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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D40206 it is the complementary color #2BFDF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D40206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D40206 shade: #D90201, #EA1414, #FB2627, #FF383A and #FF4A4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D40206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D40206 shade: #D40206, #C30000, #B20000, #A10000 and #900000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D40206 shade: #D40206 and #D40202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D40206 shade: #D40206, #D4023E, #D40277, #D402AF and #BF02D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D40206 shade matches the following richer shades: #D40206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D40206 shade: #D40206, #C21316, #B12427, #A03638 and #8E4748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D40206 shade: #D40279, #D40241, #D40209, #D43302 and #D46B02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D40206 shade: #820103, #AB0104, #D40206, #FC0307 and #FC2B2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D40206 shade: #D40206, #B1D402 and #025DD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D40206 shade: #D40206, #09D402 and #0209D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D40206 shade: #D40206, #B1D402, #02D4CD and #2502D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D40206 shade: #D40206, #72D402, #02D4CD and #6402D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

Complementary color

CMYK 83 / 0 / 2 / 1

HEX #2BFDF9

RGB 43 253 249

HSL 178.86, 0.98%, 0.58%

LAB 90.6, -47.36, -11.77

 

CMYK 0 / 99 / 100 / 15

HEX #D90201

RGB 217 2 1

HSL 0.28, 0.99%, 0.43%

LAB 45.36, 70.76, 59.21

 

CMYK 0 / 91 / 91 / 8

HEX #EA1414

RGB 234 20 20

HSL 0, 0.84%, 0.5%

LAB 49.55, 73.47, 57.44

 

CMYK 0 / 85 / 84 / 2

HEX #FB2627

RGB 251 38 39

HSL 359.72, 0.96%, 0.57%

LAB 54.07, 75.28, 54.21

 

CMYK 0 / 78 / 77 / 0

HEX #FF383A

RGB 255 56 58

HSL 359.4, 1%, 0.61%

LAB 56.48, 72.66, 47.11

 

CMYK 0 / 71 / 70 / 0

HEX #FF4A4D

RGB 255 74 77

HSL 359.01, 1%, 0.65%

LAB 58.69, 67.84, 39.14

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 0 / 100 / 100 / 24

HEX #C30000

RGB 195 0 0

HSL 0, 1%, 0.38%

LAB 40.58, 65.46, 54.93

 

CMYK 0 / 100 / 100 / 30

HEX #B20000

RGB 178 0 0

HSL 0, 1%, 0.35%

LAB 36.86, 61.17, 51.27

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 0 / 99 / 99 / 17

HEX #D40202

RGB 212 2 2

HSL 0, 0.98%, 0.42%

LAB 44.3, 69.53, 57.84

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 0 / 99 / 71 / 17

HEX #D4023E

RGB 212 2 62

HSL 342.86, 0.98%, 0.42%

LAB 44.78, 70.86, 29.3

 

CMYK 0 / 99 / 44 / 17

HEX #D40277

RGB 212 2 119

HSL 326.57, 0.98%, 0.42%

LAB 46.14, 74.48, -4.25

 

CMYK 0 / 99 / 17 / 17

HEX #D402AF

RGB 212 2 175

HSL 310.57, 0.98%, 0.42%

LAB 48.43, 80.36, -34.53

 

CMYK 10 / 99 / 0 / 17

HEX #BF02D4

RGB 191 2 212

HSL 294, 0.98%, 0.42%

LAB 46.81, 82.08, -58.89

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 0 / 90 / 89 / 24

HEX #C21316

RGB 194 19 22

HSL 358.97, 0.82%, 0.42%

LAB 41.21, 63.31, 46.92

 

CMYK 0 / 80 / 78 / 31

HEX #B12427

RGB 177 36 39

HSL 358.72, 0.66%, 0.42%

LAB 39.17, 55.23, 34.79

 

CMYK 0 / 66 / 65 / 37

HEX #A03638

RGB 160 54 56

HSL 358.87, 0.5%, 0.42%

LAB 38.55, 43.98, 23.02

 

CMYK 0 / 50 / 49 / 44

HEX #8E4748

RGB 142 71 72

HSL 359.15, 0.33%, 0.42%

LAB 39.11, 30.09, 13.29

 

CMYK 0 / 99 / 43 / 17

HEX #D40279

RGB 212 2 121

HSL 326, 0.98%, 0.42%

LAB 46.21, 74.65, -5.39

 

CMYK 0 / 99 / 69 / 17

HEX #D40241

RGB 212 2 65

HSL 342, 0.98%, 0.42%

LAB 44.83, 70.99, 27.52

 

CMYK 0 / 99 / 96 / 17

HEX #D40209

RGB 212 2 9

HSL 358, 0.98%, 0.42%

LAB 44.32, 69.59, 55.66

 

CMYK 0 / 76 / 99 / 17

HEX #D43302

RGB 212 51 2

HSL 14, 0.98%, 0.42%

LAB 47.46, 60.54, 59.19

 

CMYK 0 / 50 / 99 / 17

HEX #D46B02

RGB 212 107 2

HSL 30, 0.98%, 0.42%

LAB 56.6, 36.41, 64.23

 

CMYK 0 / 99 / 98 / 49

HEX #820103

RGB 130 1 3

HSL 359.07, 0.98%, 0.26%

LAB 26.08, 48.46, 37.52

 

CMYK 0 / 99 / 98 / 33

HEX #AB0104

RGB 171 1 4

HSL 358.94, 0.99%, 0.34%

LAB 35.38, 59.3, 48.05

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 0 / 99 / 97 / 1

HEX #FC0307

RGB 252 3 7

HSL 359.04, 0.98%, 0.5%

LAB 52.7, 79.23, 64.89

 

CMYK 0 / 83 / 81 / 1

HEX #FC2B2F

RGB 252 43 47

HSL 358.85, 0.97%, 0.58%

LAB 54.69, 74.7, 50.89

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 17 / 0 / 99 / 17

HEX #B1D402

RGB 177 212 2

HSL 70, 0.98%, 0.42%

LAB 79.86, -33.32, 78.96

 

CMYK 99 / 56 / 0 / 17

HEX #025DD4

RGB 2 93 212

HSL 214, 0.98%, 0.42%

LAB 42.15, 24.42, -67.18

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 96 / 0 / 99 / 17

HEX #09D402

RGB 9 212 2

HSL 118, 0.98%, 0.42%

LAB 74.29, -74.6, 72.21

 

CMYK 99 / 96 / 0 / 17

HEX #0209D4

RGB 2 9 212

HSL 238, 0.98%, 0.42%

LAB 26.63, 67.15, -92.82

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 17 / 0 / 99 / 17

HEX #B1D402

RGB 177 212 2

HSL 70, 0.98%, 0.42%

LAB 79.86, -33.32, 78.96

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 83 / 99 / 0 / 17

HEX #2502D4

RGB 37 2 212

HSL 250, 0.98%, 0.42%

LAB 27.27, 68.9, -91.72

 

CMYK 0 / 99 / 97 / 17

HEX #D40206

RGB 212 2 6

HSL 358.86, 0.98%, 0.42%

LAB 44.31, 69.56, 56.57

 

CMYK 46 / 0 / 99 / 17

HEX #72D402

RGB 114 212 2

HSL 88, 0.98%, 0.42%

LAB 76.48, -56.32, 74.88

 

CMYK 99 / 0 / 3 / 17

HEX #02D4CD

RGB 2 212 205

HSL 178, 0.98%, 0.42%

LAB 76.99, -43.83, -8.84

 

CMYK 53 / 99 / 0 / 17

HEX #6402D4

RGB 100 2 212

HSL 268, 0.98%, 0.42%

LAB 32.93, 71.68, -82.14

 

Description

Color code: HEX #D40206 | qconv.com Color code: HEX #D40206 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 2 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 2 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 97 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 97% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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