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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5E97 it is the complementary color #31A168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5E97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5E97 shade: #D35E92, #E470A5, #F582B8, #FF94CB and #FFA6DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5E97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5E97 shade: #CE5E97, #BD4C84, #AC3A71, #9B285E and #8A164B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5E97 shade: #CD5F97, #CD5F79 and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5E97 shade: #CD5F97, #CD5FB5, #C85FCD, #AA5FCD and #8C5FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5E97 shade matches the following richer shades: #CD5F97, #DE4E97 and #EF3D98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5E97 shade: #CD5F97, #BC6F97, #AC8096, #9B9196 and #8AA296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5E97 shade: #C85FCD, #CD5FB5, #CD5F98, #CD5F7A and #CD605F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5E97 shade: #A7336E, #C43F83, #CD5F97, #D77EAB and #E19EC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5E97 shade: #CE5E97, #CDAA5F and #5FC4CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5E97 shade: #CE5E97, #98CD5F and #5F98CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5E97 shade: #CE5E97, #CDAA5F, #5FCD94 and #5F82CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5E97 shade: #CE5E97, #CDCC5F, #5FCD94 and #5F60CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 27 / 19

HEX #CE5E97

RGB 206 94 151

HSL 329.46, 0.53%, 0.59%

LAB 55.44, 50.58, -9.71

 

Complementary color

CMYK 70 / 0 / 35 / 37

HEX #31A168

RGB 49 161 104

HSL 149.46, 0.53%, 0.41%

LAB 59.11, -44.75, 20.82

 

CMYK 0 / 55 / 31 / 17

HEX #D35E92

RGB 211 94 146

HSL 333.33, 0.57%, 0.6%

LAB 56.02, 51.53, -5.85

 

CMYK 0 / 51 / 28 / 11

HEX #E470A5

RGB 228 112 165

HSL 332.59, 0.68%, 0.67%

LAB 62.34, 50.82, -7.2

 

CMYK 0 / 47 / 25 / 4

HEX #F582B8

RGB 245 130 184

HSL 331.83, 0.85%, 0.74%

LAB 68.63, 50.06, -8.36

 

CMYK 0 / 42 / 20 / 0

HEX #FF94CB

RGB 255 148 203

HSL 329.16, 1%, 0.79%

LAB 74.03, 46.98, -10.74

 

CMYK 0 / 35 / 13 / 0

HEX #FFA6DE

RGB 255 166 222

HSL 322.25, 1%, 0.83%

LAB 78.35, 40.65, -14.67

 

CMYK 0 / 54 / 27 / 19

HEX #CE5E97

RGB 206 94 151

HSL 329.46, 0.53%, 0.59%

LAB 55.44, 50.58, -9.71

 

CMYK 0 / 60 / 30 / 26

HEX #BD4C84

RGB 189 76 132

HSL 330.27, 0.46%, 0.52%

LAB 49.07, 51.15, -8.24

 

CMYK 0 / 66 / 34 / 33

HEX #AC3A71

RGB 172 58 113

HSL 331.05, 0.5%, 0.45%

LAB 42.75, 51.47, -6.4

 

CMYK 0 / 74 / 39 / 39

HEX #9B285E

RGB 155 40 94

HSL 331.83, 0.59%, 0.38%

LAB 36.54, 51.29, -4.01

 

CMYK 0 / 84 / 46 / 46

HEX #8A164B

RGB 138 22 75

HSL 332.59, 0.73%, 0.31%

LAB 30.6, 50.22, -0.8

 

CMYK 0 / 54 / 26 / 20

HEX #CD5F97

RGB 205 95 151

HSL 329.45, 0.52%, 0.59%

LAB 55.48, 49.78, -9.67

 

CMYK 0 / 54 / 41 / 20

HEX #CD5F79

RGB 205 95 121

HSL 345.82, 0.52%, 0.59%

LAB 54.6, 46.12, 6.69

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 54 / 26 / 20

HEX #CD5F97

RGB 205 95 151

HSL 329.45, 0.52%, 0.59%

LAB 55.48, 49.78, -9.67

 

CMYK 0 / 54 / 12 / 20

HEX #CD5FB5

RGB 205 95 181

HSL 313.09, 0.52%, 0.59%

LAB 56.58, 54.21, -25.43

 

CMYK 2 / 54 / 0 / 20

HEX #C85FCD

RGB 200 95 205

HSL 297.27, 0.52%, 0.59%

LAB 56.95, 56.89, -38.65

 

CMYK 17 / 54 / 0 / 20

HEX #AA5FCD

RGB 170 95 205

HSL 280.91, 0.52%, 0.59%

LAB 53.1, 48.86, -44.98

 

CMYK 32 / 54 / 0 / 20

HEX #8C5FCD

RGB 140 95 205

HSL 264.55, 0.52%, 0.59%

LAB 49.7, 41.09, -50.6

 

CMYK 0 / 54 / 26 / 20

HEX #CD5F97

RGB 205 95 151

HSL 329.45, 0.52%, 0.59%

LAB 55.48, 49.78, -9.67

 

CMYK 0 / 65 / 32 / 13

HEX #DE4E97

RGB 222 78 151

HSL 329.58, 0.69%, 0.59%

LAB 55.29, 62.45, -9.69

 

CMYK 0 / 74 / 36 / 6

HEX #EF3D98

RGB 239 61 152

HSL 329.33, 0.85%, 0.59%

LAB 56.04, 73.11, -8.85

 

CMYK 0 / 54 / 26 / 20

HEX #CD5F97

RGB 205 95 151

HSL 329.45, 0.52%, 0.59%

LAB 55.48, 49.78, -9.67

 

CMYK 0 / 41 / 20 / 26

HEX #BC6F97

RGB 188 111 151

HSL 328.83, 0.36%, 0.59%

LAB 56.38, 35.88, -8.56

 

CMYK 0 / 26 / 13 / 33

HEX #AC8096

RGB 172 128 150

HSL 330, 0.21%, 0.59%

LAB 58.43, 20.53, -5.15

 

CMYK 0 / 6 / 3 / 39

HEX #9B9196

RGB 155 145 150

HSL 330, 0.05%, 0.59%

LAB 61.15, 4.63, -1.32

 

CMYK 15 / 0 / 7 / 36

HEX #8AA296

RGB 138 162 150

HSL 150, 0.11%, 0.59%

LAB 64.52, -10.83, 3.43

 

CMYK 2 / 54 / 0 / 20

HEX #C85FCD

RGB 200 95 205

HSL 297.27, 0.52%, 0.59%

LAB 56.95, 56.89, -38.65

 

CMYK 0 / 54 / 12 / 20

HEX #CD5FB5

RGB 205 95 181

HSL 313.09, 0.52%, 0.59%

LAB 56.58, 54.21, -25.43

 

CMYK 0 / 54 / 26 / 20

HEX #CD5F98

RGB 205 95 152

HSL 328.91, 0.52%, 0.59%

LAB 55.51, 49.92, -10.21

 

CMYK 0 / 54 / 40 / 20

HEX #CD5F7A

RGB 205 95 122

HSL 345.27, 0.52%, 0.59%

LAB 54.63, 46.23, 6.14

 

CMYK 0 / 53 / 54 / 20

HEX #CD605F

RGB 205 96 95

HSL 0.55, 0.52%, 0.59%

LAB 54.21, 43.12, 21.44

 

CMYK 0 / 69 / 34 / 35

HEX #A7336E

RGB 167 51 110

HSL 329.48, 0.53%, 0.43%

LAB 40.75, 52.46, -7.61

 

CMYK 0 / 68 / 33 / 23

HEX #C43F83

RGB 196 63 131

HSL 329.32, 0.53%, 0.51%

LAB 48.17, 58.61, -8.87

 

CMYK 0 / 54 / 26 / 20

HEX #CD5F97

RGB 205 95 151

HSL 329.45, 0.52%, 0.59%

LAB 55.48, 49.78, -9.67

 

CMYK 0 / 41 / 20 / 16

HEX #D77EAB

RGB 215 126 171

HSL 329.66, 0.53%, 0.67%

LAB 63.6, 40.26, -8.93

 

CMYK 0 / 30 / 15 / 12

HEX #E19EC0

RGB 225 158 192

HSL 329.55, 0.53%, 0.75%

LAB 72.41, 29.94, -7.46

 

CMYK 0 / 54 / 27 / 19

HEX #CE5E97

RGB 206 94 151

HSL 329.46, 0.53%, 0.59%

LAB 55.44, 50.58, -9.71

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 54 / 4 / 0 / 20

HEX #5FC4CD

RGB 95 196 205

HSL 184.91, 0.52%, 0.59%

LAB 73.75, -26.86, -13.51

 

CMYK 0 / 54 / 27 / 19

HEX #CE5E97

RGB 206 94 151

HSL 329.46, 0.53%, 0.59%

LAB 55.44, 50.58, -9.71

 

CMYK 26 / 0 / 54 / 20

HEX #98CD5F

RGB 152 205 95

HSL 88.91, 0.52%, 0.59%

LAB 76.78, -35.33, 48.67

 

CMYK 54 / 26 / 0 / 20

HEX #5F98CD

RGB 95 152 205

HSL 208.91, 0.52%, 0.59%

LAB 61.04, -3.53, -32.93

 

CMYK 0 / 54 / 27 / 19

HEX #CE5E97

RGB 206 94 151

HSL 329.46, 0.53%, 0.59%

LAB 55.44, 50.58, -9.71

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 54 / 0 / 28 / 20

HEX #5FCD94

RGB 95 205 148

HSL 148.91, 0.52%, 0.59%

LAB 74.97, -44.66, 19.01

 

CMYK 54 / 37 / 0 / 20

HEX #5F82CD

RGB 95 130 205

HSL 220.91, 0.52%, 0.59%

LAB 54.87, 9.32, -42.6

 

CMYK 0 / 54 / 27 / 19

HEX #CE5E97

RGB 206 94 151

HSL 329.46, 0.53%, 0.59%

LAB 55.44, 50.58, -9.71

 

CMYK 0 / 0 / 54 / 20

HEX #CDCC5F

RGB 205 204 95

HSL 59.45, 0.52%, 0.59%

LAB 80.17, -14.08, 53.56

 

CMYK 54 / 0 / 28 / 20

HEX #5FCD94

RGB 95 205 148

HSL 148.91, 0.52%, 0.59%

LAB 74.97, -44.66, 19.01

 

CMYK 54 / 53 / 0 / 20

HEX #5F60CD

RGB 95 96 205

HSL 239.45, 0.52%, 0.59%

LAB 45.92, 30.13, -56.89

 

Description

Color code: HEX #CE5E97 | qconv.com Color code: HEX #CE5E97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 94 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 94 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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