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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD754F it is the complementary color #328AB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD754F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD754F shade: #D2754A, #E3875D, #F49970, #FFAB83 and #FFBD96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD754F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD754F shade: #CD754F, #BC633C, #AB5129, #9A3F16 and #892D03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD754F shade: #CD754F, #CD534F and #CD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD754F shade: #CD754F, #CD974F, #CDB94F, #BFCD4F and #9DCD4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD754F shade matches the following richer shades: #CD754F, #DF6E3D and #F1672B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD754F shade: #CD754F, #BB7D62, #A98474, #978B86 and #859298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD754F shade: #CD4F6D, #CD544F, #CD754F, #CD974F and #CDB84F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD754F shade: #9E4E2C, #BE5F35, #CD754F, #D68F70 and #DFA890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD754F shade: #CD754F, #8ECD4F and #4F5CCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD754F shade: #CD754F, #4FCD75 and #754FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD754F shade: #CD754F, #8ECD4F, #4FA7CD and #8E4FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD754F shade: #CD754F, #69CD4F, #4FA7CD and #B44FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

Complementary color

CMYK 72 / 22 / 0 / 31

HEX #328AB0

RGB 50 138 176

HSL 198.1, 0.56%, 0.44%

LAB 54.02, -13.39, -27.55

 

CMYK 0 / 44 / 65 / 18

HEX #D2754A

RGB 210 117 74

HSL 18.97, 0.6%, 0.56%

LAB 58.9, 32.71, 39.28

 

CMYK 0 / 41 / 59 / 11

HEX #E3875D

RGB 227 135 93

HSL 18.81, 0.71%, 0.63%

LAB 65.32, 31.29, 37.43

 

CMYK 0 / 37 / 54 / 4

HEX #F49970

RGB 244 153 112

HSL 18.64, 0.86%, 0.7%

LAB 71.68, 30.02, 35.72

 

CMYK 0 / 33 / 49 / 0

HEX #FFAB83

RGB 255 171 131

HSL 19.35, 1%, 0.76%

LAB 77.3, 26.54, 33.13

 

CMYK 0 / 26 / 41 / 0

HEX #FFBD96

RGB 255 189 150

HSL 22.29, 1%, 0.79%

LAB 81.76, 19, 29.01

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 47 / 68 / 26

HEX #BC633C

RGB 188 99 60

HSL 18.28, 0.52%, 0.49%

LAB 51.77, 32.53, 37.68

 

CMYK 0 / 53 / 76 / 33

HEX #AB5129

RGB 171 81 41

HSL 18.46, 0.61%, 0.42%

LAB 45.22, 34.18, 39.78

 

CMYK 0 / 59 / 86 / 40

HEX #9A3F16

RGB 154 63 22

HSL 18.64, 0.75%, 0.35%

LAB 38.7, 35.93, 41.72

 

CMYK 0 / 67 / 98 / 46

HEX #892D03

RGB 137 45 3

HSL 18.81, 0.96%, 0.27%

LAB 32.26, 37.62, 43.01

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 60 / 61 / 20

HEX #CD534F

RGB 205 83 79

HSL 1.9, 0.56%, 0.56%

LAB 51.53, 48.14, 27.29

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 26 / 61 / 20

HEX #CD974F

RGB 205 151 79

HSL 34.29, 0.56%, 0.56%

LAB 66.27, 12.6, 45.17

 

CMYK 0 / 10 / 61 / 20

HEX #CDB94F

RGB 205 185 79

HSL 50.48, 0.56%, 0.56%

LAB 74.98, -5.54, 54.98

 

CMYK 7 / 0 / 61 / 20

HEX #BFCD4F

RGB 191 205 79

HSL 66.67, 0.56%, 0.56%

LAB 79.22, -21.5, 59.26

 

CMYK 23 / 0 / 61 / 20

HEX #9DCD4F

RGB 157 205 79

HSL 82.86, 0.56%, 0.56%

LAB 76.92, -34.94, 56.09

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 51 / 73 / 13

HEX #DF6E3D

RGB 223 110 61

HSL 18.15, 0.72%, 0.56%

LAB 59.14, 40.72, 46.78

 

CMYK 0 / 57 / 82 / 5

HEX #F1672B

RGB 241 103 43

HSL 18.18, 0.88%, 0.56%

LAB 60.41, 50.18, 57.31

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 33 / 48 / 27

HEX #BB7D62

RGB 187 125 98

HSL 18.2, 0.4%, 0.56%

LAB 58.14, 20.96, 24.51

 

CMYK 0 / 22 / 31 / 34

HEX #A98474

RGB 169 132 116

HSL 18.11, 0.24%, 0.56%

LAB 58.22, 11.83, 14.06

 

CMYK 0 / 8 / 11 / 41

HEX #978B86

RGB 151 139 134

HSL 17.65, 0.08%, 0.56%

LAB 58.76, 3.58, 4.28

 

CMYK 13 / 4 / 0 / 40

HEX #859298

RGB 133 146 152

HSL 198.95, 0.08%, 0.56%

LAB 59.72, -3.39, -4.77

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 59 / 61 / 20

HEX #CD544F

RGB 205 84 79

HSL 2.38, 0.56%, 0.56%

LAB 51.71, 47.68, 27.51

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 26 / 61 / 20

HEX #CD974F

RGB 205 151 79

HSL 34.29, 0.56%, 0.56%

LAB 66.27, 12.6, 45.17

 

CMYK 0 / 10 / 61 / 20

HEX #CDB84F

RGB 205 184 79

HSL 50, 0.56%, 0.56%

LAB 74.71, -5.02, 54.69

 

CMYK 0 / 51 / 72 / 38

HEX #9E4E2C

RGB 158 78 44

HSL 17.89, 0.56%, 0.4%

LAB 42.61, 30.61, 34.78

 

CMYK 0 / 50 / 72 / 25

HEX #BE5F35

RGB 190 95 53

HSL 18.39, 0.56%, 0.48%

LAB 51.14, 35.06, 40.76

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 33 / 48 / 16

HEX #D68F70

RGB 214 143 112

HSL 18.24, 0.55%, 0.64%

LAB 65.83, 23.45, 27.46

 

CMYK 0 / 25 / 35 / 13

HEX #DFA890

RGB 223 168 144

HSL 18.23, 0.55%, 0.72%

LAB 73.35, 17.04, 20.26

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 31 / 0 / 61 / 20

HEX #8ECD4F

RGB 142 205 79

HSL 90, 0.56%, 0.56%

LAB 76.06, -40.48, 54.9

 

CMYK 61 / 55 / 0 / 20

HEX #4F5CCD

RGB 79 92 205

HSL 233.81, 0.56%, 0.56%

LAB 43.83, 29.6, -60.31

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 61 / 0 / 43 / 20

HEX #4FCD75

RGB 79 205 117

HSL 138.1, 0.56%, 0.56%

LAB 73.94, -53.92, 33.69

 

CMYK 43 / 61 / 0 / 20

HEX #754FCD

RGB 117 79 205

HSL 258.1, 0.56%, 0.56%

LAB 43.92, 44.73, -60.02

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 31 / 0 / 61 / 20

HEX #8ECD4F

RGB 142 205 79

HSL 90, 0.56%, 0.56%

LAB 76.06, -40.48, 54.9

 

CMYK 61 / 19 / 0 / 20

HEX #4FA7CD

RGB 79 167 205

HSL 198.1, 0.56%, 0.56%

LAB 64.73, -15.03, -27.28

 

CMYK 31 / 61 / 0 / 20

HEX #8E4FCD

RGB 142 79 205

HSL 270, 0.56%, 0.56%

LAB 46.65, 50.21, -55.49

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 49 / 0 / 61 / 20

HEX #69CD4F

RGB 105 205 79

HSL 107.62, 0.56%, 0.56%

LAB 74.34, -52.51, 52.5

 

CMYK 61 / 19 / 0 / 20

HEX #4FA7CD

RGB 79 167 205

HSL 198.1, 0.56%, 0.56%

LAB 64.73, -15.03, -27.28

 

CMYK 12 / 61 / 0 / 20

HEX #B44FCD

RGB 180 79 205

HSL 288.1, 0.56%, 0.56%

LAB 51.5, 59.18, -47.44

 

Description

Color code: HEX #CD754F | qconv.com Color code: HEX #CD754F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 117 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 117 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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