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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFF20C it is the complementary color #300DF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFF20C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFF20C shade: #D4F207, #E5FF1A, #F6FF2D, #FFFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFF20C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFF20C shade: #CFF20C, #BEE000, #ADCE00, #9CBC00 and #8BAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFF20C shade: #D0F30B, #F3D80B, #F3990B, #F35B0B and #F31C0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFF20C shade: #D0F30B, #91F30B, #53F30B, #14F30B and #0BF341

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFF20C shade matches the following richer shades: #D0F30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFF20C shade: #D0F30B, #C1DE20, #B3CA34, #A5B549 and #96A15D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFF20C shade: #F39A0B, #F3D80B, #D0F30B, #92F30B and #54F30B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFF20C shade: #8CA407, #AECC09, #D0F30B, #D7F532 and #DFF75A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFF20C shade: #CFF20C, #0BF35C and #B90BF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFF20C shade: #CFF20C, #0BD0F3 and #F30BD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFF20C shade: #CFF20C, #0BF35C, #2E0BF3 and #F30BA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFF20C shade: #CFF20C, #0BF3A2, #2E0BF3 and #F30B5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 95 / 5

HEX #CFF20C

RGB 207 242 12

HSL 69.13, 0.91%, 0.5%

LAB 90.23, -34.88, 86.9

 

Complementary color

CMYK 80 / 95 / 0 / 5

HEX #300DF3

RGB 48 13 243

HSL 249.13, 0.91%, 0.5%

LAB 32.67, 74.87, -100.45

 

CMYK 12 / 0 / 97 / 5

HEX #D4F207

RGB 212 242 7

HSL 67.66, 0.94%, 0.49%

LAB 90.56, -32.92, 87.68

 

CMYK 10 / 0 / 90 / 0

HEX #E5FF1A

RGB 229 255 26

HSL 66.81, 1%, 0.55%

LAB 95.27, -31.84, 89.91

 

CMYK 4 / 0 / 82 / 0

HEX #F6FF2D

RGB 246 255 45

HSL 62.57, 1%, 0.59%

LAB 96.53, -24.59, 88.06

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 14 / 0 / 95 / 5

HEX #CFF20C

RGB 207 242 12

HSL 69.13, 0.91%, 0.5%

LAB 90.23, -34.88, 86.9

 

CMYK 15 / 0 / 100 / 12

HEX #BEE000

RGB 190 224 0

HSL 69.11, 1%, 0.44%

LAB 84.1, -33.6, 82.72

 

CMYK 16 / 0 / 100 / 19

HEX #ADCE00

RGB 173 206 0

HSL 69.61, 1%, 0.4%

LAB 77.89, -32.19, 77.55

 

CMYK 17 / 0 / 100 / 26

HEX #9CBC00

RGB 156 188 0

HSL 70.21, 1%, 0.37%

LAB 71.58, -30.77, 72.29

 

CMYK 18 / 0 / 100 / 33

HEX #8BAA00

RGB 139 170 0

HSL 70.94, 1%, 0.33%

LAB 65.15, -29.34, 66.94

 

CMYK 14 / 0 / 95 / 5

HEX #D0F30B

RGB 208 243 11

HSL 69.05, 0.91%, 0.5%

LAB 90.57, -34.94, 87.27

 

CMYK 0 / 11 / 95 / 5

HEX #F3D80B

RGB 243 216 11

HSL 53.02, 0.91%, 0.5%

LAB 86.1, -7.45, 85.11

 

CMYK 0 / 37 / 95 / 5

HEX #F3990B

RGB 243 153 11

HSL 36.72, 0.91%, 0.5%

LAB 70.78, 25.28, 74.17

 

CMYK 0 / 63 / 95 / 5

HEX #F35B0B

RGB 243 91 11

HSL 20.69, 0.91%, 0.5%

LAB 58.57, 55.66, 66.24

 

CMYK 0 / 88 / 95 / 5

HEX #F31C0B

RGB 243 28 11

HSL 4.4, 0.91%, 0.5%

LAB 51.73, 74.56, 62.42

 

CMYK 14 / 0 / 95 / 5

HEX #D0F30B

RGB 208 243 11

HSL 69.05, 0.91%, 0.5%

LAB 90.57, -34.94, 87.27

 

CMYK 40 / 0 / 95 / 5

HEX #91F30B

RGB 145 243 11

HSL 85.34, 0.91%, 0.5%

LAB 87.07, -58.09, 83.03

 

CMYK 66 / 0 / 95 / 5

HEX #53F30B

RGB 83 243 11

HSL 101.38, 0.91%, 0.5%

LAB 84.98, -74.57, 80.48

 

CMYK 92 / 0 / 95 / 5

HEX #14F30B

RGB 20 243 11

HSL 117.67, 0.91%, 0.5%

LAB 84.11, -82.22, 79.41

 

CMYK 95 / 0 / 73 / 5

HEX #0BF341

RGB 11 243 65

HSL 133.97, 0.91%, 0.5%

LAB 84.25, -80.2, 67.94

 

CMYK 14 / 0 / 95 / 5

HEX #D0F30B

RGB 208 243 11

HSL 69.05, 0.91%, 0.5%

LAB 90.57, -34.94, 87.27

 

CMYK 14 / 0 / 95 / 5

HEX #D0F30B

RGB 208 243 11

HSL 69.05, 0.91%, 0.5%

LAB 90.57, -34.94, 87.27

 

CMYK 13 / 0 / 86 / 13

HEX #C1DE20

RGB 193 222 32

HSL 69.16, 0.75%, 0.5%

LAB 83.8, -30.97, 78.62

 

CMYK 11 / 0 / 74 / 21

HEX #B3CA34

RGB 179 202 52

HSL 69.2, 0.59%, 0.5%

LAB 77.32, -26.54, 67.27

 

CMYK 9 / 0 / 60 / 29

HEX #A5B549

RGB 165 181 73

HSL 68.89, 0.43%, 0.5%

LAB 70.54, -20.75, 51.84

 

CMYK 7 / 0 / 42 / 37

HEX #96A15D

RGB 150 161 93

HSL 69.71, 0.27%, 0.5%

LAB 63.97, -14.81, 34.03

 

CMYK 0 / 37 / 95 / 5

HEX #F39A0B

RGB 243 154 11

HSL 36.98, 0.91%, 0.5%

LAB 71, 24.76, 74.32

 

CMYK 0 / 11 / 95 / 5

HEX #F3D80B

RGB 243 216 11

HSL 53.02, 0.91%, 0.5%

LAB 86.1, -7.45, 85.11

 

CMYK 14 / 0 / 95 / 5

HEX #D0F30B

RGB 208 243 11

HSL 69.05, 0.91%, 0.5%

LAB 90.57, -34.94, 87.27

 

CMYK 40 / 0 / 95 / 5

HEX #92F30B

RGB 146 243 11

HSL 85.09, 0.91%, 0.5%

LAB 87.11, -57.76, 83.09

 

CMYK 65 / 0 / 95 / 5

HEX #54F30B

RGB 84 243 11

HSL 101.12, 0.91%, 0.5%

LAB 85, -74.37, 80.51

 

CMYK 15 / 0 / 96 / 36

HEX #8CA407

RGB 140 164 7

HSL 69.17, 0.92%, 0.34%

LAB 63.46, -25.9, 64.75

 

CMYK 15 / 0 / 96 / 20

HEX #AECC09

RGB 174 204 9

HSL 69.23, 0.92%, 0.42%

LAB 77.4, -30.74, 76.33

 

CMYK 14 / 0 / 95 / 5

HEX #D0F30B

RGB 208 243 11

HSL 69.05, 0.91%, 0.5%

LAB 90.57, -34.94, 87.27

 

CMYK 12 / 0 / 80 / 4

HEX #D7F532

RGB 215 245 50

HSL 69.23, 0.91%, 0.58%

LAB 91.68, -32.24, 81.84

 

CMYK 10 / 0 / 64 / 3

HEX #DFF75A

RGB 223 247 90

HSL 69.17, 0.91%, 0.66%

LAB 92.99, -28.06, 70.15

 

CMYK 14 / 0 / 95 / 5

HEX #CFF20C

RGB 207 242 12

HSL 69.13, 0.91%, 0.5%

LAB 90.23, -34.88, 86.9

 

CMYK 95 / 0 / 62 / 5

HEX #0BF35C

RGB 11 243 92

HSL 140.95, 0.91%, 0.5%

LAB 84.46, -77.64, 57.9

 

CMYK 24 / 95 / 0 / 5

HEX #B90BF3

RGB 185 11 243

HSL 285, 0.91%, 0.5%

LAB 48.29, 85.66, -74.15

 

CMYK 14 / 0 / 95 / 5

HEX #CFF20C

RGB 207 242 12

HSL 69.13, 0.91%, 0.5%

LAB 90.23, -34.88, 86.9

 

CMYK 95 / 14 / 0 / 5

HEX #0BD0F3

RGB 11 208 243

HSL 189.05, 0.91%, 0.5%

LAB 77.07, -30.04, -29.09

 

CMYK 0 / 95 / 14 / 5

HEX #F30BD0

RGB 243 11 208

HSL 309.05, 0.91%, 0.5%

LAB 55.94, 89.39, -41.5

 

CMYK 14 / 0 / 95 / 5

HEX #CFF20C

RGB 207 242 12

HSL 69.13, 0.91%, 0.5%

LAB 90.23, -34.88, 86.9

 

CMYK 95 / 0 / 62 / 5

HEX #0BF35C

RGB 11 243 92

HSL 140.95, 0.91%, 0.5%

LAB 84.46, -77.64, 57.9

 

CMYK 81 / 95 / 0 / 5

HEX #2E0BF3

RGB 46 11 243

HSL 249.05, 0.91%, 0.5%

LAB 32.46, 75.15, -100.81

 

CMYK 0 / 95 / 33 / 5

HEX #F30BA2

RGB 243 11 162

HSL 320.95, 0.91%, 0.5%

LAB 53.92, 84.23, -17.88

 

CMYK 14 / 0 / 95 / 5

HEX #CFF20C

RGB 207 242 12

HSL 69.13, 0.91%, 0.5%

LAB 90.23, -34.88, 86.9

 

CMYK 95 / 0 / 33 / 5

HEX #0BF3A2

RGB 11 243 162

HSL 159.05, 0.91%, 0.5%

LAB 85.39, -66.42, 25.81

 

CMYK 81 / 95 / 0 / 5

HEX #2E0BF3

RGB 46 11 243

HSL 249.05, 0.91%, 0.5%

LAB 32.46, 75.15, -100.81

 

CMYK 0 / 95 / 62 / 5

HEX #F30B5C

RGB 243 11 92

HSL 339.05, 0.91%, 0.5%

LAB 51.91, 78.86, 21.36

 

Description

Color code: HEX #CFF20C | qconv.com Color code: HEX #CFF20C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 242 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 242 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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