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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA27F it is the complementary color #315D80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA27F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA27F shade: #D3A27A, #E4B48D, #F5C6A0, #FFD8B3 and #FFEAC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA27F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA27F shade: #CEA27F, #BD906C, #AC7E59, #9B6C46 and #8A5A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA27F shade: #CDA17D, #CD8B7D and #CD7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA27F shade: #CDA17D, #CDB67D, #CDCC7D, #B9CD7D and #A4CD7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA27F shade matches the following richer shades: #CDA17D, #DC9F6F, #EA9D60 and #F99C52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA27F shade: #CDA17D, #BFA28C, #B1A49A, #A2A6A8 and #94A7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA27F shade: #CD7D85, #CD8A7D, #CDA07D, #CDB57D and #CDCB7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA27F shade: #B47644, #C28B5F, #CDA17D, #D9B69B and #E4CCB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA27F shade: #CEA27F, #9BCD7D and #807DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA27F shade: #CEA27F, #7DCDA0 and #A07DCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA27F shade: #CEA27F, #9BCD7D, #7DABCD and #B07DCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA27F shade: #CEA27F, #82CD7D, #7DABCD and #C87DCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 38 / 19

HEX #CEA27F

RGB 206 162 127

HSL 26.58, 0.45%, 0.65%

LAB 69.82, 11.54, 24.41

 

Complementary color

CMYK 62 / 27 / 0 / 50

HEX #315D80

RGB 49 93 128

HSL 206.58, 0.45%, 0.35%

LAB 37.91, -3.84, -24.19

 

CMYK 0 / 23 / 42 / 17

HEX #D3A27A

RGB 211 162 122

HSL 26.97, 0.5%, 0.65%

LAB 70.24, 12.99, 27.78

 

CMYK 0 / 21 / 38 / 11

HEX #E4B48D

RGB 228 180 141

HSL 26.9, 0.62%, 0.72%

LAB 76.72, 12.23, 26.53

 

CMYK 0 / 19 / 35 / 4

HEX #F5C6A0

RGB 245 198 160

HSL 26.82, 0.81%, 0.79%

LAB 83.09, 11.56, 25.37

 

CMYK 0 / 15 / 30 / 0

HEX #FFD8B3

RGB 255 216 179

HSL 29.21, 1%, 0.85%

LAB 88.75, 8.35, 23.31

 

CMYK 0 / 8 / 22 / 0

HEX #FFEAC6

RGB 255 234 198

HSL 37.89, 1%, 0.89%

LAB 93.53, 1.65, 20.09

 

CMYK 0 / 21 / 38 / 19

HEX #CEA27F

RGB 206 162 127

HSL 26.58, 0.45%, 0.65%

LAB 69.82, 11.54, 24.41

 

CMYK 0 / 24 / 43 / 26

HEX #BD906C

RGB 189 144 108

HSL 26.67, 0.38%, 0.58%

LAB 63.22, 12.32, 25.69

 

CMYK 0 / 27 / 48 / 33

HEX #AC7E59

RGB 172 126 89

HSL 26.75, 0.33%, 0.51%

LAB 56.5, 13.23, 27.08

 

CMYK 0 / 30 / 55 / 39

HEX #9B6C46

RGB 155 108 70

HSL 26.82, 0.38%, 0.44%

LAB 49.66, 14.3, 28.61

 

CMYK 0 / 35 / 63 / 46

HEX #8A5A33

RGB 138 90 51

HSL 26.9, 0.46%, 0.37%

LAB 42.69, 15.61, 30.27

 

CMYK 0 / 21 / 39 / 20

HEX #CDA17D

RGB 205 161 125

HSL 27, 0.44%, 0.65%

LAB 69.43, 11.45, 24.96

 

CMYK 0 / 32 / 39 / 20

HEX #CD8B7D

RGB 205 139 125

HSL 10.5, 0.44%, 0.65%

LAB 64.1, 23.44, 17.71

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7D

RGB 205 125 125

HSL 0, 0.44%, 0.65%

LAB 60.89, 31.03, 13.26

 

CMYK 0 / 21 / 39 / 20

HEX #CDA17D

RGB 205 161 125

HSL 27, 0.44%, 0.65%

LAB 69.43, 11.45, 24.96

 

CMYK 0 / 11 / 39 / 20

HEX #CDB67D

RGB 205 182 125

HSL 42.75, 0.44%, 0.65%

LAB 74.77, 0.18, 32.03

 

CMYK 0 / 0 / 39 / 20

HEX #CDCC7D

RGB 205 204 125

HSL 59.25, 0.44%, 0.65%

LAB 80.54, -11.23, 39.47

 

CMYK 10 / 0 / 39 / 20

HEX #B9CD7D

RGB 185 205 125

HSL 75, 0.44%, 0.65%

LAB 79.3, -19.54, 37.58

 

CMYK 20 / 0 / 39 / 20

HEX #A4CD7D

RGB 164 205 125

HSL 90.75, 0.44%, 0.65%

LAB 77.9, -27.42, 35.49

 

CMYK 0 / 21 / 39 / 20

HEX #CDA17D

RGB 205 161 125

HSL 27, 0.44%, 0.65%

LAB 69.43, 11.45, 24.96

 

CMYK 0 / 28 / 50 / 14

HEX #DC9F6F

RGB 220 159 111

HSL 26.42, 0.61%, 0.65%

LAB 70.29, 17.14, 33.91

 

CMYK 0 / 33 / 59 / 8

HEX #EA9D60

RGB 234 157 96

HSL 26.52, 0.77%, 0.65%

LAB 71.18, 22.67, 43.2

 

CMYK 0 / 37 / 67 / 2

HEX #F99C52

RGB 249 156 82

HSL 26.59, 0.93%, 0.65%

LAB 72.58, 28.38, 52.23

 

CMYK 0 / 21 / 39 / 20

HEX #CDA17D

RGB 205 161 125

HSL 27, 0.44%, 0.65%

LAB 69.43, 11.45, 24.96

 

CMYK 0 / 15 / 27 / 25

HEX #BFA28C

RGB 191 162 140

HSL 25.88, 0.28%, 0.65%

LAB 68.61, 7.27, 15.4

 

CMYK 0 / 7 / 13 / 31

HEX #B1A49A

RGB 177 164 154

HSL 26.09, 0.13%, 0.65%

LAB 68.19, 2.98, 6.87

 

CMYK 4 / 1 / 0 / 34

HEX #A2A6A8

RGB 162 166 168

HSL 200, 0.03%, 0.65%

LAB 67.86, -1.03, -1.54

 

CMYK 19 / 9 / 0 / 28

HEX #94A7B7

RGB 148 167 183

HSL 207.43, 0.2%, 0.65%

LAB 67.54, -3.15, -10.46

 

CMYK 0 / 39 / 35 / 20

HEX #CD7D85

RGB 205 125 133

HSL 354, 0.44%, 0.65%

LAB 61.08, 32, 8.95

 

CMYK 0 / 33 / 39 / 20

HEX #CD8A7D

RGB 205 138 125

HSL 9.75, 0.44%, 0.65%

LAB 63.87, 23.99, 17.39

 

CMYK 0 / 22 / 39 / 20

HEX #CDA07D

RGB 205 160 125

HSL 26.25, 0.44%, 0.65%

LAB 69.18, 11.99, 24.63

 

CMYK 0 / 12 / 39 / 20

HEX #CDB57D

RGB 205 181 125

HSL 42, 0.44%, 0.65%

LAB 74.51, 0.71, 31.69

 

CMYK 0 / 1 / 39 / 20

HEX #CDCB7D

RGB 205 203 125

HSL 58.5, 0.44%, 0.65%

LAB 80.28, -10.73, 39.13

 

CMYK 0 / 34 / 62 / 29

HEX #B47644

RGB 180 118 68

HSL 26.79, 0.45%, 0.49%

LAB 55.15, 19.31, 37.08

 

CMYK 0 / 28 / 51 / 24

HEX #C28B5F

RGB 194 139 95

HSL 26.67, 0.45%, 0.57%

LAB 62.31, 15.83, 31.72

 

CMYK 0 / 21 / 39 / 20

HEX #CDA17D

RGB 205 161 125

HSL 27, 0.44%, 0.65%

LAB 69.43, 11.45, 24.96

 

CMYK 0 / 16 / 29 / 15

HEX #D9B69B

RGB 217 182 155

HSL 26.13, 0.45%, 0.73%

LAB 76.42, 8.63, 18.45

 

CMYK 0 / 11 / 19 / 11

HEX #E4CCB9

RGB 228 204 185

HSL 26.51, 0.44%, 0.81%

LAB 83.54, 5.39, 12.52

 

CMYK 0 / 21 / 38 / 19

HEX #CEA27F

RGB 206 162 127

HSL 26.58, 0.45%, 0.65%

LAB 69.82, 11.54, 24.41

 

CMYK 24 / 0 / 39 / 20

HEX #9BCD7D

RGB 155 205 125

HSL 97.5, 0.44%, 0.65%

LAB 77.35, -30.65, 34.67

 

CMYK 38 / 39 / 0 / 20

HEX #807DCD

RGB 128 125 205

HSL 242.25, 0.44%, 0.65%

LAB 55.75, 20.45, -41.07

 

CMYK 0 / 21 / 38 / 19

HEX #CEA27F

RGB 206 162 127

HSL 26.58, 0.45%, 0.65%

LAB 69.82, 11.54, 24.41

 

CMYK 39 / 0 / 22 / 20

HEX #7DCDA0

RGB 125 205 160

HSL 146.25, 0.44%, 0.65%

LAB 76.41, -34.45, 14.81

 

CMYK 22 / 39 / 0 / 20

HEX #A07DCD

RGB 160 125 205

HSL 266.25, 0.44%, 0.65%

LAB 58.55, 29.54, -36.47

 

CMYK 0 / 21 / 38 / 19

HEX #CEA27F

RGB 206 162 127

HSL 26.58, 0.45%, 0.65%

LAB 69.82, 11.54, 24.41

 

CMYK 24 / 0 / 39 / 20

HEX #9BCD7D

RGB 155 205 125

HSL 97.5, 0.44%, 0.65%

LAB 77.35, -30.65, 34.67

 

CMYK 39 / 17 / 0 / 20

HEX #7DABCD

RGB 125 171 205

HSL 205.5, 0.44%, 0.65%

LAB 67.94, -6.74, -22.17

 

CMYK 14 / 39 / 0 / 20

HEX #B07DCD

RGB 176 125 205

HSL 278.25, 0.44%, 0.65%

LAB 60.16, 34.33, -33.84

 

CMYK 0 / 21 / 38 / 19

HEX #CEA27F

RGB 206 162 127

HSL 26.58, 0.45%, 0.65%

LAB 69.82, 11.54, 24.41

 

CMYK 37 / 0 / 39 / 20

HEX #82CD7D

RGB 130 205 125

HSL 116.25, 0.44%, 0.65%

LAB 76, -39.07, 32.66

 

CMYK 39 / 17 / 0 / 20

HEX #7DABCD

RGB 125 171 205

HSL 205.5, 0.44%, 0.65%

LAB 67.94, -6.74, -22.17

 

CMYK 2 / 39 / 0 / 20

HEX #C87DCD

RGB 200 125 205

HSL 296.25, 0.44%, 0.65%

LAB 62.81, 41.68, -29.53

 

Description

Color code: HEX #CEA27F | qconv.com Color code: HEX #CEA27F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 162 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 162 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 38 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 38% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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