #CD3A57, #A1CE3B, #3BCEB0 and #673BCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 58 / 20

HEX #CD3A57

RGB 205 58 87

HSL 348.16, 0.6%, 0.52%

LAB 47.87, 59, 17.71

 

Complementary color

CMYK 75 / 0 / 15 / 23

HEX #32C5A8

RGB 50 197 168

HSL 168.16, 0.6%, 0.48%

LAB 71.85, -44.6, 3.68

 

CMYK 0 / 72 / 61 / 18

HEX #D23A52

RGB 210 58 82

HSL 350.53, 0.63%, 0.53%

LAB 48.68, 60.17, 21.99

 

CMYK 0 / 67 / 56 / 11

HEX #E34C65

RGB 227 76 101

HSL 350.07, 0.73%, 0.59%

LAB 54.49, 59.97, 18.9

 

CMYK 0 / 61 / 51 / 4

HEX #F45E78

RGB 244 94 120

HSL 349.6, 0.87%, 0.66%

LAB 60.42, 59.43, 16.33

 

CMYK 0 / 56 / 45 / 0

HEX #FF708B

RGB 255 112 139

HSL 348.67, 1%, 0.72%

LAB 65.52, 56.74, 12.77

 

CMYK 0 / 49 / 38 / 0

HEX #FF829E

RGB 255 130 158

HSL 346.56, 1%, 0.75%

LAB 69.25, 50.19, 7.31

 

CMYK 0 / 72 / 58 / 20

HEX #CD3A57

RGB 205 58 87

HSL 348.16, 0.6%, 0.52%

LAB 47.87, 59, 17.71

 

CMYK 0 / 79 / 64 / 26

HEX #BC2844

RGB 188 40 68

HSL 348.65, 0.65%, 0.45%

LAB 42.19, 58.65, 21.31

 

CMYK 0 / 87 / 71 / 33

HEX #AB1631

RGB 171 22 49

HSL 349.13, 0.77%, 0.38%

LAB 36.84, 57.41, 25.74

 

CMYK 0 / 97 / 81 / 40

HEX #9A041E

RGB 154 4 30

HSL 349.6, 0.95%, 0.31%

LAB 31.92, 54.99, 31

 

CMYK 0 / 100 / 92 / 46

HEX #89000B

RGB 137 0 11

HSL 355.18, 1%, 0.27%

LAB 27.69, 50.66, 36.28

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B58

RGB 206 59 88

HSL 348.16, 0.6%, 0.52%

LAB 48.2, 59.02, 17.58

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B58

RGB 206 59 88

HSL 348.16, 0.6%, 0.52%

LAB 48.2, 59.02, 17.58

 

CMYK 0 / 71 / 38 / 19

HEX #CE3B7F

RGB 206 59 127

HSL 332.24, 0.6%, 0.52%

LAB 49.23, 62.44, -4.69

 

CMYK 0 / 71 / 19 / 19

HEX #CE3BA7

RGB 206 59 167

HSL 315.92, 0.6%, 0.52%

LAB 50.73, 67.27, -26.3

 

CMYK 0 / 71 / 0 / 19

HEX #CD3BCE

RGB 205 59 206

HSL 299.59, 0.6%, 0.52%

LAB 52.47, 72.84, -46.25

 

CMYK 20 / 71 / 0 / 19

HEX #A53BCE

RGB 165 59 206

HSL 283.27, 0.6%, 0.52%

LAB 46.42, 64.5, -56.26

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B58

RGB 206 59 88

HSL 348.16, 0.6%, 0.52%

LAB 48.2, 59.02, 17.58

 

CMYK 0 / 83 / 66 / 12

HEX #E1274C

RGB 225 39 76

HSL 348.06, 0.76%, 0.52%

LAB 49.47, 69.5, 27.19

 

CMYK 0 / 92 / 74 / 4

HEX #F51340

RGB 245 19 64

HSL 348.05, 0.92%, 0.52%

LAB 52.12, 77.35, 38.43

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B58

RGB 206 59 88

HSL 348.16, 0.6%, 0.52%

LAB 48.2, 59.02, 17.58

 

CMYK 0 / 58 / 46 / 27

HEX #BA4E64

RGB 186 78 100

HSL 347.78, 0.44%, 0.52%

LAB 48.02, 45.59, 9.5

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 19 / 15 / 43

HEX #92767C

RGB 146 118 124

HSL 347.14, 0.11%, 0.52%

LAB 52.42, 11.93, 0.84

 

CMYK 9 / 0 / 1 / 46

HEX #7E8A88

RGB 126 138 136

HSL 170, 0.05%, 0.52%

LAB 56.48, -4.77, -0.43

 

CMYK 0 / 71 / 19 / 19

HEX #CE3BA6

RGB 206 59 166

HSL 316.33, 0.6%, 0.52%

LAB 50.69, 67.13, -25.78

 

CMYK 0 / 71 / 38 / 19

HEX #CE3B7F

RGB 206 59 127

HSL 332.24, 0.6%, 0.52%

LAB 49.23, 62.44, -4.69

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B58

RGB 206 59 88

HSL 348.16, 0.6%, 0.52%

LAB 48.2, 59.02, 17.58

 

CMYK 0 / 67 / 71 / 19

HEX #CE443B

RGB 206 68 59

HSL 3.67, 0.6%, 0.52%

LAB 48.97, 53.86, 35.76

 

CMYK 0 / 48 / 71 / 19

HEX #CE6C3B

RGB 206 108 59

HSL 20, 0.6%, 0.52%

LAB 56.25, 34.98, 43.93

 

CMYK 0 / 75 / 60 / 43

HEX #92243A

RGB 146 36 58

HSL 348, 0.6%, 0.36%

LAB 33.3, 46.73, 14.42

 

CMYK 0 / 75 / 60 / 30

HEX #B32C47

RGB 179 44 71

HSL 348, 0.61%, 0.44%

LAB 40.96, 54.96, 17.48

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B58

RGB 206 59 88

HSL 348.16, 0.6%, 0.52%

LAB 48.2, 59.02, 17.58

 

CMYK 0 / 57 / 46 / 16

HEX #D65C74

RGB 214 92 116

HSL 348.2, 0.6%, 0.6%

LAB 55.29, 50.11, 10.81

 

CMYK 0 / 44 / 35 / 13

HEX #DE7D90

RGB 222 125 144

HSL 348.25, 0.6%, 0.68%

LAB 63.52, 39.58, 6.43

 

CMYK 0 / 72 / 58 / 20

HEX #CD3A57

RGB 205 58 87

HSL 348.16, 0.6%, 0.52%

LAB 47.87, 59, 17.71

 

CMYK 0 / 0 / 71 / 19

HEX #CECE3B

RGB 206 206 59

HSL 60, 0.6%, 0.52%

LAB 80.5, -16.93, 68.66

 

CMYK 71 / 29 / 0 / 19

HEX #3B93CE

RGB 59 147 206

HSL 204.08, 0.6%, 0.52%

LAB 58.28, -6.88, -37.91

 

CMYK 0 / 72 / 58 / 20

HEX #CD3A57

RGB 205 58 87

HSL 348.16, 0.6%, 0.52%

LAB 47.87, 59, 17.71

 

CMYK 57 / 0 / 71 / 19

HEX #58CE3B

RGB 88 206 59

HSL 108.16, 0.6%, 0.52%

LAB 73.89, -59.24, 59.89

 

CMYK 71 / 57 / 0 / 19

HEX #3B58CE

RGB 59 88 206

HSL 228.16, 0.6%, 0.52%

LAB 41.79, 29.45, -64.25

 

CMYK 0 / 72 / 58 / 20

HEX #CD3A57

RGB 205 58 87

HSL 348.16, 0.6%, 0.52%

LAB 47.87, 59, 17.71

 

CMYK 0 / 0 / 71 / 19

HEX #CECE3B

RGB 206 206 59

HSL 60, 0.6%, 0.52%

LAB 80.5, -16.93, 68.66

 

CMYK 71 / 0 / 15 / 19

HEX #3BCEB0

RGB 59 206 176

HSL 167.76, 0.6%, 0.52%

LAB 74.96, -45.26, 3.86

 

CMYK 71 / 71 / 0 / 19

HEX #3B3BCE

RGB 59 59 206

HSL 240, 0.6%, 0.52%

LAB 35.03, 47.25, -75.32

 

CMYK 0 / 72 / 58 / 20

HEX #CD3A57

RGB 205 58 87

HSL 348.16, 0.6%, 0.52%

LAB 47.87, 59, 17.71

 

CMYK 22 / 0 / 71 / 19

HEX #A1CE3B

RGB 161 206 59

HSL 78.37, 0.6%, 0.52%

LAB 77.3, -35.25, 64.44

 

CMYK 71 / 0 / 15 / 19

HEX #3BCEB0

RGB 59 206 176

HSL 167.76, 0.6%, 0.52%

LAB 74.96, -45.26, 3.86

 

CMYK 50 / 71 / 0 / 19

HEX #673BCE

RGB 103 59 206

HSL 257.96, 0.6%, 0.52%

LAB 38.67, 53.07, -69.21

 

Description

Color code: HEX #CD3A57 | qconv.com Color code: HEX #CD3A57 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 58 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 58 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 58% 20% C M Y K

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Provide designers and agencies with accurate color values.

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