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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB3AF it is the complementary color #304C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB3AF shade: #D4B3AA, #E5C5BD, #F6D7D0, #FFE9E3 and #FFFBF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB3AF shade: #CFB3AF, #BEA19C, #AD8F89, #9C7D76 and #8B6B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB3AF shade: #CFB3AF and #CFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB3AF shade: #CFB3AF, #CFBBAF, #CFC4AF, #CFCDAF and #C8CFAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB3AF shade matches the following richer shades: #CFB3AF, #D9ABA4, #E3A39A, #EE9C90 and #F89486

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB3AF shade: #CFB3AF, #C4BBB9, #BAC2C3, #B0CACE and #A5D2D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB3AF shade: #CFAFBC, #CFAFB4, #CFB3AF, #CFBBAF and #CFC4AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB3AF shade: #B0827B, #BF9A95, #CFB3AF, #DECBC9 and #EEE4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB3AF shade: #CFB3AF, #C5CFAF and #AFB8CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB3AF shade: #CFB3AF, #AFCFB3 and #B3AFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB3AF shade: #CFB3AF, #C5CFAF, #AFCBCF and #B9AFCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB3AF shade: #CFB3AF, #BBCFAF, #AFCBCF and #C2AFCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

Complementary color

CMYK 40 / 5 / 0 / 69

HEX #304C50

RGB 48 76 80

HSL 187.5, 0.25%, 0.25%

LAB 30.34, -9.32, -5.72

 

CMYK 0 / 16 / 20 / 17

HEX #D4B3AA

RGB 212 179 170

HSL 12.86, 0.33%, 0.75%

LAB 75.54, 10.48, 9.01

 

CMYK 0 / 14 / 17 / 10

HEX #E5C5BD

RGB 229 197 189

HSL 12, 0.43%, 0.82%

LAB 81.98, 10.04, 8.18

 

CMYK 0 / 13 / 15 / 4

HEX #F6D7D0

RGB 246 215 208

HSL 11.05, 0.68%, 0.89%

LAB 88.33, 9.65, 7.4

 

CMYK 0 / 9 / 11 / 0

HEX #FFE9E3

RGB 255 233 227

HSL 12.86, 1%, 0.95%

LAB 93.92, 6.5, 5.61

 

CMYK 0 / 2 / 4 / 0

HEX #FFFBF6

RGB 255 251 246

HSL 33.33, 1%, 0.98%

LAB 98.79, 0.47, 2.85

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 0 / 15 / 18 / 25

HEX #BEA19C

RGB 190 161 156

HSL 8.82, 0.21%, 0.68%

LAB 68.63, 9.84, 6.55

 

CMYK 0 / 17 / 21 / 32

HEX #AD8F89

RGB 173 143 137

HSL 10, 0.18%, 0.61%

LAB 61.94, 10.32, 7.42

 

CMYK 0 / 20 / 24 / 39

HEX #9C7D76

RGB 156 125 118

HSL 11.05, 0.16%, 0.54%

LAB 55.12, 10.86, 8.35

 

CMYK 0 / 23 / 29 / 45

HEX #8B6B63

RGB 139 107 99

HSL 12, 0.17%, 0.47%

LAB 48.14, 11.5, 9.38

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFAF

RGB 207 175 175

HSL 0, 0.25%, 0.75%

LAB 74.2, 11.57, 4.31

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 0 / 10 / 15 / 19

HEX #CFBBAF

RGB 207 187 175

HSL 22.5, 0.25%, 0.75%

LAB 77.22, 5.12, 8.64

 

CMYK 0 / 5 / 15 / 19

HEX #CFC4AF

RGB 207 196 175

HSL 39.38, 0.25%, 0.75%

LAB 79.52, 0.35, 11.92

 

CMYK 0 / 1 / 15 / 19

HEX #CFCDAF

RGB 207 205 175

HSL 56.25, 0.25%, 0.75%

LAB 81.85, -4.35, 15.21

 

CMYK 3 / 0 / 15 / 19

HEX #C8CFAF

RGB 200 207 175

HSL 73.13, 0.25%, 0.75%

LAB 81.84, -7.93, 15.11

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 0 / 21 / 24 / 15

HEX #D9ABA4

RGB 217 171 164

HSL 7.92, 0.41%, 0.75%

LAB 73.91, 15.78, 10.03

 

CMYK 0 / 28 / 32 / 11

HEX #E3A39A

RGB 227 163 154

HSL 7.4, 0.57%, 0.75%

LAB 72.8, 22.51, 14.09

 

CMYK 0 / 34 / 39 / 7

HEX #EE9C90

RGB 238 156 144

HSL 7.66, 0.73%, 0.75%

LAB 72.21, 29.21, 18.94

 

CMYK 0 / 40 / 46 / 3

HEX #F89486

RGB 248 148 134

HSL 7.37, 0.89%, 0.75%

LAB 71.46, 36.13, 23.6

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 0 / 5 / 6 / 23

HEX #C4BBB9

RGB 196 187 185

HSL 10.91, 0.09%, 0.75%

LAB 76.55, 2.81, 2.13

 

CMYK 5 / 1 / 0 / 24

HEX #BAC2C3

RGB 186 194 195

HSL 186.67, 0.07%, 0.75%

LAB 77.85, -2.55, -1.47

 

CMYK 15 / 2 / 0 / 19

HEX #B0CACE

RGB 176 202 206

HSL 188, 0.23%, 0.75%

LAB 79.57, -7.88, -4.94

 

CMYK 24 / 3 / 0 / 15

HEX #A5D2D8

RGB 165 210 216

HSL 187.06, 0.4%, 0.75%

LAB 81.32, -13.29, -7.79

 

CMYK 0 / 15 / 9 / 19

HEX #CFAFBC

RGB 207 175 188

HSL 335.63, 0.25%, 0.75%

LAB 74.54, 13.73, -2.31

 

CMYK 0 / 15 / 13 / 19

HEX #CFAFB4

RGB 207 175 180

HSL 350.63, 0.25%, 0.75%

LAB 74.33, 12.38, 1.76

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 0 / 10 / 15 / 19

HEX #CFBBAF

RGB 207 187 175

HSL 22.5, 0.25%, 0.75%

LAB 77.22, 5.12, 8.64

 

CMYK 0 / 5 / 15 / 19

HEX #CFC4AF

RGB 207 196 175

HSL 39.38, 0.25%, 0.75%

LAB 79.52, 0.35, 11.92

 

CMYK 0 / 26 / 30 / 31

HEX #B0827B

RGB 176 130 123

HSL 7.92, 0.25%, 0.59%

LAB 58.63, 16.72, 10.73

 

CMYK 0 / 19 / 22 / 25

HEX #BF9A95

RGB 191 154 149

HSL 7.14, 0.25%, 0.67%

LAB 66.79, 12.98, 7.83

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 0 / 9 / 9 / 13

HEX #DECBC9

RGB 222 203 201

HSL 5.71, 0.24%, 0.83%

LAB 83.16, 6.29, 3.39

 

CMYK 0 / 4 / 5 / 7

HEX #EEE4E2

RGB 238 228 226

HSL 10, 0.26%, 0.91%

LAB 91.3, 3.05, 2.17

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 5 / 0 / 15 / 19

HEX #C5CFAF

RGB 197 207 175

HSL 78.75, 0.25%, 0.75%

LAB 81.62, -9.01, 14.76

 

CMYK 15 / 11 / 0 / 19

HEX #AFB8CF

RGB 175 184 207

HSL 223.13, 0.25%, 0.75%

LAB 74.76, 1.58, -12.65

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 15 / 0 / 14 / 19

HEX #AFCFB3

RGB 175 207 179

HSL 127.5, 0.25%, 0.75%

LAB 80.18, -16.03, 10.39

 

CMYK 14 / 15 / 0 / 19

HEX #B3AFCF

RGB 179 175 207

HSL 247.5, 0.25%, 0.75%

LAB 72.73, 7.79, -15.67

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 5 / 0 / 15 / 19

HEX #C5CFAF

RGB 197 207 175

HSL 78.75, 0.25%, 0.75%

LAB 81.62, -9.01, 14.76

 

CMYK 15 / 2 / 0 / 19

HEX #AFCBCF

RGB 175 203 207

HSL 187.5, 0.25%, 0.75%

LAB 79.8, -8.51, -5.15

 

CMYK 11 / 15 / 0 / 19

HEX #B9AFCF

RGB 185 175 207

HSL 258.75, 0.25%, 0.75%

LAB 73.21, 9.75, -14.9

 

CMYK 0 / 14 / 15 / 19

HEX #CFB3AF

RGB 207 179 175

HSL 7.5, 0.25%, 0.75%

LAB 75.2, 9.41, 5.75

 

CMYK 10 / 0 / 15 / 19

HEX #BBCFAF

RGB 187 207 175

HSL 97.5, 0.25%, 0.75%

LAB 80.9, -12.57, 13.65

 

CMYK 15 / 2 / 0 / 19

HEX #AFCBCF

RGB 175 203 207

HSL 187.5, 0.25%, 0.75%

LAB 79.8, -8.51, -5.15

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

Description

Color code: HEX #CFB3AF | qconv.com Color code: HEX #CFB3AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 179 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 179 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 15 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 15% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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