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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3171D it is the complementary color #2CE8E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3171D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3171D shade: #D81718, #E9292B, #FA3B3E, #FF4D51 and #FF5F64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3171D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3171D shade: #D3171D, #C2050A, #B10000, #A00000 and #8F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3171D shade: #D3171D and #D31717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3171D shade: #D3171D, #D31750, #D31782, #D317B5 and #BE17D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3171D shade matches the following richer shades: #D3171D and #E6040B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3171D shade: #D3171D, #C02A2F, #AD3D40, #9A5052 and #876364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3171D shade: #D31781, #D3174F, #D3171D, #D34317 and #D37517

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3171D shade: #880F13, #AE1318, #D3171D, #E72C32 and #EB5156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3171D shade: #D3171D, #B3D317 and #1768D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3171D shade: #D3171D, #1DD317 and #171DD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3171D shade: #D3171D, #B3D317, #17D3CC and #3617D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3171D shade: #D3171D, #7BD317, #17D3CC and #6F17D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

Complementary color

CMYK 81 / 0 / 3 / 9

HEX #2CE8E2

RGB 44 232 226

HSL 178.09, 0.8%, 0.54%

LAB 83.83, -44.62, -9.81

 

CMYK 0 / 89 / 89 / 15

HEX #D81718

RGB 216 23 24

HSL 359.69, 0.81%, 0.47%

LAB 46.01, 68.5, 51.67

 

CMYK 0 / 82 / 82 / 9

HEX #E9292B

RGB 233 41 43

HSL 359.38, 0.81%, 0.54%

LAB 50.79, 69.94, 47.93

 

CMYK 0 / 76 / 75 / 2

HEX #FA3B3E

RGB 250 59 62

HSL 359.06, 0.95%, 0.61%

LAB 55.89, 70.55, 44.03

 

CMYK 0 / 70 / 68 / 0

HEX #FF4D51

RGB 255 77 81

HSL 358.65, 1%, 0.65%

LAB 59.12, 66.98, 37.42

 

CMYK 0 / 63 / 61 / 0

HEX #FF5F64

RGB 255 95 100

HSL 358.13, 1%, 0.69%

LAB 61.97, 61.09, 30.21

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 97 / 95 / 24

HEX #C2050A

RGB 194 5 10

HSL 358.41, 0.95%, 0.39%

LAB 40.57, 64.8, 51.27

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 89 / 89 / 17

HEX #D31717

RGB 211 23 23

HSL 0, 0.8%, 0.46%

LAB 44.97, 67.18, 50.87

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 89 / 38 / 17

HEX #D31782

RGB 211 23 130

HSL 325.85, 0.8%, 0.46%

LAB 47.07, 73.05, -9.63

 

CMYK 0 / 89 / 14 / 17

HEX #D317B5

RGB 211 23 181

HSL 309.57, 0.8%, 0.46%

LAB 49.25, 78.87, -36.78

 

CMYK 10 / 89 / 0 / 17

HEX #BE17D3

RGB 190 23 211

HSL 293.3, 0.8%, 0.46%

LAB 47.32, 79.56, -57.5

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 98 / 95 / 10

HEX #E6040B

RGB 230 4 11

HSL 358.14, 0.97%, 0.46%

LAB 48.18, 73.86, 59.14

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 78 / 76 / 25

HEX #C02A2F

RGB 192 42 47

HSL 358, 0.64%, 0.46%

LAB 42.86, 58.21, 35.03

 

CMYK 0 / 65 / 63 / 32

HEX #AD3D40

RGB 173 61 64

HSL 358.39, 0.48%, 0.46%

LAB 42.14, 45.93, 23.15

 

CMYK 0 / 48 / 47 / 40

HEX #9A5052

RGB 154 80 82

HSL 358.38, 0.32%, 0.46%

LAB 43.09, 30.94, 12.86

 

CMYK 0 / 27 / 26 / 47

HEX #876364

RGB 135 99 100

HSL 358.33, 0.15%, 0.46%

LAB 45.63, 14.71, 5.15

 

CMYK 0 / 89 / 39 / 17

HEX #D31781

RGB 211 23 129

HSL 326.17, 0.8%, 0.46%

LAB 47.04, 72.96, -9.08

 

CMYK 0 / 89 / 63 / 17

HEX #D3174F

RGB 211 23 79

HSL 342.13, 0.8%, 0.46%

LAB 45.67, 69.16, 19.89

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 68 / 89 / 17

HEX #D34317

RGB 211 67 23

HSL 14.04, 0.8%, 0.46%

LAB 49.41, 54.79, 54.15

 

CMYK 0 / 45 / 89 / 17

HEX #D37517

RGB 211 117 23

HSL 30, 0.8%, 0.46%

LAB 58.63, 31.07, 61.14

 

CMYK 0 / 89 / 86 / 47

HEX #880F13

RGB 136 15 19

HSL 358.02, 0.8%, 0.3%

LAB 28.44, 47.91, 32.73

 

CMYK 0 / 89 / 86 / 32

HEX #AE1318

RGB 174 19 24

HSL 358.06, 0.8%, 0.38%

LAB 36.99, 57.96, 40.76

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 81 / 78 / 9

HEX #E72C32

RGB 231 44 50

HSL 358.07, 0.8%, 0.54%

LAB 50.71, 68.88, 44.01

 

CMYK 0 / 66 / 63 / 8

HEX #EB5156

RGB 235 81 86

HSL 358.05, 0.79%, 0.62%

LAB 56.31, 59.51, 30.32

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 15 / 0 / 89 / 17

HEX #B3D317

RGB 179 211 23

HSL 70.21, 0.8%, 0.46%

LAB 79.75, -31.75, 76.53

 

CMYK 89 / 51 / 0 / 17

HEX #1768D3

RGB 23 104 211

HSL 214.15, 0.8%, 0.46%

LAB 45.34, 17.66, -61.41

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 86 / 0 / 89 / 17

HEX #1DD317

RGB 29 211 23

HSL 118.09, 0.8%, 0.46%

LAB 74.13, -72.67, 69.58

 

CMYK 89 / 86 / 0 / 17

HEX #171DD3

RGB 23 29 211

HSL 238.09, 0.8%, 0.46%

LAB 28.81, 61.47, -88.58

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 15 / 0 / 89 / 17

HEX #B3D317

RGB 179 211 23

HSL 70.21, 0.8%, 0.46%

LAB 79.75, -31.75, 76.53

 

CMYK 89 / 0 / 3 / 17

HEX #17D3CC

RGB 23 211 204

HSL 177.77, 0.8%, 0.46%

LAB 76.76, -42.99, -8.63

 

CMYK 74 / 89 / 0 / 17

HEX #3617D3

RGB 54 23 211

HSL 249.89, 0.8%, 0.46%

LAB 29.66, 64.6, -87.12

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 42 / 0 / 89 / 17

HEX #7BD317

RGB 123 211 23

HSL 88.09, 0.8%, 0.46%

LAB 76.59, -52.67, 72.65

 

CMYK 89 / 0 / 3 / 17

HEX #17D3CC

RGB 23 211 204

HSL 177.77, 0.8%, 0.46%

LAB 76.76, -42.99, -8.63

 

CMYK 47 / 89 / 0 / 17

HEX #6F17D3

RGB 111 23 211

HSL 268.09, 0.8%, 0.46%

LAB 35.39, 68.88, -77.45

 

Description

Color code: HEX #D3171D | qconv.com Color code: HEX #D3171D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 23 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 23 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 86 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 86% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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