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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 107 165 it is the complementary color RGB 42 148 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 107 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 107 165 shade: RGB 218 107 160, RGB 235 125 179, RGB 252 143 198, RGB 255 161 217 and RGB 255 179 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 107 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 196 89 146, RGB 179 71 127, RGB 162 53 108 and RGB 145 35 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 213 107 137, RGB 213 107 108 and RGB 213 107 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 213 107 194, RGB 204 107 213, RGB 175 107 213 and RGB 147 107 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 107 165 shade matches the following richer shades: RGB 213 107 165, RGB 228 92 167 and RGB 244 77 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 198 123 164, RGB 182 138 162, RGB 167 153 161 and RGB 152 168 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 107 165 shade: RGB 204 107 213, RGB 213 107 194, RGB 213 107 165, RGB 213 107 137 and RGB 213 107 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 107 165 shade: RGB 186 52 125, RGB 204 75 146, RGB 213 107 165, RGB 222 139 185 and RGB 231 172 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 213 176 107 and RGB 107 208 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 165 213 107 and RGB 107 165 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 213 176 107, RGB 107 213 155 and RGB 107 144 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 107 165 shade: RGB 213 107 165, RGB 213 208 107, RGB 107 213 155 and RGB 107 113 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

Complementary color

CMYK 72 / 0 / 39 / 42

HEX #2A945A

RGB 42 148 90

HSL 147.17, 0.56%, 0.37%

LAB 54.46, -43.54, 22.27

 

CMYK 0 / 51 / 27 / 15

HEX #DA6BA0

RGB 218 107 160

HSL 331.35, 0.6%, 0.64%

LAB 59.85, 49.35, -8.18

 

CMYK 0 / 47 / 24 / 8

HEX #EB7DB3

RGB 235 125 179

HSL 330.55, 0.73%, 0.71%

LAB 66.2, 48.59, -9.31

 

CMYK 0 / 43 / 21 / 1

HEX #FC8FC6

RGB 252 143 198

HSL 329.72, 0.95%, 0.77%

LAB 72.51, 47.81, -10.3

 

CMYK 0 / 37 / 15 / 0

HEX #FFA1D9

RGB 255 161 217

HSL 324.26, 1%, 0.82%

LAB 77.14, 42.45, -13.77

 

CMYK 0 / 30 / 7 / 0

HEX #FFB3EC

RGB 255 179 236

HSL 315, 1%, 0.85%

LAB 81.6, 36.17, -17.34

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 55 / 26 / 23

HEX #C45992

RGB 196 89 146

HSL 328.04, 0.48%, 0.56%

LAB 52.9, 49.12, -10.73

 

CMYK 0 / 60 / 29 / 30

HEX #B3477F

RGB 179 71 127

HSL 328.89, 0.43%, 0.49%

LAB 46.48, 49.67, -9.28

 

CMYK 0 / 67 / 33 / 36

HEX #A2356C

RGB 162 53 108

HSL 329.72, 0.51%, 0.42%

LAB 40.1, 49.93, -7.43

 

CMYK 0 / 76 / 39 / 43

HEX #912359

RGB 145 35 89

HSL 330.55, 0.61%, 0.35%

LAB 33.86, 49.64, -4.99

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 50 / 36 / 16

HEX #D56B89

RGB 213 107 137

HSL 343.02, 0.56%, 0.63%

LAB 58.48, 44.76, 3.05

 

CMYK 0 / 50 / 49 / 16

HEX #D56B6C

RGB 213 107 108

HSL 359.43, 0.56%, 0.63%

LAB 57.79, 41.68, 18.93

 

CMYK 0 / 50 / 50 / 16

HEX #D56B6B

RGB 213 107 107

HSL 0, 0.56%, 0.63%

LAB 57.77, 41.59, 19.48

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 50 / 9 / 16

HEX #D56BC2

RGB 213 107 194

HSL 310.75, 0.56%, 0.63%

LAB 60.39, 52.89, -26.91

 

CMYK 4 / 50 / 0 / 16

HEX #CC6BD5

RGB 204 107 213

HSL 294.91, 0.56%, 0.63%

LAB 60.03, 53.63, -38.31

 

CMYK 18 / 50 / 0 / 16

HEX #AF6BD5

RGB 175 107 213

HSL 278.49, 0.56%, 0.63%

LAB 56.52, 45.62, -44.08

 

CMYK 31 / 50 / 0 / 16

HEX #936BD5

RGB 147 107 213

HSL 262.64, 0.56%, 0.63%

LAB 53.52, 38.13, -49.03

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 60 / 27 / 11

HEX #E45CA7

RGB 228 92 167

HSL 326.91, 0.72%, 0.63%

LAB 58.92, 60.31, -13.48

 

CMYK 0 / 68 / 31 / 4

HEX #F44DA8

RGB 244 77 168

HSL 327.31, 0.88%, 0.63%

LAB 59.31, 70.84, -13.21

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 38 / 17 / 22

HEX #C67BA4

RGB 198 123 164

HSL 327.2, 0.4%, 0.63%

LAB 60.65, 34.93, -9.56

 

CMYK 0 / 24 / 11 / 29

HEX #B68AA2

RGB 182 138 162

HSL 327.27, 0.23%, 0.63%

LAB 62.28, 20.63, -6.18

 

CMYK 0 / 8 / 4 / 35

HEX #A799A1

RGB 167 153 161

HSL 325.71, 0.07%, 0.63%

LAB 64.62, 6.6, -2.33

 

CMYK 10 / 0 / 5 / 34

HEX #98A89F

RGB 152 168 159

HSL 146.25, 0.08%, 0.63%

LAB 67.41, -7.38, 2.73

 

CMYK 4 / 50 / 0 / 16

HEX #CC6BD5

RGB 204 107 213

HSL 294.91, 0.56%, 0.63%

LAB 60.03, 53.63, -38.31

 

CMYK 0 / 50 / 9 / 16

HEX #D56BC2

RGB 213 107 194

HSL 310.75, 0.56%, 0.63%

LAB 60.39, 52.89, -26.91

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 50 / 36 / 16

HEX #D56B89

RGB 213 107 137

HSL 343.02, 0.56%, 0.63%

LAB 58.48, 44.76, 3.05

 

CMYK 0 / 50 / 49 / 16

HEX #D56B6D

RGB 213 107 109

HSL 358.87, 0.56%, 0.63%

LAB 57.81, 41.78, 18.38

 

CMYK 0 / 72 / 33 / 27

HEX #BA347D

RGB 186 52 125

HSL 327.31, 0.56%, 0.47%

LAB 44.77, 59.2, -10.51

 

CMYK 0 / 63 / 28 / 20

HEX #CC4B92

RGB 204 75 146

HSL 326.98, 0.56%, 0.55%

LAB 51.77, 57.89, -12.31

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 37 / 17 / 13

HEX #DE8BB9

RGB 222 139 185

HSL 326.75, 0.56%, 0.71%

LAB 67.65, 37.93, -10.69

 

CMYK 0 / 26 / 12 / 9

HEX #E7ACCC

RGB 231 172 204

HSL 327.46, 0.55%, 0.79%

LAB 76.59, 26.48, -7.77

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 17 / 50 / 16

HEX #D5B06B

RGB 213 176 107

HSL 39.06, 0.56%, 0.63%

LAB 73.71, 4.79, 40.17

 

CMYK 50 / 2 / 0 / 16

HEX #6BD0D5

RGB 107 208 213

HSL 182.83, 0.56%, 0.63%

LAB 77.9, -28.09, -11.57

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 23 / 0 / 50 / 16

HEX #A5D56B

RGB 165 213 107

HSL 87.17, 0.56%, 0.63%

LAB 79.98, -32.98, 47.01

 

CMYK 50 / 23 / 0 / 16

HEX #6BA5D5

RGB 107 165 213

HSL 207.17, 0.56%, 0.63%

LAB 65.62, -5.71, -30.23

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 17 / 50 / 16

HEX #D5B06B

RGB 213 176 107

HSL 39.06, 0.56%, 0.63%

LAB 73.71, 4.79, 40.17

 

CMYK 50 / 0 / 27 / 16

HEX #6BD59B

RGB 107 213 155

HSL 147.17, 0.56%, 0.63%

LAB 77.92, -43.83, 19.45

 

CMYK 50 / 32 / 0 / 16

HEX #6B90D5

RGB 107 144 213

HSL 219.06, 0.56%, 0.63%

LAB 59.78, 6.25, -39.34

 

CMYK 0 / 50 / 23 / 16

HEX #D56BA5

RGB 213 107 165

HSL 327.17, 0.56%, 0.63%

LAB 59.32, 48.43, -11.93

 

CMYK 0 / 2 / 50 / 16

HEX #D5D06B

RGB 213 208 107

HSL 57.17, 0.56%, 0.63%

LAB 82.01, -11.83, 50.26

 

CMYK 50 / 0 / 27 / 16

HEX #6BD59B

RGB 107 213 155

HSL 147.17, 0.56%, 0.63%

LAB 77.92, -43.83, 19.45

 

CMYK 50 / 47 / 0 / 16

HEX #6B71D5

RGB 107 113 213

HSL 236.6, 0.56%, 0.63%

LAB 51.54, 24.81, -52.38

 

Description

Color code: RGB 213 107 165 | qconv.com Color code: RGB 213 107 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 107 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 107 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 23 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 23% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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