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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E17C1D it is the complementary color #1E83E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E17C1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E17C1D shade: #E67C18, #F78E2B, #FFA03E, #FFB251 and #FFC464

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E17C1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E17C1D shade: #E17C1D, #D06A0A, #BF5800, #AE4600 and #9D3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E17C1D shade: #E17C1D, #E1471D and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E17C1D shade: #E17C1D, #E1B11D, #DCE11D, #A8E11D and #73E11D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E17C1D shade matches the following richer shades: #E17C1D and #F67B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E17C1D shade: #E17C1D, #CD7D31, #B87D46, #A37E5B and #8F7F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E17C1D shade: #E11D27, #E1471D, #E17C1D, #E1B01D and #DEE11D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E17C1D shade: #985413, #BD6818, #E17C1D, #E69141 and #EBA666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E17C1D shade: #E17C1D, #5BE11D and #2D1DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E17C1D shade: #E17C1D, #1DE17C and #7C1DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E17C1D shade: #E17C1D, #5BE11D, #1D82E1 and #A31DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E17C1D shade: #E17C1D, #20E11D, #1D82E1 and #DE1DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

Complementary color

CMYK 87 / 42 / 0 / 11

HEX #1E83E2

RGB 30 131 226

HSL 209.08, 0.77%, 0.5%

LAB 54.03, 6.91, -55.91

 

CMYK 0 / 46 / 90 / 10

HEX #E67C18

RGB 230 124 24

HSL 29.13, 0.81%, 0.5%

LAB 62.76, 35.21, 65.16

 

CMYK 0 / 43 / 83 / 3

HEX #F78E2B

RGB 247 142 43

HSL 29.12, 0.93%, 0.57%

LAB 68.96, 33.23, 65.18

 

CMYK 0 / 37 / 76 / 0

HEX #FFA03E

RGB 255 160 62

HSL 30.47, 1%, 0.62%

LAB 74.03, 27.79, 62.93

 

CMYK 0 / 30 / 68 / 0

HEX #FFB251

RGB 255 178 81

HSL 33.45, 1%, 0.66%

LAB 78.28, 19.27, 59.13

 

CMYK 0 / 23 / 61 / 0

HEX #FFC464

RGB 255 196 100

HSL 37.16, 1%, 0.7%

LAB 82.73, 11.03, 55.37

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 49 / 95 / 18

HEX #D06A0A

RGB 208 106 10

HSL 29.09, 0.91%, 0.43%

LAB 55.83, 35.39, 61.97

 

CMYK 0 / 54 / 100 / 25

HEX #BF5800

RGB 191 88 0

HSL 27.64, 1%, 0.37%

LAB 49.56, 37.65, 58.83

 

CMYK 0 / 60 / 100 / 32

HEX #AE4600

RGB 174 70 0

HSL 24.14, 1%, 0.34%

LAB 43.33, 39.9, 53.85

 

CMYK 0 / 67 / 100 / 38

HEX #9D3400

RGB 157 52 0

HSL 19.87, 1%, 0.31%

LAB 37.16, 41.86, 48.95

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 68 / 87 / 12

HEX #E1471D

RGB 225 71 29

HSL 12.86, 0.77%, 0.5%

LAB 52.51, 57.97, 55.32

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 21 / 87 / 12

HEX #E1B11D

RGB 225 177 29

HSL 45.31, 0.77%, 0.5%

LAB 74.53, 5.14, 72.81

 

CMYK 2 / 0 / 87 / 12

HEX #DCE11D

RGB 220 225 29

HSL 61.53, 0.77%, 0.5%

LAB 86.58, -21.35, 82.26

 

CMYK 25 / 0 / 87 / 12

HEX #A8E11D

RGB 168 225 29

HSL 77.45, 0.77%, 0.5%

LAB 83.05, -42.24, 77.92

 

CMYK 49 / 0 / 87 / 12

HEX #73E11D

RGB 115 225 29

HSL 93.67, 0.77%, 0.5%

LAB 80.51, -60.29, 74.75

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 50 / 97 / 4

HEX #F67B08

RGB 246 123 8

HSL 28.99, 0.94%, 0.5%

LAB 64.78, 41.87, 70.81

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 39 / 76 / 20

HEX #CD7D31

RGB 205 125 49

HSL 29.23, 0.61%, 0.5%

LAB 59.77, 25.06, 52.3

 

CMYK 0 / 32 / 62 / 28

HEX #B87D46

RGB 184 125 70

HSL 28.95, 0.45%, 0.5%

LAB 57.37, 17.27, 38.76

 

CMYK 0 / 23 / 44 / 36

HEX #A37E5B

RGB 163 126 91

HSL 29.17, 0.28%, 0.5%

LAB 55.55, 9.62, 24.53

 

CMYK 0 / 11 / 22 / 44

HEX #8F7F6F

RGB 143 127 111

HSL 30, 0.13%, 0.5%

LAB 54.2, 3.4, 10.93

 

CMYK 0 / 87 / 83 / 12

HEX #E11D27

RGB 225 29 39

HSL 356.94, 0.77%, 0.5%

LAB 48.3, 70.16, 47.1

 

CMYK 0 / 68 / 87 / 12

HEX #E1471D

RGB 225 71 29

HSL 12.86, 0.77%, 0.5%

LAB 52.51, 57.97, 55.32

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 22 / 87 / 12

HEX #E1B01D

RGB 225 176 29

HSL 45, 0.77%, 0.5%

LAB 74.28, 5.67, 72.61

 

CMYK 1 / 0 / 87 / 12

HEX #DEE11D

RGB 222 225 29

HSL 60.92, 0.77%, 0.5%

LAB 86.74, -20.51, 82.45

 

CMYK 0 / 45 / 88 / 40

HEX #985413

RGB 152 84 19

HSL 29.32, 0.78%, 0.34%

LAB 42.86, 23.73, 46.34

 

CMYK 0 / 45 / 87 / 26

HEX #BD6818

RGB 189 104 24

HSL 29.09, 0.77%, 0.42%

LAB 52.71, 28.82, 54.88

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 37 / 72 / 10

HEX #E69141

RGB 230 145 65

HSL 29.09, 0.77%, 0.58%

LAB 67.62, 25.53, 54.15

 

CMYK 0 / 29 / 57 / 8

HEX #EBA666

RGB 235 166 102

HSL 28.87, 0.77%, 0.66%

LAB 73.48, 18.75, 42.95

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 60 / 0 / 87 / 12

HEX #5BE11D

RGB 91 225 29

HSL 101.02, 0.77%, 0.5%

LAB 79.71, -66.66, 73.75

 

CMYK 80 / 87 / 0 / 12

HEX #2D1DE1

RGB 45 29 225

HSL 244.9, 0.77%, 0.5%

LAB 31.52, 66.06, -92.13

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 87 / 0 / 45 / 12

HEX #1DE17C

RGB 29 225 124

HSL 149.08, 0.77%, 0.5%

LAB 79.37, -66.63, 37.01

 

CMYK 45 / 87 / 0 / 12

HEX #7C1DE1

RGB 124 29 225

HSL 269.08, 0.77%, 0.5%

LAB 38.9, 71.95, -79.67

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 60 / 0 / 87 / 12

HEX #5BE11D

RGB 91 225 29

HSL 101.02, 0.77%, 0.5%

LAB 79.71, -66.66, 73.75

 

CMYK 87 / 42 / 0 / 12

HEX #1D82E1

RGB 29 130 225

HSL 209.08, 0.77%, 0.5%

LAB 53.67, 7.08, -55.92

 

CMYK 28 / 87 / 0 / 12

HEX #A31DE1

RGB 163 29 225

HSL 281.02, 0.77%, 0.5%

LAB 44.38, 76.87, -70.48

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 86 / 0 / 87 / 12

HEX #20E11D

RGB 32 225 29

HSL 119.08, 0.77%, 0.5%

LAB 78.61, -76.11, 72.37

 

CMYK 87 / 42 / 0 / 12

HEX #1D82E1

RGB 29 130 225

HSL 209.08, 0.77%, 0.5%

LAB 53.67, 7.08, -55.92

 

CMYK 1 / 87 / 0 / 12

HEX #DE1DE1

RGB 222 29 225

HSL 299.08, 0.77%, 0.5%

LAB 53.86, 86.11, -54.69

 

Description

Color code: HEX #E17C1D | qconv.com Color code: HEX #E17C1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 124 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 124 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 87% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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