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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2AEA6 it is the complementary color #2D5159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2AEA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2AEA6 shade: #D7AEA1, #E8C0B4, #F9D2C7, #FFE4DA and #FFF6ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2AEA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2AEA6 shade: #D2AEA6, #C19C93, #B08A80, #9F786D and #8E665A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2AEA6 shade: #D2AEA6 and #D2A6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2AEA6 shade: #D2AEA6, #D2BAA6, #D2C6A6, #D2D2A6 and #C7D2A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2AEA6 shade matches the following richer shades: #D2AEA6, #DDA79C, #E8A191, #F29A86 and #FD937B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2AEA6 shade: #D2AEA6, #C7B5B1, #BDBCBC, #B2C3C7 and #A7CAD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2AEA6 shade: #D2A6B6, #D2A6AB, #D2AEA6, #D2B9A6 and #D2C5A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2AEA6 shade: #B67C6F, #C4958B, #D2AEA6, #E0C7C2 and #EEE0DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2AEA6 shade: #D2AEA6, #C2D2A6 and #A6B1D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2AEA6 shade: #D2AEA6, #A6D2AE and #AEA6D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2AEA6 shade: #D2AEA6, #C2D2A6, #A6CBD2 and #B6A6D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2AEA6 shade: #D2AEA6, #B5D2A6, #A6CBD2 and #C3A6D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

Complementary color

CMYK 49 / 9 / 0 / 65

HEX #2D5159

RGB 45 81 89

HSL 190.91, 0.33%, 0.26%

LAB 32.18, -10.5, -8.73

 

CMYK 0 / 19 / 25 / 16

HEX #D7AEA1

RGB 215 174 161

HSL 14.44, 0.4%, 0.74%

LAB 74.38, 12.98, 12.3

 

CMYK 0 / 17 / 22 / 9

HEX #E8C0B4

RGB 232 192 180

HSL 13.85, 0.53%, 0.81%

LAB 80.82, 12.45, 11.39

 

CMYK 0 / 16 / 20 / 2

HEX #F9D2C7

RGB 249 210 199

HSL 13.2, 0.81%, 0.88%

LAB 87.17, 11.98, 10.53

 

CMYK 0 / 11 / 15 / 0

HEX #FFE4DA

RGB 255 228 218

HSL 16.22, 1%, 0.93%

LAB 92.49, 7.66, 8.24

 

CMYK 0 / 4 / 7 / 0

HEX #FFF6ED

RGB 255 246 237

HSL 30, 1%, 0.96%

LAB 97.34, 1.49, 5.38

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 0 / 19 / 24 / 24

HEX #C19C93

RGB 193 156 147

HSL 11.74, 0.27%, 0.67%

LAB 67.44, 12.35, 9.9

 

CMYK 0 / 22 / 27 / 31

HEX #B08A80

RGB 176 138 128

HSL 12.5, 0.23%, 0.6%

LAB 60.75, 12.94, 10.87

 

CMYK 0 / 25 / 31 / 38

HEX #9F786D

RGB 159 120 109

HSL 13.2, 0.21%, 0.53%

LAB 53.93, 13.62, 11.94

 

CMYK 0 / 28 / 37 / 44

HEX #8E665A

RGB 142 102 90

HSL 13.85, 0.22%, 0.45%

LAB 46.96, 14.41, 13.14

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 0 / 21 / 21 / 18

HEX #D2A6A6

RGB 210 166 166

HSL 0, 0.33%, 0.74%

LAB 72.05, 16.15, 6.18

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 0 / 11 / 21 / 18

HEX #D2BAA6

RGB 210 186 166

HSL 27.27, 0.33%, 0.74%

LAB 77.02, 5.39, 13.26

 

CMYK 0 / 6 / 21 / 18

HEX #D2C6A6

RGB 210 198 166

HSL 43.64, 0.33%, 0.74%

LAB 80.09, -0.95, 17.56

 

CMYK 0 / 0 / 21 / 18

HEX #D2D2A6

RGB 210 210 166

HSL 60, 0.33%, 0.74%

LAB 83.2, -7.17, 21.88

 

CMYK 5 / 0 / 21 / 18

HEX #C7D2A6

RGB 199 210 166

HSL 75, 0.33%, 0.74%

LAB 82.37, -11.23, 20.6

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 0 / 24 / 29 / 13

HEX #DDA79C

RGB 221 167 156

HSL 10.15, 0.49%, 0.74%

LAB 73.16, 18.34, 13.41

 

CMYK 0 / 31 / 38 / 9

HEX #E8A191

RGB 232 161 145

HSL 11.03, 0.65%, 0.74%

LAB 72.69, 24.38, 18.95

 

CMYK 0 / 36 / 45 / 5

HEX #F29A86

RGB 242 154 134

HSL 11.11, 0.81%, 0.74%

LAB 72.03, 30.73, 24.26

 

CMYK 0 / 42 / 51 / 1

HEX #FD937B

RGB 253 147 123

HSL 11.08, 0.97%, 0.74%

LAB 71.68, 37.51, 30.02

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 0 / 9 / 11 / 22

HEX #C7B5B1

RGB 199 181 177

HSL 10.91, 0.16%, 0.74%

LAB 75.05, 5.73, 4.35

 

CMYK 0 / 1 / 1 / 26

HEX #BDBCBC

RGB 189 188 188

HSL 0, 0.01%, 0.74%

LAB 76.32, 0.35, 0.11

 

CMYK 11 / 2 / 0 / 22

HEX #B2C3C7

RGB 178 195 199

HSL 191.43, 0.16%, 0.74%

LAB 77.65, -4.98, -3.99

 

CMYK 20 / 3 / 0 / 18

HEX #A7CAD1

RGB 167 202 209

HSL 190, 0.31%, 0.74%

LAB 79.08, -10.08, -7.36

 

CMYK 0 / 21 / 13 / 18

HEX #D2A6B6

RGB 210 166 182

HSL 338.18, 0.33%, 0.74%

LAB 72.46, 18.68, -2.04

 

CMYK 0 / 21 / 19 / 18

HEX #D2A6AB

RGB 210 166 171

HSL 353.18, 0.33%, 0.74%

LAB 72.17, 16.92, 3.6

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 0 / 12 / 21 / 18

HEX #D2B9A6

RGB 210 185 166

HSL 25.91, 0.33%, 0.74%

LAB 76.77, 5.92, 12.91

 

CMYK 0 / 6 / 21 / 18

HEX #D2C5A6

RGB 210 197 166

HSL 42.27, 0.33%, 0.74%

LAB 79.83, -0.43, 17.21

 

CMYK 0 / 32 / 39 / 29

HEX #B67C6F

RGB 182 124 111

HSL 10.99, 0.33%, 0.57%

LAB 57.57, 20.93, 16.24

 

CMYK 0 / 24 / 29 / 23

HEX #C4958B

RGB 196 149 139

HSL 10.53, 0.33%, 0.66%

LAB 65.82, 16.22, 12.12

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 0 / 11 / 13 / 12

HEX #E0C7C2

RGB 224 199 194

HSL 10, 0.33%, 0.82%

LAB 82.16, 7.96, 5.7

 

CMYK 0 / 6 / 7 / 7

HEX #EEE0DD

RGB 238 224 221

HSL 10.59, 0.33%, 0.9%

LAB 90.19, 4.26, 3.17

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 8 / 0 / 21 / 18

HEX #C2D2A6

RGB 194 210 166

HSL 81.82, 0.33%, 0.74%

LAB 82.01, -13.05, 20.04

 

CMYK 21 / 16 / 0 / 18

HEX #A6B1D2

RGB 166 177 210

HSL 225, 0.33%, 0.74%

LAB 72.36, 3.19, -17.96

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 21 / 0 / 17 / 18

HEX #A6D2AE

RGB 166 210 174

HSL 130.91, 0.33%, 0.74%

LAB 80.32, -21.45, 13.18

 

CMYK 17 / 21 / 0 / 18

HEX #AEA6D2

RGB 174 166 210

HSL 250.91, 0.33%, 0.74%

LAB 70.12, 11.8, -21.3

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 8 / 0 / 21 / 18

HEX #C2D2A6

RGB 194 210 166

HSL 81.82, 0.33%, 0.74%

LAB 82.01, -13.05, 20.04

 

CMYK 21 / 3 / 0 / 18

HEX #A6CBD2

RGB 166 203 210

HSL 189.55, 0.33%, 0.74%

LAB 79.31, -10.69, -7.55

 

CMYK 13 / 21 / 0 / 18

HEX #B6A6D2

RGB 182 166 210

HSL 261.82, 0.33%, 0.74%

LAB 70.78, 14.37, -20.24

 

CMYK 0 / 17 / 21 / 18

HEX #D2AEA6

RGB 210 174 166

HSL 10.91, 0.33%, 0.74%

LAB 74.01, 11.82, 8.99

 

CMYK 14 / 0 / 21 / 18

HEX #B5D2A6

RGB 181 210 166

HSL 99.55, 0.33%, 0.74%

LAB 81.11, -17.7, 18.66

 

CMYK 21 / 3 / 0 / 18

HEX #A6CBD2

RGB 166 203 210

HSL 189.55, 0.33%, 0.74%

LAB 79.31, -10.69, -7.55

 

CMYK 7 / 21 / 0 / 18

HEX #C3A6D2

RGB 195 166 210

HSL 279.55, 0.33%, 0.74%

LAB 71.91, 18.62, -18.42

 

Description

Color code: HEX #D2AEA6 | qconv.com Color code: HEX #D2AEA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 174 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 174 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 21 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 21% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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