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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7D31 it is the complementary color #3282CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7D31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7D31 shade: #D27D2C, #E38F3F, #F4A152, #FFB365 and #FFC578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7D31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7D31 shade: #CD7D31, #BC6B1E, #AB590B, #9A4700 and #893500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7D31 shade: #CD7D31, #CD5331 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7D31 shade: #CD7D31, #CDA731, #C9CD31, #9FCD31 and #75CD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7D31 shade matches the following richer shades: #CD7D31, #E17C1D and #F67C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7D31 shade: #CD7D31, #B87E46, #A47E5A, #8F7F6F and #7A7F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7D31 shade: #CD3139, #CD5331, #CD7C31, #CDA631 and #CACD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7D31 shade: #8A5421, #AC6929, #CD7D31, #D59252 and #DDA774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7D31 shade: #CD7D31, #62CD31 and #3E31CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7D31 shade: #CD7D31, #31CD7C and #7C31CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7D31 shade: #CD7D31, #62CD31, #3182CD and #9C31CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7D31 shade: #CD7D31, #34CD31, #3182CD and #CA31CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

Complementary color

CMYK 76 / 37 / 0 / 19

HEX #3282CE

RGB 50 130 206

HSL 209.23, 0.61%, 0.5%

LAB 53.06, 1.89, -46.16

 

CMYK 0 / 40 / 79 / 18

HEX #D27D2C

RGB 210 125 44

HSL 29.28, 0.65%, 0.5%

LAB 60.38, 26.97, 55.24

 

CMYK 0 / 37 / 72 / 11

HEX #E38F3F

RGB 227 143 63

HSL 29.27, 0.75%, 0.57%

LAB 66.77, 25.25, 54.07

 

CMYK 0 / 34 / 66 / 4

HEX #F4A152

RGB 244 161 82

HSL 29.26, 0.88%, 0.64%

LAB 73.11, 23.73, 52.66

 

CMYK 0 / 30 / 60 / 0

HEX #FFB365

RGB 255 179 101

HSL 30.39, 1%, 0.7%

LAB 78.72, 19.96, 50.24

 

CMYK 0 / 23 / 53 / 0

HEX #FFC578

RGB 255 197 120

HSL 34.22, 1%, 0.74%

LAB 83.2, 12, 46.27

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 0 / 43 / 84 / 26

HEX #BC6B1E

RGB 188 107 30

HSL 29.24, 0.72%, 0.43%

LAB 53.28, 26.93, 53.19

 

CMYK 0 / 48 / 94 / 33

HEX #AB590B

RGB 171 89 11

HSL 29.25, 0.88%, 0.36%

LAB 46.75, 29.04, 52.94

 

CMYK 0 / 54 / 100 / 40

HEX #9A4700

RGB 154 71 0

HSL 27.66, 1%, 0.3%

LAB 40.21, 31.36, 50.34

 

CMYK 0 / 61 / 100 / 46

HEX #893500

RGB 137 53 0

HSL 23.21, 1%, 0.27%

LAB 33.7, 33.72, 45.13

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 0 / 60 / 76 / 20

HEX #CD5331

RGB 205 83 49

HSL 13.08, 0.61%, 0.5%

LAB 51.14, 46.54, 43.53

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 0 / 19 / 76 / 20

HEX #CDA731

RGB 205 167 49

HSL 45.38, 0.61%, 0.5%

LAB 70.06, 2.32, 62.23

 

CMYK 2 / 0 / 76 / 20

HEX #C9CD31

RGB 201 205 49

HSL 61.54, 0.61%, 0.5%

LAB 79.79, -18.96, 71.09

 

CMYK 22 / 0 / 76 / 20

HEX #9FCD31

RGB 159 205 49

HSL 77.69, 0.61%, 0.5%

LAB 76.83, -36.1, 67.29

 

CMYK 43 / 0 / 76 / 20

HEX #75CD31

RGB 117 205 49

HSL 93.85, 0.61%, 0.5%

LAB 74.61, -51.2, 64.4

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 50 / 97 / 4

HEX #F67C08

RGB 246 124 8

HSL 29.24, 0.94%, 0.5%

LAB 64.98, 41.38, 70.93

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 0 / 32 / 62 / 28

HEX #B87E46

RGB 184 126 70

HSL 29.47, 0.45%, 0.5%

LAB 57.61, 16.72, 39.05

 

CMYK 0 / 23 / 45 / 36

HEX #A47E5A

RGB 164 126 90

HSL 29.19, 0.29%, 0.5%

LAB 55.64, 9.93, 25.23

 

CMYK 0 / 11 / 22 / 44

HEX #8F7F6F

RGB 143 127 111

HSL 30, 0.13%, 0.5%

LAB 54.2, 3.4, 10.93

 

CMYK 8 / 4 / 0 / 48

HEX #7A7F84

RGB 122 127 132

HSL 210, 0.04%, 0.5%

LAB 52.93, -0.81, -3.36

 

CMYK 0 / 76 / 72 / 20

HEX #CD3139

RGB 205 49 57

HSL 356.92, 0.61%, 0.5%

LAB 46.27, 60.32, 33.74

 

CMYK 0 / 60 / 76 / 20

HEX #CD5331

RGB 205 83 49

HSL 13.08, 0.61%, 0.5%

LAB 51.14, 46.54, 43.53

 

CMYK 0 / 40 / 76 / 20

HEX #CD7C31

RGB 205 124 49

HSL 28.85, 0.61%, 0.5%

LAB 59.54, 25.6, 52.08

 

CMYK 0 / 19 / 76 / 20

HEX #CDA631

RGB 205 166 49

HSL 45, 0.61%, 0.5%

LAB 69.81, 2.86, 61.99

 

CMYK 1 / 0 / 76 / 20

HEX #CACD31

RGB 202 205 49

HSL 61.15, 0.61%, 0.5%

LAB 79.86, -18.54, 71.2

 

CMYK 0 / 39 / 76 / 46

HEX #8A5421

RGB 138 84 33

HSL 29.14, 0.61%, 0.34%

LAB 40.98, 17.98, 37.89

 

CMYK 0 / 39 / 76 / 33

HEX #AC6929

RGB 172 105 41

HSL 29.31, 0.62%, 0.42%

LAB 50.73, 21.53, 45.45

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 0 / 31 / 62 / 16

HEX #D59252

RGB 213 146 82

HSL 29.31, 0.61%, 0.58%

LAB 65.99, 18.9, 43.57

 

CMYK 0 / 24 / 48 / 13

HEX #DDA774

RGB 221 167 116

HSL 29.14, 0.61%, 0.66%

LAB 72.41, 13.72, 34.01

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 52 / 0 / 76 / 20

HEX #62CD31

RGB 98 205 49

HSL 101.15, 0.61%, 0.5%

LAB 73.86, -56.92, 63.41

 

CMYK 70 / 76 / 0 / 20

HEX #3E31CD

RGB 62 49 205

HSL 245, 0.61%, 0.5%

LAB 33.2, 52.66, -77.76

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 76 / 0 / 40 / 20

HEX #31CD7C

RGB 49 205 124

HSL 148.85, 0.61%, 0.5%

LAB 73.4, -57.72, 29.27

 

CMYK 40 / 76 / 0 / 20

HEX #7C31CD

RGB 124 49 205

HSL 268.85, 0.61%, 0.5%

LAB 39.39, 60.75, -67.35

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 52 / 0 / 76 / 20

HEX #62CD31

RGB 98 205 49

HSL 101.15, 0.61%, 0.5%

LAB 73.86, -56.92, 63.41

 

CMYK 76 / 37 / 0 / 20

HEX #3182CD

RGB 49 130 205

HSL 208.85, 0.61%, 0.5%

LAB 52.98, 1.4, -45.72

 

CMYK 24 / 76 / 0 / 20

HEX #9C31CD

RGB 156 49 205

HSL 281.15, 0.61%, 0.5%

LAB 43.76, 66.27, -60.05

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 75 / 0 / 76 / 20

HEX #34CD31

RGB 52 205 49

HSL 118.85, 0.61%, 0.5%

LAB 72.64, -66.9, 61.8

 

CMYK 76 / 37 / 0 / 20

HEX #3182CD

RGB 49 130 205

HSL 208.85, 0.61%, 0.5%

LAB 52.98, 1.4, -45.72

 

CMYK 1 / 76 / 0 / 20

HEX #CA31CD

RGB 202 49 205

HSL 298.85, 0.61%, 0.5%

LAB 50.87, 75.09, -48.24

 

Description

Color code: HEX #CD7D31 | qconv.com Color code: HEX #CD7D31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 125 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 125 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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