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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6BD5 it is the complementary color #32942A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6BD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6BD5 shade: #D26BD0, #E37DE3, #F48FF6, #FFA1FF and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6BD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6BD5 shade: #CD6BD5, #BC59C2, #AB47AF, #9A359C and #892389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6BD5 shade: #CD6BD5, #D56BC0, #D56BA4, #D56B87 and #D56B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6BD5 shade: #CD6BD5, #B16BD5, #946BD5, #786BD5 and #6B6BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6BD5 shade matches the following richer shades: #CD6BD5, #DA5CE4 and #E74DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6BD5 shade: #CD6BD5, #C07BC6, #B38AB6, #A699A7 and #99A898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6BD5 shade: #946BD5, #B06BD5, #CC6BD5, #D56BC2 and #D56BA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6BD5 shade: #B034BA, #C24BCC, #CD6BD5, #D88BDE and #E3ACE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6BD5 shade: #CD6BD5, #D5786B and #6BD5A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6BD5 shade: #CD6BD5, #D5CC6B and #6BD5CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6BD5 shade: #CD6BD5, #D5786B, #74D56B and #6BC9D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6BD5 shade: #CD6BD5, #D5976B, #74D56B and #6BA9D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

Complementary color

CMYK 66 / 0 / 72 / 42

HEX #32942A

RGB 50 148 42

HSL 115.47, 0.56%, 0.37%

LAB 54.05, -48.89, 45.56

 

CMYK 0 / 49 / 1 / 18

HEX #D26BD0

RGB 210 107 208

HSL 301.17, 0.53%, 0.62%

LAB 60.58, 54.41, -34.58

 

CMYK 0 / 45 / 0 / 11

HEX #E37DE3

RGB 227 125 227

HSL 300, 0.65%, 0.69%

LAB 66.93, 53.75, -35.15

 

CMYK 1 / 42 / 0 / 4

HEX #F48FF6

RGB 244 143 246

HSL 298.83, 0.85%, 0.76%

LAB 73.24, 53.05, -35.64

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 3 / 54 / 0 / 24

HEX #BC59C2

RGB 188 89 194

HSL 296.57, 0.46%, 0.55%

LAB 53.74, 54.5, -37.52

 

CMYK 2 / 59 / 0 / 31

HEX #AB47AF

RGB 171 71 175

HSL 297.69, 0.42%, 0.48%

LAB 47.31, 54.91, -36.76

 

CMYK 1 / 66 / 0 / 39

HEX #9A359C

RGB 154 53 156

HSL 298.83, 0.49%, 0.41%

LAB 40.92, 54.98, -35.72

 

CMYK 0 / 74 / 0 / 46

HEX #892389

RGB 137 35 137

HSL 300, 0.59%, 0.34%

LAB 34.65, 54.44, -34.25

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 0 / 50 / 10 / 16

HEX #D56BC0

RGB 213 107 192

HSL 311.89, 0.56%, 0.63%

LAB 60.31, 52.56, -25.9

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA4

RGB 213 107 164

HSL 327.74, 0.56%, 0.63%

LAB 59.29, 48.29, -11.4

 

CMYK 0 / 50 / 37 / 16

HEX #D56B87

RGB 213 107 135

HSL 344.15, 0.56%, 0.63%

LAB 58.42, 44.52, 4.13

 

CMYK 0 / 50 / 50 / 16

HEX #D56B6B

RGB 213 107 107

HSL 0, 0.56%, 0.63%

LAB 57.77, 41.59, 19.48

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 17 / 50 / 0 / 16

HEX #B16BD5

RGB 177 107 213

HSL 279.62, 0.56%, 0.63%

LAB 56.75, 46.17, -43.7

 

CMYK 31 / 50 / 0 / 16

HEX #946BD5

RGB 148 107 213

HSL 263.21, 0.56%, 0.63%

LAB 53.62, 38.39, -48.86

 

CMYK 44 / 50 / 0 / 16

HEX #786BD5

RGB 120 107 213

HSL 247.36, 0.56%, 0.63%

LAB 51.05, 31.41, -53.11

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD5

RGB 107 107 213

HSL 240, 0.56%, 0.63%

LAB 50.03, 28.45, -54.8

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 4 / 60 / 0 / 11

HEX #DA5CE4

RGB 218 92 228

HSL 295.59, 0.72%, 0.63%

LAB 60.03, 66.94, -46.61

 

CMYK 5 / 68 / 0 / 4

HEX #E74DF4

RGB 231 77 244

HSL 295.33, 0.88%, 0.63%

LAB 60.63, 78.48, -54.47

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 3 / 38 / 0 / 22

HEX #C07BC6

RGB 192 123 198

HSL 295.2, 0.4%, 0.63%

LAB 61.18, 38.93, -28.18

 

CMYK 2 / 24 / 0 / 29

HEX #B38AB6

RGB 179 138 182

HSL 295.91, 0.23%, 0.63%

LAB 62.62, 23.28, -17.04

 

CMYK 1 / 8 / 0 / 35

HEX #A699A7

RGB 166 153 167

HSL 295.71, 0.07%, 0.63%

LAB 64.71, 7.38, -5.58

 

CMYK 9 / 0 / 10 / 34

HEX #99A898

RGB 153 168 152

HSL 116.25, 0.08%, 0.63%

LAB 67.31, -8.36, 6.47

 

CMYK 31 / 50 / 0 / 16

HEX #946BD5

RGB 148 107 213

HSL 263.21, 0.56%, 0.63%

LAB 53.62, 38.39, -48.86

 

CMYK 17 / 50 / 0 / 16

HEX #B06BD5

RGB 176 107 213

HSL 279.06, 0.56%, 0.63%

LAB 56.63, 45.89, -43.89

 

CMYK 4 / 50 / 0 / 16

HEX #CC6BD5

RGB 204 107 213

HSL 294.91, 0.56%, 0.63%

LAB 60.03, 53.63, -38.31

 

CMYK 0 / 50 / 9 / 16

HEX #D56BC2

RGB 213 107 194

HSL 310.75, 0.56%, 0.63%

LAB 60.39, 52.89, -26.91

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 5 / 72 / 0 / 27

HEX #B034BA

RGB 176 52 186

HSL 295.52, 0.56%, 0.47%

LAB 45.95, 65.65, -45.32

 

CMYK 5 / 63 / 0 / 20

HEX #C24BCC

RGB 194 75 204

HSL 295.35, 0.56%, 0.55%

LAB 52.8, 64.09, -44.69

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 3 / 37 / 0 / 13

HEX #D88BDE

RGB 216 139 222

HSL 295.66, 0.56%, 0.71%

LAB 68.27, 42.37, -30.42

 

CMYK 2 / 26 / 0 / 9

HEX #E3ACE7

RGB 227 172 231

HSL 295.93, 0.55%, 0.79%

LAB 77.04, 29.89, -21.8

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 0 / 44 / 50 / 16

HEX #D5786B

RGB 213 120 107

HSL 7.36, 0.56%, 0.63%

LAB 60.46, 34.88, 23.1

 

CMYK 50 / 0 / 24 / 16

HEX #6BD5A2

RGB 107 213 162

HSL 151.13, 0.56%, 0.63%

LAB 78.07, -42.42, 15.95

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 0 / 4 / 50 / 16

HEX #D5CC6B

RGB 213 204 107

HSL 54.91, 0.56%, 0.63%

LAB 80.96, -9.8, 49

 

CMYK 50 / 0 / 4 / 16

HEX #6BD5CC

RGB 107 213 204

HSL 174.91, 0.56%, 0.63%

LAB 79.08, -32.8, -4.99

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 0 / 44 / 50 / 16

HEX #D5786B

RGB 213 120 107

HSL 7.36, 0.56%, 0.63%

LAB 60.46, 34.88, 23.1

 

CMYK 46 / 0 / 50 / 16

HEX #74D56B

RGB 116 213 107

HSL 114.91, 0.56%, 0.63%

LAB 77.5, -49.29, 43.41

 

CMYK 50 / 6 / 0 / 16

HEX #6BC9D5

RGB 107 201 213

HSL 186.79, 0.56%, 0.63%

LAB 75.89, -24.64, -14.59

 

CMYK 4 / 50 / 0 / 16

HEX #CD6BD5

RGB 205 107 213

HSL 295.47, 0.56%, 0.63%

LAB 60.16, 53.91, -38.11

 

CMYK 0 / 29 / 50 / 16

HEX #D5976B

RGB 213 151 107

HSL 24.91, 0.56%, 0.63%

LAB 67.53, 18.23, 32.36

 

CMYK 46 / 0 / 50 / 16

HEX #74D56B

RGB 116 213 107

HSL 114.91, 0.56%, 0.63%

LAB 77.5, -49.29, 43.41

 

CMYK 50 / 21 / 0 / 16

HEX #6BA9D5

RGB 107 169 213

HSL 204.91, 0.56%, 0.63%

LAB 66.75, -7.91, -28.49

 

Description

Color code: HEX #CD6BD5 | qconv.com Color code: HEX #CD6BD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 107 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 107 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 50 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 50% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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