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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D183A3 it is the complementary color #2E7C5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D183A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D183A3 shade: #D6839E, #E795B1, #F8A7C4, #FFB9D7 and #FFCBEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D183A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D183A3 shade: #D183A3, #C07190, #AF5F7D, #9E4D6A and #8D3B57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D183A3 shade: #D184A3, #D1848F and #D18484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D183A3 shade: #D184A3, #D184B8, #D184CD, #C084D1 and #AB84D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D183A3 shade matches the following richer shades: #D184A3, #DF76A1, #EC689F and #FA5B9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D183A3 shade: #D184A3, #C391A6, #B69FA8, #A8ACAB and #9BBAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D183A3 shade: #D184CD, #D184B9, #D184A4, #D1848F and #D18D84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D183A3 shade: #BB4777, #C6668D, #D184A3, #DCA2BA and #E7C0D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D183A3 shade: #D183A3, #D1C084 and #84C3D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D183A3 shade: #D183A3, #A4D184 and #84A4D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D183A3 shade: #D183A3, #D1C084, #84D1B1 and #8494D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D183A3 shade: #D183A3, #CBD184, #84D1B1 and #8A84D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 22 / 18

HEX #D183A3

RGB 209 131 163

HSL 335.38, 0.46%, 0.67%

LAB 63.7, 34.33, -4.32

 

Complementary color

CMYK 63 / 0 / 26 / 51

HEX #2E7C5C

RGB 46 124 92

HSL 155.38, 0.46%, 0.33%

LAB 46.67, -32.01, 10.52

 

CMYK 0 / 39 / 26 / 16

HEX #D6839E

RGB 214 131 158

HSL 340.48, 0.5%, 0.68%

LAB 64.16, 35.38, -0.73

 

CMYK 0 / 35 / 23 / 9

HEX #E795B1

RGB 231 149 177

HSL 339.51, 0.63%, 0.75%

LAB 70.63, 34.56, -1.69

 

CMYK 0 / 33 / 21 / 3

HEX #F8A7C4

RGB 248 167 196

HSL 338.52, 0.85%, 0.81%

LAB 77.03, 33.79, -2.55

 

CMYK 0 / 27 / 16 / 0

HEX #FFB9D7

RGB 255 185 215

HSL 334.29, 1%, 0.86%

LAB 82.31, 29.63, -4.99

 

CMYK 0 / 20 / 8 / 0

HEX #FFCBEA

RGB 255 203 234

HSL 324.23, 1%, 0.9%

LAB 86.95, 23.24, -8.26

 

CMYK 0 / 37 / 22 / 18

HEX #D183A3

RGB 209 131 163

HSL 335.38, 0.46%, 0.67%

LAB 63.7, 34.33, -4.32

 

CMYK 0 / 41 / 25 / 25

HEX #C07190

RGB 192 113 144

HSL 336.46, 0.39%, 0.6%

LAB 57.1, 35.17, -3.36

 

CMYK 0 / 46 / 29 / 31

HEX #AF5F7D

RGB 175 95 125

HSL 337.5, 0.33%, 0.53%

LAB 50.43, 36.04, -2.26

 

CMYK 0 / 51 / 33 / 38

HEX #9E4D6A

RGB 158 77 106

HSL 338.52, 0.34%, 0.46%

LAB 43.68, 36.93, -0.96

 

CMYK 0 / 58 / 38 / 45

HEX #8D3B57

RGB 141 59 87

HSL 339.51, 0.41%, 0.39%

LAB 36.89, 37.76, 0.67

 

CMYK 0 / 37 / 22 / 18

HEX #D184A3

RGB 209 132 163

HSL 335.84, 0.46%, 0.67%

LAB 63.92, 33.79, -3.99

 

CMYK 0 / 37 / 32 / 18

HEX #D1848F

RGB 209 132 143

HSL 351.43, 0.46%, 0.67%

LAB 63.38, 31, 6.59

 

CMYK 0 / 37 / 37 / 18

HEX #D18484

RGB 209 132 132

HSL 0, 0.46%, 0.67%

LAB 63.11, 29.62, 12.46

 

CMYK 0 / 37 / 22 / 18

HEX #D184A3

RGB 209 132 163

HSL 335.84, 0.46%, 0.67%

LAB 63.92, 33.79, -3.99

 

CMYK 0 / 37 / 12 / 18

HEX #D184B8

RGB 209 132 184

HSL 319.48, 0.46%, 0.67%

LAB 64.58, 37.1, -14.9

 

CMYK 0 / 37 / 2 / 18

HEX #D184CD

RGB 209 132 205

HSL 303.12, 0.46%, 0.67%

LAB 65.33, 40.76, -25.55

 

CMYK 8 / 37 / 0 / 18

HEX #C084D1

RGB 192 132 209

HSL 286.75, 0.46%, 0.67%

LAB 63.6, 36.21, -30.62

 

CMYK 18 / 37 / 0 / 18

HEX #AB84D1

RGB 171 132 209

HSL 270.39, 0.46%, 0.67%

LAB 61.45, 29.78, -34.12

 

CMYK 0 / 37 / 22 / 18

HEX #D184A3

RGB 209 132 163

HSL 335.84, 0.46%, 0.67%

LAB 63.92, 33.79, -3.99

 

CMYK 0 / 47 / 28 / 13

HEX #DF76A1

RGB 223 118 161

HSL 335.43, 0.62%, 0.67%

LAB 62.69, 45.67, -4.47

 

CMYK 0 / 56 / 33 / 7

HEX #EC689F

RGB 236 104 159

HSL 335, 0.78%, 0.67%

LAB 61.86, 56.4, -4.34

 

CMYK 0 / 64 / 38 / 2

HEX #FA5B9C

RGB 250 91 156

HSL 335.47, 0.94%, 0.67%

LAB 61.83, 65.89, -2.41

 

CMYK 0 / 37 / 22 / 18

HEX #D184A3

RGB 209 132 163

HSL 335.84, 0.46%, 0.67%

LAB 63.92, 33.79, -3.99

 

CMYK 0 / 26 / 15 / 24

HEX #C391A6

RGB 195 145 166

HSL 334.8, 0.29%, 0.67%

LAB 65.44, 22.13, -3.62

 

CMYK 0 / 13 / 8 / 29

HEX #B69FA8

RGB 182 159 168

HSL 336.52, 0.14%, 0.67%

LAB 67.7, 9.99, -1.57

 

CMYK 2 / 0 / 1 / 33

HEX #A8ACAB

RGB 168 172 171

HSL 165, 0.02%, 0.67%

LAB 70.01, -1.6, 0.01

 

CMYK 17 / 0 / 7 / 27

HEX #9BBAAD

RGB 155 186 173

HSL 154.84, 0.18%, 0.67%

LAB 72.96, -13.12, 3.09

 

CMYK 0 / 37 / 2 / 18

HEX #D184CD

RGB 209 132 205

HSL 303.12, 0.46%, 0.67%

LAB 65.33, 40.76, -25.55

 

CMYK 0 / 37 / 11 / 18

HEX #D184B9

RGB 209 132 185

HSL 318.7, 0.46%, 0.67%

LAB 64.61, 37.27, -15.41

 

CMYK 0 / 37 / 22 / 18

HEX #D184A4

RGB 209 132 164

HSL 335.06, 0.46%, 0.67%

LAB 63.95, 33.94, -4.52

 

CMYK 0 / 37 / 32 / 18

HEX #D1848F

RGB 209 132 143

HSL 351.43, 0.46%, 0.67%

LAB 63.38, 31, 6.59

 

CMYK 0 / 33 / 37 / 18

HEX #D18D84

RGB 209 141 132

HSL 7.01, 0.46%, 0.67%

LAB 65.18, 24.74, 15.35

 

CMYK 0 / 62 / 36 / 27

HEX #BB4777

RGB 187 71 119

HSL 335.17, 0.46%, 0.51%

LAB 47.5, 51.19, -2.76

 

CMYK 0 / 48 / 29 / 22

HEX #C6668D

RGB 198 102 141

HSL 335.63, 0.46%, 0.59%

LAB 55.51, 42.63, -3.87

 

CMYK 0 / 37 / 22 / 18

HEX #D184A3

RGB 209 132 163

HSL 335.84, 0.46%, 0.67%

LAB 63.92, 33.79, -3.99

 

CMYK 0 / 26 / 15 / 14

HEX #DCA2BA

RGB 220 162 186

HSL 335.17, 0.45%, 0.75%

LAB 72.63, 25.07, -3.88

 

CMYK 0 / 17 / 10 / 9

HEX #E7C0D0

RGB 231 192 208

HSL 335.38, 0.45%, 0.83%

LAB 81.42, 16.45, -2.8

 

CMYK 0 / 37 / 22 / 18

HEX #D183A3

RGB 209 131 163

HSL 335.38, 0.46%, 0.67%

LAB 63.7, 34.33, -4.32

 

CMYK 0 / 8 / 37 / 18

HEX #D1C084

RGB 209 192 132

HSL 46.75, 0.46%, 0.67%

LAB 77.83, -2.67, 32.44

 

CMYK 37 / 7 / 0 / 18

HEX #84C3D1

RGB 132 195 209

HSL 190.91, 0.46%, 0.67%

LAB 75.16, -16.58, -13.4

 

CMYK 0 / 37 / 22 / 18

HEX #D183A3

RGB 209 131 163

HSL 335.38, 0.46%, 0.67%

LAB 63.7, 34.33, -4.32

 

CMYK 22 / 0 / 37 / 18

HEX #A4D184

RGB 164 209 132

HSL 95.06, 0.46%, 0.67%

LAB 79.13, -28.39, 33.52

 

CMYK 37 / 22 / 0 / 18

HEX #84A4D1

RGB 132 164 209

HSL 215.06, 0.46%, 0.67%

LAB 66.57, 0.09, -26.46

 

CMYK 0 / 37 / 22 / 18

HEX #D183A3

RGB 209 131 163

HSL 335.38, 0.46%, 0.67%

LAB 63.7, 34.33, -4.32

 

CMYK 0 / 8 / 37 / 18

HEX #D1C084

RGB 209 192 132

HSL 46.75, 0.46%, 0.67%

LAB 77.83, -2.67, 32.44

 

CMYK 37 / 0 / 15 / 18

HEX #84D1B1

RGB 132 209 177

HSL 155.06, 0.46%, 0.67%

LAB 78.28, -30.88, 8.41

 

CMYK 37 / 29 / 0 / 18

HEX #8494D1

RGB 132 148 209

HSL 227.53, 0.46%, 0.67%

LAB 62.24, 9.17, -33.13

 

CMYK 0 / 37 / 22 / 18

HEX #D183A3

RGB 209 131 163

HSL 335.38, 0.46%, 0.67%

LAB 63.7, 34.33, -4.32

 

CMYK 3 / 0 / 37 / 18

HEX #CBD184

RGB 203 209 132

HSL 64.68, 0.46%, 0.67%

LAB 81.82, -13.76, 37.53

 

CMYK 37 / 0 / 15 / 18

HEX #84D1B1

RGB 132 209 177

HSL 155.06, 0.46%, 0.67%

LAB 78.28, -30.88, 8.41

 

CMYK 34 / 37 / 0 / 18

HEX #8A84D1

RGB 138 132 209

HSL 244.68, 0.46%, 0.67%

LAB 58.52, 20.15, -38.92

 

Description

Color code: HEX #D183A3 | qconv.com Color code: HEX #D183A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 131 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 131 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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