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Color name
HEX #D31750

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D31750 it is the complementary color #2CE8AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D31750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D31750 shade: #D8174B, #E9295E, #FA3B71, #FF4D84 and #FF5F97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D31750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D31750 shade: #D31750, #C2053D, #B1002A, #A00017 and #8F0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D31750 shade: #D31750, #D3171D and #D31717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D31750 shade: #D31750, #D31782, #D317B5, #BE17D3 and #8B17D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D31750 shade matches the following richer shades: #D31750 and #E60448

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D31750 shade: #D31750, #C02A57, #AD3D5F, #9A5066 and #87636E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D31750 shade: #D317B6, #D31784, #D31752, #D31720 and #D34017

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D31750 shade: #880F34, #AE1342, #D31750, #E72C65 and #EB5180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D31750 shade: #D31750, #D3BD17 and #179DD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D31750 shade: #D31750, #52D317 and #1752D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D31750 shade: #D31750, #D3BD17, #17D397 and #172DD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D31750 shade: #D31750, #B0D317, #17D397 and #3917D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

Complementary color

CMYK 81 / 0 / 25 / 9

HEX #2CE8AF

RGB 44 232 175

HSL 161.81, 0.8%, 0.54%

LAB 82.56, -57.69, 15.21

 

CMYK 0 / 89 / 65 / 15

HEX #D8174B

RGB 216 23 75

HSL 343.83, 0.81%, 0.47%

LAB 46.6, 70.19, 23.77

 

CMYK 0 / 82 / 60 / 9

HEX #E9295E

RGB 233 41 94

HSL 343.44, 0.81%, 0.54%

LAB 51.52, 72.14, 19.27

 

CMYK 0 / 76 / 55 / 2

HEX #FA3B71

RGB 250 59 113

HSL 343.04, 0.95%, 0.61%

LAB 56.73, 73.22, 15.5

 

CMYK 0 / 70 / 48 / 0

HEX #FF4D84

RGB 255 77 132

HSL 341.46, 1%, 0.65%

LAB 60.1, 70.32, 9.15

 

CMYK 0 / 63 / 41 / 0

HEX #FF5F97

RGB 255 95 151

HSL 339, 1%, 0.69%

LAB 63.08, 65.24, 2.39

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 97 / 69 / 24

HEX #C2053D

RGB 194 5 61

HSL 342.22, 0.95%, 0.39%

LAB 41.08, 66.19, 24.51

 

CMYK 0 / 100 / 76 / 31

HEX #B1002A

RGB 177 0 42

HSL 345.76, 1%, 0.35%

LAB 36.96, 61.76, 30.57

 

CMYK 0 / 100 / 86 / 37

HEX #A00017

RGB 160 0 23

HSL 351.38, 1%, 0.31%

LAB 33, 56.9, 36.61

 

CMYK 0 / 100 / 97 / 44

HEX #8F0004

RGB 143 0 4

HSL 358.32, 1%, 0.28%

LAB 29.03, 52.14, 40.81

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 89 / 86 / 17

HEX #D3171D

RGB 211 23 29

HSL 358.09, 0.8%, 0.46%

LAB 45.01, 67.28, 48.14

 

CMYK 0 / 89 / 89 / 17

HEX #D31717

RGB 211 23 23

HSL 0, 0.8%, 0.46%

LAB 44.97, 67.18, 50.87

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 89 / 38 / 17

HEX #D31782

RGB 211 23 130

HSL 325.85, 0.8%, 0.46%

LAB 47.07, 73.05, -9.63

 

CMYK 0 / 89 / 14 / 17

HEX #D317B5

RGB 211 23 181

HSL 309.57, 0.8%, 0.46%

LAB 49.25, 78.87, -36.78

 

CMYK 10 / 89 / 0 / 17

HEX #BE17D3

RGB 190 23 211

HSL 293.3, 0.8%, 0.46%

LAB 47.32, 79.56, -57.5

 

CMYK 34 / 89 / 0 / 17

HEX #8B17D3

RGB 139 23 211

HSL 277.02, 0.8%, 0.46%

LAB 39.25, 72.12, -70.97

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 98 / 69 / 10

HEX #E60448

RGB 230 4 72

HSL 341.95, 0.97%, 0.46%

LAB 48.73, 75.38, 28.9

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 78 / 55 / 25

HEX #C02A57

RGB 192 42 87

HSL 342, 0.64%, 0.46%

LAB 43.58, 60.47, 11.44

 

CMYK 0 / 65 / 45 / 32

HEX #AD3D5F

RGB 173 61 95

HSL 341.79, 0.48%, 0.46%

LAB 42.84, 48.52, 4.92

 

CMYK 0 / 48 / 34 / 40

HEX #9A5066

RGB 154 80 102

HSL 342.16, 0.32%, 0.46%

LAB 43.6, 33.34, 1.32

 

CMYK 0 / 27 / 19 / 47

HEX #87636E

RGB 135 99 110

HSL 341.67, 0.15%, 0.46%

LAB 45.91, 16.34, -0.48

 

CMYK 0 / 89 / 14 / 17

HEX #D317B6

RGB 211 23 182

HSL 309.26, 0.8%, 0.46%

LAB 49.3, 79, -37.29

 

CMYK 0 / 89 / 37 / 17

HEX #D31784

RGB 211 23 132

HSL 325.21, 0.8%, 0.46%

LAB 47.14, 73.25, -10.75

 

CMYK 0 / 89 / 61 / 17

HEX #D31752

RGB 211 23 82

HSL 341.17, 0.8%, 0.46%

LAB 45.73, 69.33, 18.1

 

CMYK 0 / 89 / 85 / 17

HEX #D31720

RGB 211 23 32

HSL 357.13, 0.8%, 0.46%

LAB 45.03, 67.35, 46.68

 

CMYK 0 / 70 / 89 / 17

HEX #D34017

RGB 211 64 23

HSL 13.09, 0.8%, 0.46%

LAB 48.98, 55.95, 53.84

 

CMYK 0 / 89 / 62 / 47

HEX #880F34

RGB 136 15 52

HSL 341.65, 0.8%, 0.3%

LAB 28.96, 49.44, 12.19

 

CMYK 0 / 89 / 62 / 32

HEX #AE1342

RGB 174 19 66

HSL 341.81, 0.8%, 0.38%

LAB 37.59, 59.69, 15.98

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 81 / 56 / 9

HEX #E72C65

RGB 231 44 101

HSL 341.71, 0.8%, 0.54%

LAB 51.53, 71.37, 14.98

 

CMYK 0 / 66 / 46 / 8

HEX #EB5180

RGB 235 81 128

HSL 341.69, 0.79%, 0.62%

LAB 57.18, 62.67, 6.88

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 10 / 89 / 17

HEX #D3BD17

RGB 211 189 23

HSL 52.98, 0.8%, 0.46%

LAB 76.26, -7.34, 74.82

 

CMYK 89 / 26 / 0 / 17

HEX #179DD3

RGB 23 157 211

HSL 197.23, 0.8%, 0.46%

LAB 60.78, -14.19, -36.84

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 61 / 0 / 89 / 17

HEX #52D317

RGB 82 211 23

HSL 101.17, 0.8%, 0.46%

LAB 75.1, -64.3, 70.8

 

CMYK 89 / 61 / 0 / 17

HEX #1752D3

RGB 23 82 211

HSL 221.17, 0.8%, 0.46%

LAB 39.45, 31.98, -71.01

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 0 / 10 / 89 / 17

HEX #D3BD17

RGB 211 189 23

HSL 52.98, 0.8%, 0.46%

LAB 76.26, -7.34, 74.82

 

CMYK 89 / 0 / 28 / 17

HEX #17D397

RGB 23 211 151

HSL 160.85, 0.8%, 0.46%

LAB 75.45, -56.69, 17.87

 

CMYK 89 / 79 / 0 / 17

HEX #172DD3

RGB 23 45 211

HSL 232.98, 0.8%, 0.46%

LAB 31.26, 54.24, -84.51

 

CMYK 0 / 89 / 62 / 17

HEX #D31750

RGB 211 23 80

HSL 341.81, 0.8%, 0.46%

LAB 45.69, 69.22, 19.29

 

CMYK 17 / 0 / 89 / 17

HEX #B0D317

RGB 176 211 23

HSL 71.17, 0.8%, 0.46%

LAB 79.55, -32.96, 76.29

 

CMYK 89 / 0 / 28 / 17

HEX #17D397

RGB 23 211 151

HSL 160.85, 0.8%, 0.46%

LAB 75.45, -56.69, 17.87

 

CMYK 73 / 89 / 0 / 17

HEX #3917D3

RGB 57 23 211

HSL 250.85, 0.8%, 0.46%

LAB 29.88, 64.74, -86.76

 

Description

Color code: HEX #D31750 | qconv.com Color code: HEX #D31750 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 23 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 23 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 62 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 62% 17% C M Y K

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Provide designers and agencies with accurate color values.

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