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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D35999 it is the complementary color #2CA666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D35999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D35999 shade: #D85994, #E96BA7, #FA7DBA, #FF8FCD and #FFA1E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D35999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D35999 shade: #D35999, #C24786, #B13573, #A02360 and #8F114D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D35999 shade: #D35999, #D35978 and #D35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D35999 shade: #D35999, #D359BA, #CB59D3, #AA59D3 and #8959D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D35999 shade matches the following richer shades: #D35999, #E4489A and #F4379B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D35999 shade: #D35999, #C26A98, #B17B97, #A08C96 and #8F9D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D35999 shade: #CB59D3, #D359BA, #D3599A, #D3597A and #D35959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D35999 shade: #AC2D70, #CA3985, #D35999, #DB7AAD and #E49BC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D35999 shade: #D35999, #D3AA59 and #59CBD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D35999 shade: #D35999, #9AD359 and #599AD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D35999 shade: #D35999, #D3AA59, #59D392 and #5982D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D35999 shade: #D35999, #D3CF59, #59D392 and #595DD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

Complementary color

CMYK 73 / 0 / 39 / 35

HEX #2CA666

RGB 44 166 102

HSL 148.52, 0.58%, 0.41%

LAB 60.58, -47.95, 23.86

 

CMYK 0 / 59 / 31 / 15

HEX #D85994

RGB 216 89 148

HSL 332.13, 0.62%, 0.6%

LAB 55.97, 55.65, -7.01

 

CMYK 0 / 54 / 28 / 9

HEX #E96BA7

RGB 233 107 167

HSL 331.43, 0.74%, 0.67%

LAB 62.19, 55.06, -8.49

 

CMYK 0 / 50 / 26 / 2

HEX #FA7DBA

RGB 250 125 186

HSL 330.72, 0.93%, 0.74%

LAB 68.41, 54.36, -9.74

 

CMYK 0 / 44 / 20 / 0

HEX #FF8FCD

RGB 255 143 205

HSL 326.79, 1%, 0.78%

LAB 73.1, 49.78, -13.25

 

CMYK 0 / 37 / 12 / 0

HEX #FFA1E0

RGB 255 161 224

HSL 319.79, 1%, 0.82%

LAB 77.36, 43.55, -17.24

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 63 / 31 / 24

HEX #C24786

RGB 194 71 134

HSL 329.27, 0.5%, 0.52%

LAB 49.13, 55.13, -9.28

 

CMYK 0 / 70 / 35 / 31

HEX #B13573

RGB 177 53 115

HSL 330, 0.54%, 0.45%

LAB 42.96, 55.16, -7.23

 

CMYK 0 / 78 / 40 / 37

HEX #A02360

RGB 160 35 96

HSL 330.72, 0.64%, 0.38%

LAB 36.97, 54.56, -4.56

 

CMYK 0 / 88 / 46 / 44

HEX #8F114D

RGB 143 17 77

HSL 331.43, 0.79%, 0.31%

LAB 31.29, 52.89, -0.99

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 58 / 43 / 17

HEX #D35978

RGB 211 89 120

HSL 344.75, 0.58%, 0.59%

LAB 54.4, 50.9, 7.12

 

CMYK 0 / 58 / 58 / 17

HEX #D35959

RGB 211 89 89

HSL 0, 0.58%, 0.59%

LAB 53.72, 48.17, 24.47

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 58 / 12 / 17

HEX #D359BA

RGB 211 89 186

HSL 312.3, 0.58%, 0.59%

LAB 56.62, 59.46, -28.18

 

CMYK 4 / 58 / 0 / 17

HEX #CB59D3

RGB 203 89 211

HSL 296.07, 0.58%, 0.59%

LAB 56.63, 61.51, -42.54

 

CMYK 19 / 58 / 0 / 17

HEX #AA59D3

RGB 170 89 211

HSL 279.84, 0.58%, 0.59%

LAB 52.28, 53.19, -49.71

 

CMYK 35 / 58 / 0 / 17

HEX #8959D3

RGB 137 89 211

HSL 263.61, 0.58%, 0.59%

LAB 48.47, 45.22, -56.02

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 68 / 32 / 11

HEX #E4489A

RGB 228 72 154

HSL 328.46, 0.74%, 0.59%

LAB 55.54, 66.76, -10.97

 

CMYK 0 / 77 / 36 / 4

HEX #F4379B

RGB 244 55 155

HSL 328.25, 0.9%, 0.59%

LAB 56.42, 76.36, -9.97

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 45 / 22 / 24

HEX #C26A98

RGB 194 106 152

HSL 328.64, 0.42%, 0.59%

LAB 56.13, 40.75, -9.44

 

CMYK 0 / 31 / 15 / 31

HEX #B17B97

RGB 177 123 151

HSL 328.89, 0.26%, 0.59%

LAB 57.8, 25.34, -6.6

 

CMYK 0 / 13 / 6 / 37

HEX #A08C96

RGB 160 140 150

HSL 330, 0.1%, 0.59%

LAB 60.28, 9.29, -2.55

 

CMYK 9 / 0 / 4 / 38

HEX #8F9D96

RGB 143 157 150

HSL 150, 0.07%, 0.59%

LAB 63.47, -6.37, 1.95

 

CMYK 4 / 58 / 0 / 17

HEX #CB59D3

RGB 203 89 211

HSL 296.07, 0.58%, 0.59%

LAB 56.63, 61.51, -42.54

 

CMYK 0 / 58 / 12 / 17

HEX #D359BA

RGB 211 89 186

HSL 312.3, 0.58%, 0.59%

LAB 56.62, 59.46, -28.18

 

CMYK 0 / 58 / 27 / 17

HEX #D3599A

RGB 211 89 154

HSL 328.03, 0.58%, 0.59%

LAB 55.41, 54.87, -11.45

 

CMYK 0 / 58 / 42 / 17

HEX #D3597A

RGB 211 89 122

HSL 343.77, 0.58%, 0.59%

LAB 54.45, 51.11, 6.01

 

CMYK 0 / 58 / 58 / 17

HEX #D35959

RGB 211 89 89

HSL 0, 0.58%, 0.59%

LAB 53.72, 48.17, 24.47

 

CMYK 0 / 74 / 35 / 33

HEX #AC2D70

RGB 172 45 112

HSL 328.35, 0.59%, 0.43%

LAB 40.92, 56.31, -8.5

 

CMYK 0 / 72 / 34 / 21

HEX #CA3985

RGB 202 57 133

HSL 328.55, 0.58%, 0.51%

LAB 48.48, 62.7, -9.51

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 44 / 21 / 14

HEX #DB7AAD

RGB 219 122 173

HSL 328.45, 0.57%, 0.67%

LAB 63.34, 43.97, -10.4

 

CMYK 0 / 32 / 15 / 11

HEX #E49BC1

RGB 228 155 193

HSL 328.77, 0.57%, 0.75%

LAB 72.09, 32.75, -8.46

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 19 / 58 / 17

HEX #D3AA59

RGB 211 170 89

HSL 39.84, 0.58%, 0.59%

LAB 71.77, 5.64, 46.8

 

CMYK 58 / 4 / 0 / 17

HEX #59CBD3

RGB 89 203 211

HSL 183.93, 0.58%, 0.59%

LAB 75.79, -29.78, -13.73

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 27 / 0 / 58 / 17

HEX #9AD359

RGB 154 211 89

HSL 88.03, 0.58%, 0.59%

LAB 78.57, -37.91, 53.52

 

CMYK 58 / 27 / 0 / 17

HEX #599AD3

RGB 89 154 211

HSL 208.03, 0.58%, 0.59%

LAB 61.6, -4.05, -35.43

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 19 / 58 / 17

HEX #D3AA59

RGB 211 170 89

HSL 39.84, 0.58%, 0.59%

LAB 71.77, 5.64, 46.8

 

CMYK 58 / 0 / 31 / 17

HEX #59D392

RGB 89 211 146

HSL 148.03, 0.58%, 0.59%

LAB 76.55, -48.92, 22.2

 

CMYK 58 / 38 / 0 / 17

HEX #5982D3

RGB 89 130 211

HSL 219.84, 0.58%, 0.59%

LAB 54.86, 9.99, -46.03

 

CMYK 0 / 58 / 27 / 17

HEX #D35999

RGB 211 89 153

HSL 328.52, 0.58%, 0.59%

LAB 55.37, 54.74, -10.91

 

CMYK 0 / 2 / 58 / 17

HEX #D3CF59

RGB 211 207 89

HSL 58.03, 0.58%, 0.59%

LAB 81.4, -13.58, 57.78

 

CMYK 58 / 0 / 31 / 17

HEX #59D392

RGB 89 211 146

HSL 148.03, 0.58%, 0.59%

LAB 76.55, -48.92, 22.2

 

CMYK 58 / 56 / 0 / 17

HEX #595DD3

RGB 89 93 211

HSL 238.03, 0.58%, 0.59%

LAB 45.16, 32.74, -61.57

 

Description

Color code: HEX #D35999 | qconv.com Color code: HEX #D35999 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 89 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 89 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 27 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 27% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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