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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE2A2 it is the complementary color #301D5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE2A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE2A2 shade: #D4E29D, #E5F4B0, #F6FFC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE2A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE2A2 shade: #CFE2A2, #BED08F, #ADBE7C, #9CAC69 and #8B9A56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE2A2 shade: #CEE1A1, #DFE1A1, #E1D2A1, #E1C1A1 and #E1AFA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE2A2 shade: #CEE1A1, #BDE1A1, #ACE1A1, #A1E1A8 and #A1E1B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE2A2 shade matches the following richer shades: #CEE1A1, #D2EB98 and #D6F58E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE2A2 shade: #CEE1A1, #CAD7AB, #C6CDB5, #C2C3BF and #BEBAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE2A2 shade: #E1D1A1, #E0E1A1, #CFE1A1, #BEE1A1 and #ADE1A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE2A2 shade: #AECD63, #BED782, #CEE1A1, #DFEBC1 and #EFF5E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE2A2 shade: #CFE2A2, #A1E1C0 and #DAA1E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE2A2 shade: #CFE2A2, #A1CFE1 and #E1A1CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE2A2 shade: #CFE2A2, #A1E1C0, #B4A1E1 and #E1A1C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE2A2 shade: #CFE2A2, #A1E1D3, #B4A1E1 and #E1A1AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 28 / 11

HEX #CFE2A2

RGB 207 226 162

HSL 77.81, 0.52%, 0.76%

LAB 87.13, -16.91, 29.26

 

Complementary color

CMYK 48 / 69 / 0 / 64

HEX #301D5D

RGB 48 29 93

HSL 257.81, 0.52%, 0.24%

LAB 16.98, 26.3, -35.17

 

CMYK 6 / 0 / 31 / 11

HEX #D4E29D

RGB 212 226 157

HSL 72.17, 0.54%, 0.75%

LAB 87.4, -15.74, 32.24

 

CMYK 6 / 0 / 28 / 4

HEX #E5F4B0

RGB 229 244 176

HSL 73.24, 0.76%, 0.82%

LAB 93.66, -15.85, 31.2

 

CMYK 4 / 0 / 24 / 0

HEX #F6FFC3

RGB 246 255 195

HSL 69, 1%, 0.88%

LAB 98.05, -12.52, 27.75

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 8 / 0 / 28 / 11

HEX #CFE2A2

RGB 207 226 162

HSL 77.81, 0.52%, 0.76%

LAB 87.13, -16.91, 29.26

 

CMYK 9 / 0 / 31 / 18

HEX #BED08F

RGB 190 208 143

HSL 76.62, 0.41%, 0.69%

LAB 80.76, -16.85, 30.32

 

CMYK 9 / 0 / 35 / 25

HEX #ADBE7C

RGB 173 190 124

HSL 75.45, 0.34%, 0.62%

LAB 74.3, -16.76, 31.44

 

CMYK 9 / 0 / 39 / 33

HEX #9CAC69

RGB 156 172 105

HSL 74.33, 0.29%, 0.54%

LAB 67.72, -16.64, 32.61

 

CMYK 10 / 0 / 44 / 40

HEX #8B9A56

RGB 139 154 86

HSL 73.24, 0.28%, 0.47%

LAB 61.02, -16.47, 33.82

 

CMYK 8 / 0 / 28 / 12

HEX #CEE1A1

RGB 206 225 161

HSL 77.81, 0.52%, 0.76%

LAB 86.77, -16.92, 29.28

 

CMYK 1 / 0 / 28 / 12

HEX #DFE1A1

RGB 223 225 161

HSL 61.88, 0.52%, 0.76%

LAB 88.02, -10.61, 31.18

 

CMYK 0 / 7 / 28 / 12

HEX #E1D2A1

RGB 225 210 161

HSL 45.94, 0.52%, 0.76%

LAB 84.32, -2.21, 26.21

 

CMYK 0 / 14 / 28 / 12

HEX #E1C1A1

RGB 225 193 161

HSL 30, 0.52%, 0.76%

LAB 80.02, 6.66, 20.33

 

CMYK 0 / 22 / 28 / 12

HEX #E1AFA1

RGB 225 175 161

HSL 13.13, 0.52%, 0.76%

LAB 75.6, 16.23, 14.17

 

CMYK 8 / 0 / 28 / 12

HEX #CEE1A1

RGB 206 225 161

HSL 77.81, 0.52%, 0.76%

LAB 86.77, -16.92, 29.28

 

CMYK 16 / 0 / 28 / 12

HEX #BDE1A1

RGB 189 225 161

HSL 93.75, 0.52%, 0.76%

LAB 85.63, -23.05, 27.54

 

CMYK 24 / 0 / 28 / 12

HEX #ACE1A1

RGB 172 225 161

HSL 109.69, 0.52%, 0.76%

LAB 84.58, -28.93, 25.95

 

CMYK 28 / 0 / 25 / 12

HEX #A1E1A8

RGB 161 225 168

HSL 126.56, 0.52%, 0.76%

LAB 84.1, -31.38, 21.56

 

CMYK 28 / 0 / 18 / 12

HEX #A1E1B9

RGB 161 225 185

HSL 142.5, 0.52%, 0.76%

LAB 84.45, -28.32, 13.16

 

CMYK 8 / 0 / 28 / 12

HEX #CEE1A1

RGB 206 225 161

HSL 77.81, 0.52%, 0.76%

LAB 86.77, -16.92, 29.28

 

CMYK 11 / 0 / 35 / 8

HEX #D2EB98

RGB 210 235 152

HSL 78.07, 0.67%, 0.76%

LAB 89.57, -21.53, 37.61

 

CMYK 13 / 0 / 42 / 4

HEX #D6F58E

RGB 214 245 142

HSL 78.06, 0.84%, 0.76%

LAB 92.38, -26.03, 46.18

 

CMYK 8 / 0 / 28 / 12

HEX #CEE1A1

RGB 206 225 161

HSL 77.81, 0.52%, 0.76%

LAB 86.77, -16.92, 29.28

 

CMYK 6 / 0 / 20 / 16

HEX #CAD7AB

RGB 202 215 171

HSL 77.73, 0.35%, 0.76%

LAB 84.02, -11.92, 20.28

 

CMYK 3 / 0 / 12 / 20

HEX #C6CDB5

RGB 198 205 181

HSL 77.5, 0.19%, 0.76%

LAB 81.29, -6.64, 11.13

 

CMYK 1 / 0 / 2 / 24

HEX #C2C3BF

RGB 194 195 191

HSL 75, 0.03%, 0.76%

LAB 78.61, -1.07, 1.88

 

CMYK 5 / 7 / 0 / 21

HEX #BEBAC9

RGB 190 186 201

HSL 256, 0.12%, 0.76%

LAB 76.24, 4.24, -7.06

 

CMYK 0 / 7 / 28 / 12

HEX #E1D1A1

RGB 225 209 161

HSL 45, 0.52%, 0.76%

LAB 84.06, -1.7, 25.86

 

CMYK 0 / 0 / 28 / 12

HEX #E0E1A1

RGB 224 225 161

HSL 60.94, 0.52%, 0.76%

LAB 88.1, -10.23, 31.29

 

CMYK 8 / 0 / 28 / 12

HEX #CFE1A1

RGB 207 225 161

HSL 76.88, 0.52%, 0.76%

LAB 86.84, -16.55, 29.39

 

CMYK 16 / 0 / 28 / 12

HEX #BEE1A1

RGB 190 225 161

HSL 92.81, 0.52%, 0.76%

LAB 85.69, -22.7, 27.64

 

CMYK 23 / 0 / 28 / 12

HEX #ADE1A1

RGB 173 225 161

HSL 108.75, 0.52%, 0.76%

LAB 84.64, -28.59, 26.04

 

CMYK 15 / 0 / 52 / 20

HEX #AECD63

RGB 174 205 99

HSL 77.55, 0.51%, 0.6%

LAB 78.21, -26.62, 48.82

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 8 / 0 / 28 / 12

HEX #CEE1A1

RGB 206 225 161

HSL 77.81, 0.52%, 0.76%

LAB 86.77, -16.92, 29.28

 

CMYK 5 / 0 / 18 / 8

HEX #DFEBC1

RGB 223 235 193

HSL 77.14, 0.51%, 0.84%

LAB 91.21, -11.1, 19.07

 

CMYK 2 / 0 / 9 / 4

HEX #EFF5E0

RGB 239 245 224

HSL 77.14, 0.51%, 0.92%

LAB 95.6, -5.6, 9.41

 

CMYK 8 / 0 / 28 / 11

HEX #CFE2A2

RGB 207 226 162

HSL 77.81, 0.52%, 0.76%

LAB 87.13, -16.91, 29.26

 

CMYK 28 / 0 / 15 / 12

HEX #A1E1C0

RGB 161 225 192

HSL 149.06, 0.52%, 0.76%

LAB 84.6, -26.97, 9.7

 

CMYK 3 / 28 / 0 / 12

HEX #DAA1E1

RGB 218 161 225

HSL 293.44, 0.52%, 0.76%

LAB 73.44, 31.78, -24.12

 

CMYK 8 / 0 / 28 / 11

HEX #CFE2A2

RGB 207 226 162

HSL 77.81, 0.52%, 0.76%

LAB 87.13, -16.91, 29.26

 

CMYK 28 / 8 / 0 / 12

HEX #A1CFE1

RGB 161 207 225

HSL 196.88, 0.52%, 0.76%

LAB 80.54, -10.87, -13.8

 

CMYK 0 / 28 / 8 / 12

HEX #E1A1CF

RGB 225 161 207

HSL 316.88, 0.52%, 0.76%

LAB 73.55, 30.83, -14.02

 

CMYK 8 / 0 / 28 / 11

HEX #CFE2A2

RGB 207 226 162

HSL 77.81, 0.52%, 0.76%

LAB 87.13, -16.91, 29.26

 

CMYK 28 / 0 / 15 / 12

HEX #A1E1C0

RGB 161 225 192

HSL 149.06, 0.52%, 0.76%

LAB 84.6, -26.97, 9.7

 

CMYK 20 / 28 / 0 / 12

HEX #B4A1E1

RGB 180 161 225

HSL 257.81, 0.52%, 0.76%

LAB 69.92, 19.83, -29.82

 

CMYK 0 / 28 / 14 / 12

HEX #E1A1C2

RGB 225 161 194

HSL 329.06, 0.52%, 0.76%

LAB 73.15, 28.66, -7.46

 

CMYK 8 / 0 / 28 / 11

HEX #CFE2A2

RGB 207 226 162

HSL 77.81, 0.52%, 0.76%

LAB 87.13, -16.91, 29.26

 

CMYK 28 / 0 / 6 / 12

HEX #A1E1D3

RGB 161 225 211

HSL 166.88, 0.52%, 0.76%

LAB 85.06, -23.09, 0.34

 

CMYK 20 / 28 / 0 / 12

HEX #B4A1E1

RGB 180 161 225

HSL 257.81, 0.52%, 0.76%

LAB 69.92, 19.83, -29.82

 

CMYK 0 / 28 / 22 / 12

HEX #E1A1AF

RGB 225 161 175

HSL 346.88, 0.52%, 0.76%

LAB 72.62, 25.72, 2.24

 

Description

Color code: HEX #CFE2A2 | qconv.com Color code: HEX #CFE2A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 226 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 226 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 28 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 28% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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