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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1E146 it is the complementary color #2E1EB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1E146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1E146 shade: #D6E141, #E7F354, #F8FF67, #FFFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1E146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1E146 shade: #D1E146, #C0CF33, #AFBD20, #9EAB0D and #8D9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1E146 shade: #D1E146, #E1C746, #E19D46, #E17446 and #E14A46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1E146 shade: #D1E146, #A7E146, #7DE146, #54E146 and #46E162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1E146 shade matches the following richer shades: #D1E146 and #DEF235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1E146 shade: #D1E146, #C3CF58, #B5BE69, #A7AD7A and #9A9B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1E146 shade: #E19E46, #E1C746, #D1E146, #A8E146 and #7FE146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1E146 shade: #A7B71D, #C7DA23, #D1E146, #D9E66A and #E2EC8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1E146 shade: #D1E146, #46E175 and #B246E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1E146 shade: #D1E146, #46D1E1 and #E146D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1E146 shade: #D1E146, #46E175, #5646E1 and #E146B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1E146 shade: #D1E146, #46E1A3, #5646E1 and #E14684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

Complementary color

CMYK 75 / 84 / 0 / 27

HEX #2E1EB9

RGB 46 30 185

HSL 246.19, 0.72%, 0.42%

LAB 26.77, 54.4, -76.68

 

CMYK 5 / 0 / 71 / 12

HEX #D6E141

RGB 214 225 65

HSL 64.13, 0.73%, 0.57%

LAB 86.27, -22.63, 72.36

 

CMYK 5 / 0 / 65 / 5

HEX #E7F354

RGB 231 243 84

HSL 64.53, 0.87%, 0.64%

LAB 92.46, -23.37, 72.08

 

CMYK 3 / 0 / 60 / 0

HEX #F8FF67

RGB 248 255 103

HSL 62.76, 1%, 0.7%

LAB 97.01, -21.15, 69.77

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 7 / 0 / 75 / 19

HEX #C0CF33

RGB 192 207 51

HSL 65.77, 0.62%, 0.51%

LAB 79.65, -23.62, 70.11

 

CMYK 7 / 0 / 83 / 26

HEX #AFBD20

RGB 175 189 32

HSL 65.35, 0.71%, 0.43%

LAB 73.29, -22.66, 69.27

 

CMYK 8 / 0 / 92 / 33

HEX #9EAB0D

RGB 158 171 13

HSL 64.94, 0.86%, 0.36%

LAB 66.84, -21.5, 67.16

 

CMYK 8 / 0 / 100 / 40

HEX #8D9900

RGB 141 153 0

HSL 64.71, 1%, 0.3%

LAB 60.29, -20.1, 63.37

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 0 / 12 / 69 / 12

HEX #E1C746

RGB 225 199 70

HSL 49.94, 0.72%, 0.58%

LAB 80.35, -4.83, 64.97

 

CMYK 0 / 30 / 69 / 12

HEX #E19D46

RGB 225 157 70

HSL 33.68, 0.72%, 0.58%

LAB 69.87, 17.29, 54.08

 

CMYK 0 / 48 / 69 / 12

HEX #E17446

RGB 225 116 70

HSL 17.81, 0.72%, 0.58%

LAB 60.73, 38.91, 44.04

 

CMYK 0 / 67 / 69 / 12

HEX #E14A46

RGB 225 74 70

HSL 1.55, 0.72%, 0.58%

LAB 53.33, 58.21, 35.45

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 26 / 0 / 69 / 12

HEX #A7E146

RGB 167 225 70

HSL 82.45, 0.72%, 0.58%

LAB 83.18, -40.82, 66.48

 

CMYK 44 / 0 / 69 / 12

HEX #7DE146

RGB 125 225 70

HSL 98.71, 0.72%, 0.58%

LAB 81.1, -55.14, 63.68

 

CMYK 63 / 0 / 69 / 12

HEX #54E146

RGB 84 225 70

HSL 114.58, 0.72%, 0.58%

LAB 79.71, -65.87, 61.81

 

CMYK 69 / 0 / 56 / 12

HEX #46E162

RGB 70 225 98

HSL 130.84, 0.72%, 0.58%

LAB 79.63, -65.63, 49.88

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 8 / 0 / 78 / 5

HEX #DEF235

RGB 222 242 53

HSL 66.35, 0.88%, 0.58%

LAB 91.37, -27.95, 80.96

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 6 / 0 / 57 / 19

HEX #C3CF58

RGB 195 207 88

HSL 66.05, 0.55%, 0.58%

LAB 80.14, -20.2, 56.47

 

CMYK 5 / 0 / 45 / 25

HEX #B5BE69

RGB 181 190 105

HSL 66.35, 0.4%, 0.58%

LAB 74.62, -15.83, 41.69

 

CMYK 3 / 0 / 29 / 32

HEX #A7AD7A

RGB 167 173 122

HSL 67.06, 0.24%, 0.58%

LAB 69.12, -10.59, 25.56

 

CMYK 1 / 0 / 10 / 39

HEX #9A9B8C

RGB 154 155 140

HSL 64, 0.07%, 0.58%

LAB 63.51, -3.12, 7.74

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 12 / 69 / 12

HEX #E1C746

RGB 225 199 70

HSL 49.94, 0.72%, 0.58%

LAB 80.35, -4.83, 64.97

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 25 / 0 / 69 / 12

HEX #A8E146

RGB 168 225 70

HSL 82.06, 0.72%, 0.58%

LAB 83.24, -40.45, 66.56

 

CMYK 44 / 0 / 69 / 12

HEX #7FE146

RGB 127 225 70

HSL 97.94, 0.72%, 0.58%

LAB 81.18, -54.53, 63.79

 

CMYK 9 / 0 / 84 / 28

HEX #A7B71D

RGB 167 183 29

HSL 66.23, 0.73%, 0.42%

LAB 70.99, -23.21, 67.79

 

CMYK 9 / 0 / 84 / 15

HEX #C7DA23

RGB 199 218 35

HSL 66.23, 0.72%, 0.5%

LAB 83.13, -26.56, 77.6

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 6 / 0 / 54 / 10

HEX #D9E66A

RGB 217 230 106

HSL 66.29, 0.71%, 0.66%

LAB 88.15, -21.18, 57.98

 

CMYK 4 / 0 / 40 / 7

HEX #E2EC8D

RGB 226 236 141

HSL 66.32, 0.71%, 0.74%

LAB 90.82, -17.28, 44.88

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 69 / 0 / 48 / 12

HEX #46E175

RGB 70 225 117

HSL 138.19, 0.72%, 0.58%

LAB 79.86, -62.98, 41.2

 

CMYK 21 / 69 / 0 / 12

HEX #B246E1

RGB 178 70 225

HSL 281.81, 0.72%, 0.58%

LAB 51.01, 66.57, -59.63

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 69 / 7 / 0 / 12

HEX #46D1E1

RGB 70 209 225

HSL 186.19, 0.72%, 0.58%

LAB 77.48, -31.66, -18.75

 

CMYK 0 / 69 / 7 / 12

HEX #E146D1

RGB 225 70 209

HSL 306.19, 0.72%, 0.58%

LAB 57.07, 74.03, -40.49

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 69 / 0 / 48 / 12

HEX #46E175

RGB 70 225 117

HSL 138.19, 0.72%, 0.58%

LAB 79.86, -62.98, 41.2

 

CMYK 62 / 69 / 0 / 12

HEX #5646E1

RGB 86 70 225

HSL 246.19, 0.72%, 0.58%

LAB 40.89, 50.28, -76.54

 

CMYK 0 / 69 / 21 / 12

HEX #E146B2

RGB 225 70 178

HSL 318.19, 0.72%, 0.58%

LAB 55.69, 69.64, -24.82

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 69 / 0 / 28 / 12

HEX #46E1A3

RGB 70 225 163

HSL 156, 0.72%, 0.58%

LAB 80.63, -54.52, 18.84

 

CMYK 62 / 69 / 0 / 12

HEX #5646E1

RGB 86 70 225

HSL 246.19, 0.72%, 0.58%

LAB 40.89, 50.28, -76.54

 

CMYK 0 / 69 / 41 / 12

HEX #E14684

RGB 225 70 132

HSL 336, 0.72%, 0.58%

LAB 54.08, 64.33, -0.17

 

Description

Color code: HEX #D1E146 | qconv.com Color code: HEX #D1E146 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 225 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 225 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 69 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 69% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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