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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D43159 it is the complementary color #2BCEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D43159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D43159 shade: #D93154, #EA4367, #FB557A, #FF678D and #FF79A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D43159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D43159 shade: #D43159, #C31F46, #B20D33, #A10020 and #90000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D43159 shade: #D33058 and #D33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D43159 shade: #D33058, #D33084, #D330B0, #CA30D3 and #9E30D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D43159 shade matches the following richer shades: #D33058, #E71C4E and #FB0844

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D43159 shade: #D33058, #BF4562, #AA596D, #966D77 and #828181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D43159 shade: #D330B0, #D33084, #D33059, #D33330 and #D35E30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D43159 shade: #921F3B, #B42649, #D33058, #DA5274 and #E1748F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D43159 shade: #D43159, #D3CB30 and #309AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D43159 shade: #D43159, #59D330 and #3059D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D43159 shade: #D43159, #D3CB30, #30D3AA and #3038D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D43159 shade: #D43159, #AAD330, #30D3AA and #5930D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 58 / 17

HEX #D43159

RGB 212 49 89

HSL 345.28, 0.65%, 0.51%

LAB 48.15, 64.11, 17.09

 

Complementary color

CMYK 79 / 0 / 19 / 19

HEX #2BCEA6

RGB 43 206 166

HSL 165.28, 0.65%, 0.49%

LAB 74.45, -49.63, 8.48

 

CMYK 0 / 77 / 61 / 15

HEX #D93154

RGB 217 49 84

HSL 347.5, 0.69%, 0.52%

LAB 48.99, 65.19, 21.43

 

CMYK 0 / 71 / 56 / 8

HEX #EA4367

RGB 234 67 103

HSL 347.07, 0.8%, 0.59%

LAB 54.54, 65.54, 17.98

 

CMYK 0 / 66 / 51 / 2

HEX #FB557A

RGB 251 85 122

HSL 346.63, 0.95%, 0.66%

LAB 60.26, 65.41, 15.12

 

CMYK 0 / 60 / 45 / 0

HEX #FF678D

RGB 255 103 141

HSL 345, 1%, 0.7%

LAB 64.07, 60.91, 9.57

 

CMYK 0 / 53 / 37 / 0

HEX #FF79A0

RGB 255 121 160

HSL 342.54, 1%, 0.74%

LAB 67.63, 54.72, 3.85

 

CMYK 0 / 77 / 58 / 17

HEX #D43159

RGB 212 49 89

HSL 345.28, 0.65%, 0.51%

LAB 48.15, 64.11, 17.09

 

CMYK 0 / 84 / 64 / 24

HEX #C31F46

RGB 195 31 70

HSL 345.73, 0.73%, 0.44%

LAB 42.8, 63.03, 21.11

 

CMYK 0 / 93 / 71 / 30

HEX #B20D33

RGB 178 13 51

HSL 346.18, 0.86%, 0.37%

LAB 37.83, 60.86, 26.02

 

CMYK 0 / 100 / 80 / 37

HEX #A10020

RGB 161 0 32

HSL 348.07, 1%, 0.32%

LAB 33.31, 57.41, 31.72

 

CMYK 0 / 100 / 91 / 44

HEX #90000D

RGB 144 0 13

HSL 354.58, 1%, 0.28%

LAB 29.31, 52.54, 37.36

 

CMYK 0 / 77 / 58 / 17

HEX #D33058

RGB 211 48 88

HSL 345.28, 0.65%, 0.51%

LAB 47.84, 64.06, 17.24

 

CMYK 0 / 77 / 77 / 17

HEX #D33030

RGB 211 48 48

HSL 0, 0.65%, 0.51%

LAB 47.2, 62.05, 40.24

 

CMYK 0 / 77 / 58 / 17

HEX #D33058

RGB 211 48 88

HSL 345.28, 0.65%, 0.51%

LAB 47.84, 64.06, 17.24

 

CMYK 0 / 77 / 37 / 17

HEX #D33084

RGB 211 48 132

HSL 329.08, 0.65%, 0.51%

LAB 49.04, 67.79, -7.9

 

CMYK 0 / 77 / 17 / 17

HEX #D330B0

RGB 211 48 176

HSL 312.88, 0.65%, 0.51%

LAB 50.8, 73.01, -31.42

 

CMYK 4 / 77 / 0 / 17

HEX #CA30D3

RGB 202 48 211

HSL 296.69, 0.65%, 0.51%

LAB 51.12, 76.33, -51.29

 

CMYK 25 / 77 / 0 / 17

HEX #9E30D3

RGB 158 48 211

HSL 280.49, 0.65%, 0.51%

LAB 44.36, 68.18, -62.53

 

CMYK 0 / 77 / 58 / 17

HEX #D33058

RGB 211 48 88

HSL 345.28, 0.65%, 0.51%

LAB 47.84, 64.06, 17.24

 

CMYK 0 / 88 / 66 / 9

HEX #E71C4E

RGB 231 28 78

HSL 345.22, 0.81%, 0.51%

LAB 49.94, 73.28, 26.82

 

CMYK 0 / 97 / 73 / 2

HEX #FB0844

RGB 251 8 68

HSL 345.19, 0.97%, 0.51%

LAB 53.06, 79.86, 37.5

 

CMYK 0 / 77 / 58 / 17

HEX #D33058

RGB 211 48 88

HSL 345.28, 0.65%, 0.51%

LAB 47.84, 64.06, 17.24

 

CMYK 0 / 64 / 49 / 25

HEX #BF4562

RGB 191 69 98

HSL 345.74, 0.49%, 0.51%

LAB 47.25, 51.17, 9.77

 

CMYK 0 / 48 / 36 / 33

HEX #AA596D

RGB 170 89 109

HSL 345.19, 0.32%, 0.51%

LAB 48, 35.31, 3.71

 

CMYK 0 / 27 / 21 / 41

HEX #966D77

RGB 150 109 119

HSL 345.37, 0.16%, 0.51%

LAB 50.4, 17.87, 0.89

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 0 / 77 / 17 / 17

HEX #D330B0

RGB 211 48 176

HSL 312.88, 0.65%, 0.51%

LAB 50.8, 73.01, -31.42

 

CMYK 0 / 77 / 37 / 17

HEX #D33084

RGB 211 48 132

HSL 329.08, 0.65%, 0.51%

LAB 49.04, 67.79, -7.9

 

CMYK 0 / 77 / 58 / 17

HEX #D33059

RGB 211 48 89

HSL 344.91, 0.65%, 0.51%

LAB 47.86, 64.13, 16.66

 

CMYK 0 / 76 / 77 / 17

HEX #D33330

RGB 211 51 48

HSL 1.1, 0.65%, 0.51%

LAB 47.53, 61.13, 40.59

 

CMYK 0 / 55 / 77 / 17

HEX #D35E30

RGB 211 94 48

HSL 16.93, 0.65%, 0.51%

LAB 54.1, 43.5, 47.38

 

CMYK 0 / 79 / 60 / 43

HEX #921F3B

RGB 146 31 59

HSL 345.39, 0.65%, 0.35%

LAB 32.72, 48.51, 12.97

 

CMYK 0 / 79 / 59 / 29

HEX #B42649

RGB 180 38 73

HSL 345.21, 0.65%, 0.43%

LAB 40.53, 57.27, 15.68

 

CMYK 0 / 77 / 58 / 17

HEX #D33058

RGB 211 48 88

HSL 345.28, 0.65%, 0.51%

LAB 47.84, 64.06, 17.24

 

CMYK 0 / 62 / 47 / 15

HEX #DA5274

RGB 218 82 116

HSL 345, 0.65%, 0.59%

LAB 54.24, 55.91, 9.42

 

CMYK 0 / 48 / 36 / 12

HEX #E1748F

RGB 225 116 143

HSL 345.14, 0.64%, 0.67%

LAB 62.07, 45.11, 4.98

 

CMYK 0 / 77 / 58 / 17

HEX #D43159

RGB 212 49 89

HSL 345.28, 0.65%, 0.51%

LAB 48.15, 64.11, 17.09

 

CMYK 0 / 4 / 77 / 17

HEX #D3CB30

RGB 211 203 48

HSL 57.06, 0.65%, 0.51%

LAB 80.05, -13.77, 71.94

 

CMYK 77 / 27 / 0 / 17

HEX #309AD3

RGB 48 154 211

HSL 200.98, 0.65%, 0.51%

LAB 60.29, -10.47, -37.58

 

CMYK 0 / 77 / 58 / 17

HEX #D43159

RGB 212 49 89

HSL 345.28, 0.65%, 0.51%

LAB 48.15, 64.11, 17.09

 

CMYK 58 / 0 / 77 / 17

HEX #59D330

RGB 89 211 48

HSL 104.91, 0.65%, 0.51%

LAB 75.41, -61.5, 65.11

 

CMYK 77 / 58 / 0 / 17

HEX #3059D3

RGB 48 89 211

HSL 224.91, 0.65%, 0.51%

LAB 41.96, 29.36, -66.86

 

CMYK 0 / 77 / 58 / 17

HEX #D43159

RGB 212 49 89

HSL 345.28, 0.65%, 0.51%

LAB 48.15, 64.11, 17.09

 

CMYK 0 / 4 / 77 / 17

HEX #D3CB30

RGB 211 203 48

HSL 57.06, 0.65%, 0.51%

LAB 80.05, -13.77, 71.94

 

CMYK 77 / 0 / 19 / 17

HEX #30D3AA

RGB 48 211 170

HSL 164.91, 0.65%, 0.51%

LAB 76.14, -50.17, 8.76

 

CMYK 77 / 73 / 0 / 17

HEX #3038D3

RGB 48 56 211

HSL 237.06, 0.65%, 0.51%

LAB 34.31, 49.62, -79.42

 

CMYK 0 / 77 / 58 / 17

HEX #D43159

RGB 212 49 89

HSL 345.28, 0.65%, 0.51%

LAB 48.15, 64.11, 17.09

 

CMYK 19 / 0 / 77 / 17

HEX #AAD330

RGB 170 211 48

HSL 75.09, 0.65%, 0.51%

LAB 79.24, -34.57, 70.08

 

CMYK 77 / 0 / 19 / 17

HEX #30D3AA

RGB 48 211 170

HSL 164.91, 0.65%, 0.51%

LAB 76.14, -50.17, 8.76

 

CMYK 58 / 77 / 0 / 17

HEX #5930D3

RGB 89 48 211

HSL 255.09, 0.65%, 0.51%

LAB 35.87, 57.77, -76.75

 

Description

Color code: HEX #D43159 | qconv.com Color code: HEX #D43159 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 49 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 49 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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