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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19E46 it is the complementary color #1E61B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19E46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19E46 shade: #E69E41, #F7B054, #FFC267, #FFD47A and #FFE68D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19E46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19E46 shade: #E19E46, #D08C33, #BF7A20, #AE680D and #9D5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19E46 shade: #E19E46, #E17446, #E14B46 and #E14646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19E46 shade: #E19E46, #E1C746, #D0E146, #A6E146 and #7DE146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19E46 shade matches the following richer shades: #E19E46 and #F2A035

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19E46 shade: #E19E46, #CF9B58, #BE9969, #AD977A and #9B948C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19E46 shade: #E14B46, #E17546, #E19E46, #E1C746 and #D1E146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19E46 shade: #B7751D, #DA8B23, #E19E46, #E6B06A and #ECC38D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19E46 shade: #E19E46, #6AE146 and #6046E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19E46 shade: #E19E46, #46E19E and #9E46E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19E46 shade: #E19E46, #6AE146, #4689E1 and #BD46E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19E46 shade: #E19E46, #46E151, #4689E1 and #E146D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

Complementary color

CMYK 84 / 48 / 0 / 27

HEX #1E61B9

RGB 30 97 185

HSL 214.06, 0.72%, 0.42%

LAB 41.73, 12.46, -52.21

 

CMYK 0 / 31 / 72 / 10

HEX #E69E41

RGB 230 158 65

HSL 33.82, 0.77%, 0.58%

LAB 70.63, 18.61, 57.29

 

CMYK 0 / 29 / 66 / 3

HEX #F7B054

RGB 247 176 84

HSL 33.87, 0.91%, 0.65%

LAB 76.96, 17.18, 56.08

 

CMYK 0 / 24 / 60 / 0

HEX #FFC267

RGB 255 194 103

HSL 35.92, 1%, 0.7%

LAB 82.28, 12.27, 53.44

 

CMYK 0 / 17 / 52 / 0

HEX #FFD47A

RGB 255 212 122

HSL 40.6, 1%, 0.74%

LAB 86.88, 4.41, 49.77

 

CMYK 0 / 10 / 45 / 0

HEX #FFE68D

RGB 255 230 141

HSL 46.84, 1%, 0.78%

LAB 91.58, -3.04, 46.33

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 33 / 75 / 18

HEX #D08C33

RGB 208 140 51

HSL 34.01, 0.63%, 0.51%

LAB 63.68, 18.29, 55.43

 

CMYK 0 / 36 / 83 / 25

HEX #BF7A20

RGB 191 122 32

HSL 33.96, 0.71%, 0.44%

LAB 57.17, 20.07, 56.01

 

CMYK 0 / 40 / 93 / 32

HEX #AE680D

RGB 174 104 13

HSL 33.91, 0.86%, 0.37%

LAB 50.6, 22.12, 55.45

 

CMYK 0 / 45 / 100 / 38

HEX #9D5600

RGB 157 86 0

HSL 32.87, 1%, 0.31%

LAB 43.98, 24.46, 52.84

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 48 / 69 / 12

HEX #E17446

RGB 225 116 70

HSL 17.81, 0.72%, 0.58%

LAB 60.73, 38.91, 44.04

 

CMYK 0 / 67 / 69 / 12

HEX #E14B46

RGB 225 75 70

HSL 1.94, 0.72%, 0.58%

LAB 53.47, 57.81, 35.62

 

CMYK 0 / 69 / 69 / 12

HEX #E14646

RGB 225 70 70

HSL 0, 0.72%, 0.58%

LAB 52.76, 59.75, 34.77

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 12 / 69 / 12

HEX #E1C746

RGB 225 199 70

HSL 49.94, 0.72%, 0.58%

LAB 80.35, -4.83, 64.97

 

CMYK 8 / 0 / 69 / 12

HEX #D0E146

RGB 208 225 70

HSL 66.58, 0.72%, 0.58%

LAB 85.86, -24.81, 70.05

 

CMYK 26 / 0 / 69 / 12

HEX #A6E146

RGB 166 225 70

HSL 82.84, 0.72%, 0.58%

LAB 83.13, -41.19, 66.4

 

CMYK 44 / 0 / 69 / 12

HEX #7DE146

RGB 125 225 70

HSL 98.71, 0.72%, 0.58%

LAB 81.1, -55.14, 63.68

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 34 / 78 / 5

HEX #F2A035

RGB 242 160 53

HSL 33.97, 0.88%, 0.58%

LAB 72.41, 22.08, 64.39

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 25 / 57 / 19

HEX #CF9B58

RGB 207 155 88

HSL 33.78, 0.55%, 0.58%

LAB 67.59, 11.94, 42.25

 

CMYK 0 / 19 / 45 / 25

HEX #BE9969

RGB 190 153 105

HSL 33.88, 0.4%, 0.58%

LAB 65.55, 7.46, 30.4

 

CMYK 0 / 13 / 29 / 32

HEX #AD977A

RGB 173 151 122

HSL 34.12, 0.24%, 0.58%

LAB 63.69, 3.66, 18.3

 

CMYK 0 / 5 / 10 / 39

HEX #9B948C

RGB 155 148 140

HSL 32, 0.07%, 0.58%

LAB 61.69, 1.12, 5.14

 

CMYK 0 / 67 / 69 / 12

HEX #E14B46

RGB 225 75 70

HSL 1.94, 0.72%, 0.58%

LAB 53.47, 57.81, 35.62

 

CMYK 0 / 48 / 69 / 12

HEX #E17546

RGB 225 117 70

HSL 18.19, 0.72%, 0.58%

LAB 60.93, 38.4, 44.27

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 12 / 69 / 12

HEX #E1C746

RGB 225 199 70

HSL 49.94, 0.72%, 0.58%

LAB 80.35, -4.83, 64.97

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 0 / 36 / 84 / 28

HEX #B7751D

RGB 183 117 29

HSL 34.29, 0.73%, 0.42%

LAB 54.95, 19.23, 54.73

 

CMYK 0 / 36 / 84 / 15

HEX #DA8B23

RGB 218 139 35

HSL 34.1, 0.72%, 0.5%

LAB 64.56, 22.56, 62.67

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 0 / 23 / 54 / 10

HEX #E6B06A

RGB 230 176 106

HSL 33.87, 0.71%, 0.66%

LAB 75.4, 11.71, 43.14

 

CMYK 0 / 17 / 40 / 7

HEX #ECC38D

RGB 236 195 141

HSL 34.11, 0.71%, 0.74%

LAB 81.17, 7.46, 32.6

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 53 / 0 / 69 / 12

HEX #6AE146

RGB 106 225 70

HSL 106.06, 0.72%, 0.58%

LAB 80.38, -60.58, 62.71

 

CMYK 57 / 69 / 0 / 12

HEX #6046E1

RGB 96 70 225

HSL 250.06, 0.72%, 0.58%

LAB 41.69, 51.68, -75.19

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 69 / 0 / 30 / 12

HEX #46E19E

RGB 70 225 158

HSL 154.06, 0.72%, 0.58%

LAB 80.53, -55.57, 21.31

 

CMYK 30 / 69 / 0 / 12

HEX #9E46E1

RGB 158 70 225

HSL 274.06, 0.72%, 0.58%

LAB 48.37, 62.54, -64.03

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 53 / 0 / 69 / 12

HEX #6AE146

RGB 106 225 70

HSL 106.06, 0.72%, 0.58%

LAB 80.38, -60.58, 62.71

 

CMYK 69 / 39 / 0 / 12

HEX #4689E1

RGB 70 137 225

HSL 214.06, 0.72%, 0.58%

LAB 56.71, 7.21, -51

 

CMYK 16 / 69 / 0 / 12

HEX #BD46E1

RGB 189 70 225

HSL 286.06, 0.72%, 0.58%

LAB 52.55, 68.85, -57.08

 

CMYK 0 / 30 / 69 / 12

HEX #E19E46

RGB 225 158 70

HSL 34.06, 0.72%, 0.58%

LAB 70.11, 16.75, 54.34

 

CMYK 69 / 0 / 64 / 12

HEX #46E151

RGB 70 225 81

HSL 124.26, 0.72%, 0.58%

LAB 79.47, -67.57, 57.09

 

CMYK 69 / 39 / 0 / 12

HEX #4689E1

RGB 70 137 225

HSL 214.06, 0.72%, 0.58%

LAB 56.71, 7.21, -51

 

CMYK 0 / 69 / 5 / 12

HEX #E146D6

RGB 225 70 214

HSL 304.26, 0.72%, 0.58%

LAB 57.31, 74.79, -42.95

 

Description

Color code: HEX #E19E46 | qconv.com Color code: HEX #E19E46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 158 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 158 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 69 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 69% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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