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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3684 it is the complementary color #31C97B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3684 shade: #D3367F, #E44892, #F55AA5, #FF6CB8 and #FF7ECB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3684 shade: #CE3684, #BD2471, #AC125E, #9B004B and #8A0038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3684 shade: #CE3584, #CE355A and #CE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3684 shade: #CE3584, #CE35AD, #C635CE, #9D35CE and #7435CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3684 shade matches the following richer shades: #CE3584, #E22184 and #F60D85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3684 shade: #CE3584, #BA4A83, #A55E82, #917282 and #7D8681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3684 shade: #C635CE, #CE35AD, #CE3584, #CE355B and #CE3835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3684 shade: #8E225A, #B02A6F, #CE3584, #D65798 and #DE78AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3684 shade: #CE3684, #CE9D35 and #35C1CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3684 shade: #CE3684, #84CE35 and #3584CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3684 shade: #CE3684, #CE9D35, #35CE7F and #3566CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3684 shade: #CE3684, #CECB35, #35CE7F and #3538CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 36 / 19

HEX #CE3684

RGB 206 54 132

HSL 329.21, 0.61%, 0.51%

LAB 48.79, 64.66, -8.36

 

Complementary color

CMYK 76 / 0 / 39 / 21

HEX #31C97B

RGB 49 201 123

HSL 149.21, 0.61%, 0.49%

LAB 72.13, -56.44, 28.11

 

CMYK 0 / 74 / 40 / 17

HEX #D3367F

RGB 211 54 127

HSL 332.1, 0.64%, 0.52%

LAB 49.52, 65.47, -4.16

 

CMYK 0 / 68 / 36 / 11

HEX #E44892

RGB 228 72 146

HSL 331.54, 0.74%, 0.59%

LAB 55.28, 65.88, -6.65

 

CMYK 0 / 63 / 33 / 4

HEX #F55AA5

RGB 245 90 165

HSL 330.97, 0.89%, 0.66%

LAB 61.17, 65.83, -8.67

 

CMYK 0 / 58 / 28 / 0

HEX #FF6CB8

RGB 255 108 184

HSL 328.98, 1%, 0.71%

LAB 66.09, 63.44, -12.01

 

CMYK 0 / 51 / 20 / 0

HEX #FF7ECB

RGB 255 126 203

HSL 324.19, 1%, 0.75%

LAB 69.82, 57.76, -17.07

 

CMYK 0 / 74 / 36 / 19

HEX #CE3684

RGB 206 54 132

HSL 329.21, 0.61%, 0.51%

LAB 48.79, 64.66, -8.36

 

CMYK 0 / 81 / 40 / 26

HEX #BD2471

RGB 189 36 113

HSL 329.8, 0.68%, 0.44%

LAB 43.17, 63.58, -5.44

 

CMYK 0 / 90 / 45 / 33

HEX #AC125E

RGB 172 18 94

HSL 330.39, 0.81%, 0.37%

LAB 37.86, 61.46, -1.69

 

CMYK 0 / 100 / 52 / 39

HEX #9B004B

RGB 155 0 75

HSL 330.97, 1%, 0.3%

LAB 32.87, 58.28, 2.93

 

CMYK 0 / 100 / 59 / 46

HEX #8A0038

RGB 138 0 56

HSL 335.65, 1%, 0.27%

LAB 28.61, 52.79, 9.08

 

CMYK 0 / 74 / 36 / 19

HEX #CE3584

RGB 206 53 132

HSL 329.02, 0.61%, 0.51%

LAB 48.68, 64.99, -8.53

 

CMYK 0 / 74 / 56 / 19

HEX #CE355A

RGB 206 53 90

HSL 345.49, 0.61%, 0.51%

LAB 47.5, 61.22, 15.41

 

CMYK 0 / 74 / 74 / 19

HEX #CE3535

RGB 206 53 53

HSL 0, 0.61%, 0.51%

LAB 46.88, 59.16, 36.79

 

CMYK 0 / 74 / 36 / 19

HEX #CE3584

RGB 206 53 132

HSL 329.02, 0.61%, 0.51%

LAB 48.68, 64.99, -8.53

 

CMYK 0 / 74 / 16 / 19

HEX #CE35AD

RGB 206 53 173

HSL 312.94, 0.61%, 0.51%

LAB 50.32, 70.02, -30.48

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 24 / 74 / 0 / 19

HEX #9D35CE

RGB 157 53 206

HSL 280.78, 0.61%, 0.51%

LAB 44.48, 65.22, -59.46

 

CMYK 44 / 74 / 0 / 19

HEX #7435CE

RGB 116 53 206

HSL 264.71, 0.61%, 0.51%

LAB 39.1, 57.99, -68.45

 

CMYK 0 / 74 / 36 / 19

HEX #CE3584

RGB 206 53 132

HSL 329.02, 0.61%, 0.51%

LAB 48.68, 64.99, -8.53

 

CMYK 0 / 85 / 42 / 11

HEX #E22184

RGB 226 33 132

HSL 329.22, 0.77%, 0.51%

LAB 50.6, 74.95, -5.28

 

CMYK 0 / 95 / 46 / 4

HEX #F60D85

RGB 246 13 133

HSL 329.1, 0.93%, 0.51%

LAB 53.57, 82.11, -1.06

 

CMYK 0 / 74 / 36 / 19

HEX #CE3584

RGB 206 53 132

HSL 329.02, 0.61%, 0.51%

LAB 48.68, 64.99, -8.53

 

CMYK 0 / 60 / 30 / 27

HEX #BA4A83

RGB 186 74 131

HSL 329.46, 0.45%, 0.51%

LAB 48.23, 51, -8.95

 

CMYK 0 / 43 / 21 / 35

HEX #A55E82

RGB 165 94 130

HSL 329.58, 0.28%, 0.51%

LAB 49.03, 33.75, -7.47

 

CMYK 0 / 21 / 10 / 43

HEX #917282

RGB 145 114 130

HSL 329.03, 0.12%, 0.51%

LAB 51.46, 14.94, -4.12

 

CMYK 7 / 0 / 4 / 47

HEX #7D8681

RGB 125 134 129

HSL 146.67, 0.04%, 0.51%

LAB 55.07, -4.32, 1.54

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 0 / 74 / 16 / 19

HEX #CE35AD

RGB 206 53 173

HSL 312.94, 0.61%, 0.51%

LAB 50.32, 70.02, -30.48

 

CMYK 0 / 74 / 36 / 19

HEX #CE3584

RGB 206 53 132

HSL 329.02, 0.61%, 0.51%

LAB 48.68, 64.99, -8.53

 

CMYK 0 / 74 / 56 / 19

HEX #CE355B

RGB 206 53 91

HSL 345.1, 0.61%, 0.51%

LAB 47.53, 61.3, 14.82

 

CMYK 0 / 73 / 74 / 19

HEX #CE3835

RGB 206 56 53

HSL 1.18, 0.61%, 0.51%

LAB 47.25, 58.13, 37.2

 

CMYK 0 / 76 / 37 / 44

HEX #8E225A

RGB 142 34 90

HSL 328.89, 0.61%, 0.35%

LAB 33.21, 49.25, -6.67

 

CMYK 0 / 76 / 37 / 31

HEX #B02A6F

RGB 176 42 111

HSL 329.1, 0.61%, 0.43%

LAB 41.27, 58.28, -7.29

 

CMYK 0 / 74 / 36 / 19

HEX #CE3584

RGB 206 53 132

HSL 329.02, 0.61%, 0.51%

LAB 48.68, 64.99, -8.53

 

CMYK 0 / 59 / 29 / 16

HEX #D65798

RGB 214 87 152

HSL 329.29, 0.61%, 0.59%

LAB 55.46, 56.43, -10.15

 

CMYK 0 / 46 / 23 / 13

HEX #DE78AC

RGB 222 120 172

HSL 329.41, 0.61%, 0.67%

LAB 63.29, 45.84, -9.86

 

CMYK 0 / 74 / 36 / 19

HEX #CE3684

RGB 206 54 132

HSL 329.21, 0.61%, 0.51%

LAB 48.79, 64.66, -8.36

 

CMYK 0 / 24 / 74 / 19

HEX #CE9D35

RGB 206 157 53

HSL 40.78, 0.61%, 0.51%

LAB 67.65, 8.3, 58.42

 

CMYK 74 / 6 / 0 / 19

HEX #35C1CE

RGB 53 193 206

HSL 185.1, 0.61%, 0.51%

LAB 71.79, -31.75, -17.11

 

CMYK 0 / 74 / 36 / 19

HEX #CE3684

RGB 206 54 132

HSL 329.21, 0.61%, 0.51%

LAB 48.79, 64.66, -8.36

 

CMYK 36 / 0 / 74 / 19

HEX #84CE35

RGB 132 206 53

HSL 89.02, 0.61%, 0.51%

LAB 75.64, -46.34, 64.33

 

CMYK 74 / 36 / 0 / 19

HEX #3584CE

RGB 53 132 206

HSL 209.02, 0.61%, 0.51%

LAB 53.72, 1.06, -45.1

 

CMYK 0 / 74 / 36 / 19

HEX #CE3684

RGB 206 54 132

HSL 329.21, 0.61%, 0.51%

LAB 48.79, 64.66, -8.36

 

CMYK 0 / 24 / 74 / 19

HEX #CE9D35

RGB 206 157 53

HSL 40.78, 0.61%, 0.51%

LAB 67.65, 8.3, 58.42

 

CMYK 74 / 0 / 38 / 19

HEX #35CE7F

RGB 53 206 127

HSL 149.02, 0.61%, 0.51%

LAB 73.82, -57, 28.3

 

CMYK 74 / 50 / 0 / 19

HEX #3566CE

RGB 53 102 206

HSL 220.78, 0.61%, 0.51%

LAB 45.24, 19.71, -58.67

 

CMYK 0 / 74 / 36 / 19

HEX #CE3684

RGB 206 54 132

HSL 329.21, 0.61%, 0.51%

LAB 48.79, 64.66, -8.36

 

CMYK 0 / 1 / 74 / 19

HEX #CECB35

RGB 206 203 53

HSL 58.82, 0.61%, 0.51%

LAB 79.67, -15.7, 69.87

 

CMYK 74 / 0 / 38 / 19

HEX #35CE7F

RGB 53 206 127

HSL 149.02, 0.61%, 0.51%

LAB 73.82, -57, 28.3

 

CMYK 74 / 73 / 0 / 19

HEX #3538CE

RGB 53 56 206

HSL 238.82, 0.61%, 0.51%

LAB 34.07, 48.39, -76.92

 

Description

Color code: HEX #CE3684 | qconv.com Color code: HEX #CE3684 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 54 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 54 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 36 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 36% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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